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CATALOGUE  OF  THE 
INTERNATIONAL  EXHIBITION  OF 
CONTEMPORARY  MEDALS 


CATALOGUE 


OF  THE 

INTERNATIONAL  EXHIBITION  OF 

CONTEMPORARY  MEDALS 

THE  AMERICAN  NUMISMATIC  SOCIETY 

MARCH,  1910 

NEW  ANI)  REVISED  EDITION 


NEW  YORK 

1911 


Copyright,  1911,  by 

The  American  Numismatic  Society 


PREFACE  TO  THE  FIRST  EDITION 


The  present  catalogue  chiefly  represents  the  work  of  those  medalists  who 
have  responded  to  an  invitation,  sent  out  during  the  autumn  of  1909,  by  the 
American  Numismatic  Society,  to  participate  in  a Representative  Interna- 
tional Medallic  Exhibition,  consisting  of  medals,  medallions,  and  examples 
of  bas-relief  models  in  plaster,  wax  (if  under  glass),  terra-cotta,  bronze, 
and  marble;  opening  the  ninth  of  March,  1910,  and  continuing  until  the  first 
of  April. 

The  Exhibition  Committee  announced  that  the  exhibitor  whose  work  “may 
be  deemed  to  have  been  most  successful  by  the  Committee  of  Award  shall 
be  named  as  Commemorative  Medalist  for  the  year  nineteen  hundred  and 
ten,  receiving  a commission  for  a medal,  the  original  models  and  dies  of 
which  will  become  the  sole  property  of  the  American  Numismatic  Society, 
the  cost  of  this  medal  not  to  exceed  Three  Thousand  Dollars.”1 

1 Upon  the  conclusion  of  the  exhibition,  the  Committee  of  Award  named  M.  Gode- 
froid  Devreese,  Commemorative  Medalist,  and  in  accordance  with  the  plan  of 
the  Committee,  M.  Devreese  has  recently  executed  a plaquette  which  is  illus- 
trated on  the  following  page. 


ADVISORY  COMMITTEE 


1 Ierbert  Adams 
John  W.  Alexander 
A.  Piatt  Andrew 
George  Gray  Barnard 
Cecilia  Beaux 
Wilhelm  Bode 
Nicholas  Murray  Butler 
William  M.  Chase 


Herbert  Adams 
John  W.  Alexander 


r— 


Daniel  C.  French 
Emil  Fuchs 
Charles  Grafly 
Herbert  A.  Grueber 
Ephraim  Iveyser 
James  Loeb 
J.  Pierpont  Morgan 
Bela  L.  Pratt 

COMMITTEE  OF  AWARD 


Arthur  Putnam 
Serafino  Bicci 
Edward  Bobinson 
Auguste  Bodin 
Elifiu  Boot 

Joaquin  Sorolla  y Bastida 
Louis  H.  Sullivan 
Lorado  Taft 


Edward  D.  Adams,  Chairman 
A.  Piatt  Andrew  Thomas  Hastings 

Daniel  Chester  Frencfi  Herman  A.  McNeil 


Commemorative  Plaqnette  toy  M.  Godefroid  Devreese,  1911. 


PREFACE  TO  THE  SECOND  EDITION 


The  present  edition  of  the  Catalogue  of  Contemporary  Medalists  is  a re- 
vision of  a catalogue  published  in  connection  with  the  International  Ex- 
hibition of  Medallic  Art,  held  by  The  American  Numismatic  Society  in 
March,  1910.  The  first  edition  was  a provisional  catalogue  intended  only 
for  visitors  to  the  exhibition,  who  had  the  medals  before  them.  Owing  to 
the  difficulty  of  securing  data  from  a considerable  distance  within  a limited 
time,  many  of  the  biographical  sketches  in  the  edition  of  1910  were  incom- 
plete. In  some  cases  biographical  data  were  not  obtainable,  and  the  num- 
ber of  illustrations  was  necessarily  limited.  Much  valuable  material  was 
collected  by  the  delegate  of  the  Society,  Mr.  William  E.  B.  Starkweather, 
who  visited  the  artists  personally. 

The  revised  edition  has  been  a somewhat  laborious  undertaking,  inas- 
much as  it  was  imperative  to  return  the  medals  immediately  upon  the  con- 
clusion of  the  exhibition,  and  the  material  which  it  was  subsequently 
planned  to  incorporate  in  the  new  edition  had  to  be  secured  by  correspon- 
dence. The  Society  desires  to  thank  the  artists  cordially  for  their  great 
assistance  in  facilitating  the  expansion  of  the  descriptive  lists  and  the  re- 
vision of  the  biographical  notices.  Thanks  are  also  due  to  Dr.  W.  R.  Martin, 
Librarian  of  The  Hispanic  Society  of  America,  for  reading  the  proof  of  the 
first  edition,  and  translating  many  newly  added  biographies  in  the  second. 
Some  of  the  material  for  the  sketches  given  in  the  first  edition  was  freely 
drawn  from  Mr.  L.  Forrer’s  Biographical  Dictionary  of  Medalists,  and  for 
the  new  edition  Mr.  Forrer  has  kindly  sent  us  certain  information  which 
we  had  been  unable  to  obtain.  The  artists  were  urged  to  give  full  details, 
and  only  in  a few  instances  are  the  biographies  less  complete  than  might 
be  wished.  The  form  of  the  sketches  shows  considerable  variation,  as  they 
were  partly  composed  by  the  artists  themselves  and  partly  adapted  from 
printed  sources.  An  effort  has  been  made,  however,  in  this  second  edition 
to  harmonize  them  without  disturbing  the  individual  note  so  often  contrib- 
vii 


uted  by  Hie  writers,  producing  a more  satisfactory  result  than  would  uni- 
form notices  in  condensed,  encyclopedic  style. 

The  titles  of  the  medals  have  been  corrected  and  expanded,  and  dates, 
processes,  metals  or  materials,  sizes,  etc.,  added  where  possible.  The  new 
volume  is  equipped  with  an  introduction,  and  also  an  index  of  artists  and 
their  works.  x\s  large  a number  of  artists  as  possible  have  been  represented 
in  Hie  illustrations.  Many  of  the  exhibitors  furnished  supplementary 
photographs  of  their  works,  which  have  been  utilized  to  the  extent  com- 
patible with  the  size  of  a single  volume. 

This  new  edition  will,  it  is  hoped,  fill  a need  fell  by  the  lovers  of  the 
medallic  art.  It  is  an  attempt  to  supply  in  English  a sort  of  text-book  from 
which  to  begin  the  study  of  the  modern  or,  more  accurately,  the  contem- 
poraneous medal.  This  catalogue  of  medals,  with  its  illustrations,  and  the 
brief  outline  of  the  history  of  the  medallic  art  given  in  the  introduction,  are 
designed  to  place  the  reader  in  a position  to  pursue  the  study  of  medallic 
art  in  the  numerous  foreign  works  dealing  with  the  subject.  The  stress 
laid  by  modern  critics  and  collectors  upon  the  purely  artistic  quality  of  the 
medal  is  a comparatively  recent  viewpoint.  Furthermore,  the  element  of 
technique  has  played  no  minor  role  in  the  evolution  of  style;  hence,  a clear 
understanding  of  the  technical  processes  should  conduce  to  an  appreciation 
of  the  conceptions  of  the  artistic  nature  and  function  of  the  medal  held  by 
present-day  artists  of  different  temperaments  and  nationalities. 

In  a work  burdened  with  details  supplied  chiefly  by  correspondence,  it 
is  not  to  be  supposed  that  all  errors  have  been  avoided.  If  any  appear,  the 
readers  are  asked  indulgently  to  bear  in  mind  the  difficulties  engendered  in 
gathering  materials  from  so  many  scattered  sources. 


viii 


INTRODUCTION 


The  medal  in  the  sense  of  a metallic  souvenir,  usually  monetiform,  com- 
memorating an  individual  or  an  event,  but  not  destined  for  circulation  as  a 
coin  and  not  sharing  with  the  coin  its  legal  character,  is  distinctly  modern. 

In  order  to  clarify  this  statement,  it  will  be  instructive  to  trace  the  his- 
tory of  the  word  medal.  The  Low  Latin  medalia,  medalea  or  medalla  was 
used  in  two  senses:  first,  to  denote  the  smallest  coin  current,  to  wit,  the  obol, 
the  half  of  the  denier;  secondly,  old  coins  which  were  no  longer  in  circula- 
tion.1 This  later  meaning  is  employed  in  the  “Chronicon  Patavinum,” 
quoted  in  Muratori’s  “Antiquitates  Italiie,” — thesaurus  magnus  in  medallis 
auri  optimi, — a reference  to  a find  of  Roman  aurei  in  1274.  From  the  Low 
Latin  came  the  Italian  medaglia,  which  was  also  used  in  the  second  mean- 
ing to  apply  to  old  coins  which  had  become  the  object  of  collectors’  interest. 
When  the  custom  of  collecting  old  coins  spread  from  Italy  to  France,  the 
word  medaille  came  into  the  French  language,  the  earliest  known  writing 
in  which  it  occurs  dating  at  the  end  of  the  XVth  century.  This  earlier 
meaning  of  medaille  persisted  for  several  centuries,  and  was  until  very 
recently  used  by  French  numismatic  writers  on  Greek  and  Roman  coins. 

When  in  Italy  the  idea  of  making  commemorative  pieces  after  the  style 
of  the  old  Roman  coins  and  “medallions”  was  conceived,  about  the  middle 
of  the  XVth  century,  and  the  medal  in  the  modern  sense  was  created,  me- 
daglia took  on  this  new  meaning,  and  at  a later  period,  when  the  medal 
became  known  in  France,  medaille,  from  which  is  derived  our  medal,  as- 
sumed also  this  second  meaning. 

From  the  derivation  of  the  word  and  the  absence  of  medals  among  the 
numismatic  monuments  of  the  Middle  Ages,  it  would  appear  that  the  medal 
was  invented  in  the  modern  period.  But  was  it  not  known  to  the  ancient 
world?  Two  answers  have  been  given  to  this  question:  an  unquali- 
fied denial,  and  an  assertion  that  some  at  least  of  the  numismatic  products 
of  the  Roman  series  at  any  rate  correspond  to  the  medal  as  it  is  defined  to- 
day. This  definition  explains  the  medal  as  a piece  of  metal  whose  function 
is  purely  commemorative,  and  which  does  not  possess  a legal  value  en- 
abling it  to  circulate  as  a coin  in  the  settlement  of  contracts.  It  is  agreed  by 
all  numismatic  authorities  that  in  the  Greek  series  the  so-called  “medal- 
lions” of  Syracuse,  the  dodecadrachms  of  the  Ptolemies  in  Egypt,  and  the 
twenty-stater  gold  piece  of  Eucratides  of  Bactria  are  simply  higher  denomi- 

1 On  this  transfer  of  meaning,  cf.  E.  Babelon,  Traile,  I1,  p.  7. 


IX 


nations,  multiples  of  the  drachm  and  stater  unit.  By  reason  of  their  un- 
usual denomination  they  are  somewhat  removed  from  the  ordinary 
currency,  and  they  possess  a commemorative  character  and  high  artistic 
value.  But  they  were  struck  at  the  regular  mints  as  a circulating  numerary, 
and  had  not  t he  purely  personal  and  occasional  character  of  the  medal. 
Parallels  for  the  issue  of  such  coin-multiples  exist  in  many  modern  coin- 
ages. The  Japanese  oban,  which  differs  from  the  lower  denominations  in 
size  only,  is  an  example  of  such  a magnified  coin.1  Like  the  multiple-tha- 
lers of  Germany,  it  did  not  pass  freely  in  common  circulation,  but  was  re- 
served for  official  gifts  on  state  occasions.  The  Venetian  osella,  though  not 
a multiple,  is  another  example  of  a piece  which  lies  on  the  border  that  sepa- 
rates the  coin  from  the  medal,  partaking  as  it  does  of  the  nature  of  both. 
All  such  pieces — coin-medals  or  medallic  coins — should  be  recognized  as 
part  coin  and  part  medal,  but  as  none  the  less  belonging  to  the  coin  class. 

An  apparent  exception  to  the  absence  of  the  veritable  medal  from  the 
Greek  series  is  met  with  in  two  groups  of  struck  pieces  of  artistic  design 
and  large  dimensions  which  do  not  bear  monetary  legends  and  do  not  cor- 
respond in  weight  to  contemporaneous  coin-standards.  These  are  the  three 
medallions  found  in  1865  at  Tarsus  in  Cilicia,  now  in  Paris,  and  the  twenty 
medallions  found  in  1902  in  Egypt  at  Aboukir.  They  bear  Greek  inscrip- 
tions, albeit  of  a very  late  period,  and  the  types  relate  to  Alexander  the 
Great  and  his  family.  But  they  date  from  the  Hid  century  a.  d.,  which 
classes  them  as  Greco-Roman  products,  and  hence  as  outside  of  the  Greek 
series  proper.  They  were  probably  prizes  given  to  victors  in  the  games 
held  in  honor  of  Alexander  the  Great,  242  a.  d.,  and,  while  not  personal 
medals  in  the  modern  sense,  they  are  quite  distinct  from  the  medallic  coins 
mentioned  above. 

The  case  is  more  complex  when  we  come  to  the  Roman  series.  M.  Babe- 
Ion2  does  not  admit  the  existence  of  the  medal  in  the  modern  sense  among 
the  Romans  any  more  than  among  the  Greeks.  But  Signor  Gnecchi3  con- 
tends that  certain  of  the  “medallions,”  by  their  weight,  size,  and  method  of 
striking,  appear  to  be  medals  rather  than  coin-multiples.  He  writes: 
“Uno  studio  pin  serio,  piu  ponderato  dei  fatti,  quali  si  vengono  pre- 
sentati  dai  monumenti,  mi  porto  alia  ferma  convinzione — e ne  daro  le  prove 
— che  non  solo  la  medaglia  esitte  veramente  presso  i Romani,  ma  e anzi  a 
Roma,  che  essa  ebbe  origine.”  The  gold  and  silver  “medallions”  are  de- 

1 Japan  und  sein  Miinzwesen,  Monatsblatt  der  Num.  Gcsell.  in  Wien,  June-July,  1911. 

2 Trade  des  monn.  gr.  et  rom.,  I1,  p.  052  ff. 

3 La  medaglia  presso  i Romani,  divista  Ital.  di  Nnm.,  1911,  Pt.  I.  Cf.  Contribu- 

tions a la  tlieorie  des  medaillons.  II.  Mowat.  Rivista  Ital.  di  Nnm.,  1911,  Pt.  II.; 
and  Dr.  Menadier,  in  Fiihrer  durch  das  Kaiser  Friedrich  Museum,  1911,  p.  109. 


X 


monstrably  multiples  of  the  aureus  and  denarius.  Whether  they  ever  cir- 
culated as  coins,  or  only  served  as  gifts,  marks  of  distinction,  etc.,  is  the 
debated  point. 

However  this  question  may  be  ultimately  decided,  the  infinitely  broader 
scope  of  the  modern  medal,  its  absolute  demarcation  from  the  coin,  the  fact 
that  it  is  no  longer  the  prerogative  of  sovereigns  alone,  characterize  it  as  a 


new  production.  That  the  old  Roman  “medallions”  were  its  inspiration  is 
apparent  from  the  origin  of  the  word  medaglia  as  shown  above,  and  from 
the  style  of  the  earliest  medals.  The  first  medals  known  to  us  are  two  pieces 
struck  in  1390  by  the  Carraras,  lords  of  Padua.  The  one  illustrated  above 
commemorates  the  surrender  of  Padua  in  1390.  The  obverse  shows  the 
head  of  Francesco  II,  and  is  a copy  of  a Roman  coin,  perhaps  the  silver 
denarius  of  the  emperor  Vitellius.  The  reverse  bears  the  type  of  the  four- 
wheeled  car,  the  canting  badge  of  the  Carraras. 

That  this  medal  and  the  companion  piece  with  the  portrait  of  Fran- 


cesco’s father  were  actually  made  in  the  XIVth  century,  as  they  are  dated,  is 
proved  by  an  entry  in  the  inventory  of  the  collection  of  Jean,  Due  de  Berry, 
dated  1401:  a “leaden  impression  having  on  one  side  the  visage  of  Fran- 
cesco of  Carrara,  on  the  other  the  mark  of  Padua.”  Additional  proof  is 
found  in  a MS.  of  Livy  (from  the  second  half  of  the  XVth  century),  in  the 
Bibliotheque  Nationale,  on  which  is  sketched  a head  of  Francesco  Carrara, 
copied  apparently  from  a medal  of  1390.  One  of  the  extant  specimens  of 
these  medals  is  a struck  bronze  piece,  others  are  casts.1  Struck  pieces  were 
also  made  by  the  Sestos  of  V enice  ( 1393  to  1493  or  later) . 


xi 


1 For  further  reference  on  the  technique  compare  M.  Babelon  in  Andre  Michel’s 
Histoire  de  VArt,  1910,  Vol.  Ill,  Pt.  II,  pp.  897-924. 


The  inventory1  of  the  Due  de  Berry  also  furnishes  ns  the  means  of 
dating  two  medals  which  had  long  been  known,  but  had  been  incorrectly 
dated.  These  are  the  medals  of  Constantine  the  Great  and  of  Ileraclins,  the 
Byzantine  emperor.  Several  copies  of  these  medals  are  extant,  in  one  or 
more  varieties,  which,  previous  to  the  publication  of  the  inventory  in  1890, 
had  been  supposed  to  go  back  to  originals  belonging  to  the  XVIth  century. 
The  date  of  the  originals  of  these  medals  is  now  fixed  for  us  by  the  inven- 
tory at  about  the  end  of  Ihe  XIVth  century.  The  inventory  shows  that  the 
duke  possessed  specimens  in  gold,  and  they  are  described  under  entries  for 
1402  and  1416-1417,  respectively.  We  quote  that  portion  of  the  entry  for 
1402  which  concerns  the  Constantine  medal:  “Item,  un  autre  joyau  d’or 
roont,  de  haulte  taille,  ouquel  est  contrefait  d’un  des  costez  Constantin  a 
cheval,  et  a escript  a fenviron:  Constantinus  in  Christo  Deo  fidelis,  impe- 
rator  el  moderator  romanorum,  et  semper  Augustus,  et  de  l’autre  coste  a 
deux  femmes,  et  on  milieu  d’icelles  une  fontainne  oil  il  a un  arbre,  et  de- 
dens  ledit  arbre  une  croix,  et  a escript  a l’environ:  Michi  ahsit  gloriari  nisi 
in  cruce  Domini  nostri  Jhesu  Christi;  . . . lequel  joyau  Monseigneur 
achata  en  sa  ville  de  Bourges  de  Antoine  Manchin,  marchant  de  Florence, 
demourant  a Paris,  le  deuxieme  jour  de  novembre  de  fan  1402,  la  somme 
de  XI  cens  f rails. ’’  These  medals  have  been  assigned  to  Italy  on  grounds  of 
provenance  and  style,  but  there  is  also  a strong  claim  made  for  Flanders 
and  Northern  France. 

Were  it  possible  to  prove  an  Italian  origin,  these  medals  might  reason- 
ably be  regarded  as  the  precursors  of  the  Renaissance  medals.  Since,  how- 
ever, neither  by  external  evidence  can  they  be  positively  assigned  to  Italy, 
nor  by  affinity  of  style  can  their  parenthood  to  the  first  great  medal  of  the 
Renaissance  be  definitely  established,2  thej^  can  only  be  regarded,  in  com- 
pany with  the  Carrara  and  Sesto  medals,  as  sporadic,  tentative  experiments 
in  medal-making.  While  lliey  antedate  the  Renaissance  medals,  they  did 
not  rapidly  find  imitators,  as  did  the  latter,  and,  consequently,  no  great 
ftoraison  of  the  art  succeeded  their  appearance.  The  gold  originals  of  these 
medals  no  longer  exist.  The  specimens  which  have  come  down  to  us  are 
cast  and  chased  copies,  mostly  of  poor  workmanship.  The  originals  may 
have  been  hollow  cast  medals,  that  is,  obverse  and  reverse  cast  separately, 
and  afterward  fastened  together,  or  they  may  have  been  produced  by  the 

1 M.  J.  Guiffrey,  Revue  Num.,  1890. 

2 It  has  been  suggested  that  the  reverse  of  the  Triumph  medal  of  Alfonso  I by 

Pisanello  was  influenced  by  the  reverse  type  of  the  Heraclius  medal,  and  it  is 
to  be  borne  in  mind  that  the  first  medal,  namely,  the  Palseologus  medal,  is  of 
religious  import,  as  are  also  the  Constantine  and  Heraclius  medals.  Cf.  G.  F. 

Hill,  Pisanello;  also,  Num.  Chronicle,  1910,  p.  110. 

xii 


embossing,  or  repousse  technique.  As  they  were  of  large  size,  90  milli- 
meters in  diameter,  they  could  not  have  been  struck  from  dies,  with  the 
implements  then  in  use. 

We  now  come  to  those  medals  which  stand  out  as  the  real  innovation, 
and  mark  the  actual  birth  of  the  art.  Although  we  have  discerned  certain 
threads  of  continuity  connecting  the  numismatic  products  of  classical  an- 
tiquity with  those  of  modern  times,  and  the  medal  is  not  so  entirely  without 
antecedents  as  to  be  described  as  genuinely  autochthonous,  neverthe- 
less, the  modern  medal,  when  it  makes  its  appearance,  comes  to  us  in  such 
an  original  garb  that  it  scarcely  reveals  the  influences  which  determined  its 
genesis.  The  new  dress  which  thus  differentiates  the  modern  medal  from 
its  predecessors  is  its  new  technique. 

In  order  to  make  our  survey  of  the  technical  methods  used  in  the 
production  of  medals  complete,  we  may  revert  to  the  Greco-Roman  “medal- 
lions” of  Tarsus  and  Aboukir.  These  were  struck  from  dies  engraved  by 
hand  directly  in  a metal  block.  The  process  is  analogous  to  gem-engraving, 
and  is  as  old  as  the  invention  of  Greek  coinage,  i.e.,  about  700  b.  c.  The  exe- 
cution was  entirely  by  hand.  After  the  engraving  of  the  die,  the  blank  or 
metal  disk  which  was  to  receive  the  impression  was  heated  and  placed  be- 
tween the  obverse  and  reverse  dies,  and  the  impression  struck  by  successive 
blows  of  the  hammer.  When  the  Italians  of  the  XVth  century  desired  to 
execute  pieces  of  large  dimensions  and  strong  relief  which  would  allow 
them  to  give  expression  to  their  plastic  impulse,  the  implements  then  in  use 
for  the  striking  of  coins  were  more  crude,  and  the  die-sinkers  less  skilful 
than  in  Greek  and  Roman  times.  Recourse  was  therefore  had  to  the  casting 
process.  The  medal  was  modeled  positive  in  wax,  and  negative  moulds  of 
the  two  halves  of  the  medal  were  taken  in  clay  or  sand.  The  negative 
moulds  were  then  placed  together,  embedded  in  sand,  and  an  opening  was 
left  between  the  two  halves  through  which  the  molten  metal,  usually 
bronze,  was  introduced.  The  medal  thus  produced  was  a solid  casting.  The 
rough  surface  of  the  bronze  was  worked  smooth  with  sandpaper,  and  a 
graving-tool  was  used  to  touch  up  the  finer  lines  and  emphasize  the  outlines. 
When  thus  worked  over  and  tooled,  the  medal  was  said  to  be  cast  and  chased. 
The  artist  himself  performed  this  latter  process,  and  as  the  work  was  very 
arduous  and  required  very  high  skill,  the  output  of  such  medals  was  ex- 
tremely limited.  In  place  of  taking  a mould  in  two  halves,  the  mould  was 
not  infrequently  built  up  around  the  wax  model,  the  wax  melted  out,  and 
the  bronze  introduced  by  the  process  known  as  the  cire  perdue,  or 
“lost  wax”  method.  The  wax  model  being  thus  destroyed,  the  bronze  medal 
xiii 


itself  served  as  a model  from  which  a second  matrix  was  made;  and  since, 
in  casting,  there  is  a certain  amount  of  contraction  in  the  metal,  copies  made 
at  a later  date  are  of  smaller  diameter.  This  fact  enables  ns  to  judge  of  the 
relative  distance  of  copies  from  originals.  It  is  a well-known  fact  that  the 
majority  of  Renaissance  medals  in  our  collections  to-day  are  not  first-hand 
products,  that  is,  made  in  the  artist’s  own  atelier  and  touched  by  his  hand, 
but  are  products  either  of  the  artist’s  contemporaries,  or  of  later  genera- 
tions. These  older  castings  are  often  done  in  excellent  style,  and  are  easily 
distinguishable  from  the  more  modern  copies  of  the  XVIIIth  and  XIXth 
centuries. 

The  first  medal,  which,  though  undated,  is  the  earliest  of  the  Renaissance 
series,  is  that  of  John  VIII  Palaeologus,  the  Byzantine  emperor,  which  was 
made  in  1438  or  1439,  by  Vittore1  Pisano,  or  Pisanello,  of  Verona  (1397- 
1455).  The  medal  was  made  when  the  emperor  w^as  in  Italy  attending  a 
church  council  at  Ferrara.  The  obverse  represents  John  Palaeologus  in  the 
tall,  pointed  hat  worn  by  the  Greek  emperors,  with  beard  and  curls,  and 
bears  the  following  inscription:  +IUJANNHC ■ BACIA6VC ■ kai  avto -kpatuup- 
pujmaiuun  o nAAAlOAOroc  (“John  Palaeologus,  King  and  Emperor  of  the 
Romans”).  The  reverse  shows  the  emperor  on  horseback  riding  along  a 
stony  road  and  pausing  in  an  attitude  of  devotion  before  a wayside  shrine. 
His  page  is  seen  in  a characteristic  pose  of  this  artist,  much  imitated  by  his 
admirers  and  followers,  foreshortened  from  the  rear.  The  horses  are  of 
a heavy  breed,  and  the  gait  of  the  emperor’s  horse,  which  is  the  amble,  is 
correctly  given.  The  inscriptions — in  Latin,  OPVS  ■ PISANI  • PICTORIS, 
and  in  Greek,  GPrON  tov-  niCANOV  • zuurPA^ov — designate  the  medal  as  the 
“work  of  Pisano,  the  painter.”  The  medal  measures  102  mm.,  and  is 
cast  and  lightly  chased.  The  subject  is  treated  in  a broad  style,  the  relief 
just  sufficiently  high  to  accord  with  the  size  of  the  medal,  and  the  disposi- 
tion and  lettering  of  the  inscription  are  pleasing. 

The  names  of  other  great  Italian  artists,  painters,  sculptors,  and  gold- 
smiths who,  inspired  by  Pisanello,  produced  l hat  glorious  series  of  noble 
works  known  as  the  Italian  Renaissance  medals  are  w^ell  known  to  art  lov- 
ers. Matteo  de’  Pasti,  Giovanni  Boldu,  Sperandio,  Gianfrancesco  Enzola, 
Francesco  Laurana,  Leoni  Leone,  Jacopo  da  Trezzo,  and  Benvenuto  Cellini 
are  among  the  most  famous.  In  Germany  also  portrait  medals  in  Renais- 
sance style  had  a great  vogue.2 

1 Recently  discovered  documents  prove  that  his  name  was  Antonio,  and  that  he 
was  born  in  1397. 

- In  its  development  in  other  countries,  the  medal  was  subject  to  various  special 
influences,  such  as  that  of  seal-engraving  in  Belgium  and  the  coin  in  France. 


XIV 


XV 


Medal  of  John  VIII  Palsologus. 

This  medal  belongs  to  the  collection  of  Mr.  J.  Pierpont  Morgan,  through 
whose  courtesy  we  are  permitted  to  illustrate  it. 


When,  however,  the  taste  for  medals  was  more  widely  diffused,  the 
modeling  and  casting  process  gave  way  to  the  striking  process.  Gradually 
the  methods  for  striking  coins  were  improved;  the  balancier  or  screw-press 
accelerated  the  transition  from  manual  to  mechanical  methods,  and  as 
early  as  the  second  half  of  the  XVIth  century  the  striking  of  medals  of 
large  dimensions  was  common.  We  even  hear  of  medals  struck  by  ma- 
chinery as  early  as  the  time  of  Vittore  Gambello  (1460-1539),  who  was  the 
first  modern  artist  to  engrave  dies  and  strike  medals  of  comparatively  large 
size  and  high  relief. 

In  the  XVI Ilh  and  following  centuries,  the  striking  process  largely  sup- 
planted the  casting,  though  the  latter  continued  to  be  sparingly  employed. 


Medal  of  Charles  II  of  England,  repousse. 


Medal  of  Charles  Rabenhaupt  of  the  Nether- 
lands, 1672,  niello  engraving. 


The  artist  was  enabled  to  multiply  copies  with  greater  rapidity  in  the 
former  way,  and  a more  clear-cut  image  and  greater  circularity  were  at- 
tained. 

In  addition  to  the  processes  above  described,  other  techniques  or  modifi- 
cations were  introduced.  In  Germany  and  elsewhere  medals  were  cast  in 
separate  pieces  and  then  chased  minutely.  The  two  pieces  were  then  fas- 
tened together  with  a rim.  In  the  Netherlands  during  the  XVIth  and  XVIIth 
centuries  a thin  plate  of  metal  was  beaten  up  into  relief  for  the  two  sides  of 
the  medal  in  the  embossing  or  repousse  technique.1  Engraving  or  niello 
work  on  a flat  surface  was  an  occasional  technique.  Some  of  the  medals  by 
Simon  Passe  (early  XVIIth  century),  which  have  the  appearance  of  being 

1 Such  embossed  and  chased  medals  were  made  by  Peter  van  Abeele  and  0.  Muller 

of  Amsterdam. 


XVI 


engraved,  were  struck  from  metal  dies  which  were  engraved  with  very  tine 
lines.  A reappearance  of  this  technique  in  modern  times  is  seen  in  the 
medal  recently  issued  by  the  Hollandaise-Belge  Soeiete.1 

In  Germany,  Albrecht  Diirer  and  Johann  Schwartz  of  Augsburg  pro- 
duced cast  medals  from  boxwood  or  Stechstein  models  which  the}'  cut  by 
hand.  In  the  Lanna  Collection2  were  a number  of  these  rare  wooden 
models  which  served  as  matrices  for  the  great  portrait  medals  of  the  XVIth 
and  XVIIth  centuries.  These  had  been  carefully  preserved,  and  some  of 
them  were  painted  and  gilded.  This  technique  has  been  revived  b}^  mod- 
ern artists,  notably  by  Paul  Sturm,  who  cuts  models  in  Solnhofer  stone.  A 
complete  treatise  analyzing  in  detail  all  techniques  has  not  yet  been  writ- 
ten, but  such  a work  would  contribute  largely  to  our  scientific  knowledge. 

The  striking  method  became  everywhere  the  favored  process,  and  this 
fact  has  a large  bearing  on  the  art  history  of  the  medal.  With  the  perfecting 
of  mechanical  aids  in  striking,  a mathematical  exactness  otherwise  impos- 
sible was  secured,  but  this  was  accompanied  by  a certain  hardness  of  out- 
line, dryness  of  treatment,  and  monotony  in  place  of  variety.  Certain 
traditions  in  regard  to  the  disposition  of  the  inscriptions — a rigid  formalism 
— arose,  so  that  in  the  course  of  time,  particularly  in  the  XVIIIth  century 
and  the  beginning  of  the  XIXth,  the  splendid  artistic  quality  which  the 
medal  had  in  its  naissance  and  early  period  was  completely  lost.  This  was 
due  to  the  fact  that  convention  got  the  upper  hand,  so  to  say.  “Classicism” 
— b}^  which  is  meant  the  adherence  to  the  grenetis,  or  row  of  dots  about  the 
type,  imitated  from  ancient  coins;  the  high  rim;  the  polished  background 
and  inner  circle;  the  stereotyped  form  of  the  inscription — was  prescribed. 
All  such  formalism,  proper  enough  in  its  inception,  chills  the  soul  of  poetic 
imagination.  The  reverse  of  the  medals  showed  a woeful  lack  of  artistic 
spontaneity.  An  inferior  and  obvious  treatment  of  both  sides  of  the  medal 
became  their  disheartening  characteristic. 

The  modern  reawakening  or  renaissance  of  the  medal  is  identified  with 
the  name  of  Hubert  Ponscarme  (1827-1903).  In  his  medal  of  Joseph  Nau- 
det,  in  which  he  has  been  hailed  as  the  forerunner  of  the  modern  school, 
Ponscarme  broke  away  from  the  traditional  treatment  and  set  a new 
standard  for  the  medal.  After  Ponscarme  came  Chaplain,  the  great  por- 

1 A klippe-shaped  plaquette,  “The  Glory  of  the  House  of  Orange-Nassau,”  by  F.  E. 

Voet.  Cf.  W.  Zwierzina,  Een  geslagen  Niello-Penning,  Tidschrift  voor  Munt- 
en  Penningkunde,  1910,  p.  209. 

2 Sammlung  Lanna,  Pt.  Ill,  Prague,  May,  1911.  In  this  same  collection  were  models 

or  moulds  in  Kelheimer  and  Dambrett  stone,  and  even  the  original  wax  models 
used  by  XVIth-century  artists. 

xvii 


Original  Sketches  by  O.  Roty. 


xviii 


traitist ; Roty,  the  master  of  delicatesse  and  sentiment;  and  Charpentier,  the 
first  to  apply  the  technique  of  the  bas-relief  to  the  medal.  With  these 
names  are  associated  a brilliant  list  of  medalists,  many  of  them  distin- 
guished sculptors  and  painters,  who  in  France,  Germany,  Austria,  and  else- 
where have  raised  the  modern  medal  once  more  to  the  plane  of  a fine  art. 

Closely  connected  with  the  modern  revival,  though  not  as  a sole  primary 
cause,  is  the  invention  of  the  machine  for  engraving  the  die,  which  renders 
the  long  and  difficult  apprenticeship  with  the  burin  superfluous.  Before 
the  invention  of  Contamin,  about  1840,  the  artist  was  obliged  to  engrave  or 
cut  the  design  of  his  medal  on  a soft  steel  block  or  die,  working  from  a 
drawing  or  a model  in  wax.  The  dies  were  then  hardened  and  placed  in  a 
hydraulic  press,  and  the  medal  struck  from  these  dies. 

By  the  reducing-machine  process  the  medium  of  the  artist  is  no  longer 
the  steel.  After  a sketch  of  the  head,  figure,  or  group  has  been  designed  on 
paper,  the  artist  proceeds  to  model  his  design  in  soft  wax  (plastilino  is  the 
favorite  kind),  placing  it  bit  by  bit  on  a slate,  and  building  it  up  as  a sculptor 
works  on  a bas-relief.  This  wax  model  in  rectangular  or  circular  form  is 
often  as  large  as  fifty  centimeters  in  diameter.  From  the  wax  model  a 
plaster  cast  is  taken  in  negative,  and  from  this  in  turn  a positive  casting  in 
iron  or  bronze,  or  a galvanoplastic  reproduction,  is  obtained.  This  large 
metal  model  is  then  placed  in  the  reducing-machine,  and  the  whole  of  the 
concluding  process  thereafter  is  mechanical. 

The  reducing-machine  is  an  application  of  the  principle  of  the  panto- 
graph. The  construction  of  this  machine  is  based  upon  the  fact  that  the 
farther  a point  is  located  from  the  center  of  a wheel,  the  longer  the  path  it 
travels  as  the  wheel  revolves.  The  most  conspicuous  part  of  the  machine  is 
a freely  moving  beam  fastened  only  at  one  end,  and  counterbalanced  by  a 
weight  at  the  other  end.  On  this  beam,  near  the  free  end,  is  located  a tra- 
cing-point. A very  sharp  metal  casting  of  the  original  wax  model  is  placed 
under  this  point  and  kept  revolving.  The  tracing-point  continually  touches 
the  casting,  gliding  over  all  its  raised  surfaces  and  depressions  in  a very 
close  spiral  line,  starting  from  the  center  of  the  cast  and  working  outward 
toward  the  rim.  Nearer  the  fixed  end  of  the  beam  is  a second  steel  point, 
the  cutting-point  or  friiser,  which  is  revolved  very  rapidly  by  an  electric 
motor.  This  cutting-point,  guided  by  the  tracing-point,  cuts  or  engraves  on 
the  soft  steel  block  an  exact  copy  of  the  original  cast  model,  but  in  reduced 
size.1  The  closer  the  fraser  or  cutting-point  is  placed  to  the  fixed  end  of  the 


xix 


1 The  best  results  are  obtained  when  the  reduction  is  made  in  a proportion  not 
greater  than  6 to  1 — preferably  5 to  1,  or  4 to  1. 


Reducing-Machine — “Janvier”  Model.  (The  Medallic  Art  Co.,  New  York.) 

beam,  or  the  center  of  the  wheel,  the  smaller  is  the  diameter  of  the  repro- 
duction on  the  steel  block.  This  block  shows  the  medal  or  plaquette  in  the 
reduced  size  desired,  but,  like  the  original,  in  relief  or  positive,  and  is  desig- 
nated the  patrix,  or  more  popularly  the  “hub.” 1 The  soft  black  must  be  sub- 
jected to  a hardening  process.  It  is  thereupon  fastened  in  a friction  screw- 
press,  and,  by  repeated  blows,  whose  force  is  equal  to  a weight  of  250,000 
kilograms,  the  patrix  is  stamped  upon  another  soft  steel  block  which  re- 
ceives the  impression  in  intaglio  or  negative.  This  second  block,  designated 
the  matrix  or  die,  is  likewise  hardened.  The  die  is  then  handed  over  to  the 
artist  or  skilled  engraver  for  examination,  its  details  are  carefully  studied 
and  proved,  an  impression  in  lead  is  taken,  and  the  die  is  ready  for  the  press 
— the  final  step  of  striking. 

The  reducing-machine  makes  it  possible  for  any  artist  who  can  model 
to  produce  a medal.  A sculptor  or  painter  may  engage  in  this  work  as  a 
branch  of  his  activities.  Roty  himself  declared  that  lie  had  never  gone 
through  the  severe  training  of  engraving  the  die,  and  could  not  have  exe- 
cuted any  of  his  medals  without  the  reducing-machine.  We  still  hear  of 
ecoles  de  graveurs,  and  Gravier-schulen,  and  many  medalists  style  them- 

1 The  die  may,  of  course,  be  made  first,  and  the  hub  obtained  from  the  die;  this  is 
always  done  as  a precaution  against  the  breaking  of  the  dies  in  striking. 

XX 


selves  “graveurs  en  medailles,”  but  the  fact  is  that  the  reducing-machine  is 
to-day  the  engraving  agent  almost  exclusively  employed  in  the  actual  cut- 
ting of  the  dies.  Its  advantages  are  undeniable,  and  to  its  invention  we  owe 
the  delicate  low  relief  with  its  manifold  gradations  which  give  perspective, 
atmosphere,  and  grace.  The  artist,  once  more  as  in  the  days  of  the  Renais- 
sance, lovingly  and  genially  transmits  his  warm  creative  impulse  through 
his  finger-tips.  Plastic  form  is  created  in  his  mind’s  eye,  and  takes  shape 
under  his  obedient  hands.  Painters  may  introduce  the  pictorial  element 
into  a struck  medal.  Impressionism  in  both  the  sculptors’  and  painters’ 
meaning  may  be  applied  to  the  struck  as  well  as  to  the  cast  medal. 

A protest  has,  however,  been  raised,  chiefly  by  the  Germans,  against  the 
entire  abandonment  of  engraving  by  hand.  Dr.  Georg  Habich1  argues  that 
the  reducing-machine  takes  away  from  the  strength  which  lies  in  a clearly 
expressed  technique.  This  result  Dr.  Habich  regards  not  as  inevitable  with 
all  artists,  but  as  a peril  to  which  many  succumb.  There  is,  no  doubt,  a 
danger  in  the  complete  freedom  which  the  reducing-machine  affords  the 
modeler,  but  the  great  advantage  of  the  gradual  shading  off  of  the  figures 
into  the  background  is  an  undeniable  artistic  benefit  not  possessed  by  the 
graving-tool  and  steel  medium.  The  observing  critic  will  note  many  cases 
where  reduced  medals  show  a summary  treatment  of  details  and  inadequate 
modeling.  These  faults  are  due  to  an  abuse  of  the  freedom  afforded  by  the 
machine,  which  relieves  the  artist  from  the  necessity  of  executing  in  the 
actual  scale  of  the  piece  produced.  Certain  German  medalists,  notably 
Georg  Reimer,  Max  Dasio,  and  Fritz  Hornlein,  take  an  extreme  position. 
They  claim  that  the  contemporaneous  art  is  full  of  artificialities.  They 
scorn  the  delicatesse  of  the  French  artists  as  tricky  minutiae,  and  regard  the 
reducing-machine  as  a mechanical  invention,  typical  of  an  age  of  ma- 
chinery, which  will  be  as  fatal  to  the  medallic  art  as  mechanical  methods 
have  been  to  wood-carving.  These  artists  believe  that  the  work  should  be 
executed  in  the  actual  size  of  the  projected  medal,  since  only  in  this  way 
can  the  freshness  of  the  original  conception  be  retained.  “Whoever,”  it  is 
urged,  “has  analyzed  the  great  effect  attained  in  the  small  diameter  of  an 
ancient  Greek  coin,  will  understand  what  the  working  in  the  actual  size  and 
proper  proportions  means  for  the  inner  balancing  of  the  composition.” 
Hornlein  believes  firmly  that  onty  by  reverting  to  the  die-cutter’s  art  is  any 
advance  possible  in  the  future  development  of  the  medal. 

Whether  the  reducing-machine,  which  has  during  the  last  half-century 


xxi 


1 Neuere  Entwickelung  der  Medaillenkunst,  Kunst  u.  Handwerk, 
Pt.  VII,  1906,  Munich. 


been  the  cause  of  such  a splendid  development  of  the  struck  medal,  will 
eventually  lead  to  its  degeneration,  cannot  be  prophesied.  It  may,  how- 
ever, be  confidently  predicated  that  while  in  the  modeling  positive  in  large 
dimensions  lurk  certain  pitfalls,  the  cutting  negative  in  small  dimensions 
requires  a greater  degree  of  talent,  an  exquisitely  sensitive  genius,  to  pro- 
duce equal  artistic  results. 

The  various  techniques  and  forms  employed  by  the  artists  whose  works 
are  here  presented  have  been  noted,  except  where  it  was  impossible  to  ob- 
tain information.  Some  artists  employ  both  the  plaquette-shaped  piece  and 
(he  medal  proper;  others  indicate  a preference  for  one  form  only.  Some 
artists  produce  only  cast  medals;  others  work  in  both  techniques.  A brief 
might  be  held  in  favor  of  the  cast  medal  for  portraits,  on  the  ground  that 
genuine  plastic  form,  without  the  loss  of  softness  of  outline,  may  only  thus 
be  achieved.  On  account  of  its  texture  and  color,  also,  cast  bronze  is  a most 
excellent  metal  for  the  rendering  of  portraits. 

The  majority  of  the  medals  were  made  by  striking  or  casting,  but  a few 
exceptions  should  be  noted.  Nos.  3 and  6 of  the  firm  of  Tiffany  & Co.  were 
etched  and  engraved.  The  etching  was  done  in  Ihe  usual  way,  that  is, 
through  corrosion  of  the  metal  by  acid,  and  Ihe  finer  lines  were  accentuated 
by  engraving  them  with  the  burin.  Nos.  2,  7,  8,  13  and  15  by  L.  de  Feo,  and 
Nos.  1,12,  and  13  by  Hans  Frei,  were  cut  by  hand  directly  in  bronze  as  an 
engraver  does  high-relief  work  in  metal.  No.  1 by  Paul  Sturm  and  the  re- 
verses of  Nos.  15  and  18  by  Max  Dasio  were  cast  from  models  cut  in 
Solnhofer  stone.  This  is  a fossiliferous,  fawn-colored  limestone  found  in 
the  quarries  at  Solnhofen,  near  Pappenheim,  in  Bavaria.  When  pure  and 
free  from  fossils,  it  has  a wonderfully  fine-grained  texture  which  admits  of 
very  delicate  cutting.  The  stone  is  extensively  used  in  lithography  in  our 
country.  Max  Dasio  exhibited  also  some  cast  medals  from  models  in  box- 
wood, a revival  of  a technique  employed  by  German  Renaissance  medalists. 

The  finish  or  final  surface  of  a struck  medal  is  usually  obtained  by  the 
French  sand-blasting  process.  A stream  of  powdered  sand  pits  the  surface 
with  infinitesimal  holes,  and  the  medal  is  then  dipped  into  a bath  of  sulpho- 
hydrate  of  ammonia,  if  silver;  or,  if  bronze,  in  burnt  sienna  or  sal  am- 
moniac (cf.  Patination  of  Medals,  Amer.  Jour,  of  Num.,  1910,  p.  144). 

A discussion  of  the  style  and  artistic  merits  of  the  medals  shown  in  this 
exhibition  does  not  fall  within  the  scope  of  the  present  introduction.  It  is 
well  known  that  the  French  school  of  medalists  is  generally  regarded  as  the 
leader  in  the  moulding  of  artistic  taste,  and  also  that  modern  French  medal- 

xxii 


lie  art  is  profoundly  influenced  by  the  art  of  painting.  The  effects  of  French 
tendencies  may  be  seen  in  the  art  of  the  Belgian,  Austrian,  German,  English, 
American,  and  even  Bohemian  medalists.  There  are,  however,  distinct 
styles  revealed  by  artists  of  different  nationalities,  who,  though  they  have 
drawn  their  inspiration  from  the  French,  who  were  the  pioneers  in  the  re- 
vival of  the  modern  medal,  nevertheless  exhibit  their  own  strong  individu- 
ality, which  is  often  suggestive  of  racial  characteristics.  There  is  the 
Munich  school  of  German  medalists,  in  whose  work  is  seen  the  influence  of 
the  Munich  painters,  as  well  as  the  particular  theories  of  the  medallic  art 
held  by  the  Germans.  Some  of  the  Italian  medalists,  by  the  plasticity  of 
their  relief  work,  seem  to  show  the  influence  of  the  modern  school  of  sculp- 
ture. It  is  more  than  apparent  that  certain  modern  medalists  imitate  in 
their  work  the  broad  manner  of  the  Renaissance  medals.  From  the  copious 
illustrations  which  accompany  the  text  of  the  present  volume,  the  reader 
may  become  acquainted  with  the  style  and  manner  of  each  artist,  and  form 
a judgment  as  to  the  relative  merits  of  their  work. 

No  uniform  terminology  for  the  various  products  of  the  medallic  art  has 
ever  been  employed.  The  words  medal,  medallion,  plaquette,  and  plaque 
have  been  so  loosely  and  vaguely  used  that  it  seems  only  logical  to  try  to 
restrict  the  application  of  the  terms  to  definite  classes  of  objects.  The  word 
medal  has  a generic  usage  bjr  which  it  includes,  broadly,  all  of  these  terms 
except  plaque.  It  is  also  used,  in  a restricted  sense,  of  a circular  piece, 
round  or  oval,  and  is  thus  distinguished  from  the  plaquette,  which  is  a rec- 
tangular, oblong,  square,  or  octagonal  piece.  In  this  catalogue  medal  is 
employed  in  its  general  meaning  in  the  introductory  pages,  but  in  the  de- 
scriptive list  of  the  medals  it  is  used  in  its  strict  sense,  and,  furthermore,  is 
limited  to  apply  to  pieces  not  exceeding  150  millimeters  in  diameter.  The 
larger  circular  pieces,  round  or  oval,  ranging  from  150  millimeters  to  50 
centimeters,  are  called  medallions.  The  word  plaque  has  been  inaccurately 
employed  in  the  medallic  art  to  designate  a one-sided,  single  casting,  usu- 
ally a large  model  from  which  the  struck  piece  is  reduced,  whether  of  cir- 
cular or  rectangular  shape;  and  the  use  of  the  term  has  further  been 
extended  to  include  all  one-sided  pieces  of  any  size  and  shape  whatsoever, 
so  that  this  common  usage  of  the  term  would  seem  to  make  it  practically 
synonymous  with  one-sidedness.  This  loose  use  of  the  term  is  extremely 
undesirable.  Furthermore,  a large  model,  if  a galvano,1  frequently  con- 
sists of  an  obverse  and  reverse  welded  together,  and  it  is  obviously  illogical 

1 A galvanoplastic  reproduction. 

xxiii 


to  designate  it  a plaque.  It  is  equally  confusing  to  apply  this  same  term  to 
a small  cast  or  galvano  medal,  round  in  shape.  In  this  catalogue,  therefore, 
plaque  is  used  only  of  a rectangular  piece;  that  is,  as  the  derivative  from 
which  plaquette,  its  diminutive,  is  obtained.  The  words  plaque  and  pla- 
quette,  consequently,  stand  in  a relation  analogous  to  that  borne  by^  medal- 
lion and  medal.  The  plaquette  ranges  from  200  millimeters  to  50  centi- 
meters in  one  of  its  dimensions.  Since  the  total  area  of  a circular  piece  of  a 
given  diameter  is  greater  than  that  of  an  oblong  piece  (the  usual  shape  of  a 
plaquette)  of  the  same  length  in  its  greater  dimension,  it  is  plain  that  the 
diameter  limit  which  separates  the  medal  from  the  medallion  should  be  less 
than  that  which  separates  the  plaquette  from  (he  plaque.  In  order  better  to 
tix  these  distinctions,  sizes  of  medals  and  plaquetles  are  quoted  in  milli- 
meters, those  of  medallions  and  plaques  in  centimeters. 

Solid  cast  pieces  are  distinguished  from  single  or  one-sided  castings  by 
the  use  of  the  terms  double  and  single,  in  parentheses;  e.g.,  “Cast  medal, 
bronze  (single).”  This  is  to  be  understood,  unless  otherwise  specified,  as 
describing  the  particular  piece  exhibited.  A solid  cast  medal  may  be  issued 
also  in  the  form  of  separate  single  castings  of  obverse  and  reverse.  Because 
of  the  facilities  afforded  by  the  reducing-machine,  a given  model  for  a 
medal  may  be  reproduced  in  almost  any  size  and  form.  The  forms  of  a 
given  medal,  viz.,  cast,  struck,  or  galvano,  which  are  known  to  exist,  have 
been  indicated  in  the  descriptive  matter  after  each  title,  inclosed  in  paren- 
theses, and  following  the  description  of  the  actual  piece  shown  in  the  ex- 
hibition. 

Struck  pieces  with  plain  reverses  are  designated  as  uniface.  Those 
struck  pieces  not  so  designated  are  to  be  understood  as  having  both  obverse 
and  reverse  designs. 

A felon  is  a small  piece,  circular  or  octagonal,  which  is  used  as  a sort  of 
member’s  ticket,  a “jeton  de  presence.”  The  jeton  rarely  exceeds  44  milli- 
meters, and  is  commonly  octagonal  in  shape.  The  badge  is  distinguished 
from  the  jeton  as  a small  piece  designed  to  be  worn,  and  for  this  purpose 
has  an  attachment  by  which  it  may  be  suspended. 

The  term  cliche  is  used  to  denote  a struck  piece  made  from  an  obverse 
or  reverse  die.  By  a special  process  of  striking  two  separate  blanks  are 
placed  between  the  obverse  and  reverse  dies,  and  the  separate  impressions 
thus  obtained  are  known  as  cliches.  Such  pieces  are  made  for  the  artist’s 
own  cabinet,  or  for  exhibition  purposes  and  museum  specimens.  The  thin 
proof  impression  from  one  die  only,  which  is  made  as  a first  essay,  fre- 
quently in  lead,  is  also  termed  a cliche. 

The  artist’s  proof,  which  is  highly  prized  by  collectors,  is  a first  copy, 


xxiv 


one  of  a small  number  of  the  entire  edition  of  the  medal.  These  proofs  are 
the  first  from  the  dies,  and  are  reserved  for  the  same  purpose  as  the  cliche. 
The  proofs  are  frequently  numbered  in  the  order  of  their  striking,  and  are 
commonly  stamped  with  a punch,  either  on  the  reverse  or  on  the  rim,  in 
incuse  lettering,  “EPREUVE  D’AUTEUR,”  or  “fiPREUVE  D’ARTISTE.” 

Etude  is  used  to  denote  a first  sketch,  a study  preliminary  to  a more 
carefully  executed  work.  Like  the  painter’s  study  or  sketch,  it  is  under- 
stood to  be  hasty  and  incomplete. 

Pochade  is  a term  generally  employed  to  designate  a study  rapidly  made 
from  nature.  M.  Pierre  Dautel  has  kindly  furnished  the  following  defini- 
tion: “Je  considere  la  pochade  comme  une  annotation  rapide,  faite  a titre 
de  documentation,  et  comme  tres  interessante,  car  c’est  l’essence  pure  du 
temperament  de  l’artiste.” 

An  esquisse  is  the  result  of  a careful  and  deliberate  search  for  a subject 
of  composition,  or  creation. 

The  artist’s  signature  is  a matter  of  some  interest.  Often  only  the  sur- 
name is  given;  more  frequently,  however,  the  surname  is  prefaced  by  an 
initial.  Occasionally  the  signature  is  in  the  form  of  a monogram.  Char- 
pentier  used  a unique  monogram,  composed  of  his  four  initials,  Q^\; 
andLamourdedieu  abbreviates  his  name  in  a running  script.  The  word  fecit, 
fee.,  is  often  added.  Collaboration  of  two  artists  on  one  medal  is  not  un- 
usual. Sometimes  the  obverse  and  reverse  are  the  work  of  two  different 
artists.  A parallel  from  ancient  Greece  is  the  cooperation  of  engravers  on 
the  signed  tetradrachms  of  Syracuse.  The  collaboration  is,  however, 
frequently  that  of  designer  and  die-cutter,  in  cases  where  the  reducing- 
machine  is  used.  For  example,  Cappuccio  cuts  the  dies  for  several 
sculptor-medalists,  and  a typical  signature  is  as  follows:  E.  Boninsegna 
mod.(ellavit),  A.  Cappuccio  inc.(isit).  If  the  collaboration  be  between 
designer  and  engraver,  the  signature  will  be  as  follows:  L.  Pogliaghi 
des.(ignavit),  A.  Cappuccio  inc.(isit).  We  may  compare  this  joint  work 
with  that  on  the  Greek  vases,  on  which  potter  and  painter  collaborated,  and 
which  are  signed  by  both. 

The  name  of  the  die-cutting  establishment,  or  medallic  art  firm,  or  that 
of  the  bronze-founder,  is  often  on  the  reverse  or  on  the  edge. 

Dates  within  parentheses  after  the  title  of  a medal  refer  to  events  com- 
memorated; those  outside,  and  immediately  following  the  title  of  a medal, 
indicate  the  year  in  which  the  medal  was  made. 

Sizes  of  plaques,  plaquettes,  and  oval  pieces  are  given  height  by  breadth. 

Agnes  Baldwin. 


November  1,  1911. 


USEFUL  WORKS  OF  REFERENCE 


J.  von  Schlosser.  Die  iiltesten  Medaillen  und  die  Antike,  Jahrbuch  der  Kunsthistori- 
schen  Sammliingen  des  Allerhochsten  Kaiserhauses,  Vienna,  XVIII,  1897. 

W.  Kubitschek.  Ausgewahlte  Romische  Medaillons  der  Kaiserlichen  Miinzensamm- 
lung  in  Wien,  1909. 

A.  S.  Poole.  Roman  Medallions  in  the  British  Museum,  1874. 

H.  Dressel.  Fiinf  Goldmedaillons  aus  dem  Funde  von  Abukir,  1906. 

F.  Gnecchi.  I Medaglioni  Romani  da  Augusto  a Giustiniano,  1911. 

A.  Heiss.  Les  Medailleurs  de  la  Renaissance,  1881-1892  (unfinished). 

A.  Armand.  Les  Medailleurs  Italiens  des  XVe  et  XVIe  siecles,  1883-1887. 

J.  Friedlander.  Die  Italienischen  Schaumunzen  des  funfzehnten  Jahrhunderts  (1430- 
1530),  1882. 

G.  F.  Hill.  Pisanello,  1905. 

E.  Muntz.  Les  Precurseurs  de  la  Renaissance,  1882. 

Bronze  Plaques  and  Medals  of  t he  Renaissance  Period  from  the  Hainauer  Collection, 
Berlin  (publ.  by  Messrs.  Duveen  Bros.,  New  York). 

C.  von  Fabriczy.  Medaillen  der  Italienischen  Renaissance,  1903  (translated  by  Mrs. 
Hamilton,  Italian  Medals,  1904). 

Jean  de  Foville.  Les  medailleurs  italiens,  Histoire  de  I’Art,  edited  by  Andre  Michel, 
IV1,  p.  158-166. 

J.  Menadier.  Das  Mimzkabinett,  Fiihrer  durch  das  Kaiser  Friedrich  Museum,  1911. 

Medaillemodelle  der  Renaissance  aus  farbigem  Wachs,  Amtliche  Beriehte  aus 
deu  konigliehen  Kunstsammlungen,  Sept.,  1910. 

Sammlung  Arthur  Lobbecke,  Kunstmedaillen  u.  Plaketten  des  XV  bis  XVII  Jahrhun- 
derts, 1908. 

Sammlung  Lanna,  III,  Medaillen  u.  Miinzen,  1911. 

H.  Bolzenthal.  Skizzen  zur  Kunstgeschiclite  der  modernen  Medaillen-Arbeit,  1840 

(out  of  date). 

F.  Mazeroi.ee.  Les  Medailleurs  francais  du  XVC  siecle  au  milieu  du  XVIIe,  1902. 

Gazette  numismatique  frangaise  (monographs  on  Vernier,  Tasset,  Boudichon, 
Borrel,  Chaplain,  Roty,  etc.). 


XXVI 


N.  Rondot  et  H.  de  la  Tour.  Les  Medailleurs  et  les  Graveurs  de  Monnaies,  Jetons,  et 
Medailles  en  France,  1904. 

G.  A.  Orliac.  Hubert  Ponscarme  et  revolution  de  la  medaille  au  XIXe  siecle,  1907. 

R.  Marx.  Medailles  frangaises  depuis  1789,  1897. 

La  Medaille  frangaise  contemporaine,  1898  (plates  only) . 

The  Latest  Evolution  of  the  Medal  in  France,  International  Studio,  Vol.  XVI,  1902. 

Medailleurs  frangais  a l’Exposition  Internationale  de  Bruxelles  (published  by  D.  A. 
Longuet),  1910. 

G.  F.  Kunz.  Louis  Oscar  Roty,  The  American  Journal  of  Numismatics,  1911,  Pt.  III. 

E.  Babelon.  J.  C.  Chaplain  et  l’Art  de  la  Medaille  au  XIXe  siecle.  Revue  de  l' Art  an- 

cien  et  moderne,  Paris,  1909. 

F.  J.  Kaiser.  Uber  moderne  franzosische  Medaillen,  Mittheilungen  der  oesterr.  Resell. 

fiir  Miinz-  u.  Medaillenkunde,  Sept.,  1907. 

C.  Saunier.  La  medaille  frangaise  contemporaine,  Art  Decoratif,  n.  38,  1901. 

A.  von  Loehr.  Wiener  Medailleure,  1899;  Nachtrag,  1902;  N.  F.,  1911. 

C.  Domanig.  Anton  Scharff,  1895. 

J.  Liesching.  Die  oesterr.  Medailleure,  Kunstgewerbeblatt,  N.  F.  13,  1901-2. 

V.  von  Renner.  Heinrich  Kautsch,  ein  oesterr.  Medailleur  in  Paris,  Mittheilungen  der 
oesterr.  Gesellschaft  fiir  Miinz-  u.  Medaillenkunde , June,  1908. 

G.  Habich.  Neuere  Entwickelung  der  Medaillenkunst,  insbesondere  in  Munchen, 
Kunst  und  Handwerk,  Zeitschrift  des  Bay.  Kunstgewerbe-Vereins,  n.  7,  1906. 

J.  Menadier.  Die  deutschen  Medaillen  auf  der  Weltausstellung  in  Brussel,  1910,  Ber- 
lin, 1911. 

Album  delle  Medaglie  e Placchette  coniate  dal  1884  al  1906,  Stabilimento  Stefano  John- 
son, Milan,  1906. 

Medaglie,  Placchette,  Fusioni,  Rassegna  Annuale,  Stabilimento  Stefano  Johnson,  1910. 
J.  Simonis.  L’Art  du  Medailleur  en  Belgique,  1900. 

Nouvelles  Contributions  a l’Art  du  Medailleur  en  Belgique,  1904. 

E.  Babelon.  Les  Origines  de  l’Art  du  Medailleur,  Histoire  de  V Art,  edited  by  Andre 
Michel,  III,  Pt.  II,  pp.  897-924. 

A.  Lichtwark.  Die  Wiedererweckung  der  Medaille,  1897. 

Die  Miinze,  Medaille,  u.  Plakette  in  ihrer  kiinstlerischen  Bedeutung,  Miinchener  Rund- 
schau (published  by  J.  Kirchner),  Nov.,  1909. 

Die  Moderne  Medaille,  Beiblatt  der  Mittheilungen  des  Klubs  der  Miinz-  u.  Medaillen- 
freunde,  Vienna. 

H.  J.  Dompierre  de  Chaufepie.  Les  Medailles  et  Plaquettes  modernes,  1901. 
xxvii 


R.  Hossi  i i . I'ber  die  Ivunst  dor  Medaille,  Darmstadt,  1905. 


Xur  Wiederbelebung  der  Medaillenkunst  in  Deutschland,  Deutsche  Kunst  u.  Deko- 
ration.  V.  XIII,  1903. 

P.  Hermann.  Die  Kiinstlerische  Medaille  u.  ilire  Geschichte,  Kunst  fur  Alle,  n.  23, 
1907-8. 

\Y.  Mii  ssm  k.  Plaketten  und  Medaillen,  Kunstgewerbeblatt,  N.  F.  16,  1904. 

G.  llrn..  Vie  wird  die  moderne  Medaille  geschaffen?  Mitt,  der  oesterr.  Gesell.  f.  Miinz- 
u.  Medaillenfreunde,  July,  1908. 

L.  Foam  it.  Biographical  Dictionary  of  Medallists,  Vols.  I IV  (and  continued  in  the 
current  numbers  of  Spink’s  Circular). 

A.  Piatt  Andrew.  International  Medallic  Exhibition  of  (he  American  Numismatic 
Society,  The  Jeweler's  Circular,  May  4,  18,  1910. 

(Sec  also  references  in  the  biographical  sketches  of  this  catalogue,  the  various  publica- 
tions of  numismatic  and  medallic  art  societies,  museum  catalogues,  and  numis- 
matic sale-catalogues.) 


xxviii 


INDEX  OF  MEDALISTS 


PAGE 

ALLEN,  CHARLES  J.  ......  1 

ANDRIEU,  JULES  ......  2 

RAGG,  LOUISE  E.  . . . . . . .2 

BALL,  CAROLINE  P.  .....  3 

BARTHOLOMEW  ALBERT  . . . . . .306 

BARTLETT,  MADELEINE  A.  ....  4 

BATES, f HARRY  .......  4 

BAYES,  GILBERT  ......  5 

BEACH,  CHESTER  ......  8 

BECK,  GEORGE  ......  10 

BEETZ-CHARPENTIER,  E.  . . . . .11 

BEGEER,  CAREL  L.  J.  . . . . . .362 

BENLLIURE  Y GIL,  MARIANO  . . . .12 

BORGLUM,  JOHN  GUTZON  DE  LA  MOTHE  ...  15 

BOSSELT,  RUDOLF  . . . . . .242 

BOTTEE,  LOUIS  ALEXANDRE  . . . .16,  306 

BOYLE,  JOHN  J.  . . . . . . .24 

BRAUNER,  OLAF  ......  25 

BRENNER,  VICTOR  DAVID  . . . . .26 

BURNHAM,  ROGER  NOBLE  .....  35 

BUSH-BROWN,  HENRY  KIRKE  . . . . .37 

CAPPUCCIO,  ANGELO  .....  39 

C ARAB  IN,  R.  .......  306 

CARIATI,  GIOVANNI  ......  41 

CASTAGNE,  ALBINO  DAL  . . . . .43 

CASTELLO,  EUGENE  ......  45 

GASTIGLIONI,  GIANNINO  . . . . .45 

CAZIN,  J.  M.  MICHEL  ......  307 

CHAPLAIN,f  JULES  CLEMENT  . . . . .49 

CHARPENTIER,f  ALEXANDRE  L.  M.  ...  57,  307 


xxix 


PAGE 

CHRIST,  FRITZ  . . . . . . .242 

CLARKE,  JOHN  MOWBRAY  .....  66 

CLARKE,  THOMAS  SHIELDS  . . . . .67 

GONKLING,  MABEL  (MRS.  PAUL)  ....  67 

CROS,  CfiSAR  ISADORE  HENRI  . . . .307 

DAMPT,  JEAN  B.  A.  . . . . .68,  307 

DASIO,  MAX  . . . . . . .242 

DAUTEL,  PIERRE  ......  69 

DEJEAN,  LOUIS  . . . . . . .307 

DE  SAULLES,  G.  W.  ......  72 

DEVREESE,  GODEFROID  ....  72,  313 

DIETSCII,  C.  PERCIVAL  .....  80 

DOUGHERTY,  LOUIS  R.  . . . . . .80 

DRURY,  ALFRED  ......  81 

I)U  BO  IS,  PAUL  . . . . . 82,  313 

DUFRESNE,  CHARLES  .....  307 

DUPRE, t GEORGES  . . . . . .86 

DUPUIS,  LOUIS  ......  313 

DUPUIS,  TOON  .....  87,  314,  363 

DUROUSSEAU,  PAUL  LEONARD  ....  87 

EBERLE,  LUDWIG  ......  243 

FADDEGON,  J.  M.  . . . . . 314 

FEO,  LUIGI  DE  . . . . . .89 

FLANAGAN,  JOHN  ......  92 

FORSYTH,  J.  N.  . . . . . .96 

FOURCADE,  DOMINIQUE  P.  J.  . . . . 96 

FRAMPTON,  SIR  GEORGE  J.  100 

FREI,  HANS  .......  100 

FREMIET,f  EMMANUEL  . . . . .104 

FUCHS,  EMIL  .......  105 

FURSE,  J.  H.  M.  ......  109 

GARDET,  GEORGES  ......  307 

GELERT,  JOHANNES  SOPI4US  .....  109 

GLENNY,  ALICE  RUSSELL  (MRS.  JOHN)  ...  112 

GOETZE,  WILHELM  . . . . . .243 

GRANGER,  GENEVIEVE  . . . . . 112,  308 


xxx 


PAGE 


GRATH,  ANTON  . 

. 243 

GREBER,  M. 

308 

GREGOIRE,  RENE  . 

. 115 

GREINER,  DANIEL  .... 

243 

GRIMES,  FRANCES  . . . . 

. 118 

HAHN,  HERMANN  .... 

. 120,  244 

HAMILTON,  LILIAN  V.  (MRS.  VEREKER) 

. 123 

HARTLEY,  J.  SCOTT  .... 

126 

HARVEY,  ELI  .... 

. 127 

HASEROTH,  MAX  .... 

129 

HEJDA,  W.  . . . . . 

. 223 

HERING,  HENRY  .... 

131 

HERKOMER,  SIR  HUBERT  VON 

. 132 

HILDEBRANDT,  ADOLF  E.  R.  VON  . 

133 

HOOPER,  GRACE  . . . . . 

. 136 

HORNLEIN,  FRITZ  .... 

. 136,  244 

HOVENDEN,  MARTHA  M.  . 

. 140 

HUJER,  LUDWIG  .... 

. 141,  223 

JAEGERS,  ALBERT  . . . . 

. 146 

JELTSEMA,  F.  E. 

. 147,  363 

JOHN,  WILLIAM  GOSCOMBE 

. 150 

JOURDAIN,  JULES  .... 

. 152,  314 

JOUVE  ...... 

. 308 

KAUFMANN,  HUGO  .... 

. 154,  244 

KAUTSCH,  HENRI  . . . . 

157,  223,  244 

KEYSER,  ERNST  WISE 

162 

KONTI,  ISIDORE  . . . . . 

. 162 

KOUNITZIvY,  FRANZ  .... 

164 

KRAUMANN,  ALEXANDER 

169,  244 

LAFLEUR,  ABEL  .... 

. 171,  308 

LAGAE,  JULES  . 

. 175 

LAMOURDEDIEU  .... 

308 

LANGTON,  BERENICE  FRANCES 

. 176 

LECHEVREL,  ALPHONSE  EUGENE 

. 177,  308 

LECROART,  JEAN 

. 181 

LEFEBVRE,  HIPPOLYTE 

. 182,  308 

XXXI 


LEG ASTELO 1 S,  JULES  PROSPER 
LEGROS,  ALPHONSE  .... 
LENOIR,  PIERRE  ..... 
LE  ROY,  HIPPOLYTE 
LEYILLAIN,f  FERDINAND 
LOISEAU-BAILLY,  GEORGES 
MACKENNAL,  BERTRAM 
MacMONNIES,  FREDERIC 

MARSCHALL,  RUDOLF  F.  ... 

MAURA  Y MONTANER,  B. 

McGILL,  DAVID  ..... 
McKenzie,  r.  tait  .... 

MEARS,  HELEN  FARNSWORTH  . 

MICHELET,  F.  M.  .... 

MIELZINER,  LEO  .... 

MILLS,  MARIETTE  B.  (MRS.  LAWRENCE  H„  JR.) 
MORIN,  GEORGES  .... 

MORLON,  ALEXANDRE 
NICLAUSSE,  F.  P. 

NOCQ,  HENRY  .... 


187,  309 
189 
. 190 

193,  314 
. 309 

309 
. 197 

199 
. 200 
206 
. 208 
209 
. 213 

309 
. 214 

215 
. 216 
218 
. 309 

220,  310 


OESTERREIGH ISCHE  GESELLSCIIAFT  ZUR  FOERDERUNG  DER 


MEDAILLENKUNST  U.  IvLEINPL  A ST  IK,  WIEN 
ORMOND,  M.  GEORGIA  .... 
PANDER,  PIER  .... 

PATRIARCHE,  LOUIS  .... 

PAULUS,  CHRISTOPHER  D.  . 

PAWLIK,f  FRANZ  X. 

PEGRAM,  HENRY  . . . . 

PELL.  ELLA  F. 

PETER,  VICTOR  .... 

PILLET,  CHARLES  .... 


223 
. 225 

363 
. 225 

227 
. 223 

228 
. 229 

230,  310 
236,  310 


PINCHES,  JOHN  H.,  Medalist,  D ie-Sinker  and  Engraver,  London. 

See  Allen,  Bates,  Bayes,  Forsyth,  Frampton,  Furse,  Herkomer, 

John 

PINCHES,  JOHN  R.  ......  238 

PLACHT,  RICHARD  ......  239 


XXX11 


PAGE 


POELLATH,  FIRMA  CARL 

242,  245 

POGLIAGHI,  LUDOVICO  .... 

251 

PRACK,  W.  0.  .... 

. 245 

PRESCOTT,  K.  T.  (MRS.  H.  L.)  ... 

253 

PRUD'HOMME,  GEORGES  HENRI 

. 253 

RIMMER,  CAROLINE  HUNT  .... 

255 

RITTER,  A.  G.  VAN  R.  (MRS.  ETIENNE) 

. 257 

RIVIERE,  THEODORE  .... 

257 

ROCHE,  PIERRE  ..... 

259,  310 

ROEMER,  GEORG  ..... 

. 245,  261 

ROGER-RLOCHE,  PAUL  .... 

. 310 

ROINE,  J.  EDOUARD  ..... 

. 263,  310 

ROQUES,  F.  J.  A.  . 

. 310 

ROTY,f  LOUIS  OSCAR  .... 

. 267,  311 

RURINO,  EDOARDO  .... 

. 276 

RYDEN,  HENNING  ..... 

282 

SAINT-G AUDENS, f AUGUSTUS  . 

. 335 

SAINT-MARCEAUX,  C.  R.  DE  . 

311 

SAMUEL,  CHARLES  .... 

282,  314 

SAROLDI,  ENRICO  . 

285 

SAWYER,  EDWARD  W.  .... 

. 289 

SCHAEFER,  HANS  ..... 

. 245,  291 

SCHARFF,f  ANTON  .... 

. 223 

SCHMITT,  RALTHASAR  .... 

245 

SCHWARTZ,  STEFAN  .... 

223,  295 

SCHWATHE,  H.  ..... 

223 

SCIIWEGERLE,  HANS  .... 

. 245 

SCHWERDTNER,  CARL  M. 

300 

SCUDDER,  JANET  .... 

. 301 

SECCHI,  LUIGI  . ... 

304 

SNEDEN,  ELEANOR  A. 

. 306 

SOCIETE  DES  AMIS  DE  LA  MEDAILLE  FRANQAISE, 

PARIS  306 

SOCIETE  HOLLAND AISE-RELGE  DES  AMIS  DE  LA  MEDAILLE 

D’ART,  RRUXELLES  .... 

. 313 

SPANIEL,  0.  ..... 

316 

SPICER-SIMSON,  THEODORE 

. 319 

xxxiii 


PAGE 


STABILIMENTO  STEFANO  JOHNSON,  Milan.  See  Cappuccio, 
Castagne,  Castiglioni,  Pogliaghi,  Saroldi 


STARCK,  CONSTANTIN 

323 

STAUDINGER,  LOUISE  .... 

. 246 

STONE,  FRANK  F. 

325 

STURM,  PAUL  . .... 

. 327 

SUCHARDA,  STANISLAV 

. 223,  328 

TASSET,  ERNEST  PAULIN 

. 329 

THRONDSEN,  IV AR  .... 

330 

TIFFANY  & CO. 

. 333 

UNITED  STATES  MINT,  PHILADELPHIA 

334 

UTRECHT,  ROYAL  MINT  AT 

. 363 

VAN  GO  OR,  I). 

314 

VAN  GOOR,  J.  J. 

. 363 

VERMEYLEN,  FRANTZ 

339 

VERNIER,  EMILE  S. 

. 344 

VERNON,  F.  C.  V.  DE 

. 311,  346 

WADERE,  HEINRICH  .... 

. 246 

WAGNER,  ANNA  .... 

223 

WEINBERGER,  A.  . 

. 223 

WEINERT,  ALBERT  .... 

356 

WEINMAN,  ADOLPH  A.  . 

. 357 

WENDT,  JULIA  B.  (MRS.  WILLIAM) 

359 

WIENECKE,  J.  C.  . 

314,  362 

WIESE,  MAX  ..... 

246 

WISSAERT,  PAUL  .... 

314,  365 

WRBA,  GEORG  .... 

246 

YANDELL,  ENID 

. 366 

YENCESSE,  OVIDE  .... 

. 311,  368 

CATALOGUE 


CHARLES  J.  ALLEN 


Charles  J.  Allen,  sculptor,  medalist  (British),  was  born  in  Greenford  in 
1862.  He  studied  at  the  Lambeth  School  of  Art  and  the  Pxoyal  Academy, 
and  gained  four  silver  medals  and  other  distinctions.  Worked  in  the 
studio  of  Hamo  Thornycroft,  Esq.,  R.A.,  as  his  pupil  for  four  years.  In- 
structor of  sculpture  in  Liverpool  City  School  of  Art  since  1894.  Exhibitor 
at  Royal  Academy,  Paris  Salon,  Paris  International  Exposition,  1900  (gold 
medal),  and  St.  Louis  International  Exposition,  1904.  He  was  commis- 
sioned to  make  the  Queen  Victoria  memorial  and  the  monument  to  the 
memory  of  the  late  Rt.  Hon.  Samuel  Smith,  M.P.,  at  Liverpool.  He  made 
two  of  the  panels  for  St.  George’s  Hall,  the  panels  for  Parr’s  Bank  and  for 
the  Royal  Insurance  Company  Building,  in  Liverpool. 

Works:  busts:  Sir  Oliver  Lodge,  F.R.S.;  Andrew  Carnegie,  LL.D.;  stat- 
ues: Rescued;  Perseus;  Love  and  the  Mermaid,  etc.;  medals:  Felicia 
Hemans  medal  for  Lyrical  Poetry  (cast  bronze);  William  Rathbone  medal 
for  Engineering,  Liverpool  University  (cast  bronze) ; Mary  Kingsley  medal, 
Liverpool  School  of  Tropical  Medicine  (struck  medal).  Address,  21  Cam- 
bridge Street,  Abercromby  Square,  Liverpool. 

7 Liverpool  Septenary  Celebration,  1907.  Struck  medal,  modeled 
by  C.  J.  Allen,  engraved  by  John  H.  Pinches,  bronze,  64  mm.1 

1 Loaned  by  John  H.  Pinches,  Esq. 


l 


1 


JULES  ANDRIEU 


Jules  Andrieu,  medalist  (American),  was  born  in  New  Orleans,  Louisi- 
ana, and  is  the  grandnephew  of  the  celebrated  French  engraver  of  medals, 
Bertrand  Andrieu,  who  was  born  at  Bordeaux  in  1761  and  died  at  Paris 
in  1<S22.  Bertrand  Andrieu  was  considered  the  restorer  in  France  of  the 
art,  which  had  declined  after  the  time  of  Louis  XIV.  During  the  last 
twenty  years  of  his  life  t lie  French  government  intrusted  him  with  every 
work  of  importance.  Many  of  his  medals  are  figured  in  the  “Medallic 
History  of  Napoleon.”  Jules  Andrieu  was  a pupil  in  modeling  of  Di  Georgi 
and  in  painting  of  Ernest  Ciceri.  He  is  an  ex-member  of  the  Artists’  Asso- 
ciation of  New  Orleans.  Address,  Pass  Christian,  Mississippi. 

1  Abraham  Lincoln.  Medallion  in  plaster. 


Louise  E.  Bagg,  sculptor,  medalist  (American),  was  born  in  Springfield, 
Massachusetts.  Pupil  of  M.  Charles  Desvergnes  at  the  Villa  Medici,  Rome; 
of  M.  Graine,  Paris;  and  of  M.  Lanteri,  London.  Received  a bronze  medal 
at  the  St.  Louis  Exposition.  Address,  2 rue  Pierre  Charron,  Paris. 

1 Faun’s  head.  Medallion  in  plaster. 

2 The  same.  Intaglio  for  a seal. 

3 The  same.  Positive  or  cameo  of  the  above. 


LOUISE  E.  BAGG 


2 


MRS.  CAROLINE  PEDDLE  RALE 


Caroline  Peddle  Ball,  sculptor,  medalist  (American),  was  born  in  Terre 
Haute,  Indiana,  1869.  Pupil  of  Augustus  St.  Gaudens  and  Kenyon  Cox  of 
New  York.  She  received  honorable  mention  at  the  Paris  Exposition,  1900, 
and  was  the  sculptor  of  the  figure  of  Victory  in  the  quadriga  on  the  United 
States  Building  at  the  Paris  Exposition.  Executed  the  Eliman  Memorial 
Fountain  at  Flushing,  Long  Island.  She  has  been  devoting  herself  recently 
to  portraits  and  to  decorative  work.  Two  Gothic  memorial  corbels  in  Grace 
Church,  Brooklyn,  are  by  her.  Address,  Westfield,  New  Jersey. 

1 Lilies.  Bas-relief  (oblong)  in  plaster,  tinted,  68.4  x 45.6  cm. 

2 The  Mother.  Medal  in  plaster,  102  mm. 


3 


MADELEINE  A.  BARTLETT 


Madeleine  A.  Bartlett,  sculptor,  medalist  (American),  Avas  born  in  Wo- 
burn, Massachusetts,  in  which  city  she  lived  until  her  removal  a few  years 
ago  to  Boston,  where  she  now  resides.  She  began  the  study  of  sculpture  at 
Cowle’s  Art  School,  remaining  there  one  year  under  the  instruction  of  H.  H. 
Kitson,  and  winning  the  scholarship.  After  leaving  the  school  she  contin- 
ued to  study  for  two  years  under  the  same  instructor.  Address , 175  Massa- 
chusetts Avenue,  Boston. 

1 Adelaide  L.  Bartlett  (mother  of  the  artist),  1908.  Medallion  (oval) 

in  plaster,  22.8  x 17.8  cm. 

2 Rev.  Carlton  A.  Staples,  1906.  Medal  in  plaster,  120  mm. 

3 Rev.  Daniel  March,  D.D.,  1910.  Plaquette  in  plaster,  133  x 108  mm. 


HARRY  BATES t 

Henry  (or  Harry)  Bates,  sculptor  (British),  A.R.A.,  was  born  in  1850,  and 
died  in  1889.  He  was  a pupil  of  Dalou  and  of  Rodin.  Studied  at  the  Ken- 
sington Modeling  School  with  Frampton,  G.  John,  and  others. 

Works:  Socrates  Teaching  the  People;  Orpheus ; Homer  Singing.  The 

4 


National  Gallery  possesses  a statue  by  him,  Pandora.  His  equestrian  statue 
of  Lord  Roberts  adorns  the  Court  of  Honor  of  the  Royal  Academy. 


1  Royal  Statistical  Society,  William  Augustus  Guy  medal,  1886. 
Struck  medal,  modeled  by  H.  Rates,  engraved  by  J.  H.  Pinches, 
bronze,  64  mm.1 2 3 

1 Loaned  by  John  H.  Pinches,  Esq. 


GILBERT  BAYES 

Gilbert  Bayes,  sculptor,  medalist  (British),  was  born  in  England.  He  first 
exhibited  at  the  Royal  Academy  at  the  age  of  seventeen.  He  entered  the 
City  and  Guilds’  Technical  College,  Leonard  Street,  and  later  the  Academy 
Schools  (1896),  where  he  won  the  silver  medal  and  £50  for  figure-modeling, 
the  Armitage  award  and  £30  for  composition,  and  the  Landseer  scholar- 
ship of  £80.  In  1899  he  was  awarded  the  gold  medal  and  £200  traveling 
scholarship  for  a group,  Aeneas  Carrying  his  Father  out  of  Troy.  He  vis- 
ited Italy  and  Paris,  receiving  honorable  mention  at  the  Paris  International 
Exposition. 

Works:  bas-relief  for  Sydney  Art  Gallery,  New  South  Wales,  Fountain 
of  the  Zodiac  Beit;  Amor  Victor;  Spring;  memorials  to  Dr.  Sidgwick,  Cam- 
bridge; Dr.  Adamson,  Glasgow;  Sir  W.  Moore,  Bombay;  M.  Coquelin,  Paris; 
figures  on  the  new  Victoria  and  Albert  Museum.  He  is  at  present  engaged 
on  the  new  Great  Seal  for  King  George  V.  Address,  40  Boundary  Road, 
St.  John’s  Wood,  N.W.,  London. 

1 Captain  Robert  Falcon  Scott,  R.N.,  The  Royal  Geographical  So- 

ciety, 1905.  Obverse  and  reverse.  Struck  medal,  copper  sil- 
vered, 45  mm. 

2 G.  Parlby,  Esq.,  The  Yorick  Club,  1907.  Plaque  in  plaster,  39.3  x 

22.8  cm. 

3 Janet  Landells  McEwan,  1906.  Plaque,  galvano  silvered. 


5 


//.  Sir  Ernest  H.  Shackleton,  The  Royal  Geographical  Society,  1909. 
Struck  medal,  modeled  by  G.  Bayes,  engraved  by  J.  H.  Pinches, 
bronze,  67  mm.1 

5 Sea  Nymphs,  1899.  Plaque,  galvano  silvered,  22.8  x 35.5  cm. 

6 The  Goal.  Bas-relief  (oblong)  in  plaster,  12.7  x 60.8  cm. 

7 The  Guns.  Plaque,  galvano  silvered,  14  x 32.9  cm. 

8 The  Storm  Ride,  1904.  Plaque,  galvano  silvered,  20.3x43.7  cm. 

9 White  Horses,  1905.  Plaque,  galvano  silvered,  15.9  x 49.4  cm. 

1 Loaned  by  John  H.  Pinches,  Esq. 


8 


6 


7 


CHESTER  BEACH 


Chester  Beach,  sculptor,  medalist  (American),  was  born  in  San  Fran- 
cisco, California.  Studied  in  Paris  three  and  a half  years.  Pupil  of  Verlet 
and  Roland.  Exhibited  in  Salons  of  1905-07.  Received  medal,  Academie 
Julien.  Opened  studio  in  New  York  in  1907.  Won  the  Helen  Foster  Bar- 
nett prize  at  the  National  Academy  of  Design  Exhibition,  1909.  Member  of 
National  Academy  of  Design,  National  Sculpture  Society,  Architectural 
League,  and  American  Numismatic  Society.  Address  (for  two  years),  35 
Via  Gregoriana,  Rome. 

1 Actors  Fund  Fair,  New  York,  1910,  medal  presented  in  gold  to  Pres- 

ident Taft  at  the  opening  of  the  fair.  Obverse  and  reverse.  Me- 
dallion in  plaster  (struck  medal,  70  mm.). 

2 American  Gas  Institute,  Beal  medal.  Obverse  and  reverse.  Struck 

medal,  copies  in  gold  and  silver,  50  mm. 

3 Hudson-Fulton  Celebration,  New  York,  1909,  Aide.  Struck  medal, 

bronze,  38  mm. 

4 The  same,  Commission.  Struck  medal,  silver,  38  mm. 

5 St.  Nicholas  Society,  Anniversary  Dinner,  December  6, 1909.  Struck 

plaquette  (uniface),  bronze,  77  x 56  mm. 


8 


9 


GEORGE  BECK 


G forge  Beck,  sculptor,  medalist  (American),  was  born  in  London,  England. 
He  studied  first  at  the  Kensington  Art  Schools,  where  he  received  a medal 
from  the  Science  and  Art  Department,  and  then  at  the  Academy  and  the 
British  Museum,  lie  came  to  New  York  in  1870.  His  studio  is  at  Eldred, 
New  York.  He  has  had  medals  and  honorable  mentions  awarded  for  work 
exhibited  at  the  Centennial  Exhibition  at  Philadelphia,  and  at  the  World’s 
Fairs  of  Paris,  France,  Sydney,  Australia,  and  Chicago.  He  is  represented 
in  the  Metropolitan  Museum  of  Art,  New  York,  the  Museum  of  Arts  and  Sci- 
ences of  the  Brooklyn  Institute,  and  the  Arts  and  Crafts  Museum,  New  York. 

Works:  pediment,  Foreign  Office,  London;  bronze  lion  and  horse  for  the 
Duke  of  Norfolk;  municipal  coat  of  arms  for  the  city  of  Calcutta;  Egyptian 
sphinx  and  columns  for  the  Masonic  Temple,  New  York  City;  medallion 
portraits:  Pius  IX,  Commemorating  the  Ecumenical  Council,  Rome;  Presi- 
dent Grant;  Longfellow,  Whittier,  Bryant,  Columbus,  and  S.  B.  K.  Vance; 
Arbitration  Medal  for  the  Building  Trades  Employers  Association  of 
Greater  AY w York.  Address,  Eldred,  Sullivan  County,  New  York. 

7 Nature’s  Poet,  William  Cullen  Bryant,  1906.  Medallion  in  plaster 
(oval),  48.2  x 39.3  cm. 


1 


10 


MME.  E.  BEETZ-CHARPENTIER 


Mme.  E.  Beetz-Charpentier,  sculptor,  medalist  (French),  was  born  in  Hol- 
land. Her  work  has  consisted  principally  of  statuettes,  medals,  and  pla- 
quettes. Exhibited  at  the  Societe  Nationale  des  Beaux-Arts,  in  1904,  a 
plaster  relief,  design  for  a tombstone,  Resignation,  1.80  m.  in  height.  She 
has  also  exhibited  some  examples  of  furniture  adorned  with  medallions. 
Mme.  Charpentier  is  “la  statuaire  des  femmes  elegantes  et  parisiennes.” 
She  is  the  author  of  the  medal  for  the  Manufacture  de  Pianos  et  Harpes 
Chromatiques  Pleyel-Wolf,  Lyon,  1909.  She  obtained  the  gold  medal  at 
Amsterdam  in  1892.  She  is  an  officier  de  l’instruction  publique  and  a mem- 
ber of  the  Societe  Nationale  des  Beaux-Arts.  Mme.  Charpentier  is  the 
widow  of  the  late  Alexandre  Charpentier,  and  was  formerly  his  pupil. 
Address,  117  rue  Borghese,  Neuilly-sur-Seine,  France. 

1 Alexandre  L.  M.  Charpentier,  1903.  Cast  plaquette  (single,  irreg- 

ular shape),  bronze,  145  x 125  mm. 

2 La  Couture,  1905.  Cast  plaquettes  (3)  (single),  silver,  50x65 

mm.  (in  frame).1 

1 Reproductions  of  three  plaquettes  inlaid  on  a sewing-table  entitled  La  Couture. 

This  table  is  decorated  with  costly,  sculptured  wood  from  America,  and  the  flower 
of  the  flax-plant,  conventionalized,  is  the  basic  design. 


11 


l 


MARIANO  BENLLIURE  Y GIL 


Mariano  Benlliure  y Gil,  sculptor,  medalist  (Spanish),  was  born  in  Valen- 
cia, Spain,  in  1866.  Even  at  the  age  of  four  he  showed  a disposition  for  art. 
In  his  earliest  youth  likewise  he  devoted  himself  both  to  painting  and  to 
sculpture.  At  twelve  he  made,  in  wood  and  of  natural  size,  a religious  group, 
Descendimiento  de  la  Cruz.  At  seventeen  he  went  to  Rome  and  there  mod- 
eled an  acolyte,  Accidente,  for  which  he  obtained  a second  medal  in  the 
Madrid  Exposition  of  1884.  He  made  the  sculpture  in  marble  for  the 
music-room  of  Mr.  Marquand  of  New  York,  in  which  the  great  masters 
Leighton  and  Alma-Tadema  were  intrusted  with  the  painting.  His  bust  of 
the  Valencian  painter  Luis  Domingo  (1718-67)  won  him  the  great  medal  of 
honor  at  Vienna  and  the  gold  medal  at  Berlin.  The  statue  of  the  painter 
Ribera  won  a gold  medal  at  Madrid,  as  did  also  the  group  in  marble,  Al 
Agua.  The  statue  of  the  novelist  Trueba  won  at  Madrid  the  great  medal  of 
honor;  the  mausoleum  of  the  tenor  Gayarre,  the  same  at  Paris;  the  statue 
of  the  Marquis  de  Campo  (a  monument),  a gold  medal  at  Munich.  From 
1904  to  1907  he  was  director  of  the  Academia  de  Espana  in  Rome.  He  is  a 
member  of  the  Academies  of  San  Luca,  Rome;  San  Fernando,  Madrid;  San 
Carlos,  Valencia;  a corresponding  member  of  the  Institut  de  France;  an 
honorary  member  of  the  Academies  of  Milan  and  Florence;  a chevalier 
of  the  Legion  of  Honor  of  France;  a commendatore  of  the  crown  of  Italy; 
grand  cross  of  the  Orders  of  Alfonso  XII  and  of  Isabella  the  Catholic,  of  the 
Order  of  Military  Merit,  and  of  the  Red  Cross  of  Spain.  He  is  the  art  di- 
rector of  the  Royal  Spanish  Mint  and  of  the  Royal  Establishment  for  the 
Printing  of  Government  Paper.  Address,  5 Glorieta  de  Quevedo,  Madrid. 

1 Cabeza  de  Joven.  Plaquette  in  porcelain. 

2 Cabeza  de  Nino.  Medal  in  porcelain. 

3 4°  Centenario  de  Velasquez  (1509-1909).  Obverse.  Medallion  in 

plaster. 

4 Coronacion  de  S.  M.  el  Rey  D.  Alfonso  XIII,  1902.  Obverse  and 

reverse.  Struck  medal,  copies  in  silver  and  in  bronze. 

5 Doctor  Ramon  y Cajal,  1908.  Cast  plaque,  bronze. 

6 Homenaje  al  Doctor  Ramon  v Cajal  por  la  Adjudication  del  Premio 

Nobel,  1907.  Obverse  and  reverse.  Struck  medal,  copies  in  sil- 
ver and  in  bronze. 


12 


7 Inauguration  del  Monumento  al  General  Martinez  Campos,  1900. 

Obverse  and  reverse.  Cast  medallion  (single),  bronze. 

8 Joaquin  Sorolla  y Bastida,  Pintor,  1909.  Cast  plaque,  bronze. 

9 Exposition  Regional  de  Valencia,  medalla  para  los  Premios,  1909. 

Obverse  and  reverse.  Cast  medallion  (single),  bronze. 


13 


3 


14 


JOHN  GUTZON  DE  LA  MOTHE  BORGLUM 
(Gutzon  Borglum) 

Gutzon  Borglum,  sculptor,  medalist  (American),  was  born  in  Idaho,  1867. 
Studied  art  in  San  Francisco.  Went  to  Paris  in  1890,  where  he  studied  at  the 
Academie  Julien  and  the  Ecole  des  Beaux-Arts.  Made  an  associate  of  the 
Societe  Nationale  des  Beaux-Arts.  Spent  eleven  years  abroad.  Settled  in 
New  York  in  1902.  He  is  represented  by  two  bronze  groups  in  the  Metropol- 
itan Museum.  Was  one  of  the  sculptors  for  the  Cathedral  of  St.  John  the 
Divine,  and  executed  the  gargoyles  on  the  dormitory  of  the  Princeton  Class 
of  79. 

Works:  monument  to  John  W.  Mackay;  the  colossal  marble  head  of  Abra- 
ham Lincoln  in  the  Capitol  Building  in  Washington;  the  monument  to  Gen- 
eral Phil  Sheridan  in  Washington;  the  monument  to  Abraham  Lincoln  for 
Newark,  New  Jersey;  the  Real  Atlas  in  marble.  Address,  166  East  Thirty- 
eighth  Street,  New  York  City. 

1 The  New  Theatre,  New  York,  medal  presented  to  Winthrop  Ames, 
Esq.,  by  the  Directors,  1910.  Struck  medal,  gold  (original),  89mm. 

2 The  same.  Obverse  and  reverse.  Model  in  plaster. 


15 


LOUIS  ALEXANDRE  BOTTEE 


Louis  Alexandre  Bottee,  goldsmith,  sculptor,  medalist  (French),  was  born 
in  Paris,  1852.  At  the  age  of  thirteen  he  was  apprenticed  in  a button-fac- 
tory, to  which  was  attached  an  engraving  studio;  he  followed  the  evening 
classes  of  the  drawing  schools  of  the  city  of  Paris,  and  of  the  School  for 
Decorative  Arts.  In  1869  he  entered  the  workshop  of  M.  Tasset,  the  medal- 
ist. His  studies  were  interrupted  by  the  Franco-Prussian  War,  but  in  1871 
he  was  received  as  a pupil  by  the  Ecole  des  Beaux-Arts,  where  he  studied 
under  Aime  Millet  and  Ponsearme.  He  competed  in  1875  at  the  Concours 
pour  le  Grand  Prix  de  Rome,  spent  five  months  in  Italy  in  1876,  and  in  1878 
obtained  the  first  Grand  Prix  de  Rome.  From  1879  to  1882  he  resided  in 
Italy  as  pensioner  of  the  French  Academy  at  Rome,  and  during  that  period 
produced  many  works.  On  his  return  from  the  Villa  Medici  he  made  his 
entrance  at  the  Salon  des  Artistes  Francais  with  a large  work  representing 
St.  Sebastian,  for  which  he  received  (1882)  a medal  of  the  third  class.  In 
1887  he  received  a medal  of  Hie  second  class,  of  the  first  class  in  1894,  and 
the  gold  medal  in  1900.  He  was  created  a chevalier  of  the  Legion  of  Honor 
in  1898  and  an  officer  of  the  Legion  of  Honor  in  1903.  His  work  is  largely 
represented  in  many  national  museums.  Address,  16  rue  Fontaine,  Paris 
(IX). 

1 Albert  Lambert,  fils,  de  la  Comedie  Francaise,  1883.  Cast  plaque 

(single),  bronze,  24  x 16.5  cm. 

2 Albert  West  et  Marthe  Henon,  Piece  de  Manage,  1894.  Struck 

plaquette,  copper  silvered. 

3 Alfred  Besnard,  1895.  Cast  medallion  (single),  bronze,  22  cm. 

(unique) . 

4-  Aux  Poetes  Morts  sans  Gloire,  1904.  Obverse  and  reverse.  Medallion, 
galvano  silvered,  model,  30  cm.  (struck  medal,  90  mm.). 

5 Cain  Maudit,  1878  (concours  pour  le  grand  prix  de  Rome).  Cast 

medal,  bronze,  70  mm. 

6 Centenaire  de  Plnternat  en  Medecine  des  Iiopitaux  Civils  de  Paris, 

1902.  Struck  medal,  bronze  silvered  (artist’s  proof),  68  mm.  (cast 
medallion  (single),  29  cm.). 

7 Chile  en  Guerra  contra  el  Peru  i Bolivia  (1879-1884),  1885.  Cast 

medallion  (single),  bronze,  model,  27  cm.  (struck  medal,  100 
mm.). 


16 


8 Chile  en  Paz  con  el  Peru  i Bolivia  (1879-1884),  1885.  Cast  medallion 

(single),  bronze,  model,  27  cm.  (struck  medal,  100  mm.). 

9 Comite  Francais  des  Expositions  a l’Etranger.  Obverse  and  reverse. 

Struck  plaquette,  bronze  silvered  (cliches). 

10  Consecration  de  l’Eglise  de  St.  Just  en  Chevalet,  1893.  Struck  medal, 

bronze  silvered,  63  mm.  (model,  23  cm.). 

11  Docteur  Felix  Guyon,  1900.  Obverse  and  reverse.  Struck  plaquette, 

copper  silvered,  62  x 44  mm.  (model,  27  x 19  cm.  and  130x80 
mm.). 

12  Docteur  Panas.  Reverse.  Struck  plaquette,  copper  silvered,  71  x 

57  mm.  (model,  28  x 21  cm.  and  180  x 135  mm.). 

13  Enseignement  du  Dessin  de  la  Ville  de  Paris.  Cast  medallion 

(single),  bronze,  23  cm.  (unique)  (struck  medal,  50  mm.). 

74  Exposition  Nationale  des  Beaux-Arts,  Paris,  1883.  Cast  medallion 
(single),  bronze,  25cm.  (unique). 

15  Exposition  Universelle  de  Paris,  1889.  Obverse  and  reverse.  Struck 

medal,  bronze  gilt,  63  mm.  (cliches). 

16  The  same.  Obverse  and  reverse.  Cast  medallion  (single),  bronze, 

model,  28  cm.  (also,  120  mm.). 

17  Exposition  Universelle  de  Chicago,  1893.  Cast  medal,  bronze,  100 

mm. 

18  Exposition  Universelle  de  St.  Louis,  1904.  Struck  plaquette, 

bronze,  73  x 62  mm.  (artist’s  proof). 

19  The  same.  Plaque,  galvano  silvered,  25.5  x 20.5  cm. 

20  France,  1899.  Cast  medallion  (single),  bronze,  26.5cm.  (struck 

medal,  66  mm.). 

21  Henri  Henon,  1890.  Cast  plaquette  (single),  bronze,  170  x 120  mm. 

22  Inauguration  du  Port  de  Tunis,  1893.  Struck  medal,  bronze  sil- 

vered, 68  mm. 

23  The  same.  Reverse.  Cast  medallion  (single),  bronze,  model,  25.5 

cm. 

24  Insigne  du  Jury,  Exposition  Universelle  de  1900.  Struck  plaquette, 

silver,  44  x 27  mm.  (issue  limited  to  ten  copies,  No.  2). 

25  The  same.  Cast  plaquette  (single),  bronze,  model,  130x75mm. 

(issue  limited,  No.  4). 

26  Jacques  Babinet,  Astronome,  1890.  Cast  medal  (single),  bronze, 

175  mm. 

27  Jeton  des  Avoeats  au  Conseil  d’Etat.  Struck  medal,  silver,  40  mm. 

(model,  23  cm.). 


17 


28  Le  Commerce  Glorifie  par  la  Chari  te  et  le  Culte  du  Beau,  1910. 

Struck  plaquette,  bronze  (cliche,  unedited). 

29  Nouveau  Port  de  Calais,  1889.  Struck  medal,  bronze  silvered,  72 

mm. 

30  Piece  de  Mariage.  Struck  medal,  bronze  silvered,  50mm.  (cliche); 

(model,  100  mm.) . 

31  Platine  d’un  Fusil.  Right  and  left  sides.  Cast  pieces  (single), 

bronze,  models,  10  x 31.5  cm. 

32  Porte-cigare.  Right  and  left  sides.  Cast  pieces,  models,  galvano 

gilt. 

33  Republique  Francaise,  1887.  Cast  medallion  (single),  bronze,  23.5 

cm.  (struck  medal,  68  and  50  mm.). 

37  Resurrection  de  San  Francisco,  1906.  Medallion,  galvano,  model, 
38.3  cm.  (struck  medal,  90  mm.). 

35  Societe  des  Architectes  Diplomes  par  le  Gouvernement,  1896.  Ob- 

verse and  reverse.  Struck  medal,  bronze  silvered,  71  mm. 
(cliches) . 

36  The  same.  Obverse.  Cast  medallion  (single),  bronze,  model,  29 

cm. 

37  Societe  des  Parisiens  de  Paris,  1900.  Struck  plaquette,  bronze  sil- 

vered, 70  x 43  mm. 

38  The  same.  Obverse.  Plaque,  galvano  silvered,  model,  20  x 14  cm. 

39  Visite  de  l’Escadre  Francaise  a Cronstadt,  1891.  Cast  medal,  bronze, 

120  mm. 


18 


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JOHN  J.  BOYLE 


John  J.  Boyle,  sculptor,  medalist  (American),  was  born  in  New  York,  1851. 
Educated  in  the  public  schools  of  Philadelphia,  the  Pennsylvania  Academy 
of  the  Fine  Arts,  and  the  Ecole  des  Beaux-Arts,  Paris.  He  has  received 
honors  from  the  Paris  Salon,  Ihe  Ecole  des  Beaux-Arts,  Paris,  World’s  Co- 
lumbian Exposition,  Chicago,  and  Pan-American  Exposition,  Buffalo,  1901. 
He  is  a member  of  the  National  Sculpture  Society,  to  the  Council  of  which 
lie  has  for  many  years  belonged,  of  the  Architectural  League  and  National 
Arts  Club,  New  York,  and  was  a member  of  the  Fine  Arts  Commission  for 
Greater  New  York  under  Mayor  McClellan.  Address,  251  West  Fifty-first 
Street,  New  York  City. 

1 Justice  Leonard  A.  Giegerich,  1906.  Cast  plaquette  (single),  bronze, 

140  x 110  mm. 

2 Pennsylvania  Academy  of  the  Fine  Arts,  Carol  H.  Beck  Memorial, 

1909.  Obverse  and  reverse.  Struck  medal,  gold,  53  mm. 

3 Philadelphia  Arts  Club,  1890.  Obverse  and  reverse.  Struck  medal, 

gold,  45  mm. 


24 


OLAF  BRAUNER 


Olaf  Brauner,  sculptor,  medalist  (American),  was  born  in  Christiania, 
Norway,  1869.  Received  his  first  instruction  in  drawing  from  his  father, 
Julius  F.  Brauner,  who  was  in  his  time  one  of  the  best-known  wood-en- 
gravers of  Norway.  Became  pupil  of  Massachusetts  Normal  Art  School, 
and  afterward  of  the  School  of  Drawing  and  Painting  in  the  Museum  of 
Fine  Arts,  Boston.  Has  made  a specialty  of  portraiture  both  in  sculpture 
and  in  painting,  and  has  executed  portraits  of  many  prominent  men  and 
women. 

Works:  President  J.  G.  Schurman  of  Cornell  University,  Bishop  Halvor- 
sen  of  the  Norwegian  Lutheran  Church,  Mr.  and  Mrs.  George  D.  Pratt,  Celia 
Thaxter,  Professor  Caldwell  of  Cornell  University,  William  Mason,  Julias 
Eichberg,  and  Professor  Hitchcock  of  Amherst  College.  Is  represented  by 
his  work  in  the  library  of  Cornell  University,  the  Kimball  Library,  Ran- 
dolph, Vermont,  in  Amherst  College,  St.  Botolph  Club,  Boston,  the  Girls’ 
High  School,  Boston,  in  many  private  collections  throughout  the  country, 
and  by  a large  altar  painting  for  the  Church  of  Our  Saviour,  Chicago.  Hon- 
orary member  of  the  Central  New  York  Chapter  of  the  American  Institute 
of  Architects,  and  professor  of  drawing  and  painting  in  Cornell  University. 
Address,  88  Wait  Avenue,  Ithaca,  New  York. 

1 College  of  Architecture  of  Cornell  University,  Clifton  Beckwith 

Brown  Memorial,  1902.  Obverse  and  reverse.  Struck  medal,  de- 
signed by  0.  Brauner,  engraved  by  Ivar  Throndsen,  copies  in  sil- 
ver and  in  bronze,  90  mm. 

2 Portrait  of  “Junior,”  1902.  Medallion  in  plaster,  38.1  cm.  (to  be 

executed  in  marble). 


25 


VICTOR  DAVID  BRENNER 


Victor  David  Brenner,  sculptor,  medalist  (American),  was  born  in  Shavly, 
Russia,  1871.  He  came  to  New  York  in  1890;  started  business  as  die-cutter, 
1893;  went  to  Paris,  1898,  and  became  a pupil  of  Louis  Oscar  Roty;  ex- 
hibited in  the  Paris  Exposition  and  Salon,  1900,  Buffalo,  1901,  St.  Louis, 
1904,  receiving  awards  from  each.  His  work  is  represented  in  the  Paris 
Mint,  Munich  Glyptothek,  Vienna  Numismatic  Society,  Metropolitan  Mu- 
seum of  Art,  New  York,  and  Numismatic  Society,  New  York,  Luxembourg 
Museum,  Museum  of  Fine  Arts,  Boston.  He  is  a member  of  the  American 
Numismatic  Society,  National  Sculpture  Society,  Architectural  League,  and 
National  Arts  Club,  New  York.  Address,  105  East  Seventeenth  Street,  New 
York  City. 


7 Abraham  Lincoln,  Centennial  (1809-1909),  1909.  Obverse  and  re- 
verse. Struck  medal,  bronze,  63  mm. 

2 The  same,  1909.  Struck  plaquette  (uniface),  bronze,  89  x 67  mm. 

3 The  same.  Model  for  U.  S.  cent,  1909,  galvano  gilt,  175  mm. 

A Amerigo  Vespucci,  1903  (plaquette  of  the  American  Numismatic 
Society) . Obverse  and  reverse.  Struck  plaquette,  bronze,  58  x 77 
mm. 

5 Anita  Stuart,  1900.  Cast  plaquette,  bronze,  115  x 85  mm. 

6 Art  Institute  of  Chicago,  Norman  Wait  Harris  prize,  1909.  Obverse 

and  reverse.  Struck  medal,  bronze,  70  mm. 

7 Carl  Schurz,  1907.  Obverse  and  reverse.  Struck  plaquette,  bronze, 

76  x 55  mm. 

8 C.  Delacour,  1899.  Plaquette,  galvano  silvered  (cast,  bronze,  144  x 

163  mm.) . 

.9  Charities  and  Correction,  25th  National  Conference  in  New  York, 
1898  (medal  of  the  American  Numismatic  Society).  Struck 
medal,  bronze,  76  mm. 

79  Charles  P.  Daly,  Prize  Medal  of  the  American  Geographical  Society 
of  New  York,  awarded  for  research,  1903.  Struck  medal,  bronze 
gilt,  70  mm. 

77  Col  1 is  P.  Huntington,  1904.  Cast  plaque  (single),  bronze,  29.2  x 23.8 
cm. 

72  Craftsmanship,  awarded  by  the  New  York  Public  Education  Asso- 
ciation, 1909.  Struck  piece  (badge),  bronze,  41  x 26  mm. 


26 


13  Dr.  Charles  Rabutot,  1906.  Plaquette,  galvano  silvered,  116x88 
mm. 

1A  Dr.  Dumontier,  1905.  Plaquette,  galvano  silvered,  183  x 135  mm. 

15  The  same.  Struck  plaquette,  bronze  silvered,  70  x 50  mm. 

16  Dr.  Otto  Binswanger,  1906.  Medal,  galvano  silvered,  87  mm. 

17  Dr.  Rupert  Norton,  1906.  Plaquette,  galvano  silvered,  115x129 

mm. 

18  Edward  B.  Fulde,  1900.  Cast  medal  (single),  bronze,  92  mm. 

19  Engineering  Society’s  New  Building,  1907.  Obverse  and  reverse. 

Struck  plaquette,  bronze,  74  x 54  mm. 

20  Fine  Arts  Federation  of  New  York,  1904.  Plaquette,  galvano  gilt, 

100  x 80  mm. 

21  Franklin  Birthday  Dinner  of  the  Tvpotheke  of  New  York,  presented 

to  Theodore  L.  De  Vinne,  January  17,  1902.  Struck  plaquette, 
bronze  gilt,  57  x 64  mm. 

22  Frederick  Samuel  Tallmadge,  1906.  Obverse  and  reverse.  Struck 

medal,  silver,  65  mm. 

23  Fridtjof  Nansen,  1897.  Struck  plaquette,  silver,  69  x 45  mm. 

2A  F.  S.  Lamb,  1907.  Struck  plaquette,  bronze,  38  x 27  mm. 

25  George  A.  Lucas,  1899.  Plaquette,  galvano  silvered,  131  x 115  mm. 

(cast  medal  (single),  bronze,  145mm.). 

26  George  William  Curtis,  1901.  Struck  medal  (oval),  silver,  58x47 

mm. 

27  International  Tuberculosis  Congress,  Washington,  1908.  Obverse 

and  reverse.  Struck  plaquette  (badge),  bronze  gilt,  40  x 31  mm. 

28  James  McNeill  Whistler,  1905.  Obverse  and  reverse.  Struck  pla- 

quette, silver,  65  x 89  mm. 

29  Jessie,  1901.  Plaquette,  galvano  gilt,  95  x 90  mm. 

30  Joaquin  Sorolla  y Bastida,  Hispanic  Society  of  America,  1910.  Ob- 

verse and  reverse.  Struck  medal,  silver,  89  mm.  (unedited) . 

31  John  Fritz,  1902.  Obverse  and  reverse.  Struck  medal,  copies  in  sil- 

ver and  in  bronze,  63  mm. 

32  John  Paul  Jones,  1906  (plaquette  of  the  American  Numismatic  So- 

ciety). Obverse  and  reverse.  Struck  plaquette,  bronze,  61  x 81 
mm. 

33  John  Wakefield  Francis,  M.D.,  1897.  Obverse  and  reverse.  Struck 

medal,  copies  in  silver  and  in  bronze,  51  mm. 

3A  J.  Sanford  Saltus,  1900.  Plaquette,  galvano  silvered,  68  x 58  mm. 
(cast  plaquette  (single),  bronze,  154  x 129  mm.). 


27 


35  Julia  \Y.  Oettinger,  1903.  Cast  plaquette  (single),  bronze,  180  x 130 

mm. 

36  Katrina  Trask,  1907.  Obverse  and  reverse.  Struck  plaquette,  sil- 

ver, 83  x 91  mm. 

3 7 Lake  George  Regatta  Association,  prize,  1902.  Struck  piece  (uni- 

face,  vase-shaped),  bronze  gilt,  32  x 49  mm. 

38  Lloyd  McKim  Garrison,  Harvard  University  medal,  1903.  Obverse 

and  reverse.  Struck  plaquette,  silver,  52  x 61  mm. 

39  Miss  F.,  1900.  Plaquette,  galvano  silvered,  152  x 152  mm. 

U)  Mine.  Ernest  Raynaud,  1901.  Cast  medal  (single),  bronze,  89  mm. 

51  Motherhood,  1909.  Obverse  and  reverse.  Struck  medal,  silver,  70 

mm.  (also  51  mm.). 

52  The  same.  Model  in  plaster. 

53  M.  P.  Yade,  1899.  Medal,  galvano  silvered,  140  mm. 

55  Mrs.  LI.,  1906.  Medal,  galvano  sil  vered,  100  mm. 

55  National  Academy  of  Design,  J.  Sanford  Saltus  medal,  1907.  Struck 

medal,  bronze,  51  mm. 

56  New  York  Historical  Society  Centennial,  1804-1904.  Struck  medal, 

bronze,  64  mm. 

57  New  York  Public  Library,  1903.  Model  for  seal,  galvano  silvered, 

24.5  x 18.3  cm. 

58  Panama  Canal,  1908.  Obverse  and  reverse.  Struck  medal,  bronze, 

31  mm. 

59  Portrait  (of  the  artist),  1897.  Plaquette  (easel-shaped),  galvano 

silvered,  115  x 75  mm. 

50  Professor  Adolph  Werner,  1907.  Obverse  and  reverse,  struck  pla- 

quette, bronze,  64  x 47  mm. 

51  Rene,  1899.  Plaquette,  galvano  bronzed,  107  x 86  mm. 

52  Samuel  P.  Avery,  1903.  Medal,  galvano  silvered,  172  mm. 

53  Shepherdess,  1907.  Plaque,  galvano  silvered,  25  x 19.5  cm. 

55  Society  of  the  Cincinnati,  1895.  Obverse  and  reverse.  Struck 
medal,  copies  in  silver  and  in  bronze,  45  mm. 

55  Solomon  Loeb,  1905.  Cast  medal  (single),  bronze  silvered,  135  mm. 

.56*  Spanish  War,  1901.  Obverse  and  reverse.  Struck  medal  (badge), 
bronze,  37  mm. 

57  Spencer  Trask,  1907.  Struck  plaquette  (uniface),  bronze,  83x90 

mm. 

58  The  same.  Plaque,  galvano  silvered,  model  for  the  above,  21.5  x 

22.4  cm. 


28 


59  St.  George  Athletic  Association,  1895.  Struck  medal  (badge), 

bronze,  34  mm. 

60  Theodore  Roosevelt,  1908.  Plaquette,  galvano  silvered,  180  x 130 

mm.  (The  obverse  of  No.  48  was  reduced  from  this  model.  A 
large  plaque,  cast  bronze,  also  exists  in  four  copies,  and  was 
modeled  from  life  in  1908.  This  latter  bronze  plaque  is  the  proto- 
type of  Nos.  60  and  48.) 

61  Universal  Exposition,  Paris,  1900.  Obverse  and  reverse.  Struck 

plaquette  (badge),  bronze,  46  x 28  mm. 

62  University  of  Wisconsin,  Fifteenth  Anniversary,  1904.  Obverse  and 

reverse.  Struck  plaquette,  silver,  63  x 47  mm. 

63  Visit  of  Prince  Henry  of  Prussia  to  the  United  States,  1902  (medal 

of  the  American  Numismatic  Society.)  Obverse  and  reverse. 
Struck  medal,  silver,  70  mm. 

64  W.  A.  Muhlenberg,  D.D.,  1896  (medal  of  the  American  Numismatic 

Society).  Struck  medal,  silver,  51  mm. 

65  Wilbur  and  Orville  Wright,  Aero  Club  of  America,  1908.  Struck 

medal,  silver,  71  mm. 

66  William  Maxwell  Evarts,  1902.  Cast  plaque  (single),  bronze,  30.5  x 

23.5  cm. 

67  The  same.  Cast  plaquette  (single) , bronze,  158  x 120  mm. 

68  William  Openhym,  1902.  Struck  plaquette,  bronze,  44  x 63  mm. 

69  Belt-buckle.  Model,  galvano  silvered,  155  x 77  mm. 


29 


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5 


62 


31 


53 


32 


33 


50 


34 


ROGER  NOBLE  BURNHAM 


Roger  Noble  Burnham,  sculptor,  medalist  (American),  was  born  near  Bos- 
ton, 1876.  After  receiving  his  degree  of  A.B.  from  Harvard,  where  he  spe- 
cialized in  architecture  and  the  fine  arts,  he  took  a studio  in  Boston,  where 
he  carried  out  a line  of  studies  which  he  had  previously  planned,  taking  up 
anatomy  with  Caroline  Hunt  Rimmer,  daughter  of  Dr.  William  Rimmer. 
In  1903  he  came  to  New  York,  where  he  worked  under  Karl  Bitter  (for  the 
Louisiana  Purchase  Exposition)  and  other  sculptors.  In  1904  he  won  the 
Henry  0.  Avery  prize  at  the  exhibition  of  the  Architectural  League  of  New 
York.  In  1907  he  was  graduated  from  the  American  Academy  of  Dramatic 
Arts,  and  went  on  the  stage  for  a season  of  professional  experience.  After 
this  he  returned  to  Boston,  where  he  now  resides,  having  a summer  studio 
at  Magnolia,  Massachusetts.  He  has  made  a specialty  of  portraits.  Address, 
384a  Boylston  Street,  Boston,  and  Magnolia,  Massachusetts. 


1 Dr.  J.  D.  Griffiths,  1909.  Cast  medallion  (oval),  bronze,  20.9  cm. 

2 Harvard  Decennial  (1899-1909),  1909.  Struck  medal,  bronze,  48 


3 Horatio  Harris,  1909.  Plaque  in  plaster,  29.2  x 20.3  cm. 

4 John  Wheeler,  1909.  Cast  medal,  bronze,  114  mm. 

5 Leigh  Kendall,  1908.  Cast  medal,  bronze,  114  mm. 

6 Mrs.  John  Brown,  1909.  Plaque  in  plaster,  29.2  x 20.3  cm. 

7 Olive  Tilford  Dargan,  1908.  Plaque  in  plaster,  29.2  x 20.3  cm. 

8 R.  N.  B.,  1905.  Medallion  (oval)  in  plaster,  29.2  x 20.3  cm. 

9 Susan  and  Helen  Hyde,  1910.  Cast  medallion,  bronze,  153  mm. 


mm 


7 


9 


36 


HENRY  KIRKE  RUSH-BROWN 


Henry  Kirke  Rush-Brown,  sculptor,  medalist  (American),  was  born  in 
Ogdensburg,  New  York,  1857.  At  the  age  of  seventeen  he  became  pupil  and 
assistant  of  his  uncle,  Henry  K.  Brown.  He  then  passed  three  years  in 
Europe,  studying  with  Antonin  Mercie  of  Paris.  In  1889,  while  in  Paris,  he 
made  the  study  for  the  Indian  Buffalo  Hunt.  Though  urged  to  remain  to 
carry  it  out  in  colossal  proportions  for  exhibition  at  the  Salon,  he  felt  im- 
pelled to  return  to  his  own  country  in  order  to  make  the  most  of  his  art  in 
his  native  land.  The  Indian  Buffalo  Hunt  was  executed  in  full  size,  and 
exhibited  at  the  Chicago  World’s  Fair,  and  later,  by  invitation,  at  the  James- 
town Exposition.  In  both  places  it  was  highly  commended. 

Works:  Equestrian  statues  of  Generals  G.  G.  Meade  and  John  F.  Reynolds 
at  Gettysburg,  Pennsylvania,  and  of  General  Anthony  Wayne  at  Valley 
Forge.  A statue  of  Justinian  for  the  Appellate  Court  of  New  York,  the  Civil 
War  Memorial  of  the  Union  League  Club  of  Philadelphia,  and  the  White 
Woman  of  the  Seneca  Indians  for  Letchworth  Park  are  among  the  best  of 
his  smaller  works.  The  last  was  in  June,  1910,  placed  by  the  Scenic  and  His- 
toric Preservation  Society  at  the  grave  in  the  Letchworth  State  Park  of  Mary 
Jemison,  the  subject.  He  has  written  essays  on  art,  on  civic  improvement, 
and  on  education.  He  is  a member  of  the  National  Sculpture  Society,  Ar- 
chitectural League,  and  the  National  Arts  Club.  He  makes  his  permanent 
home  in  Washington,  but  retains  a summer  studio  at  Newburgh,  New  York. 
Address,  1729  G Street,  N.  W.,  Washington,  D.  C. 


1 Hudson-Fulton  Celebration,  Newburgh,  1909.  Obverse  and  reverse. 

Struck  medal,  bronze,  51  mm. 

2 Washington  Irving,  St.  Nicholas  Society,  December  6,  1907.  Cast 

medallion  (single),  bronze,  18  cm. 


37 


38 


ANGELO  CAPPUCCIO 


Angelo  Cappuccio,  medalist  (Italian),  was  born  in  Milan  in  1855.  He  studied 
at  the  Accademia  di  Brera,  Milan.  In  1884  he  was  appointed  director  of  the 
Laboratorio  Artistico  d’Incisione  of  the  Stabilimento  Stefano  Johnson  at 
Milan,  where,  with  a chosen  company  of  other  skilful  engravers,  he  had  a 
vast  field  for  the  development  and  strengthening  of  his  own  talent  in  the  art 
of  the  burin.  Address,  15  Corso  Porta  Nuova,  Milan. 

7  Alessandro  Volta,  Esposizione  Comense,  1899.  Struck  medal, 
bronze,  60  mm.1 

2 Cerere  e Minerva,  pel  V°  Congresso  Fisiologico  in  Torino,  1901. 

Cast  plaquette,  bronze,  73  x 47  mm. 

3 Giubileo  Sacerdotale  di  Don  Annibale  Bottigelli,  1903.  Struck  medal, 

bronze,  26  mm. 

4 II  Re  Umberto  ed  Inaugurazione  del  Riedificamento  della  Torre 

Filareta,  1905  (dal  marmo  dello  scultore  L.  Seechi).  Struck  pla- 
quette, bronze,  72  x 45  mm. 

5 II  Sacerdote,  Adalberto  Catena,  Preposto  di  San  Fedele  in  Milano, 

1904.  Struck  medal,  bronze,  50  mm. 

6 Kennel  Club  Italiano,  1901.  Struck  medal,  bronze,  52  mm. 

7 Messa  d’Argento  di  Monsignor  Achille  Ratti,  Milano,  1904.  Struck 

medal,  bronze,  60  mm. 

8 Messa  d’Oro.  Struck  medal,  bronze. 

9 Monumento  a Vittorio  Emanuele  II,  in  Genova  (opera  dello  scultore 

Francesco  Bargaghi,  in  Milano).  Struck  medal,  modeled  by  L. 
Pogliaghi,  engraved  by  A.  Cappuccio,  bronze,  68  mm. 

70  Monumento  Commemorativo  della  Battaglia  di  Legnano  (dal 
bronzo  dello  scultore  Butti),  1900.  Struck  medal,  bronze,  52  mm. 

77  Nozze  d’Oro,  1890.  Struck  medal,  bronze,  28  mm. 

72  Pure  dal  Comitato  Lombardo,  offerta  in  oro  al  Sommo  Pontefiee 

Leone  XIII,  medaglia  nel  stile  Bisantino.  Obverse  and  reverse. 
Struck  medal,  bronze,  55  mm. 

73  S.  A.  R.  il  Duca  degli  Abruzzi,  offerta  dai  Veneti,  1903.  Struck  medal, 

designed  by  A.  Hohenstein,  modeled  and  engraved  by  A.  Cap- 
puccio. Struck  medal,  bronze,  80  mm. 

74  Scuola  d’Atene  (dal  cartone  di  Raffaello),  1906  (reverse  of  the 

medal,  Senatore  Giuseppe  Colomba,  by  L.  Secclii,  cf.  p.  304,  No. 
9).  Struck  medal,  bronze,  67  mm. 

1 Nos.  1-18  were  loaned  by  Stabilimento  Stefano  Johnson,  Milan. 


39 


W'f 


The  same.  Cast  medallion  (single),  bronze,  model  for  the  pre- 
ceding.1 

16  Scuola  Superiore  d’Arte  Applicata  all’  Industria  di  Milano,  Premio, 
1885.  Struck  medal,  modeled  by  L.  Pogliaghi,  engraved  by  A. 
Cappuccio,  bronze,  70  mm. 

77  Sig.  Stefano  Johnson,  Fondatore  dello  Stabilimento  Johnson,  nel 
20°  Anniversario  dalla  sua  morte  (1882),  1902.  Struck  medal, 
bronze,  60  mm. 

IS  S.  S.  Pio  X in  Occasione  del  50°  Anno  Sacerdotale,  1858-1908  (ob- 
verse of  the  medal  by  A.  dal  Castagne,  No.  16).  Struck  medal, 
bronze,  65  mm. 

1 This  design  of  Archimedes  and  his  pupils  is  derived  from  Raphael’s  painting  in 
the  Loggia  of  the  Vatican.  The  design  was  selected  by  Senator  Luca  Beltrami,  and 
was  copied  by  the  medalist  from  the  valuable  original  sketch  preserved  in  the 
Pinacoteca  Ambrosiana. 


15 


40 


GIOVANNI  CARIATI 


Giovanni  Cariati,  painter,  medalist  (Italian),  was  born  in  Naples.  From 
the  age  of  seventeen  he  was  a serious  student  of  arts  and  sciences.  He  was 
a very  versatile  genius,  and  was  both  poet  and  painter,  and  illustrator  and 
sculptor.  In  the  employ  of  a publisher  of  religious  books,  he  had  once  an 
opportunity  of  observing  a collection  of  medals  which  were  offered  for 
sale,  and  he  is  said  to  have  been  impressed  with  the  inferiority  of  the  aver- 
age talent  displayed,  seeing  in  most  of  these  productions  no  knowledge  of 
human  beautjr  or  anatomy  or  design.  He  therefore  began  to  design  medals 
for  himself,  and  though  he  had  no  master  or  school  in  which  to  learn  the 
elements  of  the  art,  he  was  successful  as  a self-teacher.  This  was  in  1903, 
and  since  that  date  he  has  risen  to  a high  place  among  the  medalists  of  to- 
day. Under  the  name  of  “Gicar,”  and  also  under  the  pseudonym  of  “Icario 
Givantina,”  for  many  years  he  has  been  well  known  in  Paris,  and  has  not 
infrequently  been  mistaken  for  a fellow-countryman.  He  exhibited  at  the 
Esposizione  “Pro  Museo  Segantini,”  Galleria  Grubicy,  Paris,  and  at  the 
Salon  of  1906.  In  1909  a special  exposition  of  his  works  was  held  at  Milan, 
Esposizione  Italiana,  and  elicited  great  approval.  He  has  now  returned  to 
his  native  Italy,  and  the  merits  of  his  work  are  freely  conceded  by  his  coun- 
trymen, who  formerly  did  not  recognize  his  genius.  He  has  been  called 
“michelangiolesco,”  and  his  work  receives  the  highest  praise  in  foreign  and 
native  catalogues. 

Works:  medals  and  plaquettes:  La  Vierge ; L Ange  a la  Harpe;  St. 

Georges;  Baiser  cle  Mere;  Baiser  d’ Enfant;  Les  Epoux;  L Ange  an  Car- 
touche; Maternite;  Le  Gaulois;  La  Paix;  La  Vitesse;  Femme  d 1’ Aube  pine ; 
St.  Michel;  St.  Christophe;  L Ami  Divin;  Salvator  Mundi;  Oui  et  Non;  La 
Walkgrie;  Ste.  Cecile;  Ecce  Homo;  Noel;  Jeanne  d' Arc;  Mater  Dolorosa; 
Vierge  aux  Etoiles;  Notre  Dame  de  Lourdes;  Les  Graces  et  leur  Maitre;  Le 
Roi  d’ltalie;  L’ltalie  (collection  of  ten  sketches  for  medals,  coins,  and  post- 
age-stamps). 

(The  material  for  this  biographical  sketch  was  drawn  from  the  follow- 
ing sources:  “L’Arte  della  Medaglia  e della  Placchette  di  Gi.  Cariati,  Esposi- 
zione Italiana,  1909,”  by  V.  Rossi-Sachetti,  Paris,  19091;  “La  Rinaseenza  e 


41 


1 The  exposition  was  prepared  (and  the  catalogue  printed)  in  Paris,  hut 
was  held  in  Milan,  in  the  spring  of  1909. 


la  Nuova  Scuola  della  Medaglia  in  Italia,  L’Opera  di  Giovanni  Cariati  e il 
sno  Trionfo,”  by  Professor  Serafmo  Ricci  (S.  Maria  Capua  Vetere,  1909). 
These  two  articles  are  given  up  chiefly  to  discussion  of  the  artist’s  style, 
and  the  number  of  actual  biographical  facts  in  them  is  small.) 

1 Ave  Maria.  Plaque  (irregular  shape),  galvano  gilt,  18  x 24  cm.1 

2 II  Bacio  del  Redentore  all’  Umanita.  Plaquette  (irregular  shape), 

galvano  gilt,  145  x 120  mm. 

3 Madonna.  Plaquette  (irregular  shape),  galvano  gilt,  42  x 30  mm. 

4 Maternita.  Medal  (badge),  galvano  gilt,  24mm. 

5 Musica  Divina.  Medal  in  porcelain  (touched  with  gilt),  95  mm. 

6*  San  Giorgio.  Plaque  (irregular  shape),  galvano  gilt,  20  x 15  cm. 

1 Nos.  1-6  were  loaned  by  Edward  I).  Adams,  Esq. 


6 


42 


ALBINO  DAL  CASTAGNE 


Albino  dal  Castagne,  sculptor,  medalist  (Italian),  was  born  in  Torcegno  in 
the  Trentino  in  1877.  Studied  at  Milan  in  the  school  of  Professor  Butti. 
Graduated  from  the  Reale  Accademia  di  Belle  Arti  in  1902,  where  he  won 
the  Albani  prize  for  sculpture.  In  1905  he  won  the  prize  for  the  medal 
Giovanni  Lorenzoni  of  Triest,  and  a second  prize  for  the  medal  Ministero 
d’Agricoltura,  lndustria  e Commercio.  In  1906  he  was  one  of  two  who 
received  prizes  for  the  medal  Esposizione  lnternazionale  di  Milano.  In 
1908  at  the  Triennial  Exposition  of  Milan  he  obtained  the  Fumagalli  prize 
for  sculpture  by  his  statue,  Vanita.  Address , 13  Via  Rossini,  Milan. 

7  Arte  e Musica,  1909.  Cast  medallion  (single),  bronze,  20  cm.1 

2 Associazione  Nazionale  per  la  Difesa  della  Fanciullezza  Abbando- 

nata,  1908.  Struck  medal,  silver,  50  mm. 

3 Bambine,  1908.  Cast  plaque  (single),  bronze,  19x25  cm. 

4 Barone  Dre.  Massimiliano  de  Mersi,  1907.  Struck  medal,  bronze,  52 

mm. 

5 Carlo  Marchetti,  1909.  Struck  medal,  bronze,  44  mm. 

6 Cesare  Consonni,  1908.  Struck  medal,  bronze,  65  mm. 

7 Comm.  Bonaldo  Stringher  per  la  Conversione  della  Rendita,  1906. 

Struck  medal,  bronze,  56  mm. 

8 Convegno  in  Commemorazione  di  San  Martino  e Solferino,  1909. 

Struck  medal,  bronze,  30  mm. 

9 Esposizione  lnternazionale  d’Arte  della  Citta  di  Venezia.  Obverse 

and  reverse.  Cast  medal,  bronze,  120  mm. 

10  Fuga  in  Egitto,  1907.  Struck  plaquette,  bronze. 

11  Ing.  Massimo  de  Vecehi,  Presidente  dell’  Associazione  pel  Com- 

mercio e lndustria  delle  Sete,  1906.  Struck  medal,  bronze,  60  mm. 

12  La  Sposa,  1909.  Cast  plaque  (single),  bronze,  27  x 33  cm. 

13  Nozze  Onderloni,  1909.  Struck  medal,  bronze,  50  mm. 

74  Professore  Giovanni  Lorenzoni,  1904.  Cast  medal,  bronze,  100  mm. 

15  Ritratto.  Cast  plaquette  (single,  irregular  shape),  bronze,  110  mm. 

16  S.  S.  Pio  X,  in  Occasione  del  50°  Anno  Sacerdotale,  1858-1908  (re- 

verse of  medal  by  A.  Cappuccio,  No.  18).  Struck  medal,  bronze, 

65  mm. 

77  Studio  e Lavoro,  1906.  Struck  medal,  bronze,  32  mm. 

1 Nos.  1-17  were  loaned  by  Stabilimento  Stefano  Johnson,  Milan. 


43 


44 


EUGENE  GASTELLO 


Eugene  Castello,  sculptor  (American),  was  born  in  Philadelphia  in  1851. 
Artist  member  of  the  Salmagundi  Club,  New  York;  Societaire  de  l’Union 
Internationale  des  Beaux-Arts  et  des  Lettres,  Paris;  correspondent  of  the 
Studio,  London.  Exhibited  work  in  painting  at  World’s  Fairs  at  Chicago 
and  St.  Louis,  and  sculpture  at  Pennsylvania  Academy  of  Fine  Arts,  Phila- 
delphia. 

Works:  a number  of  portrait  busts  of  prominent  men  made  during  their 
lives  and  modeled  directly  from  the  sitters:  Professor  Edward  Drinker 
Cope,  paleontologist;  William  Mountain,  poet  and  author;  Dr.  Matthew 
Woods,  president  of  the  Browning  Society  of  Philadelphia.  Address,  3728 
Locust  Street,  Philadelphia. 

1 Ann  Maria  Castello,  1909.  Cast  medallion,  bronze,  35  cm. 


GIANNINO  CASTIGLIONI 

Giannino  Castiglioni,  sculptor,  medalist  (Italian),  was  born  in  Milan, 
Italy,  in  1884.  He  is  an  honorary  member  of  the  Regia  Accademia  di  Belle 
Arti,  “Brera,”  where  he  was  a pupil  of  Butti.  He  exhibited  for  the  first  time 
as  painter  and  as  sculptor  at  the  International  Exhibition  at  Milan  in  1906; 
afterward  as  sculptor  and  medalist  at  Venice  in  1907  and  1909,  and  at  Mu- 
nich in  1909.  He  has  had  the  honor  to  be  invited  to  the  International  Ex- 
hibitions of  the  past  year  at  Buenos  Aires  and  at  Venice.  He  made  the 
prize  medal  of  the  International  Exhibition  at  Milan  in  1906,  and  also 
gained  the  first  prize  in  the  competition  for  the  execution  of  a medal,  Regio 
Ministero  dell’  lstruzione.  Address.  40  Corso  Porta  Nuova,  Milan,  Italy. 

1 All’  Aperto,  1907.  Cast  plaque,  bronze,  29  x 29  cm. 

2 Bianca  Maria  Angelo,  1907.  Cast  medal,  bronze,  100  mm.1 2 


45 


1 Nos.  2,  4-12,  14,  16-21,  and  23  were  loaned  by  Stabilimento  Stefano 

Johnson,  Milan. 


3 Camera  di  Commercio,  Alessandria,  1909.  Obverse  and  reverse. 
Struck  medal,  bronze,  32  nnn. 

/ Cattedrale  e Torrazzo  di  Cremona,  1905.  Struck  medal,  bronze,  60 
mm. 

5 Cav.  Ressonieo,  1900.  Cast  medallion  (single),  bronze,  26  cm. 

(struck,  65  mm.) . 

6 Centenario  del  Conservatorio  Musicale  Giuseppe  Verdi  e il  Ricordo 

del  Congresso  Nazionale  Didattico,  1908.  Reverse.  Struck  medal, 
bronze,  60  mm. 

7 Congresso  Internazionale  di  Navigazione  in  Milano,  1905  (obverse 

modeled  by  E.  Boninsegna,  reverse  by  G.  Castiglioni).  Reverse. 
Struck  plaquette,  bronze,  47  x 66  mm. 

8 The  same.  Cast  plaque  (single),  bronze,  model  for  the  above,  18  x 

25  cm. 

9 Danza.  Struck  piece,  badge. 

10  E.  Sertoli,  1908.  Struck  medal,  bronze,  55  mm. 

11  Esposizione  Internazionale  di  Milano,  medaglia  di  Premiazione, 

1906.  Obverse  and  reverse.  Struck  medal,  bronze,  60  mm. 

12  Gara  di  Tiro  a Segno  Nazionale,  Milano,  1909.  Obverse  and  reverse. 

Struck  medal,  bronze,  32  mm. 

13  The  same.  Obverse  and  reverse.  Cast  medallion  (single),  bronze, 

model  for  the  above,  20  cm. 

74  Giornale  “II  Sole,”  Milano,  1908.  Struck  medal,  bronze,  50  mm. 

15  Giovanni  Ricordi,  Fondatore  della  Casa  Editrice  Musicale,  1808- 

1908.  Struck  medal,  bronze,  48  mm. 

16  Giovanni  Stucky,  Giubileo  del  Grande  Mulino  Stucky  a Venezia, 

1909.  Obverse  and  reverse  (from  a painting  by  P.  Fragiacomo). 
Struck  medal,  bronze,  80  mm. 

77  La  Guerra,  1906.  Cast  plaquette  (single),  bronze,  170  x 170  mm. 

18  Ministero  della  Marina,  1909.  Obverse  and  reverse.  Struck  medal, 

bronze,  50  mm. 

19  Ministero  dell’  Istruzione,  1909.  Cast  medallion  (single),  bronze, 

20  cm. 

20  Monitore  dei  Tribunali,  Justizia  e Scienza,  1909.  Cast  plaque 

(single),  bronze,  37  x 24  cm. 

21  Nautica,  1909.  Cast  plaque  (single),  bronze,  15x23  cm. 

22  Nozze  d’Argento,  1906.  Cast  plaque  (single),  bronze,  20  x 20  cm. 

23  Nozze  d’Oro,  1907.  Struck  medal,  bronze,  28  mm. 

24  Profilo  Muliebre,  1908.  Cast  plaque  (single),  bronze,  27  x 17  cm. 

46 


25  Provincia  di  Como,  1908.  Struck  medal,  bronze,  44  mm. 

26  Ritratto  di  Signora,  1908.  Cast  plaque  (single),  bronze  35  x 32  cm. 

27  Silvano  Stella,  1908.  Cast  plaque  (single),  bronze,  38  x 23  cm. 

28  Vespro,  1909.  Cast  plaque  (single),  bronze,  18x21  cm. 


47 


27 


48 


JULES  CLEMENT  CHAPLAIN  t 


Jules  Clement  Chaplain,  medalist  (French),  was  born  in  Mortagne 
(Orne),  1839.  Studied  under  the  sculptor  Jouffroy  and  the  medal-engraver 
Oudine,  and  entered  the  Eeole  des  Beaux-Arts  in  1857.  He  obtained,  in 
1860,  the  second  prize  at  the  Concours  de  Rome  for  gem-  and  medal-en- 
graving, with  the  medal  Guerrier  deposant  sur  I'autel  da  diea  Mars  la 
palme  de  la  Victoire;  and  in  1863  he  won  the  first  prize  for  a medal,  Mer- 
cure  faisant  boire  un  panthere,  and  for  a gem,  Tele  de  Mercure  antique. 
From  1864  to  1868  the  artist  continued  his  studies  in  Italy,  and  from  there 
sent  several  drawings:  Portrait  d’ Andrea  del  Sarto,  La  Creation  de  Vhomme 
after  Michelangelo,  and  La  Philosophie  after  Raphael.  At  the  Salons  of 
1870  and  1872  he  received  distinctions;  at  the  exhibition  of  1878  he  obtained 
a medal  of  the  first  class.  In  1877  M.  Chaplain  was  created  chevalier  of  the 
Legion  of  Honor,  and  in  1888  officer;  he  was  also  elected  a member  of  the 
Academie  des  Beaux-Arts  and  then  professor  at  the  Eeole  des  Beaux-Arts  in 
1881.  M.  Chaplain  produced  a large  number  of  noted  portrait  medals  of 
the  most  prominent  Frenchmen  of  his  day  and  became  a leader  among 
French  medalists.  He  was  created  commander  of  the  Order  of  the  Legion 
of  Honor  in  1900,  and  was  elected  to  the  Institute.  He  died  July  13,  1909, 
only  a few  months  after  having  executed  the  bust  and  bas-reliefs  of  the 
monument  of  M.  Octave  Greard  erected  opposite  the  Sorbonne,  the  monu- 
ment of  Dr.  Tillaux  erected  at  the  Eeole  de  Clamart,  and  the  plaquette  of 
Docteur  Elie  de  Cvon,  the  last  and  one  of  the  finest  of  his  works. 


The  art  of  the  French  medal  could  not  suffer  a greater  loss  than  that 
of  Chaplain.  This  vigorous  artist  was  not  only  the  dean  of  contem- 
porary medalists,  but  he  still  remained  one  of  the  most  fruitful.  His 
genius,  so  virile  and  so  serious,  would  not  have  undergone  eclipse.  If 
death  had  not  too  soon  closed  a career  already  long,  we  should  have  been 
indebted  to  him  for  new  masterpieces  that  no  other  of  our  contempo- 
raries will  be  able  to  give  us. 

Jules  Clement  Chaplain,  who  has  just  died  in  Paris,  July  13,  1909,  was 
born  at  Mortagne,  July  12,  1839.  This  severe,  exact,  and  powerful  artist 
was  of  the  same  province,  of  the  same  race  as  Nicolas  Poussin.  He 
early  showed  marked  gifts.  Entered  at  the  Eeole  des  Beaux-Arts  in  Oc- 
tober, 1857,  in  1860  he  won  the  second  Prix  de  Rome  for  medal-engrav- 
ing, and  at  the  next  following  competition,  in  1863,  the  first  Grand  Prix. 


49 


The  pupil  of  Jouffroy  and  of  Oudine  then  left  for  l he  Villa  Medici,  at 
that  time  under  the  paternal  government  of  the  painter  Schnetz. 

Few  artists  have  profited  from  the  stay  in  Rome  with  as  much  con- 
scientiousness and  intelligence  as  Chaplain.  He  was  not  satisfied  there 
with  copying  ancient  medals  and  executing  beautiful  and  pure  draw- 
ings in  imitation  of  the  most  vigorous  masters  of  the  Renaissance.  He 
was  able,  in  addition,  with  all  his  mind  and  all  his  heart  to  love  and  to 
understand  the  antique.  Rome  is  not  for  young  artists  that  classic 
prison,  which  certain  fretful  failures  have  unjustly  reproached  as  ster- 
ilizing originality.  Rome,  so  diverse,  often  so  arrogant  and  sometimes 
so  charming,  is,  above  all,  a school  of  greatness  and  of  calm.  R does  not 
impose  a conventional  form  of  art.  Its  aim  is  to  produce  a state  of  mind 
favorable  to  the  unfolding  of  artistic  gift. 

From  that  time  Chaplain  regularly  exhibited  in  the  Salons  of  Paris. 
He  so  quickly  drew  attention  that  in  1867  he  received  the  order  for  the 
medal  of  the  Universal  Exposition.  Thenceforth  his  career  became 
easy,  regular,  worthy  of  him.  For  the  trite,  stereotyped  allegories  that 
the  medalists  of  the  Second  Empire  were  wont  to  engrave,  he  substi- 
tuted an  allegory  that  was  more  living,  that  was  still  classic  and  strictly 
appropriate  to  the  precise  art  of  the  medal.  Then,  the  public  early 
noted  his  exceptional  gifts  as  a portraitist,  and  in  fact  he  brought  into 
the  portrait  a realism  admirable  in  its  simplicity,  its  breadth,  and  its 
nobility.  Having  become  in  1877  the  official  medalist  of  the  French 
government,  he  initiated  by  his  beautiful  medal  of  MacMahon  his  series 
of  medals  of  the  presidents  of  the  republic.  In  1881  the  Academie  des 
Beaux-Arts  welcomed  him  as  the  successor  of  Gatteaux. 

But  where  he  gave  the  opportunity  for  the  world  to  estimate  him  at 
his  full  value  was  in  his  portraits  of  savants  and  of  artists.  The  series  is 
numerous  and  really  incomparable.  Apparently  the  radiation  of  genius 
and  of  intelligence  from  a human  countenance  always  attracted  and  in- 
spired him.  In  all  these  representations  he  was  always  able  to  discover 
and  to  indicate  with  power  the  spiritual  beauty  animating  a manly  face. 
Recall  with  regard  to  this  his  medals  of  Joseph  Bertrand  and  of  Her- 
mite,  where  so  much  intellectual  flame  brings  into  strong  relief  the  mag- 
nificent ugliness  of  the  two  celebrated  mathematicians. 

For  a short  time  the  success  of  Roty,  who  brought  into  the  art  of  the 
medal  a personal  note  of  deeply  felt  and  familiar  poesy,  the  grace  of 
which  sometimes  borders  upon  affectation,  seemed  to  influence  the 
talent  of  Chaplain.  That  influence  is  appreciable,  for  example,  in  his 
medal  for  the  Societe  Franchise  des  Habitations  a Bon  Marche  (1891), 
in  which  he  amused  himself  by  representing  a working-man’s  home  in 
its  happiness  and  domestic  simplicity  with  such  a wit  and  such  a sym- 
pathy-thrilled naturalism  as  Roty  was  fond  of  admiring.  Chaplain  did 
not,  however,  delay  among  these  curiosities,  and  returned  to  his  proper 
taste  for  the  portrait  and  for  the  classic  allegory,  which,  besides,  he 

50 


treated  with  an  original  sense  of  truth  and  of  life,  and  never  with  that 
conventional  coldness  which  froze  the  art  of  his  master  Oudine. 

We  have  not  space  to  cite  the  principal  portraits  which  made  the  glory 
of  Chaplain.  M.  Mazerolle  has  recently  published  catalogues  of  them, 
to  which  we  refer.  Let  us  recall  only  that  in  these  last  years  Chaplain 
was  still  engraving  portraits  in  which  his  talent  appeared  to  be  stronger 
and  fuller  of  decision  than  ever,  as  the  medals  of  Albert  Sorel,  of  Dr. 
Paul  Berger,  and  of  Emile  Levasseur.  Disease  and  death  will  be  seen  to 
have  seized  him  in  the  midst  of  his  work  before  age  could  slacken  his 
hand  and  chill  his  inventive  gift. 

Need  we  recall,  in  addition,  the  high  cultivation  possessed  by  that 
brain  so  harmoniously  constituted?  A brother-in-law  of  Albert  Du- 
mont, he  rejoiced  in  illustrating  by  drawings  from  the  antique  the  work, 
to-day  classic,  of  the  distinguished  archaeologist  on  the  “Ceramiques  de 
la  Grece  propre.”  Finally,  who  does  not  know  what  a manly  and  noble 
character,  what  a beautiful  life  of  toil,  of  thought,  of  disinterestedness, 
and  of  virtue  complete  the  heightening  in  our  memory  of  the  recollec- 
tion of  the  great  artist  who  leaves  us?  All  who  approached  him  will 
keep  of  him  an  image  as  clear,  as  free  as  those  which  he  made  eternal  in 
his  bronze.  For  those  who  knew  him  the  death  of  Chaplain  is  a sorrow, 
for  French  art  it  is  a loss  irreparable.  J.  F. 

(From  the  Revue  Numismatique,  1909,  pp.  516-518.) 


Art  et  Decoration  (Librairie  Centrale  des  Beaux-Arts,  13  rue  Lafayette, 
Paris)  for  April,  1900,  contained  as  its  leading  article  a critical  appreciation, 
by  Gaston  Migeon,  of  Chaplain  as  the  rescuer  of  French  medallic  art  from 
the  mediocrity  of  the  first  quarter  of  the  last  century.  The  article  has  nine- 
teen illustrations. 

The  Journal  des  Debats  of  July  15  and  16,  1909,  contains  a tribute  to 
Chaplain  from  Andre  Michel. 

See  especially  M.  Fernand  Mazerolle,  “J.-C.  Chaplain.  Biographie  et  Cata- 
logue de  son  CEuvre”  (Paris:  Baymond  Serrure,  53  rue  de  Richelieu,  1897, 
with  supplements) . 

Address,  Mme.  J.  C.  Chaplain,  Institut  de  France,  3 rue  Mazarine,  Paris. 

1 Albert  Sorel,  1904.  Struck  plaquette,  bronze,  70  x 56  mm. 

2 Andre  Marie  Ampere,  1873.  Struck  medal,  bronze,  50  mm.1 2 3 

3 Barthelemy  St.  Hilaire,  Membre  de  l’lnstitut,  1889.  Cast  medal 

(double),  bronze,  93  mm. 

1 Nos.  2,  5,  11,  20,  24,  25,  27,  28,  31,  44,  47  belong  to  the  American  Numismatic 
Society,  and  were  exhibited  apart  from  the  remaining  numbers. 


51 


'/  Brasserie  de  Nv  Carlsberg,  Danemark,  1895.  Reverse.  Struck 
plaquelte,  bronze,  71  x 51  mm. 

5 Caisse  d’Epargne  et  de  Prevoyance  de  Paris,  1894.  Struck  medal 
(jeton),  silver,  32  mm. 

6‘  Camille  See,  1892.  Plaquette,  galvano  silvered  (cast  plaquette 
(single),  100  x75  mm.). 

7 Charles  Gamier,  1896.  Cast  medal  (double),  bronze,  100  mm. 

(also,  struck  medal,  68  mm.,  1897). 

8 Comte  de  Franqueville,  1893.  Obverse  and  reverse.  Cast  medal 

(double),  bronze,  100mm. 

9 Comte  Henri  Delaborde,  1898.  Plaquette,  galvano  silvered  (cast 

plaquette  (double),  bronze,  77  x 65  mm.;  also,  90  x 75  mm.). 

10  Comtesse  de  Vogue,  1895.  Medal,  galvano  silvered  (cast  medal 

(single),  bronze,  101  mm.). 

11  Conservatoire  National  de  Musique  et  de  Declamation,  1877.  Struck 

medal  (uniface),  bronze,  69  mm. 

12  Docteur  Charles  Bouchard,  Membre  de  rinstitut,  1902.  Plaquette, 

galvano  silvered,  100  x 80  mm. 

13  Docteur  Elie  de  Cyon,  1909.  Struck  plaquette,  bronze,  70  x 56  mm. 

14  Docteur  Alfred  Fournier,  de  l’Academie  de  Medecine,  1902.  Medal, 

galvano  silvered,  100  mm. 

15  Docteur  Lannelongue,  Membre  de  l’lnstitut,  1901.  Struck  pla- 

quette, bronze,  70  x 60  mm. 

16  The  same.  Cast  plaquette  (double),  bronze,  100  x 80  mm. 

11  Docteur  Samuel  Pozzi,  de  l’Academie  de  Medecine,  1905.  Medal, 
galvano  silvered,  100  mm. 

18  Eleuthere  Mascart,  de  l’Academie  des  Sciences,  1909.  Medal,  gal- 

vano silvered,  100  mm. 

19  Enfants  Chaplain,  1886.  Cast  medal  (single),  bronze,  119mm. 

20  Ernest  Meissonier,  1899.  Cast  medal  (double),  bronze,  98  mm. 

(also,  cast  medal  (single),  bronze,  98  mm.,  1889). 

21  Gustave  Laguionie.  Plaquette,  galvano,  100  x 80  mm. 

22  Henri  d’Orleans,  Due  d’Aumale,  1887.  Cast  medal  (double), 

bronze,  114  mm. 

23  Henriqucl  Dupont,  Membre  de  l'lnstitut,  1887.  Cast  medal 

(double),  bronze,  100  mm. 

24  Jean  Leon  Gerome,  1885.  Cast  medal  (double),  bronze,  100  mm. 

25  Jean  Paul  Laurens,  1887.  Cast  medal  (single),  bronze,  96  mm. 

26  Jules  Simon,  1889.  Cast  medal  (double),  bronze,  99  mm. 

27  Le  Marechal  de  MacMahon,  1877.  Struck  medal,  bronze,  70  mm. 

(cliche). 


52 


28  Leon  Gambetta,  1882.  Cast  medal  (double),  bronze,  100  mm. 

29  Lucile  Rose  Caron,  1891.  Obverse  and  reverse.  Cast  medal 

(double),  bronze,  100  mm. 

30  Mine.  Jeanne  Mathilde  Claude,  1887.  Cast  medal  (single),  bronze, 

124  mm. 

31  Mme.  J.  M.  Claude,  1887.  Cast  medallion  (single),  bronze,  23.4  cm., 

model  for  the  above. 

32  Mme.  Sarah  Gustave  Simon,  1890.  Cast  plaquette  (single),  bronze, 

105  x 80  mm.  (also,  plaque,  21.4  x 16.3  cm.). 

33  Mme.  Sophie  Marguerite  Wallon,  1896.  Cast  plaque  (single), 

bronze,  21  x 18  cm.  (also,  93  x 85  mm.). 

34  Miles.  Anna  et  Germaine  See,  1892.  Plaquette,  galvano  silvered, 

87  x 75  mm.  (cast  plaquette  (single),  bronze,  87x  75  mm.;  also 
105  x 75  mm.,  variety.). 

35  M.  Chalmin,  President  du  Tribunal  de  Clermont  (Oise),  (oncle  de 

Mme.  Chaplain),  1900.  Plaquette,  galvano,  128  x 100  mm. 

36  M.  Gustave  Larroumet,  Professeur  a la  Sorbonne,  1904.  Struck 

plaquette,  bronze,  70  x 50  mm. 

37  Paul  Berger,  1907.  Struck  medal,  bronze,  68  mm. 

38  Paul  Dubois,  Directeur  de  l’Ecole  des  Beaux-Arts,  1897.  Cast  medal 

(double),  bronze,  100  mm. 

39  President  Sadi  Carnot,  1888.  Obverse  and  reverse.  Cast  medal 

(double),  bronze,  120  mm. 

40  President  Casimir-Perier,  1894.  Cast  medal  (double),  bronze,  105 

mm.  (struck,  69  mm.). 

41  President  Emile  Loubet,  1899.  Medal,  galvano  silvered,  100  mm. 

(struck  medal,  68  and  72  mm.). 

42  Princess  Helene  Bibesco,  1893.  Obverse  and  reverse.  Plaquette, 

galvano  silvered,  93  x 80  mm.  (cast  plaquette  (double),  bronze, 
93  x 80  mm.) . 

43  Protection  des  Enfants  du  Premier  Age,  medaille  du  Ministere  de 

l’lnterieure,  1887.  Struck  medal,  bronze,  67  mm. 

44  Siege  de  Paris  (1870-71),  1885.  Struck  medal,  bronze,  74  mm. 

45  Souverains  d’ltalie,  1903.  Medal,  galvano  silvered,  100  mm. 

(struck,  72  mm.). 

46  Souverains  Russes,  1897.  Cast  medal  (double),  bronze,  100  mm. 

(struck,  70  mm.). 

47  Souverains  Russes,  Visite  a la  Monnaie  de  Paris,  1896.  Struck 

medal,  bronze,  70  mm. 

48  Victor  Hugo,  1902.  Struck  medal,  silver,  33  mm. 


53 


Nos.  2,  5,  11,  20,  21,  25,  27,  28,  31,  41,  17 


54 


22 


19 


55 


22 


19 


56 


Nos.  1,  3,  4,  6,  7,  8,  9,  10,  12,  13,  14,  15,  16,  17,  18,  19,  21, 


ALEXANDRE  LOi  : MARIE  CHARPENTIER  y 


Alexandre  Louis  Marie  Charpen  her,  sSulptor,  medalist  (French),  was 

Hr 

born  in  Paris  in  1856, sand  died  in  1909.  A pupil  of  PonscarSie  Ecole 
des  Beaux-Arts.  The  State  and  the  city  of  Paris  possess  several  of  his 
works.  He  was  principally  an  engrave^  of  medals,  although  his  monu- 

00  /vs 

CO  00 

incuts,  his  statuettes,  and  his  terra -cottas  are  knowli  and  af  ::y>r  • c ‘ 
Boulangers  (1899),  a large  bas-relief,  and  the  Charh  g 
erected  at  Paris.  The  Musee  Galliera  possesses  his  Fontaine  in  tin  and  the 
clock,  Fuiie  de  VHeurg.  The  Musee  du  Luxembourg  has  a large  number  of 
his  medals  and  plaquettes  and  hi§Narcisse  (1898),  a bronze  of  natural  size. 
The  Musee  des  Arts  Decoratifs  (Louvre)  has  two  large  fi  am  % 

(sketches)  and  a meuble  a quatuor  (piece  jjpi  fui 
musical  instruments  constituting^  quark  J 

b-t  po 

may  be  seen  in  the  Revue  des  Arts  Decorati  \s,  April  190  . if 
of  a large  number  of  portraits  of  his  contemporaries  celebrated  in  the  arts 
Puvis  de  Chavannes,  Emile  Zola,  Theodore  de  Banville,  Constantin  Meunier, 
Camille  Pissaro,  Calidle  Mendeg,  le  Due  d'Aumale.  Ysay  = 
sors  and  of  doctors:  Potain.  Besnier,  Paul  Segond.  Monod,  etc.  He  was  one 
of  the  innovators  in  decorative  art,  and  won  a medal  of  honor  (Grand  Prix ) 
at  the  Exposition  Universelle  held  in  Paris  in  1900.  He  was  a member  of 
the  governing  committee  of  the  Societe  Nationale  des  Beau> 
of  the  Legion  of  Honor,  and  chevalier  of  th% Order  of  Lc< 
id  had  distinctions  in  several  other  foreign  orders.  In  rollakorati 

CC  05 

Constantin  Meunier  he  was  to  make  a monument  to  the  memory  of  Zola. 
Both  artists  died  while  engaged  iff  (his  work.  Each  oi  diem  finished  bis 
task,  and  the  monument  awaits  erection.  The  works  of  Alex;  od 
pentier  are  spread  abroad  in  almost  all  the  museums  of  Europe.  At  I - 
den  and  at  Budapest  rooms  and  galleries  bear  his  name.  He  was  preparing 

Q? 

io  have  executed  in  sandstone  or  in  bronze  a large  high-relief  (3.50  x 5.40 
m.),  La  Famille  heureuse  (1904),  when  he  died.  Address,  Mme  Uexandrc 
L.  M.  Charpentier,  117  rue  Borghese,  Neu&ly-sur-Seine  F 

oo  PO 

ttr  Hr 

1 The  medallic  work  of  Charpentier  does  not  consist  soleh  of  cast  pieces;  there  is 
a long  series  of  his  struck  merits,  not,  however,  shown  in  the  present  exhibition. 

The  struck  medals  belong  for  the  most  part  to  private  societies  or  individuals,  and 
are  comparatively  rare. 


57 


ALEXANDRE  LOUIS  MARIE  CHARPENTIER f 


Alexandre  Louis  Marie  Charpentier,  sculptor,  medalist  (French),  was 
born  in  Paris  in  1856,  and  died  in  1909.  A pupil  of  Ponscarme  at  the  Ecole 
des  Beaux-Arts.  The  State  and  the  city  of  Paris  possess  several  of  his 
works.  He  was  principally  an  engraver  of  medals,  although  his  monu- 
ments, his  statuettes,  and  his  terra-cottas  are  known  and  also  appreciated. 
Les  Boulangers  (1899),  a large  bas-relief,  and  the  Charlet  monument  are 
erected  at  Paris.  The  Musee  Galliera  possesses  his  Fontaine  in  tin  and  the 
clock,  Fuiie  de  l’ Fleur e.  The  Musee  du  Luxembourg  has  a large  number  of 
his  medals  and  plaquettes  and  his  Narcisse  (1898),  a bronze  of  natural  size. 
The  Musee  des  Arts  Decoratifs  (Louvre)  has  two  large  frames  of  plaquettes 
(sketches)  and  a meuble  a quatuor  (piece  of  furniture  designed  for  the 
musical  instruments  constituting  a quartet) . (Illustrations  of  his  furniture 
may  be  seen  in  the  Revue  des  Arts  Decoratifs,  April  1901.)  He  is  the  author 
of  a large  number  of  portraits  of  his  contemporaries  celebrated  in  the  arts: 
Puvis  de  Chavannes,  Emile  Zola,  Theodore  deBanville,  Constantin  Mennier, 
Camille  Pissaro,  Catulle  Mendes,  le  Due  d’Aumale,  Ysaye,  etc.;  of  profes- 
sors and  of  doctors:  Potain,  Besnier,  Paul  Segond,  Monod,  etc.  He  was  one 
of  the  innovators  in  decorative  art,  and  won  a medal  of  honor  (Grand  Prix) 
at  the  Exposition  Universelle  held  in  Paris  in  1900.  He  was  a member  of 
the  governing  committee  of  the  Societe  Nationale  des  Beaux-Arts,  chevalier 
of  the  Legion  of  Honor,  and  chevalier  of  the  Order  of  Leopold  of  Belgium, 
and  had  distinctions  in  several  other  foreign  orders.  In  collaboration  with 
Constantin  Meunier  he  was  to  make  a monument  to  the  memory  of  Zola. 
Both  artists  died  while  engaged  in  this  work.  Each  of  them  finished  his 
task,  and  the  monument  awaits  erection.  The  works  of  Alexandre  Char- 
pentier are  spread  abroad  in  almost  all  the  museums  of  Europe.  At  Dres- 
den and  at  Budapest  rooms  and  galleries  bear  his  name.  He  was  preparing 
to  have  executed  in  sandstone  or  in  bronze  a large  high-relief  (3.50  x 5.40 
m.),  La  Famille  heureuse  (1904),  when  he  died.  Address,  Mine.  Alexandre 
L.  M.  Charpentier,  117  rue  Borghese,  Neuilly-sur-Seine,  France.1 

1 The  medallie  work  of  Charpentier  does  not  consist  solely  of  cast  pieces;  there  is 

a long  series  of  his  struck  medals,  not,  however,  shown  in  the  present  exhibition. 

The  struck  medals  belong  for  the  most  part  to  private  societies  or  individuals,  and 

are  comparatively  rare. 


57 


1 

2 

3 

4 

5 

6 

7 

8 

9 

10 

11 

12 

13 

U 

15 

16 

17 

18 

19 

20 

21 

22 

23 

24 


Christ  Xu.  Cast  plaquette  (single,  irregular  shape),  bronze,  66  x 
187  mm.1 

Christ  Drape.  Cast  plaquette  (single),  bronze,  53  x 164  mm. 

Constantin  Meunier,  1903.  Cast  medal  (single),  bronze,  180  mm. 

Camille  Pissaro,  1895.  Cast  plaquette  (single),  bronze,  75  x 60  mm. 
(also,  180  x 145  mm.). 

Danseuse  1, 1907.  Cast  plaquette  (single),  bronze,  137  x 98  mm. 

Danseuse  II,  1907.  Cast  plaquette  (single),  bronze,  137  x 98  mm. 

Dos  de  Violon.  Cast  piece  (single),  bronze,  37  x 21  cm. 

Esquisse  d’Enfant,  Jacques.  Cast  plaquette  (single),  bronze,  130  x 
90  mm. 

Esquisse  d’Enfant,  Pierre  Joly,  1899.  Cast  plaquette  (single), 
bronze,  140  x 125  mm. 

Esquisse,  La  Lithographic.  Cast  plaque  (single),  bronze,  23x20.3 
cm. 

Esquisse,  Portrait  d’Homme,  Theo.  Gausson,  1891.  Cast  plaquette 
(single),  bronze,  185  x 130  mm. 


I’ille  a la  Fleur.  Cast  plaque  (single),  bronze,  20.2  x 10.9  cm. 

Fille  an  Collier,  1893.  Cast  plaque  (single),  bronze,  25  x 12  cm. 

Francois  Coppee,  1899.  Cast  medallion  (single),  bronze,  29  cm. 
(also,  180  mm.) . 

Janvier  et  Duval,  1908.  Struck  plaquette  (uniface,  octagonal), 
bronze,  53  x 60  mm. 

Jeux  et  Arts,  Serie  XTo.  I.  Cast  plaquette  (single),  bronze,  85  x 156 
mm. 

Jeux  et  Arts,  Serie  No.  II.  Cast  plaquette  (single),  bronze,  85  x 156 
mm. 

Jeux  et  Arts,  Serie  No.  III.  Cast  plaquette  (single),  bronze,  85  x 156 
mm. 

Jeux  et  Arts,  Serie  No.  IV.  Cast  plaquette  (single),  bronze,  85  x 156 
mm. 

La  Fortune.  Cast  plaquette  (single),  bronze,  150  x 90  mm. 

La  Lutte.  Cast  plaquette  (single),  bronze,  120  x 84  mm. 

La  Mere  Allaitant,  1883.  Large  bas-relief,  bronze  (in  frame),  1.14  x 
0.81  m. 


La  Vague.  Cast  plaquette  (single),  bronze,  84  x 118  mm. 

Le  Bain.  Cast  plaquette  (single),  bronze,  60  x 190  mm. 

1 Nos.  1,  2,  5,  6,  13,  15  to  19,  21,  23,  20,  30,  31  belong  to  the  American  Numismatic 
Society  and  were  exhibited  apart  from  the  remaining  numbers. 


58 


25  L’Echo.  Cast  plaque  (single),  bronze,  23  x 15  cm. 

26  Les  Maitres  de  l’Affiche  (Imprimerie  Chaix).  Cast  plaquette 

(single,  octagonal),  bronze,  48  x 38  mm. 

27  Les  Proletaires.  Cast  medallion,  bronze,  22  cm. 

28  L’Euryale.  Cast  plaquette,  bronze,  70  x 65  mm. 

29  Mme.  Severine.  Cast  medal  (single),  bronze,  85  mm.  (also,  180 

mm.) . 

30  St.  Sebastien,  1880.  Cast  plaquette  (single),  bronze,  99  x 67  mm. 

31  Tuilerie  d’lvry  (Emile  Muller  Co.).  Cast  plaquette  (uniface,  octag- 

onal), bronze,  98  x 64  mm. 


59 


60 


61 


62 


63 


64 


Nos.  3,  4,  7,  8,  9,  10,  11,  13,  14,  20,  24,  25,  27,  28,  29 


X 

tc 


-d 


2 


1 


16 


Or 

b 18 


is 


IS 


Ti 


is; 


si 


as 


ss 


os 


ai 


et 


81 


51 


65 


JOHN  MOWBRAY  CLARKE 


John  Mowbray  Clarke,  sculptor,  medalist  (American),  was  born  in  Ja- 
maica, West  Indies,  of  English  parents,  1869.  Taken  to  England  at  the  age 
of  five  years.  Began  to  study  art  at  Lambeth  School  of  Art,  when  twenty- 
one  years  old,  under  Frederick  W.  Pomeroy,  and  worked  in  his  studio. 
Won  sculpture  prize  in  a competition  between  art  schools  of  London.  Made 
relief  decoration  lor  music-room  in  the  home  of  Mr.  Attenborough,  at 
Bushev,  Hertfordshire.  Came  to  America  in  1896.  Worked  in  studio  of 
Massey  Rliind.  Won  Avery  prize,  Santiago  Medal.  Made  large  relief,  Me- 
morial  lo  Bowles  Colgate,  in  Madison  Avenue  Methodist  Church.  Began 
portrait  medals  in  1906.  Art  instructor  at  the  Finch  School,  New  York  City. 
Address,  1000  Madison  Avenue,  New  York  City. 

1 Alice  Lewisohn,  1908.  Medal,  galvano  gill  (cast  medal,  bronze,  116 

mm.) . 

2 Bertha  Runkle,  1906.  Medal,  galvano  (cast  medal,  bronze,  78  mm.). 

3 Chinaman,  1907.  Medal,  galvano  bronzed  (cast  medal,  bronze,  83 

mm.). 

7 Elizabeth  Sickles,  1908.  Medal,  galvano  bronzed  (cast  medal, 
bronze,  90  mm.) . 

j Judge  G.  C.  Holt,  1907.  Medal,  galvano  silvered,  115  mm. 

6 Khalil  Khayat,  1908.  Medal,  galvano  bronzed  (cast  medal,  bronze, 

124  mm.). 

7 Leopold  Stokovski,  1908.  Cast  medal,  bronze,  110  mm. 

8 May  Morris,  1910.  Medal  in  plaster,  118  mm. 

.9  Mrs.  Bowles  Colgate,  1901.  Plaque  in  plaster,  41.5  x 30.9  cm. 

10  Mrs.  Cobden  Sanderson,  1908.  Medal,  galvano  gilt  (cast  medal, 
bronze,  106  mm.) . 


THOMAS  SHIELDS  CLARKE 


Thomas  Shields  Clarke,  sculptor,  medalist  (American),  was  born  in  1860. 
He  is  a graduate  of  Princeton,  1882;  studied  painting  and  sculpture  at  the 
Ecole  des  Beaux-Arts,  Paris,  and  in  Rome  and  Florence  for  eleven  years. 
He  exhibited  works  and  won  many  medals  at  London,  Madrid,  Berlin,  Paris, 
World’s  Columbian  Exposition,  and  at  the  expositions  of  San  Francisco 
and  Atlanta,  Georgia.  He  has  executed  many  large  works  in  bronze  and 
marble  for  New  York,  San  Francisco,  Chicago,  and  other  cities,  and  his  pic- 
tures are  in  museums  of  Boston  and  Philadelphia.  He  is  a member  of  the 
National  Sculpture  Society,  Metroplitan  Museum  of  Art,  National  Acad- 
emy of  Design,  and  the  Architectural  League.  Address,  50  Riverside  Drive, 
New  York  City. 


1 Discovery,  1905.  Cast  medallion  (single),  bronze,  25.4  cm. 


MABEL  CONKLING 
(Mrs.  Paul  Conkling) 

Mabel  Conkling,  sculptor  (American),  was  born  in  Boothbay,  Maine.  Com- 
menced the  study  of  drawing  at  the  Academie  Julien,  Paris,  under  W.  A. 
Bouguereau  and  G.  Ferrier  in  1895.  Continued  at  Academie  Vitti  under 
Raphael  Collin  and  Luc  Oliver  Merson  from  1896  to  1899.  Became  a pupil 
in  sculpture  at  the  Whistler  Academie,  Paris,  under  Frederick  MacMonnies 
in  1900.  Also  received  criticisms  from  Augustus  Saint-Gaudens  in  bas-re- 
67 


lief  modeling  during  Ihe  winter  of  1900.  Has  exhibited  at  the  Salon  of  the 
Societe  National  des  Beaux-Arts,  the  Societe  des  Artistes  Francais,  the 
Paris  Exposition,  1900,  the  St.  Louis  Exposition,  1904,  the  Baltimore  Sculp- 
ture Exhibition,  1908,  and  at  the  National  Academy  of  Design. 

Works:  portrait  bas-reliefs:  Mrs.  Alphaeus  Cole,  Mrs.  Waller  Appleton 
Clark,  Mrs.  William  Jackson  Neel,  Miss  Mima  Fassett,  Mr.  and  Mrs.  David 
Alvin  Reed,  Mabel  and  Helen  Cummings,  Walter  Appleton  Clark,  Esq., 
Frederick  MacMonnies,  Esq.,  Francis  Wilson,  Esq.,  and  General  John  Tudor 
Richards.  Address,  Burleigh  Hill,  Boothbav,  Maine. 

1 Francis  Wilson,  1907.  Medal  in  plaster,  140  mm.  (cast,  bronze,  140 

mm.) . 

2 Mrs.  Walter  Appleton  Clark,  1903.  Medal  in  plaster,  133  mm.  (cast, 

bronze,  133  mm.) . 

3 Mrs.  William  Jackson  Neel,  1903.  Medallion  (oval)  in  plaster, 

171  x 140  mm.  (cast,  bronze,  171  x 140  mm.). 


NOS.  1,  2,  3 


JEAN  BAPTISTE  AUGUSTE  DAMPT 

Jean  Baptiste  Auguste  Dampt,  medalist  (French),  was  born  in  Venarey, 
Cote  d’Or,  France,  1854.  Pupil  of  the  Ecole  des  Beaux-Arts  of  Dijon  and 
afterward  of  the  Ecole  des  Beaux-Arts  of  Paris,  where  he  was  a pupil  of 
Jouffroy  and  Paid  Du  Bois.  He  received  a second  and  then  a first  medal 
at  the  Salon  of  the  Societe  des  Artistes  Francais,  and  the  gold  medal  during 
Ihe  Exposition  Universelle  in  1889.  He  is  an  officer  of  the  Legion  of  Honor 
and  a member  of  the  executive  committee  of  the  Societe  Nationale  des 
Beaux-Arts.  Critical  articles  referring  to  his  work  may  be  found  in  Art  et 
Decoration.  Address,  17  rue  Campagne  Premiere,  Paris. 


1 Docteur  E.  Quenu.  Struck  plaquette,  silver. 


68 


2 La  Moisson,  1903.  Obverse  and  reverse.  Struck  medal,  bronze,  60 

mm. 

3 P.  A.  ,J.  Dagnan-Bouveret.  Plaque  in  plaster. 


3 


PIERRE  DAUTEL 

Pierre  Dautel,  sculptor,  medalist  (French),  was  born  1873,  in  Valenci- 
ennes, France.  Pupil  in  sculpture  and  architecture  at  the  Ecoles  Aeade- 
miques  at  Valenciennes;  pupil  in  sculpture  at  the  Ecole  Nationale  et 
Speciale  des  Beaux-Arts  of  Paris  (Professors  Barrias,  Fagel  and  Coutan); 
pupil  in  medal-engraving  (Professor  Henri  Dubois).  Prix  Departemental 
du  Nord,  1900.  First  exhibition  (medal-engraving),  Salon  des  Artistes 
Francais,  1907.  Premier  Grand  Prix  de  Rome,  pensionnaire  de  l’Academie 
de  France,  medal-engraving,  1902;  third  medal,  Salon  des  Artistes  Francais, 
1907;  and  second  medal,  Salon  of  1910.  Address,  10  rue  Perceval,  Paris 
(XIV). 

1 A.  Chigot,  Peintre,  1909.  Cast  medal  (etude),  bronze,  120  mm. 

2 Alfred  Girard,  Senateur,  1906.  Cast  medal,  bronze,  100  mm. 

3 Baron  de  Nervo,  1909.  Obverse  and  reverse.  Struck  plaquette, 

bronze,  65  mm.  (cast  and  galvano,  120  x 135  mm.). 


69 


4 Berthet,  Statuaire,  1908.  Cast  medal  (etude),  bronze,  100  mm. 

5 C.  Barrere,  Ambassadeur,  1906.  Cast  medal,  bronze,  100  mm. 

6 Edmond  X.,  1908.  Cast  plaquette  (etude),  bronze,  170  x 80  mm. 

7 Edouard  Alexandre  Sain,  Peintre,  1909.  Cast  medal,  bronze,  100 

mm. 

8 E.  Guillaume,  Membre  de  l’lnstitut,  1904.  Cast  medal,  bronze,  100 

mm. 

9 Etude  ( pochade ),  1904.  Cast  plaquette,  bronze,  165x80  mm. 

10  H.  Harpignies,  Peintre,  1909.  Medal,  galvano,  120  mm. 

11  L.  Fagel,  Statuaire,  1909.  Cast  medal,  bronze,  100  mm. 

12  Mile.  X.,  1906.  Obverse  and  reverse.  Struck  medal,  silver,  35  mm. 

(east  and  galvano,  130  mm.). 

13  Mile.  X.,  1907.  Cast  plaquette,  bronze,  175  x 80  mm.1 

74  Mine.  F.  Dreyfus,  1908.  Cast  plaquette,  bronze,  120  x 80  mm. 

15  Mme.  Guetin,  1904.  Cast  plaquette  (single,  etude),  bronze,  100  x 

120  mm. 

16  Mme.  Fanoe,  1904.  Cast  plaquette  (etude),  bronze,  80  x 140  mm. 

17  M.  Morton,  1909.  Cast  plaquette,  bronze,  115  x 134  mm. 

18  Mme.  Vve.  Galle,  1907.  Cast  medal,  bronze,  84  mm. 

19  Portraits  d’Enfants,  1909.  Cast  plaquette,  bronze,  157  x 125  mm. 

20  P.  True,  Prefet,  1908.  Cast  medal,  bronze,  100  mm.2 

1 This  was  called  Croquette  in  the  first  edition. 

2 The  cast  pieces  and  the  galvanos,  if  not  otherwise  indicated,  do  not  exist  in 
struck  form. 


70 


H > liirt,  xi.r J 90s.  bronze,  100  mm. 

c i onze,  100  mm. 

tc 

l>i-onzc,.170  x 80  mm. 

:u 

i medal,  bronze,  100 

* medal,  bronze,  100 

i£  ; (SO  mm. 
c • , f :d)  mm. 

aO!:  . r bronze,  100  mm. 

. ; sv  . ek  medal,  silver,  35  mm. 

dvano,  130  mm.). 

. : rn : 

- , x 80  mm. 

* r b t tilde),  bronze,  100  x 

b'-'O'./v.  x \ 140  mm. 

\ >-■  ■<  <{!i<  !te,  bronzi  115  \ i • mm. 

1 plaque;! <•,  hr-  \ 125mm. 

! medal,  bronze,  100  mm." 

■ i edition. 

lot  otherwise  ind.i<  :l  d »>>t  exist  in 


+■ 


OC 


7(\ 


71 


GEORGE  WILLIAM  DE  SAULLES 


George  William  De  Saulles,  sculptor,  medalist  (British),  was  formerly  in 
the  employ  of  the  firm  of  J.  H.  Pinches,  and  is  now  engraver  at  the  Royal 
Mint,  London.  Exhibited  at  the  Royal  Academy  Exhibition,  1899. 

Works:  Diamond  Jubilee  medal  of  Queen  Victoria,  1897;  War  medals 
for  East  and  Central  Africa;  Horace  Seymour,  Esq.,  C.B.,  etc. 

1 Iron  and  Steel  Institute,  Andrew  Carnegie  medal.  Struck  medal, 

modeled  by  G.  W.  De  Saulles,  engraved  by  J.  H.  Pinches,  bronze, 
51  mm. 

2 Professor  Gabriel  Stokes,  Cambridge  University,  1899.  Struck 

medal,  modeled  by  G.  W.  De  Saulles,  engraved  by  J.  H.  Pinches, 
bronze,  64  mm. 


GODEFROID  DEVREESE 

Godefroid  Devreese,  sculptor,  medalist  (Belgian),  was  born  at  Courtrai, 
Belgium,  in  1861.  He  was  the  pupil  of  his  father,  Constant  Devreese,  a 
sculptor,  and  of  the  Academy  of  Brussels.  In  1885  he  obtained  the  second 
Grand  Prix  de  Rome;  in  1889,  the  first  Grand  Prix  (triennial)  for  sculpture 
at  the  Academy  of  Brussels;  the  same  year  he  won  the  gold  medal  at  the 
International  Exposition  of  Cologne.  In  1893  lie  won  in  public  competi- 
tion the  execution  of  the  statue  of  the  poet  Hamand-Prudens  Van  Duyse, 
which  was  erected  at  Termonde,  Belgium;  he  made  the  Monument  Frederic 
Cailliaud  which  was  set  up  in  the  Museum  of  Natural  History  at  Nantes. 
In  1893,  also,  he  made  the  bronze  statue  of  Apollo  for  the  Pavilion  Royal 
of  Laeken,  and  the  two  sphinxes  in  stone  placed  on  the  landing  of  the 
grand  staircase  of  the  Chateau  Royal  of  Laeken.  He  was  intrusted,  in 
1894,  with  l he  execution  of  a Triton  and  of  two  sea-horses  for  the  facade 
of  the  ferry-house  in  the  Grand’Place  at  Brussels.  He  is  the  sculptor  of 
the  funerary  monuments  of  the  Ducarin  family  at  Comines,  France,  and 
of  the  Seghers-Berlemont  family  at  Courtrai.  Furthermore,  he  made  the 
fountain  in  the  Botanical  Garden  at  Brussels  and  the  chimene  of  the  Mon- 

72 


ument  Anspach,  as  well  as  a decorative  figure  for  the  facade  of  the  Town 
Hall  of  St.-Gilles-lez-Bruxelles.  He  obtained  in  public  competition  the 
order  for  the  monument  commemorative  of  the  Six-hundredth  Anniver- 
sary of  the  battle  of  the  Golden  Spurs  (1302),  erected  at  Courtrai  in  1906. 
He  has  made  several  animal  figures  in  the  round,  horses,  dogs,  bulls,  etc. 
He  designed  the  fountain  raised  to  the  Benefactors  of  Schaerbeek;  two 
large  bas-reliefs  for  the  principal  facade  of  the  Universal  Exposition 
of  Brussels,  1910;  a decorative  group  for  a fountain  in  bronze  gilt  which  is 
to  be  seen  in  the  square  de  la  Montagne  de  la  Cour  at  Brussels,  and  also 
two  chimerae  for  the  same  place;  in  public  competition,  he  won  the  com- 
mission for  the  medal  commemorative  of  the  Seventy-fifth  Anniversary  of 
the  Independence  of  Belgium,  and  the  medal  of  the  Exposition  of  Liege, 
1905.  He  is  the  author  of  the  award-medal  of  the  Universal  Exposition 
of  Brussels,  1910,  and  of  that  destined  for  the  Fine  Arts,  as  well  as  the  per- 
mit, “Laissez-passer.”  The  new  coins  with  the  portrait  of  King  x\lbert  of 
Belgium  are  his  work.  He  is  represented  in  the  museums  of  the  Luxem- 
bourg and  the  Petit  Palais  at  Paris.  He  is  not  the  pupil  of  any  one  in  the 
medallic  art.  He  has  been  chevalier  of  the  Order  of  Leopold  since  1898. 
Address,  11  rue  Quinaux,  Schaerbeek,  Brussels. 

1 A.  Huart-Hamoir,  Bourgmestre  de  Schaerbeek,  1904.  Struck  medal, 

bronze,  65  mm. 

2 Alphonse  de  Witte,  Secretaire  de  la  Societe  Rovale  de  Numisma- 

tique,  1902.  Cast  plaquette  (single),  bronze,  140x80  mm. 

(struck  plaquette  (uniface),  67  x 47  mm.). 

3 A.  Massaux,  Secretaire  de  la  Commission  Royale  des  Monuments, 

1908.  Struck  plaquette  (uniface),  bronze,  60x48  mm. 

4 Association  Beige  de  Photographie,  1902.  Plaquette,  galvano 

bronzed  (struck,  66  x 35  mm.). 

5 Association  des  Ingenieurs  de  l’Ecole  des  Mines  de  Mons,  1908. 

Struck  piece  (badge),  silver,  39  x 25  mm. 

6 Auguste  Moj-aux,  Ingenieur,  1909.  Struck  plaquette,  bronze,  80  x 

48  mm. 

7 The  same.  Struck  plaquette,  bronze  silvered,  80  x 48  mm.  (artist’s 

proof). 

8 Augustus  Dumont,  1908.  Plaquette,  galvano  silvered,  110  x 70  mm. 

9 Baron  de  Favereau,  Ministre  des  Affaires  Etrangeres.  Struck  pla- 

quette, bronze,  75  x 50  mm. 


73 


10  Baron  ti  Baronne  de  Yos  van  Steenwijk,  1903.  Struck  medal, 

silver,  60  mm. 

11  Bebe,  1900.  Struck  medal,  silver,  25  mm. 

12  C.  de  Burlet,  1909.  Struck  plaquette,  bronze,  75x50  mm. 

13  Cercle  Africain  a S.  A.  R.  Mgr.  le  Prince  Albert  de  Belgique,  a l’Oc- 

casion  de  son  Relour  du  Congo  Beige,  1909.  Struck  plaquette, 
bronze,  88  x 42  mm. 

1 '/  Edouard  Van  den  Broeck,  Numismate  Beige,  1904.  Struck  medal, 
bronze,  59  mm. 

13  E.  .1.  Soil,  1903.  Struck  medal,  bronze,  45  mm. 

16  Emile  de  Mot,  Ancien  Bourgmestre  de  Bruxelles,  1907.  Struck 
plaquette,  bronze  (uniface),  70x50  mm. 

11  Emile  de  Mestreit,  1906.  Plaquette,  galvano  silvered,  80  x 60  mm. 

IS  Exposition  de  St.  Trond,  1907.  Struck  plaquette  (uniface),  bronze, 
67  x 51  mm. 

19  Exposition  Universelle  de  Bruxelles,  1910.  Struck  medal,  bronze, 

70  mm. 

20  Federation  Nationale  des  Employes  Communaux,  1906.  Struck 

badge,  silver,  35  x 25  mm. 

21  Gustave  Francotte,  Ministre  du  Travail,  Exposition  de  Liege,  1905. 

Struck  medal,  bronze,  65  mm. 

22  Henri  Beyaert,  1905.  Plaquette,  galvano  silvered  (struck  plaquette, 

137  x 85  mm.) . 

23  Inauguration  des  Ports  de  Bruges,  1907.  Struck  medal,  bronze,  75 

mm. 

23  Invention  du  Dessin,  1903,  medal  of  the  Societe  Hollandaise-Belge 
des  Amis  de  la  Medaille  d’Art.  Struck  plaquette,  bronze  silvered, 
52  x 60  mm. 

23  Jose  Antonio  Pernambuco,  1907.  Plaquette,  galvano  silvered,  125  x 
100  mm. 

26  Jules  Jacques  Van  Ysendyk,  Arehitecte,  1907.  Plaquette  in  plaster, 

150  x 1 10  mm. 

27  L’Aieule,  1906.  Plaquette,  galvano  silvered,  86  x 99  mm. 

28  Leon  Hiarcl,  Senateur,  1908.  Struck  plaquette,  bronze,  70  x 45  mm. 

29  Le  Travail,  plaquette  maconnique,  1905.  Struck  plaquette,  silver, 

70  x 40  mm. 

30  Louis  Coetermans,  Consul-General  Perse,  1906.  Struck  plaquette, 

bronze,  80  x 50  mm. 

31  Maurice  Ivufferath  et  Guillaume  Guide,  1909.  Struck  plaquette, 

bronze,  74  x 55  mm. 


74 


32  Medecine  et  Hygiene,  1905.  Plaquette,  galvano  silvered  (struck 

plaquette,  80  x 110  mm.). 

33  Mimine,  1906.  Struck  plaquette  (octagonal),  silver,  38  x 30  mm. 

34  Oscar  Landrien,  1906.  Plaquette,  galvano  bronzed,  80  x 60  mm. 

35  P.  Alexandre,  Inspecteur  de  l’Enseignement  Moyen,  1909.  Struck 

plaquette,  bronze,  74  x 42  mm. 

36  Premiere  Exposition  du  Kennel  Club,  1908.  Struck  plaquette, 

silver,  45  x 40  mm. 

37  Professeur  Docteur  Edouard  Kufferath,  1909.  Struck  plaquette 

(uniface),  bronze,  66  x 63  mm. 

38  Professeur  Jules  Demaret-Freson,  1908.  Struck  medal,  bronze,  60 

mm. 

39  Professeur  Paul  Heger,  1907.  Struck  plaquette,  bronze,  70  x 50  mm. 

40  Professeur  Victor  Mirland,  1908.  Struck  medal,  bronze,  60  mm. 

41  Raoul  Warocque,  Bourgmestre  de  Morlanwelz,  1905.  Struck  medal, 

bronze,  60  mm. 

42  Renouveau,  Pecheur.  Plaquette,  galvano  silvered,  94  x 119  mm. 

43  Reprise  de  l’Etat  Independant  du  Congo  par  la  Belgique,  1909. 

Struck  medal,  bronze,  70  mm. 

44  Salome,  1910.  Plaquette,  galvano  silvered,  180x87  mm.  (struck, 

93  x 44  mm.). 

45  Societe  Nationale  des  Chemins  de  Fer  Vicinaux,  1909.  Struck 

medal,  bronze,  60  mm. 

46  Societe  Royale  St.  Hubert  (Blodhond),  1908.  Struck  plaquette, 

silver  gilt,  30  x 41  mm. 

47  Soixante-quinzieme  Anniversaire  de  l’lndependance  Beige,  1905. 

Struck  medal,  bronze,  70  mm. 

48  Souvenir  de  l’Exposition  de  Liege,  1905.  Struck  medal,  bronze, 

75  mm. 

49  Tete  de  Jeune  Fille  Polonaise,  1902.  Struck  medal,  silver,  35  mm. 

50  The  same.  Struck  medal,  silver,  25  mm. 

51  Tete  de  Jeune  Fille,  Portrait,  1907.  Struck  medal,  silver,  35  mm. 


75 


49 


76 


77 


22 


yWLTj 


C.  PERCIVAL  DIETSCH 


C.  Percival  Dietsch,  sculptor  (American),  was  born  in  New  York  City, 
1882,  in  which  city  his  early  art  education  was  acquired.  In  1905  he  was 
awarded  the  Rinehart  prize  in  sculpture,  after  which  he  spent  several  years 
at  llie  American  Academy  in  Rome.  He  then  lived  for  a time  at  Paris  and 
subsequently  returned  to  New  York.  He  has  since  won  the  Prix  de  Rome, 
and  is  again  established  in  his  studios  in  New  York.  Some  of  his  works, 
executed  at  the  American  Academy  in  Rome,  were  recently  on  exhibition 
at  the  Architectural  League  in  the  Fine  Arts  Building  in  New  York  City. 
He  is  a member  of  the  National  Sculpture  Society.  Address , 147  West 
Twenty-third  Street,  New  York  City. 

1 Princess  Barclay  de  Tolly,  1908.  Plaque  in  plaster  (also,  cast 
plaque,  bronze,  24  x 20  cm.). 


LOUIS  R.  DOUGHERTY 

Louis  R.  Dougherty,  sculptor  (American),  was  born  in  Philadelphia,  1874. 
Studied  under  Charles  Grafly,  C.  E.  Dallin,  and  J.  J.  Boyle  at  the  Pennsyl- 
vania Academy  of  the  Fine  Arts  and  at  the  Drexel  Institute.  At  the  Drexel 
Institute,  where  his  principal  work  was  carried  on  under  Mr.  Grafly,  he 
was  debarred  from  all  prizes,  or,  in  other  words,  made  hors  concours,  hav- 
ing won  all  individual  prizes  and  the  Francis  Drexel  Paul  prize.  Has  exhib- 
ited sculpture  at  the  Academy  of  Fine  Arts  for  the  past  ten  years.  Address, 
5515  Saybrook  Avenue,  Philadelphia. 

1 Feather-stitching,  1907.  Plaque  in  plaster,  38  x 26.7  cm.  (also,  cast, 
bronze). 


80 


ALFRED  DRURY 


Alfred  Drury,  sculptor,  medalist  (Rritish),  was  born  in  London.  Pupil 
at  Royal  College  of  Art,  South  Kensington;  studied  under  Dalou  in  Paris. 
Silver  medal  at  Universal  Exposition  of  Brussels,  also  gold  medal  at 
Paris  Universal  Exposition,  1900.  Elected  an  Associate  of  the  Ro3Tal 
Academy,  1900.  Executed  all  the  figures  on  the  new  War  Office,  London; 
four  figures  for  the  decoration  of  the  new  Vauxhall  Bridge;  six  figures  and 
nine  panels  for  the  main  entrance  to  the  new  Victoria  and  Albert  Museum, 
South  Kensington;  busts  of  King  Edward  VII;  the  Prince  and  Princess  of 
Wales  from  life;  four  large  statues  of  the  late  Queen  Victoria,  erected  in 
New  Zealand,  Bradford,  Portsmouth,  and  South  Kensington,  Victoria  and 
Albert  Museum.  Mr.  Drury  has  just  finished  a large  statue  of  the  late  Duke 
of  Devonshire  in  bronze,  to  be  erected  at  Eastbourne.  A chronological  list 
of  his  principal  works  is  found  in  the  British  “Who  ’s  Who.”  Address,  6 
Gunter’s  Grove,  Chelsea,  London,  S.  W.,  England. 

1 Mrs.  Pearl  Craigie  (“John  Oliver  Hobbes”),  1909.  Plaquette,  gal- 

vano  silvered,  114  x 64  mm. 

2 The  Little  Duchess,  1901.  Plaquette,  galvano  silvered,  114  x 64  mm. 


2 


81 


PAUL  DU  BOIS 


Pai  l Or  Bois,  sculptor,  medalist  (Belgian),  was  born  in  Liege,  1895.  Was 
pupil  of  the  master  sculptor  Charles  Vanderstappen  at  the  Academie  des 
Beaux-Arls  of  Brussels.  He  exhibited  for  the  first  lime  at  the  Salon  des 
Beaux-Arts  of  Brussels  (1884)  a statue,  Hippomene,  which  gave  him  the 
Prix  Godecharles  (a  prize  of  12,000  francs),  and  obtained  the  special  gold 
medal  at  the  Exposition  of  Fine  Arts  at  Amsterdam,  1906;  also  gold  medals 
at  the  Exposition  of  Fine  Arts  at  Paris,  1900;  at  the  Expositions  of  Fine  Arts 
at  Munich,  Dresden,  and  Cologne;  the  Universal  Expositions  of  Brussels 
and  of  Liege;  also  a silver  medal  at  the  Exposition  of  SI.  Louis.  Many  of 
his  works  have  been  acquired  by  the  museums  of  Brussels,  Antwerp,  Dres- 
den, Prague,  Budapest,  the  Musee  Decoratif  of  St.  Petersburg,  and  also  by 
the  Cabinets  des  Medailles  of  The  Hague  and  of  Brussels. 

He  executed  the  monuments  erected  in  Brussels  of  the  Comte  de  Merode, 
Place  des  Martyres;  of  Henri  Beyaert,  in  the  building  of  the  Railroad  De- 
partment; and  of  Joseph  Dupont,  in  the  Theatre  de  la  Monnaie;  also  the 
monument  of  the  deputy  Alfred  de  Fuisseaux,  erected  at  Frameries,  as  well 
as  the  monument  of  the  poet  Antoine  Clesse,  in  Mons.  Fie  made  a large 
decorative  fountain  for  the  gardens  of  the  Universal  Exposition  of  Brus- 
sels, 1910;  and  medals  for  the  Universal  Exposition  at  Liege,  1905,  and  at 
Brussels,  1910,  were  designed  by  him.  Address,  65  avenue  de  Longchamps, 
Brussels,  Belgium. 

1 Adaedre,  1906.  Struck  medal  (badge),  silver,  26  mm. 

2 Baron  d’Erp,  1897.  Obverse  and  reverse.  Struck  medal,  bronze, 

65  mm. 

3 Charles  Lejeune,  1909.  Obverse  and  reverse.  Struck  plaquette, 

bronze,  63  x 54  mm. 

4 Diane,  1906.  Cast  medallion  (single),  bronze,  28  cm. 

5 The  same.  Struck  medal,  silver,  30  mm. 

6 Femme  du  People,  1905.  Cast  plaque  (single),  bronze,  31  x 22  cm. 

7 La  Foi,  1903.  Cast  medallion  (single),  bronze,  190  mm. 

8 La  Justice,  1897.  Obverse  and  reverse.  Plaquette,  tin,  100  x 60  mm. 

.9  La  Lecture,  1903.  Plaquette,  tin,  140  x 130  mm. 

10  La  Mere  et  I’Enfant,  1902.  Cast  medal  (single),  bronze,  150  mm. 


82 


n 

12 

13 

u 

15 

16 
11 
18 

19 

20 
21 
22 
23 

25 


La  Pensee,  1907.  Cast  plaque  (single),  bronze,  25  x 17  cm. 

Le  Baiser,  1903.  Cast  plaquette  (single),  bronze,  150  x 160  mm. 

Le  Bonheur,  1908.  Cast  plaque  (single),  bronze,  29  x 28  cm. 

Le  Livre,  1907.  Cast  medallion  (single),  bronze,  22  cm. 

Les  Arts,  Sculpture,  Architecture,  Peinture,  1909.  Cast  plaque 
(single),  bronze,  34  x 24  cm. 

Le  Silence,  1906.  Cast  plaque  (single),  bronze,  22  x 16  cm. 

Les  Lys,  1902.  Cast  plaque  (single),  bronze,  20  x 34  cm. 

Le  Tir,  1897.  Struck  medal,  bronze,  26  mm. 

Modiste,  1903.  Plaquette,  tin,  140  x 160  mm. 

Nicole  Slosse,  1908.  Struck  medal,  bronze,  32  mm. 

St.  Georges,  1905.  Cast  medallion  (single),  bronze,  180  mm. 

St.  Michel,  1907.  Cast  plaque  (single),  bronze,  31  x 24  cm. 

Soixante-quinzieme  Anniversaire  de  l’lndependance  Beige,  1905. 
Obverse  and  reverse.  Medal  in  plaster  (struck,  70  mm.). 

Tete  de  Vieux,  1903.  Cast  plaque  (single),  bronze,  20  x 15  cm. 


17 


83 


14 


84 


<0 


00 


CP 


85 


GEORGES  DUPREf 

Georges  Di  pre,  medalist  (French),  was  born  in  1869  at  Saint-Etienne,  and 
died  in  1909. 

The  year  [1909]  which  witnesses  the  death  of  Chaplain,  at  the  end  of 
a career  fruitful  and  illustrious,  deprives  French  art  also  of  a medalist 
still  young,  whose  delicate  and  original  talent  constituted  much  more 
than  a brilliant  promise.  A pupil  of  Rotv,  Georges  Dupre,  who  dies  at 
the  age  of  thirty-nine,  in  his  Saint  an  Soleil  levant,  his  Meditation,  and 
in  his  medal  with  the  legend,  0 crux  ave,  spes  nnica,  is,  of  the  younger 
generation,  the  author  of  the  works  most  novel  and  most  profoundly 
penetrated  with  feeling. 

Born  October  24,  1869,  in  Saint-Etienne,  the  city  of  factories  and  of 
coal,  weakly  and  timid,  in  wretched  health,  Georges  Dupre  notwith- 
standing hid  within  himself  a poet’s  soul.  If  his  style  is  a little  lacking 
in  firmness,  his  imagination  was  haunted  by  forms,  original,  living,  ap- 
pealing to  the  emotions.  Winning  the  Prix  de  Rome  in  1906,  he  brought 
back  from  the  Villa  Medici  that  charming  plaquette  which  he  entitled 
Saint  an  Soleil  levant,  and  which  at  the  Universal  Exposition  of  1900 
made  his  reputation.  Illness,  alas!  hindered  that  exquisite  and  original 
talent  from  reaching  its  perfect  bloom,  but  it  was  already  a permanent 
claim  to  glory,  to  leave,  in  dying,  productions  in  the  difficult  and  exact- 
ing art  of  the  medal,  like  those  which  we  have  cited,  and  which  will 
remain  the  most  naturally  poetic  of  our  time.  .1.  F. 

(From  the  Revue  Nnmismatiqne,  1909,  pp.  518,  519.) 

Addi  •ess,  Mme.  G.  Dupre,  41  rue  du  Cherche-Midi,  Paris. 


1 The  Angel  us.  Obverse  and  reverse.  Plaquette,  galvano  silvered, 
89  x 1 16  mm.  (struck  plaquette,  52  x 71  mm.).1 


1 Loaned  by  Edward  D.  Adams,  Esq. 


86 


TOON  DUPUIS 


Toon  Dupuis,  medalist  (Belgian),  was  born  in  Antwerp  in  1877.  He  re- 
ceived his  early  instruction  in  art  from  his  father,  Louis  Dupuis,  a statuary 
and  medalist,  and  possibly  the  dean  of  contemporary  Belgian  medalists, 
and  studied  later  at  the  Institut  Superieur,  Antwerp.  Since  1898  he  has 
been  established  at  The  Hague.  He  is  the  chief  instructor  in  the  Academy 
of  Fine  Arts  there.  He  has  executed  many  official  commissions.  He  is 
represented  in  various  Dutch  museums,  as  in  the  Rijksmuseum,  Mesdag- 
museum,  and  Medal  Cabinet  of  the  State.  Address,  Joan  Maetsnyckerstraat, 
The  Hague,  Holland. 

1 Dr.  H.  J.  de  Dompierre  de  Chaufepie,  1908.  Struck  medal,  bronze, 

67  mm. 

2 Hermann  Johannes  Lovinck,  1909.  Struck  plaquette,  bronze,  90  mm. 

3 Petrus  Johannes  Blok,  1909.  Struck  medal,  bronze,  65  mm. 


i 


PAUL  LEONARD  DUROUSSEAU 

Paul  Leonard  Durousseau,  medalist  (French),  was  born  in  Paris,  1879. 
Pupil  of  the  Ecole  Munieipale  Boule  (Industries  du  Mobilier),  the  Ecole 
Nationale  des  Arts  Decoratifs,  the  Ecole  Nationale  des  Beaux-Arts  (studio 
Ponscarme,  first  prize  in  1899).  Since  1897  has  exhibited  regularly  at  the 
Salon  de  la  Societe  Nationale  des  Beaux-Arts  (member);  associate  and 
87 


member  of  the  jury  at  the  Salon  d’Automne.  His  works  may  be  seen  in 
the  Musee  cl n Luxembourg.  Address,  4 rue  Rollin,  Paris. 

1 Baigneuse.  Cast  plaquette,  bronze,  100x50  mm. 

2 Campagnarde.  Plaquette,  galvano,  80x55  mm.  (also,  cast, 

bronze). 

3 Charretier.  Cast  plaquette,  bronze,  130x75  mm. 

/ ChilTonnier.  Plaquette,  galvano,  92  x 141  mm.  (also,  cast  (single), 
bronze,  92  x 141  mm.). 

5 Desesperance.  Cast  plaquette,  bronze,  80  x 55  mm. 

6 Enfant  an  Beret.  Plaquette,  galvano,  100  x 55  mm.  (also,  cast, 

bronze) . 

7 Faune  (plaquette  of  the  Societe  des  Amis  de  la  Medaille  Francaise). 

Struck  plaquette,  bronze,  62  x 30  mm. 

S Faunesse  ( plaquette  of  the  Societe  des  Amis  de  la  Medaille  Fran- 
caise). Struck  plaquette,  bronze,  62  x 30  mm. 

9  La  Soupe.  Plaquette,  galvano,  90  x 45  mm.  (also,  cast,  bronze). 

10  Parisienne.  Cast  plaquette,  bronze,  165  x 95  mm. 

11  Yieille  Femme.  Plaquette,  galvano,  80  x 40  mm.  (also,  cast, 

bronze) . 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11 


88 


LUIGI  L)E  FEO 


i-uiGi  de  Feo,  painter,  sculptor,  medalist  !t  1 2 3 * 5 * 7 8 9 10 : 

‘aly.  At  the  age  of  twenty  he  was  of  the  m*  • V . . , n;, 

dragoons  of  Savoy,  and  lived  in  Venice.  He  gs  . V S or 
-eras,  and  devoted  himself  to  painting  in  the  v.  V . r- 

frentino.  Subsequently  he  went  to  Paris,  and  < ; ! 

vdh  such  success  that  in  1907  two  of  his  works  wwv 
There  he  became  enamoured  of  the  works  of  IV!  • m 

; l ied  this  form  of  art,  to  which  he  has  now  v , : > , 

-elf.  He  drew  his  inspiration  from  the  r ..  r ,■  i . the 

Renaissance.  In  1909  he  exhibited,  a!  I’m  , h . 

a bronze  bust  L’Adolescente,  widen  aV  w!V  re,  V 

ailed  the  “glorificateur  de  la  beaut*  F ' -b- 

, ect  especially  fitted  to  his  talent  lb * i , ■ : : 

racy.  He  spends  his  winters  in  Paris,  \ ■ ,<  . wri- 

second  studio  in  Venice  in  the  aui  nr  ; 

Pivoli,  or  (studio)  rue  Fontaine,  P s . - 
at  sketch  was  drawn  from  17/  . /"  V 
Smart  Set , Revue  du  Monde  Elegant 
'.wo  articles -the  theme  is  the  artist’s  - 
''•w.) 


1 Auguste  HerioJ.  HK  . , , 

2 The  same.  Meda.  • . . .i 

3 Comtesse  di  Mazz.ii 7 . . PHsn 

7  Comtesse  Ridolli.  i - is  r1 

5 Comtesse  Serristo:  r ! 

nr 

6‘  Duchesse  di  Viliams 

7 Fairman  Rogers  Fm  * ; - 

bronze. 

8 Henry  Clcty  Pierce,  190  f: 

bronze.  tr 

9 La  Parisienne,  1909.  Cas 

10  Murray  Carleton,  Jr.,  1 


;,e  SaJ  His  works  may  be  seen  in 

m rg.  - Add  Rollin,  Paris. 


• st  plaque! K . boa  . !«m>  \ 50  mm. 

Piaquetk.  p-  > ' 55  ram.  (also,  cast, 

laquette,  lx  -k  x 75  mm. 

: :q-  i- i mm.  (also,  cast  (single), 

n\ . .V  - a!/-  , 80  x 55  mm. 
v re,:;  ‘ - ; 5 10  x 55  mm . ( also,  cast, 

■ <!«  ; Amis  de  la  Medaille  Fran^aise) . 
, 02  x 30  mm. 

• des  Amis  de  la  Medaille  Fran- 
. bronze,  62  x 30  mm. 

. . ,.r  \ 45  mm.  (also,  cast,  bronze). 

Fast  >i  < lie.  bronze,  165 x 95  mm. 

I : e q ■ , .>  a 1 V a no,  80  x 40  mm.  ( also,  cast, 


LUIGI  DE  FEO 


Luigi  de  Feo,  painter,  sculptor,  medalist  (Italian),  was  born  in  southern 
Italy.  At  the  age  of  twenty  he  was  one  of  the  most  brilliant  officers  of  the 
Dragoons  of  Savoy,  and  lived  in  Venice.  He  gave  up  the  profession  of 
arms,  and  devoted  himself  to  painting  in  the  town  of  Roncegno,  in  the 
Trentino.  Subsequently  he  went  to  Paris,  and  essayed  the  art  of  sculpture 
with  such  success  that  in  1907  two  of  his  works  were  received  at  the  Salon. 
There  he  became  enamoured  of  the  works  of  Roty  and  Charpentier,  and 
tried  this  form  of  art,  to  which  he  has  now  almost  exclusively  devoted  him- 
self. He  drew  his  inspiration  from  the  masters  of  the  medallic  art  of  the 
Renaissance.  In  1909  he  exhibited,  at  the  Ottava  Internazionale  at  Venice, 
a bronze  bust  L Adolesce  rite,  which  attracted  much  attention.  He  has  been 
called  the  “glorificateur  de  la  beaute  feminine,”  and  he  has  chosen  as  a sub- 
ject especially  fitted  to  his  talent  the  beautiful  women  of  the  Italian  aristoc- 
racy. He  spends  his  winters  in  Paris,  where  he  has  a studio,  and  visits  his 
second  studio  in  Venice  in  the  autumn.  Address,  Hotel  Regina,  Place  de 
Rivoli,  or  (studio)  rue  Fontaine,  Paris.  (The  material  for  this  biograph- 
ical sketch  was  drawn  from  Vita  d’Arte,  November,  1909,  Siena;  and  the 
Smart  Set,  Revue  du  Monde  Elegant,  November,  1909,  Palermo.  In  these 
two  articles  the  theme  is  the  artist’s  style,  and  the  biographical  details  are 
few.) 

1 Auguste  Heriot,  1909.  Cast  medal,  bronze. 

2 The  same.  Medal  engraved  by  hand  directly  on  bronze. 

3 Comtesse  di  Mazzarino,  1908.  Cast  medal,  bronze. 

4 Comtesse  Ridolfi.  Cast  medal,  bronze. 

5 Comtesse  Serristori.  Cast  plaquette,  bronze. 

6*  Duehesse  di  Villarosa,  1909.  Oval  plaque  in  plaster. 

7 Fairman  Rogers  Furness.  Medal  engraved  by  hand  directly  on 

bronze. 

8 Henry  Clay  Pierce,  1909.  Medal  engraved  by  hand  directly  on 

bronze. 

9 La  Parisienne,  1909.  Cast  medallion,  bronze. 

10  Murray  Carleton,  Jr.,  1909.  Cast  medal,  bronze. 


89 


11  Piccola  Comtesse  Faa  de  Bruno.  Cast  medal,  bronze. 

12  Piecolo  Comte  Cini,  1908.  Cast  medal,  bronze,  102  mm. 

13  The  same.  Medal  engraved  by  hand  directly  on  bronze,  35  mm. 
/'/  Piccolo  Comte  Papafava  da  Carrara,  1908.  Cast  medal,  bronze. 

15  The  same.  Medal  engraved  by  hand  directly  on  bronze,  35  mm. 

16  Princesse  di  Corigliani,  1909.  Cast  medallion,  bronze. 


90 


91 


JOHN  FLANAGAN 


John  Fi.axauax,  sculptor,  medalist  (American),  was  born  in  Newark,  New 
Jersey.  Pupil  of  Augustus  Saint-Gaudens,  New  York,  and  in  Paris  of  Alexan- 
dre Falguiere  at  the  Ecole  des  Beaux-Arts,  and  of  Henri  Chapn.  Awarded 
various  medals  and  prizes  at  the  Ecole  des  Beaux-Arts  and  other  schools. 

Works:  Ihe  monumental  clock  in  the  Library  of  Congress,  Washington; 
statue  of  Joseph  Henry  and  decorative  groups  of  the  Louisiana  Purchase 
Exposition;  high  relief  in  bronze  for  the  Public  Library  in  Newark,  New 
Jersey;  three  reliefs  for  interior  of  Scroll  and  Key  Society,  Yale  University; 
a figure,  Grief,  on  cemetery  monument  at  Hartford,  Connecticut;  tinted 
marble  relief,  Aphrodite,  in  the  Knickerbocker  Hotel,  New  York;  memorial 
relief  of  Professor  S.  P.  Langley,  Smithsonian  Institution,  Washington; 
portrait  head  of  Edward  G.  Kennedy  and  other  busts;  commemorative 
medal  lo  Dr.  Daniel  G.  Brinton  for  the  Numismatic  Society  of  Philadel- 
phia; Hayden  medal  for  the  Academy  of  Natural  Sciences  of  Philadelphia; 
Hudson-Fulton  medal  for  the  Circle  of  Friends  of  the  Medallion,  New 
York;  Pennsylvania  Society  medal  for  the  Pennsylvania  Society  of  New 
York;  George  Robert  White  medal  of  Massachusetts  Horticultural  Society, 
Boston,  and  various  portrait  medals  and  plaquettes.  Awarded  silver  med- 
als at  Paris  Universal  Exposition,  1900,  Pan-American  Exposition,  Buffalo, 
1901,  Louisiana  Purchase  Exposition,  St.  Louis,  1904.  Represented  in  the 
medal  collections  of  the  Luxembourg  Museum,  Paris,  and  Metropolitan 
Museum,  New  York.  Member  of  the  National  Sculpture  Society  and  of  the 
American  Numismatic  Society  of  New  York.  Address,  1931  Broadway, 
New  York  City. 

1 Agnes  Lane.  Medal,  galvano,  115  mm. 

2 Head  of  Aphrodite.  Medal,  galvano,  115  mm. 

3 Hortense  Lenore  Mitchell,  1900.  Medal,  galvano,  121  mm. 

A Hudson-Fulton  Celebration,  New  York,  1909.  Struck  medal, 
bronze,  70  m. 

5 Leo  Tolstoi,  1907.  Plaquette,  galvano,  11<S  x 87  mm. 

6 Mabel  Clarke.  Medal,  galvano,  115  mm. 


92 


7 Portrait,  1908.  Medal,  galvano,  121  mm. 

8 Portrait  of  a Man,  1908.  Plaqnette,  galvano,  127  x 64  mm. 

9 The  Pennsylvania  Society,  Horace  Howard  Furness  Prize  Medal, 

1909.  Struck  medal,  bronze,  70  mm. 


5 


93 


J.  NESFIELD  FORSYTH 


J.  Nesfield  Forsyth,  sculptor,  medalist  (British),  was  born  in  London, 
1863,  of  Scotch  parentage.  His  father  was  an  architectural  sculptor.  Ed- 
ucated in  the  Royal  Academy  Schools,  1882-87;  received  silver  medal  for 
modeling  from  life,  Royal  Academy  Schools,  1886.  Was  a pupil  also  of 
Mereie  in  Paris.  Exhibited  in  Royal  Academy  since  1886,  also  in  Provincial 
Exhibition.  Received  mention  honorable  in  Salon,  Paris,  1906,  for  a bronze 
figure. 

Works:  Bishop  of  St.  Albans,  statue  in  St.  Albans  Abbey,  England; 
Bishop  of  Wakefield,  statue  in  Wakefield  Cathedral;  Bishop  of  Norwich, 
statue  in  Norwich  Cathedral;  Archbishop  Mayer,  statue  in  Peterborough 
Cathedral;  bust  of  Nelson  in  Burnham  Thorpe  Church,  King’s  Lynn;  bust 
of  Professor  Fletcher  in  Carpenter’s  Hall;  medals  of  Professor  Fletcher  in 
Architectural  Association,  London;  bronze  statues  for  war  memorial  in 
Truro  Cathedral;  statue  and  groups  in  marble  for  Pau,  Basses-Pyrenees, 
France,  in  memory  of  the  late  Colonel  Potter,  brother  of  the  late  Bishop  of 
New  York.  He  has  executed  also  many  ecclesiastical  works  in  St.  Paul’s, 
London,  and  other  churches  and  cathedrals.  Address,  335  Finchley  Road, 
Hampstead,  N.  W.,  London. 

1 Royal  Institute  of  British  Architects,  Professor  Banister  Fletcher 
Memorial.  Struck  medal,  modeled  by  N.  Forsyth,  engraved  by 
J.  H.  Pinehes,  bronze,  64  mm.1 

1 Loaned  by  John  H.  Pinches,  Esq. 


DOMINIQUE  PHILIPPE  JEAN  FOURCADE 
(Dominique  Fourcade) 

Dominique  Philippe  Jean  Fourcade,  sculptor,  medalist  (French),  was  born 
in  1871,  in  Plan,  canton  de  Cazeres,  Haute-Garonne,  France.  Studied  first 
at  Toulouse  under  the  sculptor  A.  Belou;  entered  the  Ecole  des  Beaux-Arts 

96 


of  that  city,  and  worked  under  A.  Fabre,  A.  Laporte,  and  H.  Maurette;  ob- 
tained fifteen  prizes  and  a mention  at  the  Toulouse  School  of  Fine  Arts;  a 
diploma  of  honor  at  the  International  Exposition  of  Toulouse  in  1895;  a 
silver  medal  at  the  International  Exposition  of  Bordeaux  in  1895;  an  hon- 
orable mention  at  the  Salon  des  Beaux-Arts,  Paris,  1899;  competed  twice 
in  sculpture  and  medal-engraving  for  the  Prix  de  Rome,  and  was  rewarded 
several  times  at  the  National  School  of  Fine  Arts.  At  Paris  the  artist  studied 
under  G.  J.  Thomas,  H.  Dubois,  L.  H.  Marqueste,  and  A.  E.  Lechevrel;  he  is 
an  officier  d’Academie  and  officier  dTnstruction  Publique. 

Writing  from  Paris,  April  23,  1910,  the  artist  sends  the  following  bio- 
graphical notes: 

1.  1893-1894,  medaillons  portraits  de  J.  Crespo,  President  des  Etats- 
Unis  de  Venezuela,  et  du  Docteur  E.  Rojas,  Ministre;  bas-relief,  Les 
Baigneuses;  buste  en  terre  Cuite  bronze,  portrait  de  M.  le  Comte  Etienne 
de  Planet;  bas-relief,  La  Defense  du  Drapeau,  appartenant  au  126eme 
Regiment  d’lnfanterie  a Toulouse;  bas-relief,  L’Election  Presidentielle 
de  M.  Casimir-Perier,  acquis  par  le  Ministere  des  Beaux-Arts. 

2.  1895,  haut-relief,  Mort  de  Duranti,  acquis  par  l’fitat  pour  la  Cour 
d’Appel  de  Toulouse;  grand  medaillon  de  M.  Felix  Jahyer,  homme  de 
lettres,  critique  d’art  au  Salon;  buste  commande  par  la  ville  de  Toulouse 
de  T.  F.  Ozenne,  inaugure  officiellement  a Toulouse  le  18  Juin  1895. 

3.  1896,  panneau,  Le  Parlement  de  Toulouse  en  14H,  la  Cour  d' Appel 
en  1810 — la  Cour  d’Appel  en  1896,  acquis  par  la  Cour  de  Toulouse; 
buste  du  General  Adolphe  Fabre,  commandant  le  17eme  Corps  d’Armee; 
medaillons  de  Leurs  Majestes  le  Roi  et  la  Reine  de  Portugal;  panneau 
medaillier,  portraits  des  Generaux  A.  Fabre,  Motas  d’Hestreux,  Vingen- 
don,  Mille,  Dessirier,  Bourjat,  Duprat  de  Laroquette,  J.  Fabre,  Gay  de 
Taradel,  de  Belle-Garde,  commandant  le  Heine  Corps  en  1896,  donne 
a l’Ccole  Saint-Cyr. 

4.  1897,  statuette,  Agrippine;  buste  de  Gambetta,  donne  au  gouver- 
nement  de  lTndo-Chine;  medaillons  de  Felix  Faure,  President  de  la 
Republique,  et  de  Henri  Brisson,  President  de  la  Chambre  des  Dep- 
utes; medaillier,  Types  Provinciaux  Francois,  offert  a l’Empereur  de 
Russie;  medaillier,  Types  Provinciaux  Francois,  donne  a la  ville  de 
Tunis. 

5.  1898,  bas-reliefs,  bronze,  Le  Bain,  Le  Calvaire. 

6.  1899,  bas-relief  en  bronze,  Visite  du  President  Carnot  a Toulouse, 
donne  a la  prefecture  de  Toulouse.  Original  en  platre  donne  a la  ville 
de  Toulouse;  medaille  executee  pour  le  Svndicat  Central  des  Agricul- 
teurs  de  France;  medaillon,  Pierre  Goudouli,  poete  (1579-1649). 

7.  1900,  bas-relief,  bronze,  Deffes  composant  la  Toulousaine,  acquis 


97 


par  la  ville  de  Toulouse;  medallions  en  bronze  des  sculpteurs  A.  Fal- 
guiere,  A.  Mercie,  L.  H.  Marqueste,  et  des  peintres  Benjamin  Constant 
et  Jean  Paul  Laurens,  donnes  a l’Ecole  des  Beaux-Arts  de  Toulouse; 
Laureat  de  l’Eeole  des  Beaux-Arts  de  Toulouse. 

8.  1901,  buste  en  bronze,  A.  Hamel,  inaugure  officiellement  a Luchon 
le  23  Juin;  portraits,  Jean  Jaures,  Calvinhac,  R.  Leygue,  H.  Leygue,  H. 
Serves,  Deputes;  C.  Ournac,  Senateur;  Charles  Lutaud  et  Paul  Vi- 
guie,  Prefets;  A.  Hue  et  Maurice  Sarraut,  Directeurs  de  la  Depeche; 
recompenses  a l’Ecole  des  Beaux-Arts  de  Paris,  section  de  sculpture,  3 
medailles  et  une  premiere  mention  d’atelier.  II  a participe  aux  deux 
essais  du  Prix  de  Rome,  pour  la  gravure  en  medaille  et  la  sculpture; 
nomine  Officier  d’Academie  en  1901. 

9.  1902,  Pace  et  Aratro,  bas-relief,  bronze. 

10.  1903,  Civitas  Palladensis  et  Le  Sculpteur  grec,  bas-reliefs,  bronze. 

11.  1904,  buste  de  la  Republique,  donne  a la  prefecture  de  Toulouse. 

12.  1907,  plaquette  executee  pour  le  Syndicat  Forestier  de  France; 
mis  hors  concours  a l’Exposition  des  Beaux-Arts  a Avignon;  medaillon 
bronze  de  M.  Henri  Schmit  et  de  M.  et  Mine.  Combe. 

13.  1908,  nomine  Officier  dTnstruction  Publique;  a obtenu  une  2eme 
medaille  an  Salon  des  Artistes  Francais;  mis  hors  concours  a l’Exposi- 
tion  Internationale  de  Toulouse,  bas-relief,  bronze,  Le  Statuaire. 

14.  1909,  statue  en  platre,  Etude  de  Martyr,  donnee  a la  ville  de  Tou- 
louse; Le  Printemps,  La  Communiante,  bas-reliefs  en  bronze;  medaillon 
bronze  Simon  Bolivar,  Libertador. 

15.  1910,  medaillon  bronze,  Marcelin  Berthelot,  Senateur,  membre 
de  l’lnstitut,  donne  a la  ville  de  Toulouse;  medaille  de  l’Academie 
aeronautique,  Bartholomeu  de  Gusmdo;  medai lions  bronze  M.  et  Mine . 
Simonnet  et  Mile.  G.  Simonnet,  M.  le  general  J.  B.  Alessandri,  et  M. 
Adolphe  Sarazin,  Consul-general  de  S.  M.  le  Roi  de  Siam;  diplome  de  la 
Ligue  nationale  Polonaise  et  internationale  des  amis  de  la  Pologne. 

Address,  46  rue  Madame,  Paris. 

1 Au  Grand  Citoyen,  Sadi  Carnot,  1904.  Plaquette,  galvano  bronzed, 

158  x 115  mm. 

2 Bernarde  Fourcade  (mere  de  l’artiste) . Medal,  galvano  gilt,  53  mm. 

3 Civitas  Palladensis,  1905.  Plaquette,  galvano  silvered,  75  x 54  mm. 

4 Henri  Dubois,  Graveur  en  Medailles.  Plaquette,  galvano  silvered, 

72  x 55  mm. 

5 Le  Labourage,  1902.  Plaquette,  galvano  silvered,  64  x 88  mm. 

6 Le  Sculpteur.  Plaquette,  galvano  silvered,  80  x 58  mm. 

7 Portrait  d’Homme.  Medal,  galvano  gilt,  48  mm. 

8 Syndicat  Forestier  de  France,  1907.  Obverse  and  reverse.  Pla- 

quette, galvano  silvered,  41  x 54  mm. 


98 


99 


SIR  GEORGE  J.  FRAMPTON 


Sir  George  J.  Frampton,  sculptor,  medalist  (British),  studied  under  W.  S. 
Frith;  entered  Royal  Academy  Schools,  1881;  received  the  gold  medal  and 
traveling  studentship,  1887;  received  since  then  gold  and  silver  medals  and 
other  honors  in  France,  Germany,  Belgium,  and  America,  including  me- 
daille  d’honneur  at  the  Paris  Exposition,  1900;  has  executed  many  memo- 
rials and  statues,  including  those  of  Her  Majesty  Queen  Victoria  for  Cal- 
cutta, Southport,  St.  Helens,  Newcastle-on-Tyne,  Winnipeg,  and  Leeds; 
designed  the  terra-cotta  decoration  on  the  Constitutional  Club;  the  sculp- 
ture on  the  Glasgow  Art  Galleries;  the  whole  of  the  sculpture  on  the  ex- 
terior of  Lloyd’s  Register,  City  of  London;  the  entrance  to  Electra  House, 
Moorgate  Street,  City;  figures  on  the  spire  of  St.  Mary’s,  Oxford;  saints  on 
the  shrine  of  William  of  Wykeham,  Winchester  Cathedral;  has  designed 
and  executed  works  in  ivory,  silver,  enamels,  etc.;  the  City  Imperial  Vol- 
unteers medal;  many  other  medals,  including  Coronation  medal.  He  is 
F.S.A.;  Hon.  Associate,  Royal  Institute  of  British  Architects;  member  and 
past  master  of  the  Art  Workers’  Guild.  Address,  32  Queen’s  Road,  St. 
John’s  Wood,  London,  N.  W.,  England. 

1 Royal  Institute  of  British  Architects.  Struck  medal,  bronze,  71  mm.1 

1 Loaned  by  John  H.  Pinches,  Esq. 


HANS  FREI 

Hans  Frei,  medalist  (Swiss),  was  born  in  Basel,  1868.  Was  intended  from 
his  earliest  youth  for  the  calling  of  an  engraver,  and  for  this  purpose  he 
served  with  one  of  this  occupation  in  his  native  town.  At  the  same  time 
attended  the  general  trade  school  in  that  place  and  applied  himself  to  draw- 
ing and  modeling.  At  the  termination  of  his  apprenticeship  visited  Vienna, 
Cologne,  and  Berlin.  After  a few  years  returned  to  his  native  town,  and 
later  went  to  Geneva  to  study  under  Professors  Salmson  and  Jerdellet.  He 

100 


then  went  to  Paris  and  was  a pupil  of  the  Ecole  des  Arts  Decoratifs  as  well 
as  of  the  Academie  Julien.  In  1895  established  himself  in  Paris,  and  ex- 
ecuted works  for  establishments  dealing  in  decorations  and  jewelry,  and 
practised  in  the  studios  of  the  sculptors  Charpentier  and  Puech.  In  1899 
he  removed  to  Basel.  He  has  also  exhibited  in  Paris  from  1897  to  1910, 
Munich,  Hamburg,  Cologne,  Milan,  Geneva,  Zurich,  etc.  His  work  is  rep- 
resented at  Paris  in  the  Mint  and  in  the  museums  of  the  Luxembourg  and 
the  Petit  Palais,  and  in  the  museums  of  Ghent,  Munich,  Frankfurt,  Elber- 
feld,  Lausanne,  Winterthur,  Berne,  etc.  Address,  49  rue  Ryff,  Basel, 
Switzerland. 


7  Amor  avec  Couronne,  1909.  Medal,  engraved  by  hand  directly  on 
bronze,  147  mm.  (unique  piece,  original). 

2 Ars  Longa,  Vita  Brevis,  1903.  Cast  medal  (single),  bronze,  100  mm. 

3 Buste  d’Enfant,  1905.  Cast  plaquette,  bronze,  80  x 65  mm. 

4 Buste  d’Enfant,  1908.  Cast  plaquette,  bronze,  80  x 65  mm. 

5 Charles  Duisberg,  Chimiste  et  Organisateur,  1909.  Struck  plaquette, 

bronze  gilt,  69  x 52  mm. 

6 Charles  Bourcart,  1908.  Obverse  and  reverse.  Struck  medal, 

bronze,  41  mm. 

7 Centenaire  de  l’lndependance  du  Canton  de  Vaud  et  de  son  Entree 

dans  la  Confederation  Suisse,  1903.  Obverse  and  reverse.  Struck 
plaquette,  bronze,  80  x 50  mm. 

8 Daniel  Arnold  et  Dorothea  Arnold,  nee  Witschy,  1907.  Cast  pla- 

quette (double),  bronze,  100  x 138  mm. 

9 Desire  Erasme  (Desiderius  Erasmus),  1907  (after  the  small  por- 

trait by  Holbein  in  the  museum  of  Basel).  Obverse  and  reverse. 
Cast  medal  (double),  model  for  the  jeton  of  the  Swiss  Numis- 
matic Society,  bronze,  75  mm.  Struck  medal  (jeton),  28  mm. 

10  Diane  avec  Lion,  1909.  Struck  medal,  bronze,  40  mm. 

11  Erasme  de  Rotterdam,  1895  (after  the  painting  by  Holbein  in  the 

Louvre) . Cast  plaquette,  bronze  silvered,  100  x 70  mm. 

12  Etude  de  Femme,  1910.  Medal,  engraved  by  hand  directly  on 

bronze  and  enameled,  70  mm.  (unique  piece,  original). 

13  Etude  d’Homme,  1910.  Medal,  engraved  by  hand  directly  on 

bronze  and  enameled,  70  mm.  (unique  piece,  original). 

74  Georges  Lunge,  Chimiste  et  Professeur  a Zurich,  1909.  Obverse  and 
reverse.  Struck  plaquette,  silver,  70  x 52  mm. 


101 


15  Hans  Frei  (portrait  de  l’artiste),  1906.  Cast  plaquette  (single), 

bronze,  1 1 4 x 84  mm. 

16  Inauguration  du  Canal  de  l’Elbe  et  de  la  Trave,  1900.  Reverse. 

Struck  medal,  bronze,  68  mm. 

7/  Lauretta,  1896.  Cast  plaque  (single),  bronze  silvered,  21  x 13  cm. 
IS  Le  Numismate,  1908.  Cast  plaquette,  bronze,  94  x 90  mm. 

19  Mousquetaire,  1909.  Struck  medal,  bronze,  44  mm. 

20  Percement  du  Tunnel  du  Simplon,  1905.  Obverse  and  reverse.  Cast 

medal  (double),  bronze  silvered,  80  mm. 

21  Printemps,  1906.  Cast  medal  (single),  bronze,  102  mm. 

22  Rene  Bohn,  Chimiste  et  Directeur  de  Fabrique,  1909.  Struck  pla- 

quette, bronze  gilt,  70  x 52  mm. 

23  Samuel  Baur,  1908.  Cast  plaquette,  bronze  silvered,  136  x 114  mm. 

24  Sulzer  Freres  a Winterthur,  1906.  Obverse  and  reverse.  Struck 

plaquette,  bronze,  77  x 51  mm. 

25  Tir  Cantonal  des  Deux  Demi -Cantons  de  Bale,  1906.  Obverse  and 

reverse.  Struck  medal,  bronze  gilt,  41  mm. 

26  Tir  Cantonal  Schwyzois  a Kiissnacht,  1902.  Obverse  and  reverse. 

Struck  medal,  bronze,  45  mm. 


ii 


102 


/.]  Hans  Fit 
bronze. 


0£ 


*i 


01 


IX 


( portrait  de  bar  isle  1996.  Cast  plaquette  (single), 

1 1 1 x 84  mm. 

. : du  Canal  de  I’KIbe  et  de  la  Trave,  1900.  Reverse, 

medal,  bronze,  68  mm. 

Cast  plaque  (singled  bronze  silvered,  21  x 13  cm. 
1908.  Cast  plaquette,  bronze,  94  x 90  mm. 

. m 1909.  Struck  medal,  bronze,  44  mm. 

I du  Simplon,  1905.  Obverse  and  reverse.  Cast 
bronze  silvered,  80  mm. 

1 • m-  dal  (single),  bronze,  102  mm. 

i)  it  eteur  de  Fabrique,  1909.  Struck  pla- 

i! . 70  \ 52  nun. 

; -41e,  bronze  silvered,  136  x 114  mm. 
;6.  Obverse  and  reverse.  Struck 

\ 1 mm. 

(tons  de  Rale,  1906.  Obverse  and 

: \ b »*nze  gilt,  41  mm. 

b:  iiacht,  1902.  Obverse  and  reverse. 

t;»!  bi  >nze,  45  mm. 


ii 


102 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14,  15,  16,  17,  18,  19,  20,  21,  22,  23,  24,  25,  26 


103 


EMMANUEL  FREMIETf 


Emmanuel  Fremiet,  sculptor,  medalist  (French),  was  born  in  Paris,  1824. 
1 le  was  a nephew  and  pupil  of  Rude,  in  whose  studio  he  spent  several  years. 
He  also  did  much  work  at  the  Clinique  in  Paris,  making  anatomical  studies 
for  the  Ortila  Museum.  He  early  became  interested  in  animal  sculpture  and 
devoted  himself  to  the  study  of  zoology.  He  exhibited  for  the  first  time  in 
1843  at  the  Salon,  the  work  being  a plaster  cast  representing  a gazelle. 
Thenceforth  he  rapidly  became  known  as  a master  in  animal  sculpture  and 
design.  Camels,  bears,  and  elephants,  as  well  as  the  domestic  animals,  fur- 
nished subjects  for  a score  of  works  in  bronze  or  in  marble.  He  made 
many  equestrian  statues  and  groups,  distributed  over  France,  America, 
Africa,  and  Australia.  His  masterpiece  in  this  field  has  been  considered  to 
lie  his  equestrian  statue  Jeanne  d' Arc  in  the  Place  des  Pyramides,  Paris.  In 
1850  he  modeled  his  famous  Cliien  courant  blesse,  now  in  the  Luxembourg 
Gallery.  In  I860  he  received  the  decoration  of  the  Legion  of  Honor,  of 
which,  in  1878,  he  became  an  officer  and  later  a grand  officer.  At  the  Ex- 
position of  1867  he  received  the  second  medal,  and  in  that  of  1887  the  medal 
of  honor.  In  1875  he  was  appointed  professor  of  animal  design  at  the 
Museum  of  Natural  History.  He  was  a member  of  the  Institute,  of  the 
Royal  Academy  of  London,  and  of  several  other  academies.  He  died  in 
Paris,  September  11, 1910. 

Works:  The  Horse  at  Mont f ancon,  bought  by  the  State  in  1853;  Police- 
man on  Horseback;  Kitten;  Gallic  Chief;  Napoleon  I;  Man  of  the  Stone  Age; 
The  Knight  Errant;  The  Snake-charmer;  Gorillas.  Address,  Mme.  E. 
Fremiet,  43  boulevard  Reausejour,  Paris. 

1 Jeanne  d’Arc.  Medal,  galvano  silvered,  127  mm.1 

2 St.  Georges.  Medal,  galvano  silvered,  127  mm. 


1 Nos.  1 and  2 were  loaned  by  Edward  D.  Adams,  Esq. 


104 


EMIL  FUCHS 


Emil  Fuchs,  sculptor,  medalist  (Austrian),  was  born  in  Vienna,  1866. 
Studied  first  under  Victor  Tilguer,  and  then  at  the  Royal  Academy  of 
Berlin.  Obtained  a traveling  scholarship  which  took  him  to  Rome  in  1891, 
where  he  remained  until  1899.  During  his  stay  in  that  city  he  executed 
one  of  his  principal  works,  a marble  group,  Mother  s Love.  For  this  work 
he  received  a gold  medal,  Munich,  1896.  Since  1897  he  has  had  his  per- 
manent residence  in  London,  but  has  spent  the  last  five  winters  in  New 
York. 

Works:  memorials  to  the  late  Prince  Christian  Victor,  St.  George’s 
Chapel,  Windsor;  memorials  to  King  Edward  VII,  the  Duke  of  Saxe- 
Coburg-Gotha,  Empress  Frederick;  Queen  Victoria  at  the  church  in  Sand- 
ringham, Norfolk;  busts,  Forbes  Robertson  (a  copy  in  bronze  at  the  New 
Theatre,  New  York);  Arthur  Pinero;  Lady  Atice  Montagu ; lgnace  Pade- 
rewsky;  Cecil  Rhodes.  Address,  80  West  Fortieth  Street,  New  York  City. 


1 Anthony  de  Rothschild,  1899.  Struck  medal,  silver,  21  mm. 

2 Archer  Milton  Huntington,  Fiftieth  Anniversary  of  the  American 

Numismatic  Society  (1858-1908),  1908.  Obverse  and  reverse. 
Struck  medal,  silver,  67  mm. 

3 Chanson  Serieuse,  1897.  Bas-relief  in  marble. 

4 Coronation  of  Edward  VII  and  Alexandra,  1902.  Obverse  and  re- 

verse. Struck  medal,  silver,  63  mm. 

5 Count  Seilern,  1899.  Struck  medal,  silver,  28  mm. 

6 Edward,  Prince  of  Wales,  1899.  Struck  medal,  silver,  29  mm. 

7 Edward  VII,  1901.  Design  for  a postage-stamp,  sketch  (in  frame). 

8 Evelyn  de  Rothschild,  1899.  Struck  medal,  silver,  31  mm. 

9 General  Sir  George  White,  1899.  Struck  medal,  silver,  32  mm. 

10  George  Hartmann,  1899.  Struck  medal,  silver,  31  mm. 

11  Hispanic  Society  of  America,  Award,  1907.  Obverse  and  reverse. 

Struck  medal,  bronze,  102  mm. 

12  Same  subject,  Membership,  1906.  Obverse  and  reverse.  Struck 

medal,  bronze,  80  mm. 


105 


13  The  same.  Obverse  and  reverse.  Cast  medallion,  iron,  model  for 
the  above. 

1)  Hudson-Fulton  Celebration,  New  York,  1909  (medal  of  the  Ameri- 
can Numismatic  Society).  Obverse  and  reverse.  Struck  medal, 
bronze,  102  mm.  (also,  smaller  sizes). 

13  Jack  Churchill,  1898.  Struck  medal,  silver,  29  mm. 

16  Lord  Charles  Beresford,  1898.  Obverse  and  reverse.  Struck  medal, 
silver,  32  mm. 

11  Lord  Roberts,  1901.  Struck  medal,  silver,  34  mm. 

IS  Madame  E.,  1900.  Struck  medal,  silver,  27  mm. 

19  Madame  K.,  1898.  Struck  medal,  silver,  33  mm. 

20  Miss  Cassel,  1898.  Struck  medal,  silver,  25  mm. 

21  Miss  W.,  1899.  Struck  medal,  silver,  29  mm. 

22  Motor  Yacht  Club,  1905.  Obverse  and  reverse.  Struck  medal, 

silver,  55  mm. 

23  Order  for  Art,  Science,  and  Music,  1902.  Obverse  and  reverse. 

Struck  medal  (badge),  silver,  35  mm. 

23  Prince  and  Princess  of  Wales,  1901.  Struck  medal,  silver,  29  mm. 

25  Princess  Henry  of  Battenberg,  1899.  Struck  medal,  silver,  28  mm. 

26  Same  subject.  Cast  plaquette  (single),  bronze,  110  x 93  mm. 

27  Queen  Alexandra,  1902.  Obverse  and  reverse.  Struck  plaquette, 

silver,  70  x 70  mm. 

28  Queen  Victoria,  1900.  Obverse  and  reverse.  Struck  medal,  silver, 

75  mm. 

29  Same  subject,  1900.  Struck  medal,  silver,  29  mm. 

30  Robert  Hartmann,  1899.  Struck  medal,  silver,  29  mm. 

31  Sir  Arthur  Ellis.  Struck  medal,  silver,  26  mm. 

32  Sir  Ernest  Cassel,  1901.  Struck  medal,  silver,  25  mm. 

33  Termination  of  the  South  African  War,  1901.  Obverse  and  reverse. 

Struck  medal,  bronze,  70  mm. 

33  Winston  S.  Churchill,  1898.  Struck  medal,  silver,  29  mm. 


106 


3 


108 


J.  H.  M.  FURSE 


J.  H.  M.  Furse,  sculptor,  medalist  (British),  was  born  in  1860.  Educated  at 
Radley  and  Trinity  Colleges,  Oxford.  Was  an  assistant  on  the  staff  of  the 
British  Museum  from  1881  to  1887,  when  he  left  it  and  soon  after  began 
work  as  sculptor.  His  father  was  the  late  Charles  Wellington  Furse,  of 
Halsdon,  Devon,  and  Archdeacon  of  Westminster.  Address,  Netherhamp- 
ton  House,  Salisbury,  England. 

1 D.  E.  Hughes,  Royal  Society.  Struck  medal,  modeled  by  J.  H.  M. 

Furse,  engraved  by  J.  H.  Pinches,  bronze,  57  mm.1 

1 Loaned  by  John  H.  Pinches,  Esq. 


JOHANNES  SOPHUS  GELERT 

Johannes  Sophus  Gelert,  sculptor,  medalist  (American),  was  born  in 
Nybel,  Schleswig,  Denmark  (now  Prussia),  1852.  Attended  village  school, 
1859-65;  spent  one  year  at  school  in  Copenhagen;  studied  art  at  Royal 
Academy  of  Copenhagen,  1870-75.  Began  artistic  career  as  apprentice  in 
wood-carving  in  1866-70;  after  graduation  at  Royal  Academy  of  Copen- 
hagen made  tour  through  Germany,  then  worked  fifteen  months  in  Paris, 
and  exhibited  at  Salon  of  1878  a colossal  group  representing  the  Norse 
god  Thor  combating  a bull;  worked  on  large  monumental  works,  Berlin, 
1879-82;  executed  several  decorative  statues  for  the  theater  in  Copenhagen, 
1882;  studied  at  Rome  on  scholarship  awarded  by  Danish  government, 
then  returned  to  Copenhagen;  resident  of  United  States  since  1887  and 
citizen  since  1892;  worked  at  his  art  in  Chicago,  1887-98;  since  then  in  New 
York  City.  Exhibited  at  World’s  Columbian  Exposition,  Chicago,  1893 
(member  international  jury  of  award);  Paris  Exposition,  1900  (honorable 
mention);  Nashville  Centennial  Exposition,  1897  (gold  medal);  Philadel- 
phia Art  Club,  for  group  The  Little  Architect  gold  medal;  American  Art 
109 


Society.  Philadelphia  (gold  medal);  honorable  mention,  Buffalo  Exposi- 
tion. Member  National  Sculpture  Society,  Architectural  League. 

Works:  statue,  Denmark,  United  States  Custom  House,  New  York  City; 
colossal  group,  The  Struggle  for  Work,  at  World’s  Columbian  Exposition; 
statue,  Xapoleon  the  Great,  for  Missouri  State  Building,  Louisiana  Pur- 
chase Exposition;  statue,  Gothic  Art,  Fine  Arts  Building,  St.  Louis;  Hay- 
market  statue  (Haymarket  Square),  and  Beethoven  and  Andersen  statues 
(Lincoln  Park),  Chicago;  Grant  statue,  Galena,  Illinois;  and  his  latest  work, 
the  four  Roman  statues  erected  for  the  Brooklyn  Institute  of  Arts  and 
Sciences.  Address,  11  East  Fourteenth  Street,  New  York  City. 

7 Danish- Americans,  1909.  Obverse  and  reverse.  Medallion  in  plas- 
ter, model  (struck  medal,  31  mm.). 

2 Irish-Americans.  Obverse  and  reverse.  Medallion  in  plaster, 

model,  designed  by  F.  C.  Higgins. 

3 Portrait  medallion  (the  parents  of  the  artist).  Medallion  in  plaster, 

model,  30.4  cm. 

4 The  Fates.  Plaque  in  plaster  (used  for  the  design  of  a magazine 

cover),  38.1  x 45.7  cm. 

5 Triumphet  America.  Medallion  in  plaster,  model,  30.4  cm. 

6 Welsh-Americans,  Evans  Family  medal.  Medallion  in  plaster, 

model,  designed  by  F.  C.  Higgins  (struck  medal,  38  mm.). 


110 


Ill 


ALICE  RUSSELL  GLENNY 
(Mrs.  John  Glenny) 


Alice  Russell  Glenny,  sculptor,  medalist  (American),  was  born  in  De- 
troit, Michigan.  Studied  first  in  Dresden,  Germany,  and  later,  from  1889 
to  1891,  at  the  Julien  School,  Paris,  under  Boulanger  and  Lefebvre.  During 
the  years  1900  to  1902  she  was  again  in  Paris.  Her  work  in  sculpture  was 
exhibited  in  the  Paris  Salon,  1902,  and  at  the  New  York  Society  of  Artists. 
Her  paintings  are  exhibited  at  the  National  Academy  of  Design,  New  York; 
New  York  Society  of  Artists;  the  Architectural  League;  the  Albright  Gal- 
lery, Buffalo;  the  Buffalo  Historical  Society  (Mural  Decoration).  She  has 
received  awards  from  the  Buffalo  Society  of  Artists,  the  Arts  and  Crafts 
Club  of  Buffalo,  and  an  international  medal  for  posters.  Address,  Wild- 
wood, East  River,  Connecticut. 

7 Gladys,  1901.  Struck  medal,  silver,  101  mm. 

2 Lyman  Metcalfe  Bass,  1905.  Obverse  and  reverse.  Struck  medal, 
copies  in  silver  and  in  bronze,  101  mm. 


GENEVIEVE  GRANGER 

Genevieve  Granger,  medalist  (French),  was  born  in  Tulle,  France.  Ex- 
hibited at  the  Salon  of  the  Societe  des  Artistes  Fran$ais  for  twelve  con- 
secutive years.  Gold  medal  of  this  Salon  in  1901.  Secretary  of  the  Salon 
d’Automne,  where  she  has  exhibited  since  its  foundation.  Has  exhibited 
at  the  Universal  Exposition  of  1900  and  at  the  Expositions  of  Basel,  Stutt- 
gart, Strassburg,  St.  Louis,  and  Brussels,  1910.  She  is  represented  in  the 
Luxembourg  Museum,  in  the  Musee  des  Medailles  du  Petit  Palais,  Musee 
du  Palais  de  la  Monnaie,  Paris,  and  in  most  of  the  provincial  museums. 

Works:  portrait  of  the  tragedian  de  Max;  Senateur  Peyrot  (Perigueux 
Museum);  Mine.  Jeanne  Marni;  Mine.  Roger-Miclos;  S.  M.  VEmpereur  de 
V Allemande,  etc.;  La  Poesie,  plaquette  of  the  Mint  of  Paris;  Le  Goiiter, 

112 


plaquette  for  the  Societe  des  Amis  de  la  Medaille  Francaise.  Address , 22 
rue  Denfert-Rochereau,  Paris. 

7  Adolph  Klein  als  Staatsanwalt  Alexander,  1906.  Plaquette,  galvano 
gilt  (cast,  bronze,  100  x 80  mm.). 

2 Enfant  Buvant,  1908.  Cast  plaquette  (single),  bronze,  165  x 103 

mm. 

3 Gardeuse  de  Moutons,  1908.  Plaque,  galvano  gilt  (cast,  bronze, 

100  x 150  mm.). 

7 Jeune  Mere  Hollandaise  et  son  Enfant,  1909.  Cast  plaquette,  bronze. 

5 La  Paix,  1903.  Cast  medal,  bronze. 

6 La  Poesie,  1901.  Cast  plaque,  bronze. 

7 Le  Bol  de  Lait,  1907.  Plaquette,  galvano  gilt  (cast,  bronze,  80  x 

60  mm.). 

8 Le  Gouter,  1909  (medal  of  the  Societe  des  Amis  de  la  Medaille  Fran- 

caise). Obverse  and  reverse.  Struck  plaquette,  bronze,  51x71 
mm.  (cliches). 

9 Le  Vent,  1905.  Cast  medallion,  bronze. 

10  M.  et  Mine.  Durant-Sneden,  1907.  Medal,  galvano  gilt  (cast,  bronze, 

70  mm.). 

11  Mine.  Durant-Sneden,  1907.  Plaquette,  galvano  gilt  (cast,  bronze, 

120  x 70  mm.). 

12  Ocean,  1901.  Cast  plaque,  bronze. 

13  Profil  de  Jeune  Femme,  1908.  Cast  medal,  bronze. 

77  Tete  de  Vieux  Peeheur  Hollandais,  1908.  Cast  plaquette,  bronze. 


113 


JNos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14 


114 


RENE  GREGG!  RE 


Rene  Gregoire,  medalist  (French),  was  b.? 
Vfaine-et-Loire,  France.  Shaded  at  the  R 
* here  he  was  a pupil  of  Thomas  and  of  i 
he  exhibited  at  the  Salon  du  Champ  d 

lime  he  has  exhibited  hi  the  Sal  r 

In  1899  he  won  the  Grand  Pr\  R ; 
the  Salon,  this  latter  being  obtain*  !;  ; j ■ 

"■is  awarded  a gold  medal.  Anion: 
honed  the  medal  of  the  Exposition  of  V . 

* hibited  hors  concours,  and  = •*  \ 

e 

••dated  hors  concours  at  Copenhagen  and  1 : >-  > 

•:  iris  (XIV). 


1 Inauguration  de  lTushin  C<  di- 

verse and  reverse.  ■ 
gaWano  bronzed.  &n 

31  x 45  cm.;  struck, 

2 L’Agriculture.  P j a o c * 

plaque  (single),  R . 

3 L’Amitie.  Plaqu.  : 

(single),  bronze  * 

8 

4 La  Peinture.  VI 
bronze,  1 x 0.80  i 

5 La  Pitie.  Plaque  He 
(single),  bronze,  87 

6*  Le^Baiser.  Struck  pi  fi 

7 The  same . Plaquette 
(single),  bronze,  28 

S Le  Printemps.  Plaqu  t 

plaque  (single),  bro  . 2i.: 

9 Le  Temps  Consola  ten-  .pie,  gal  van 

relief  in  bronze,  90  • m.;  cast  plan 

cm.;  struck,  90  x 7 • . 

10  L’lndustrie.  Plaqiu  . geivano  silvered,  1 
(single),  bronze,  4 . : u cm.), 

lir>  


114 


RENE  GREGOIRE 


Rene  Gregoire,  medalist  (French),  was  born  in  Saumur,  department  of 
Maine-et-Loire,  France.  Studied  at  the  Ecole  des  Beaux-Arts  at  Paris, 
where  he  was  a pupil  of  Thomas  and  of  H.  Dubois.  From  1893  until  1900 
he  exhibited  at  the  Salon  du  Champ  de  Mars  (Societe  Nationale).  Since 
that  time  he  has  exhibited  in  the  Salon  of  the  Societe  des  Artistes  Francais. 
In  1899  he  won  the  Grand  Prix  de  Rome,  then  a third  and  second  medal  at 
the  Salon,  this  latter  being  obtained  in  1908.  At  the  Exposition  of  Milan  he 
was  awarded  a gold  medal.  Among  his  best-known  works  may  be  men- 
tioned the  medal  of  the  Exposition  of  Marseilles.  At  the  Salon  of  1910  he 
exhibited  hors  concours,  and  was  awarded  the  first  medal.  He  also  ex- 
hibited hors  concours  at  Copenhagen  and  Brussels.  Address,  1 rue  Leclerc, 
Paris  (XIV). 


1 Inauguration  de  lTnstitut  Oceanographique  de  Monaco,  1909.  Ob- 

verse and  reverse.  Plaquette,  copies  in  galvano  silvered  and 
galvano  bronzed,  110x156  mm.  (cast  plaque  (single),  bronze, 
31  x 45  cm.;  struck,  55  x 80  mm.) . 

2 L’Agriculture.  Plaquette,  galvano  silvered,  120x55  mm.  (cast 

plaque  (single),  bronze,  41.5  x 20  cm.). 

3 L’Amitie.  Plaquette,  galvano  bronzed,  110x30  mm.  (cast  plaque 

(single),  bronze,  22.5  cm.). 

4 La  Peinture.  Plaquette,  galvano  gilt,  80  x 60  mm.  (bas-relief  in 

bronze,  1 x 0.80  m.  and  cast  plaque  (single),  bronze,  21  x 15  cm.). 

5 La  Pitie.  Plaquette,  galvano  silvered,  180  x 135  mm.  (cast  plaque 

(single),  bronze,  37  x 27  cm.). 

6 Le  Baiser.  Struck  plaquette,  galvano  bronzed,  50  x 80  mm. 

7 The  same.  Plaquette,  galvano  silvered,  110  x 180  mm.  (cast  plaque 

(single),  bronze,  28  x 47  cm.). 

8 Le  Printemps.  Plaquette,  galvano  silvered,  110  x 110  mm.  (cast 

plaque  (single),  bronze,  30  x 29  cm.). 

9 Le  Temps  Consolateur.  Plaque,  galvano  silvered,  20  x 12  cm.  (bas- 

relief  in  bronze,  96  x 50  cm.;  cast  plaque  (single),  bronze,  44  x 26 
cm.;  struck,  90  x 55  mm.). 

10  L’lndustrie.  Plaquette,  galvano  silvered,  120  x 55  mm.  (cast  plaque 
(single),  bronze,  41.5  x 26  cm.). 


115 


11  Maternite.  Plaquette,  galvano  silvered,  110  x 110  mm.  (cast  plaque 
(single),  bronze,  32  x 26  cm.). 

72  Paul  Desachy.  Plaquette,  galvano  silvered,  90x110  mm.  (cast 
plaque  (single),  bronze,  25  x 27  cm.). 

13  Tony  Gamier.  Medal  (irregular  shape),  galvano  silvered,  80x60 
mm.  (cast  medallion  (single),  bronze,  22  x 19  cm.). 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10.  11,  12,  13 


116 


1 17 


ypiSFWi* 


i red,  110  x 110  mm.  (cast  plaque 
silvered,  90  x 110  mm.  (cast 

t ill  ). 

vo  i galvano  silvered,  80x60 
, 22  x 19  cm.). 


117 


FRANCES  GRIMES 


Frances  Grimes,  sculptor,  medalist  (American),  was  born  in  New  York. 
Pupil  of  Herbert  Adams  and  Augustus  Saint-Gaudens,  working  with  the  lat- 
ter for  some  four  years.  Since  his  death  her  principal  work  has  been  por- 
trait bas-reliefs  and  busts.  Address,  17a  MacDougal  Alley,  New  York  City. 

1 Anne  Parrish,  1905.  Bas-relief  in  plaster,  70.5  x 60.5  cm. 

2 Arthur  Whiting,  1908.  Bas-relief  in  bronze,  66  x 68  cm. 

3 Massachusetts  Civil  Service  Reform  Association,  Women’s  Auxil- 

iary, 1906.  Obverse  and  reverse.  Cast  medal  (double),  bronze, 
125  mm. 

1 The  same,  New  York  Branch.  Struck  medal  (badge),  bronze  sil- 
vered, 40  mm. 


118 


•_> 


119 


HERMANN  HAHN 


Hermann  Hahn,  sculptor,  medalist  (German),  was  born  1868,  in  Kloster- 
Veilsdorf,  Sachsen-Meiningen,  Germany.  Studied  1887-92  with  W.  Yon 
Ruemann  at  the  Art  School  and  the  Art  Academy  in  Munich.  Later  traveled 
for  purposes  of  study  in  France,  Italy,  England,  the  Netherlands,  Greece, 
and  the  Orient.  Since  then  established  in  Munich,  he  was  in  1902  appointed 
professor  there.  His  bust  of  the  philologist  Wolfflin  is  one  of  his  best- 
known  works.  Among  his  monuments  may  be  mentioned  that  in  Chemnitz 
to  Moltke  (1899),  that  in  Weimar  to  Liszt  (1902),  the  Luther  monument  in 
Speyer  (1904),  and  the  Sommer  monument  in  Rudolstadt  (1904).  In  1909 
he  completed  a monument  of  the  physicist  Fraunhofer,  an  equestrian 
monument  of  Moltke  for  the  city  of  Bremen,  and  a fountain.  In  1910  he 
executed  the  bust  of  Moltke  in  the  Walhalla  near  Regensburg.  Aside  from 
these  he  was  the  sculptor  of  the  statuary  of  the  Ludwig’s  Bridge,  Munich 
(1895);  of  that  of  the  Prince  Regent’s  Bridge,  Munich  (1903);  of  a Risen 
Christ;  The  Mountaineer;  A Dancer;  a fountain  group  for  the  Munich 
Exposition  of  1908,  and  of  many  mortuary  monuments,  reliefs,  plaquettes, 
medals,  and  coins.  September  17,  1910,  an  international  jury  named  by  the 
German  societies  of  Chicago,  at  Berlin,  selected  from  nine  models  sub- 
mitted for  a Goethe  monument  for  Chicago  the  one  designed  by  Hermann 
Hahn.  Address,  10  Karl  Theodorstrasse,  Munich. 

1 Alfred  Messel,  1905.  Cast  plaquette,  bronze,  160  mm. 

2 The  same.  Cast  plaque  (single),  bronze,  model  for  the  above, 

25  cm. 

3 Bismarck-Moltke,  1899.  Obverse  and  reverse.  Cast  medal,  copies 

in  silver  and  in  bronze,  80  mm. 

4 The  same.  Cast  plaque  (single),  bronze,  33  cm. 

5 Der  Senat  der  freien  Hansestadt  Bremen,  Fiir  Rettung  aus  Gefahr, 

1906.  Obverse  and  reverse.  Struck  medal,  copies  in  silver  and  in 
bronze,  70  mm. 

6 Der  Senat  der  freien  Hansestadt  Bremen,  Dem  Verdienste,  1904. 

Obverse  and  reverse.  Struck  medal,  copies  in  silver  and  in 
bronze,  70  mm. 

7 The  same.  Obverse.  Struck  medal,  bronze,  35  mm. 

8 Dr.  G.  Pauli,  1908.  Cast  plaque  (single),  bronze,  20  cm. 


120 


9  Dudelsackpfeifer,  19(H).  Struck  plaque  1 U m. 

10  Emil  Rathenau,  1908  Obverse  and  re-  * - ■ k me- sal  . 

silver,  50  mm. 

11  The  same.  Obverse.  Struck  medal  ' - ..'■■■/  v 

12  Frau  Tina  Joest,  1898.  Cast  plaque  (singn 

13-  Franz  von  Lenbaeh,  1903.  Obverse  and 
bronze,  70  mm. 

74  The  same.  Obverse.  Struck  medal,  hre  ■ *- 
30  mm. 

15  Kunst  will  Wahrheit,  1905.  Casi  ]>in. 

16  Ludwig  Hoffmann.  Cast  j >lac;e . * 

77  The  same.  Cast  plaqiu  ■ sin....’. 

25  cm. 

18  Max  von  Pettenkofer.  IH99 
copies  in  silver  and  in 

7.9  Norddeutscher  Lloyd,  • < 
medal,  copies  in  silve 

20  Oscar  Miinsterberg,  1895 

21  Tennisspieler,  1905.  Ca 


iSrOS.  1,  3,  8,  8,  9,  S : 


HERMANN  HAHN 


Hermann'  !i\n\\  sculptor,  medalist  (German),  was  born  1868,  in  Kloster- 
Yciisdori.  c 1 si.-  Meiningt  n,  Germany.  Studied  1887-92  with  W.  Von 
l ineman;  \ t School  and  Uu  Art  Academy  in  Munich.  Later  traveled 

lor  purp  ’ study  in  France,  Italy,  England,  the  Netherlands,  Greece, 
m.  ‘ ( n.ce  then  established  in  Munich,  he  was  in  1902  appointed 

; 1 v bust  of  the  philologist  Wolfflin  is  one  of  his  best- 

; his  monuments  may  be  mentioned  that  in  Chemnitz 
M It  t in  Weimar  to  Liszt  (1902),  the  Luther  monument  in 

;>  .Sommer  monument  in  Rudolstadt  (1904).  In  1909 
i . MHiment  of  the  physicist  Fraunhofer,  an  equestrian 
i'oc  the  cil}'  of  Bremen,  and  a fountain.  In  1910  he 
i I he  in  the  Walhalla  near  Regensburg.  Aside  from 
.<  motor  of  the  statuary  of  the  Ludwig’s  Bridge,  Munich 
1 Prince  Regent’s  Bridge,  Munich  (1903);  of  a Risen 
i ■ lineer;  A Dancer;  a fountain  group  for  the  Munich 

■ ■ Mid  of  many  mortuary  monuments,  reliefs,  plaquettes, 

ms.  September  17, 1910,  an  international  jury  named  by  the 
f Chicago,  at  Berlin,  selected  from  nine  models  sub- 
monument for  Chicago  the  one  designed  by  Hermann 

10  Karl  Theodorstrasse,  Munich. 

; sel,  1905.  Cast  plaquette,  bronze,  160  mm. 

11  Cast  plaque  (s  , bronze,  model  for  the  above, 

81 

1J  M 8 

3r  i d;  . 1899.  Obverse  and  reverse,  (hist  medal,,  copies 

si  bonze,  80  « e st 

me.  Cast  plaque  (single),  bronze,  33  cm. 

; > ! dc:  js\  ien  Hansesladt  Bremen,  Fiir  Rettung  aus  Gefahr, 
' < >!>>. ; rse  and  reverse.  Struck  medal,  copies  in  silver  and  in 
‘ a oeze,  70  mm. 

■ I re  ien  Hansestadt  Bremen,  Dem  Verdienste,  1904. 
-is.'  and  reverse.  Struck  medal,  copies  in  silver  and  in 
bronze,  70  mm. 

same.  Obverse.  Struck  medal,  bronze,  35  mm. 

Pauli,  1908.  Cast  plaque  (single),  bronze,  20  cm. 


120 


9  Dudelsackpfeifer,  1909.  Struck  plaquette,  silver,  110  mm. 

10  Emil  Rathenau,  1908.  Obverse  and  reverse.  Struck  medal  (oval), 

silver,  50  mm. 

11  The  same.  Obverse.  Struck  medal  (oval),  bronze,  50  mm. 

12  Frau  Tina  Joest,  1898.  Cast  plaque  (single),  bronze,  22  x 15.6  cm. 

13  Franz  von  Lenbach,  1903.  Obverse  and  reverse.  Struck  medal, 

bronze,  70  mm. 

14  The  same.  Obverse.  Struck  medal,  bronze,  two  copies,  40  and 

30  mm. 

15  Kunst  will  Wahrheit,  1905.  Cast  plaquette,  bronze,  140  mm. 

16  Ludwig  Hoffmann.  Cast  plaquette,  bronze,  160  mm. 

17  The  same.  Cast  plaque  (single),  bronze,  model  for  the  above, 

25  cm. 

18  Max  von  Pettenkofer,  1899.  Obverse  and  reverse.  Struck  medal, 

copies  in  silver  and  in  bronze,  60  mm. 

19  Norddeutseher  Lloyd,  Bremen,  1903.  Obverse  and  reverse.  Struck 

medal,  copies  in  silver  and  in  bronze,  77  mm. 

20  Oscar  Munsterberg,  1895.  Cast  plaque,  bronze,  27  cm. 

21  Tennisspieler,  1905.  Cast  plaquette,  bronze,  180  mm. 


Nos.  1,  3,  6,  8,  9,  11,  13.  14,  15,  16,  18 


121 


Nos.  1,  4,  5,  6,  10,  12,  16,  19,  20,  21 


122 


LILIAN  V.  HAMILTON 
(Mrs.  Vereker  Hamilton) 


Lilian  V.  Hamilton,  sculptor,  medalist  (British),  was  born  in  Surrey,  1865. 
Entered  the  Slade  School,  University  College,  London,  in  1881,  and  studied 
there  for  five  years  under  Professor  Alphonse  Legros.  Exhibited  medals 
first  about  1888,  was  an  Associate  of  the  Royal  Society  of  Painter  . dices, 
and  exhibited  etchings  at  the  annual  exhibitions  for  sol  *.  years.  Articles 
on  Mrs.  Vereker  Hamilton’s  work  have  appeared  i the  Magazine  of  Art. 
July,  1901;  the  Ladies’  Field,  November  21,  1903;  Spink’s  Numismatic  Cir- 
cular, June,  1903;  Spielmann,  “British  Sculptqgs  of  To-day.”  Is  repre- 
sented in  the  Mus£E  du  Luxembourg  and  Le  Petit  PalaisjsP; 
and  Albert  Museum,  South  Kensington,  and  in  the  Wes  tee. 
seum  and  Art  Gallery  in  Perth. 

Mrs.  Vereker  Hamilton  designed  and  mane  the  gm  i e > 

Sir  Henry  Norman  that  is  now  given  at  Sandhurst  twice  a year;  the  ' Rob- 
er.ts  Trophy”  shield  given  by  Field-Marshal  Earl  Reberts 
"Roberts  Trophy”  medals;  the  “Solano  Trophy”  shield,  given  by  Mr.  E. 
Solano,  in  1910;  the  medal  given  by  Her  Majesty  Queen  Alexandra  to  the 

Society  of  Miniature  Rifle  Clubs,  and  also  he  .f  a hi  e Medal  for  the  Ladies’ 

* 

College,  Cheltenham,  struck  in  silver  and  bronze  in  1904.  Address,  6 St. 

»i  s 

vlban’s  Mansions,  Kensington,  London. 


1 Betty  Hamilton,  1897.  Cast  medal,  bronze,  89  mm. 

2 Breton  Peasant,  1900.  Cast  plaquette,  bronze,  57  mm. 

3 Castle  Midmar,  1909.  Cast  medal,  bronze,  121  mm. 

4-  Fatma,  a Bishareen  Arab,  1897.  Cast  medal,  bronze,  70  mm. 

5 Field-Marshal  Lord  Roberts,  IhOR  Cast  medal,  bronze,  115  mm. 

6 Field-Marshal  Sir  Evelyn  Wood,  1901.  Cast  medal,  bronze, 

115  mm. 

7 Hon.  Walter  John  James,  1903.  Cast  medal,  bronze,  115  mm. 

8 Ian  Hamilton,  1895.  Cast  medal,  bronze,  89  mm. 

9 John  C.  Davis,  Lieut.  R.  N , J909.  Cast  medal,  bronze,  121  mm. 

10  Lady  Hamilton,  1904.  ( ..  . bronze,  115  mm. 


123 


' 1,  1 . r.  Hi,  19,  20,  21 


122 


LILIAN  V.  HAMILTON 
(Mrs.  Vereker  Hamilton) 


Lilian  V.  Hamilton,  sculptor,  medalist  (British),  was  born  in  Surrey,  1865. 
Entered  the  Slade  School,  University  College,  London,  in  1881,  and  studied 
there  for  five  years  under  Professor  Alphonse  Legros.  Exhibited  medals 
first  about  1888,  was  an  Associate  of  the  Royal  Society  of  Painter-Etchers, 
and  exhibited  etchings  at  the  annual  exhibitions  for  some  years.  Articles 
on  Mrs.  Vereker  Hamilton’s  work  have  appeared  in  the  Magazine  of  Art, 
July,  1901;  the  Ladies  Field,  November  21,  1903;  Spink’s  Numismatic  Cir- 
cular, June,  1903;  Spielmann,  “British  Sculptors  of  To-day.”  Is  repre- 
sented in  the  Musee  du  Luxembourg  and  Le  Petit  Palais,  Paris;  the  Victoria 
and  Albert  Museum,  South  Kensington,  and  in  the  Western  Australia  Mu- 
seum and  Art  Gallery  in  Perth. 

Mrs.  Vereker  Hamilton  designed  and  made  the  gold  medal  in  memory  of 
Sir  Henry  Norman  that  is  now  given  at  Sandhurst  twice  a year;  the  “Rob- 
erts Trophy”  shield  given  by  Field-Marshal  Earl  Roberts  in  1908,  and 
“Roberts  Trophy”  medals;  the  “Solano  Trophy”  shield,  given  by  Mr.  E. 
Solano,  in  1910;  the  medal  given  by  Her  Majesty  Queen  Alexandra  to  the 
Society  of  Miniature  Rifle  Clubs,  and  also  the  Jubilee  Medal  for  the  Ladies’ 
College,  Cheltenham,  struck  in  silver  and  bronze  in  1904.  Address,  6 St. 
Alban’s  Mansions,  Kensington,  London. 

1 Betty  Hamilton,  1897.  Cast  medal,  bronze,  89  mm. 

2 Breton  Peasant,  1900.  Cast  plaquette,  bronze,  57  mm. 

3 Castle  Midmar,  1909.  Cast  medal,  bronze,  121  mm. 

4 Fatma,  a Bishareen  Arab,  1897.  Cast  medal,  bronze,  70  mm. 

5 Field-Marshal  Lord  Roberts,  1900.  Cast  medal,  bronze,  115  mm. 

6 Field-Marshal  Sir  Evelyn  Wood,  1901.  Cast  medal,  bronze, 

115  mm. 

7 Hon.  Walter  John  James,  1903.  Cast  medal,  bronze,  115  mm. 

8 Ian  Hamilton,  1895.  Cast  medal,  bronze,  89  mm. 

9 John  C.  Davis,  Lieut.  R.  N.,  1909.  Cast  medal,  bronze,  121  mm. 

70  Lady  Hamilton,  1904.  Cast  medal,  bronze,  115  mm. 


123 


11  Marjorie  Hamilton,  1909.  Cast  plaquette,  bronze,  89x  76  mm. 

12  Miss  Beale,  Principal  of  Ladies’  College,  Cheltenham,  1904.  Cast 

medal  (oval),  bronze,  108  x 127  mm. 

13  Mrs.  lint h,  1904.  Cast  medal  (oval),  bronze,  108 x 127  mm. 

U Portrait  of  a Child.  Cast  medal,  bronze,  76  mm. 

15  Portrait  of  a Young  Girl.  Cast  medal,  bronze,  70  mm. 

16  Society  of  Miniature  Rifle  Clubs,  Design  for  the  Queen’s  Cup  Gold 

Medal.  Cast  medallion,  bronze,  model,  140  mm. 

11  The  Rajah  of  Kapurthala,  1890.  Obverse  and  reverse.  Cast  medal, 
bronze,  127  mm. 

IS  Trotting  Camels,  1909.  Cast  medal,  bronze,  159  mm. 

19  Viscount  Gort,  1899.  Obverse  and  reverse.  Cast  medal,  bronze, 
115  mm. 


124 


27os.  1,  2,  3,  4,  5,  6,  7,  8,  9, 10,  11,  12,  13,  14,  15,  16,  17,  18,  19 


;>  or  lie,  bronze,  89  x 76  mm. 

' s j . u ; ■ ■ i ii'i-’.e,  Cheltenham,  1904.  Cast 

• 

i I jnir/.e,  108x127  mm. 

i . < . 1 1 i 1 < i . Oisi  •!>•<!  0 i.n.nze,  76  mm. 

s«?  • m/e,  70  mm. 

- the  Queen’s  Cup  Gold 
hi  140  mm. 

ir  reverse.  Cast  medal, 

11  M n/  , 159  mm 

j ^ ^ 51 

M ( rse.  Cast  medal,  bronze, 


12  i 


jSTos.  1,  2,  3,  4,  5,  6,  7,  8,  9, 10,  11,  12,  13,  14,  15,  16,  17,  18,  19 


125 


,1.  SCOTT  HARTLEY 


.1.  Scott  Hartley,  sculptor,  medalist  (American),  was  born  in  Albany,  New 
York.  Member  ol'  the  National  Academy  of  Design,  Society  of  American 
Artists,  National  Sculpture  Society,  and  Architectural  League.  Founder  of 
the  Salmagundi  Club.  Address,  145  West  Fifty-fifth  Street,  New  York  City. 

1 Charles  Baker,  1906.  Bas-relief  in  bronze  (in  frame). 

"2  George  Inness,  awarded  annually  for  the  best  landscape-painting 
at  the  exhibition  of  the  National  Academy  of  Design,  1901.  Ob- 
verse and  reverse.  Medallion,  in  plaster,  model,  30.4  cm.  (struck 
medal,  gold,  51  mm.). 


i 


126 


ELI  HARVEY 


Eli  Harvey,  sculptor  (American),  was  born  in  Ogden,  Ohio,  in  1860. 
Studied  at  the  Art  Academy  of  Cincinnati,  under  Professors  Noble  and 
Rebisso;  Paris,  1889-1900:  at  the  Academie  Julien,  Professors  Constant, 
Lefebvre,  and  Doucet;  at  the  Academie  Delescluze;  and  for  animal  sculp- 
ture at  the  Jardin  des  Plantes  under  Emmanuel  Fremiet.  Regular  exhibitor 
at  Paris  Salons  in  painting  and  sculpture,  1896-1900.  Received  gold  medal 
in  painting  at  Paris-Province  Exposition,  1900;  also  Wanamaker  prize  for 
sculpture  at  the  American  Artists’  Association,  Paris,  1900.  Received 
medals  for  sculpture  at  Pan-American  Exposition  at  Buffalo,  1901,  and  at 
Louisiana  Purchase  Exposition,  St.  Louis,  1904.  Received  commission  to 
execute  all  the  animal  sculpture  and  decorations  for  the  new  lion-house, 
New  York  Zoological  Park;  large  elk  for  the  Order  of  Elks;  pair  of  re- 
cumbent lions  for  the  Eaton  Mausoleum,  Canada,  and  other  works,  includ- 
ing the  human  figure,  both  realistic  and  ideal.  Commissioned  to  execute 
two  large  animals  for  the  Palace  of  Agriculture,  Louisiana  Purchase  Ex- 
position, 1904.  Represented  in  sculpture  at  the  Metropolitan  Museum  of 
Art,  New  York,  the  City  Art  Museum  of  St.  Louis,  and  private  collections  in 
the  United  States  and  Europe.  Member  of  National  Sculpture  Society,  New 
York  Architectural  League,  New  York  Municipal  Art  Society,  New  York 
Public  Education  Association,  the  American  Federation  of  Arts,  Washing- 
ton, D.  C.,  and  charter  member  of  American  Art  Association,  Paris;  also 
Les  Anciens  de  V Academie  Julien  and  the  New  York  Zoological  Society. 
Address,  The  Benedick,  80  Washington  Square,  East,  New  York  City. 

1 Lion,  Fragment  Study  for  a Pediment,  No.  1,  1901.  Bas-relief 

(oblong)  in  plaster,  17.8  x 30.4  cm. 

2 Lioness,  Fragment  Study  for  a Pediment,  No.  2,  1901.  Bas-relief 

(oblong)  in  plaster,  17.8x30.4  cm. 

3 Lioness  Recumbent,  1896.  Bas-relief  (oblong)  in  bronze,  30.4  x 

70.3  cm. 


127 


128 


MAX  HASEROTH 


Max  Haseroth,  gem-engraver,  medalist  (German),  was  born  in  1856  in 
Altenburg,  Saxony.  From  1870  to  1874  he  learned  engraving  from  his 
father  in  Altenburg,  and  later  the  engraving  of  gems  and  intaglios  from 
Rudolph  Otto  in  Rerlin.  From  1878  to  1884  he  was  in  Paris.  There  he 
engraved  only  gems  and  cameos,  working  by  preference  only  in  stone, 
attended  the  Ecole  Levasseur,  and  exhibited  in  the  Salon  des  Reaux-Arts. 
Since  1884  he  has  resided  in  Rerlin,  where  he  devotes  himself  to  work  in 
medals,  gems,  cameos,  seals,  etc.  He  is  court  engraver  to  the  Duke  of 
Sachsen-Altenburg.  Address,  207  Friedrichstrasse,  Berlin. 

1 Arbeit  ist  des  Burgers  Zierde.  Struck  medal,  bronze,  29  mm. 

2 Carl  Bechstein,  1902.  Struck  medal,  silver,  40  mm. 

3 Edm.  Aug.  Dietrich,  1901.  Struck  plaquette,  bronze  silvered. 

4 Ernst,  Herzog  von  Sachsen-Altenburg,  1906.  Struck  medal,  silver, 

35  mm. 

5 Ernst  II,  Herzog  von  Sachsen-Altenburg,  1909.  Struck  medal, 

silver,  33  mm. 

6 Rudolph  Otto,  1906.  Cast  plaquette,  bronze,  110  x 80  mm. 

7 Aphrodite  on  a Conch,  1903.  Impression  from  a stone  intaglio, 

silver  gilt. 

8 Brooch  with  flower  ornaments  cut  in  rock-crystal  set  in  diamonds. 

9 Head  of  a Bacchante,  1906.  Medallion,  enamel  on  gold,  23  x 24  mm. 

10  Impressions  from  stone  intaglios  (four),  silver  gilt  (oval). 

11  Kaiser  Wilhelm  II,  1906.  Medallion,  enamel  on  gold,  29  x 30  mm. 

12  Portrait  of  “our  Boys,”  1906.  Design  embossed  and  chased  on 

gold  watch-case.1 

13  The  same.  Plaster  model. 

14  Seal  with  antique  head  cut  in  amethyst. 

15  Seal  with  modern  portrait-head  cut  in  beryl. 


1 Nos.  8 and  12-15  were  loaned  by  Edward  D.  Adams,  Esq. 


129 


Nos.  1,  2,  3,  4,  5,  6,  7,  9,  10,  11.  12 


130 


HEN i IV  BERING 

Henry  Bering,  sculptor,  inecla  ; ; v.  American ; , , , New  Y,  >rk  Ci ! v 

18/4.  Studied  at  the  Cooper  i nion.  New  Y*.»rl-:  >87-91 : with  Philip 

Martiny,  1891-97;  in  the  Art  Students’  Leai ; - s;  at  the  Ecole  des 

Beaux -Arts,  and  under  Colorossi,  Paris,  1900-  n red,  in  1900,  the  studio 
ot  Augustus  Saint-Gauderis,  where  he  rema  - the  death  of  his  mas- 
ter in  1907.  Address,  115  East  Twenty-thir  1 New  York, 

1 Alice  Olin  Dows  and  Stephen  Olin  Dows,  1909.  Medallion  in 
plaster,  45  cm.  (also  cast,  bronze). 

~ Stephen  Henry  Olin,  1909.  Bas-relief,  bronze,  41  x 49  cm. 

5 The  same.  Cast  piaquette  "('single ),  bronze. 


‘wKr:  y.: 
. 


*»  ‘••SaV?.. 


. 


130 


HENRY  HERING 


Henry  Hering,  sculptor,  medalist  (American),  was  born  in  New  York  City, 
1874.  Studied  at  the  Cooper  Union,  New  York  City,  1887-91;  with  Philip 
Martiny,  1891-97;  in  the  Art  Students’  League,  1894-98;  at  the  Ecole  des 
Reaux-Arts,  and  under  Colorossi,  Paris,  1900-01.  Entered,  in  1900,  the  studio 
of  Augustus  Saint-Gaudens,  where  he  remained  until  the  death  of  his  mas- 
ter in  1907.  Address,  115  East  Twenty-third  Street,  New  York. 

1 Alice  Olin  Dows  and  Stephen  Olin  Dows,  1909.  Medallion  in 

plaster,  45  cm.  (also  cast,  bronze). 

2 Stephen  Henry  Olin,  1909.  Bas-relief,  bronze,  41  x 49  cm. 

3 The  same.  Cast  plaquette  (single),  bronze. 


131 


i 


SIR  HUBERT  VON  HERKOMER 


Professor  Sir  Hubert  vox  Herkomer,  sculptor,  painter  (British),  C.V.O., 
Hon.  D.C.L.  Oxon.,  Hon.  LL.D.  Cantab.,  R.A.  (1890),  R.W.S.,  R.B.A.,  M.A., 
Hon.  Fellow  of  All  Souls’  College,  Oxford;  Associate  of  the  Institute  of 
France;  Officer  of  the  Legion  of  Honor;  foreign  Knight  of  the  Prussian 
Order  Pour  le  Merite;  Maximilian  Order  pour  le  Merite;  Knight,  Cross  of 
Order  of  Merit,  Bavaria  (1899);  honorary  member  of  Asociacion  de 
Artistas  Esparioles,  Madrid  (1906);  honorary  corresponding  member  of 
the  Societe  des  Artistes  Francais  (1906) ; member  of  the  Berlin  and  Munich 
Academies;  life  professor  at  Munich;  created  Knight  in  1907.  He  was  born 
in  Waal,  near  Landsberg,  Bavaria,  in  1849.  In  1851  his  family  emigrated 
to  (he  United  States,  but  returned  and  settled  in  England  in  1857.  Poverty 
and  ill  health  made  his  early  life  a struggle.  He  soon  showed  a talent  for 
painting,  and  in  1865  went  to  Munich  to  study  under  Echtlers.  In  1866  he 
studied  under  Frederick  Walker  at  South  Kensington.  Establishing  him- 
self in  London  in  1870,  he  attained  his  first  fame  as  an  illustrator  for  the 
London  Graphic  and  as  a painter.  He  excelled  also  in  water-colors.  In 
1871  he  was  made  a member  of  the  Royal  Society,  and  in  1890  an  academi- 
cian. In  1873  he  established  himself  at  Bushey  in  Hertfordshire,  where  in 
1881  he  founded  an  art  school  not  confined  exclusively  to  painting.  In  1882, 
1883,  and  1885  he  visited  the  United  States.  On  the  first  occasion  he  painted 
a number  of  portraits  and  lectured  in  New  York  and  in  Boston.  In  1885 
he  had  a studio  in  Boston.  From  1885  to  1894  he  was  Ruskin’s  successor 
as  Slade  professor  of  fine  arts  at  Oxford.  His  lectures  are  contained  in  the 
volume  “Etching  and  Mezzotint  in  Engraving”  (London,  1892).  Herkomer 
has  worked  in  oil,  in  water-colors,  etching,  wood-carving,  wrought-iron. 
He  has  been  also  an  architect,  playwright,  actor,  magazine  writer,  musical 
composer,  singer,  and  the  inventor  and  patentee  of  a galvanoplastic  process 
for  color-printing. 

Works:  the  Last  Muster,  representing  the  veterans  of  Chelsea  Hospital 
at  prayer,  won  the  grande  medaille  d’honneur  at  the  Paris  Exposition  of 
1878.  Other  important  paintings  are:  After  the  Toil  of  Dai]  (1873);  Even- 
tide (1878);  Life,  Light  and  Melody  (1879);  God's  Shrine  (1880);  Der 
Biltgang  (Bavarian  peasants  praying  for  harvest);  Pressing  to  the  West 

132 


(1884);  the  arrival  of  emigrants  at  Castle  Garden;  Gathering  in  the  Char- 
ter House;  The  Magistracy  of  Landshut  (1893),  a gift  to  his  native  town. 
Among  his  portraits  are:  Lady  in  White,  which  received  the  medal  of 
honor  at  the  Berlin  Exposition  of  1886;  Lady  in  Black  (an  American  girl) ; 
in  the  series  Makers  of  My  House,  the  artist’s  father,  Lorenz  Herkomer; 
Wagner  (1878);  Ruskin  (1881) ; Browning;  Tennyson;  Archibald  Forbes 
(1882);  Hans  Richter  (1883).  Among  his  water-colors  are:  Im  Walde; 
The  Wood-cutter’s  Rest;  The  Poacher’s  Fate;  At  the  Well.  He  himself 
enumerates  in  a small  selection  from  his  works  also  the  Portrait  of  Miss 
Katharine  Grant;  Hard  Times;  On  Strike;  The  Guard’s  Cheer;  Stanley; 
Lady  Eden;  Portrait  of  Himself;  Father  and  Grandson;  Gwenddydd. 
Address,  Lululaund,  Bushev,  Herts,  England. 

1 Boyal  Automobile  Club,  prize  medal.  Struck  medal,  modeled  by 
Sir  H.  von  Herkomer,  engraved  by  J.  H.  Pinches,  bronze,  76  mm.1 

1 Loaned  by  John  H.  Pinches,  Esq. 


ADOLF  E.  R.  VON  H1LDEBRANDT 

Adolf  E.  R.,  Ritter  von  Hildebrandt,  sculptor,  medalist  (German),  Royal 
Professor  and  Honorary  Doctor  both  of  Philosophy  and  of  Medicine,  was 
born  1847,  in  Marburg,  Hesse.  He  is  the  son  of  the  eminent  German  econ- 
omist and  statistician  Bruno  Hildebrandt  (1812-78),  professor  successively 
at  Breslau,  Marburg,  Zurich,  and  Jena;  a member  in  1849  of  the  Frankfurt 
Assembly,  and  in  1856  at  Berne  the  founder  of  the  Swiss  Bureau  of  Sta- 
tistics. In  1865  he  began  to  attend  the  Art  School  in  Nuremberg,  studied 
sculpture  under  Zumbusch  in  Munich,  and  from  1867  to  1868  pursued 
further  studies  in  Rome.  After  living  in  Berlin  from  1868  to  1872  he  chose 
Florence  as  his  permanent  home.  Since  1895  he  has  lived  most  of  the  year 
in  Munich.  He  exhibited  first  at  the  Vienna  World  Exhibition  of  1873, 
where  his  works  attracted  great  attention.  Among  his  sculptures  are: 
Boy  Drinking  (bronze);  Sleeping  Shepherd  Boy  (marble);  Adam  (1877, 
marble  in  Leipzig  Museum);  Water-pourer;  Nude  Youth  (1884,  marble 
133 


in  National  Gallery,  Berlin);  Peasant  Boy  with  Pig  (1887);  Bowling ; Wit- 
telshach  fountain,  Munich;  a classic  mortuary  chapel;  a bust,  modeled 
from  life,  of  the  German  Emperor;  a bust  of  Professor  Flossmann.  Von 
llildebrandl  has  created  a great  series  of  works:  statues,  groups,  reliefs, 
portraits,  plaquetles,  medals,  fountains,  monuments,  mortuary  monu- 
ments. lie  has  been  active  also  as  an  architect  and  painter.  At  the  Munich 
Academy  of  Art  he  superintends  a model  studio  for  sculpture  in  its  smaller 
forms.  He  is  otherwise  active  as  juror  and  adviser  in  matters  concerning 
public  art. 

Among  the  works  which  he  has  executed  for  the  State  are:  the  Wittels- 
bach  Fountain  in  Munich;  the  Hubert  Fountain  in  Munich;  the  Father 
Rhine  Fountain  in  Strassburg;  the  Bismarck  Fountain  in  Jena;  the  Em- 
press Friedrich  monument  in  Cronberg;  the  Brahms  monument  in  Mei- 
ningen;  the  Duke  George  Fountain  in  Plildburghausen;  the  Schiller  monu- 
ment in  Nuremberg.  He  has  almost  finished:  for  Munich,  an  equestrian 
statue  of  the  Prince  Regent;  for  Bremen,  an  equestrian  statue  of  Bismarck; 
for  Berlin,  a Joachim  monument.  He  is  the  author  of  “Das  Problem  der 
Form  in  der  bildenden  Kunst”  (Strassburg,  Heiss  und  Miindel,  eighth  edi- 
tion). This  work  has  appeared  in  English  with  the  title  “The  Problem  of 
Form  in  Painting  and  in  Sculpture,”  translated  by  Max  Meyer  (University 
of  Missouri)  and  Robert  Morris  Ogden  (University  of  Tennessee)  (New 
York,  G.  E.  Stechert  & Co.).  In  the  earlier  stages  of  his  career  he  won  a 
second  medal  at  Berlin,  and  in  the  same  city  in  1877  the  great  gold  medal. 
He  is  a member  of  the  Academies  of  Berlin,  Munich,  Dresden,  and  Weimar. 
Address,  23  Marie-Theresiastrasse,  Munich. 


7 Bismarck,  80.  Jubilaum,  1895.  Cast  plaque  (single),  bronze,  26  x 
15.5  cm. 

2 Bismarck,  80.  Jubilaum,  1895.  Obverse  and  reverse.  Struck 

medal,  silver,  29  mm. 

3 Luitpold,  Prinzregent  von  Bayern,  1904.  Cast  plaquette  (single), 

bronze,  91  x 67  mm. 

3 Wilhelm  II,  Deutscher  Kaiser,  Konig  von  Preussen.  Cast  plaque 
(single),  bronze,  60  x 41  cm. 

5 The  same.  Cast  plaque  (single),  bronze,  20  x 14  cm. 


1,34 


■m- 


in  N’mI'dikiI  Gallon.  /'  :sitnl  Boy  ivilh  Big  (1887) ; Bowling;  Wit- 

telsbach  ! amlaln,  'In  . a classic  mortuary  chapel;  a bust,  modeled 
Iron  • ic  (term  m byc  'or;  a bust  of  Pro lessor  Flossmann.  Von 
i 17  i bmi  dt  . created  a • I series  of  o - • statues,  groups,  reliefs, 

• ■ a i If.s,  medals,  fountains,  mo'M.ments,  mortuary  monu- 
active  also  as  an  archib  i ; i painter.  At  the  Munich 
? I he  a 1 2 3 * 5 ids  a nnyiel  sti.,  1 ipture  in  its  smaller 

! . 1 e as  juror  am!  . r in.  matters  concerning 

* !)  ia  lias  executed  V v4atc  are:  l he  Wittels- 

iie  Hubert  For..;  in  Munich;  the  Father 
the  Jfismai.  lv  ; in  Jena;  the  Em- 

in ( ron berg;  the  cnahms  monument  in  Mei- 
’ ala  in  Hildburg I uiusen;  the  Schiller  monu- 
I most  finished:  for  .Munich,  an  equestrian 
u!  ui  o ' ' Bremen,  an  equestrian  statue  of  Bismarck; 

for  Berlin  a u n>  nt.  He  is  t He  author  of  “Das  Problem  der 

Form  in  7 vrassburg,  HeFs  und  Miindel,  eighth  edi- 
tion). This  a- e i i English  with  the  title  “The  Problem  of 

Form  in  Pai  id  .dutu  <."  translated  i>\  Max  Meyer  (University 

of  Missouri s a ; '•.■lieii  Morris  Ogden  (University  of  Tennessee)  (New 
York,  G.  F.  Stei  her!  & Co.),  in  the  earlier  stages  of  his  career  he  won  a 
second  me  led  i Berlin,  and  in  the  same  city  in  1877  the  great  gold  medal, 
it  is  ; mend,  : ■ >f  the  Academies  of  Berlin,  Munich,  Dresden,  and  Weimar. 
Address,  23  Marie-Theresiastrasse,  Munich. 

1 Bisi nan. • c Jubilaum,  1895.  Cast  plaque  (single),  bronze,  26  x 

15.5  cm. 

2 Bismarck,  80.  Jubilaum,  1895.  Obverse  and  reverse.  Struck 

medal,  silver,  29  mm. 

3 Luilpold,  Prinzregent  von  Bayern,  1904.  Cast  plaquette  (single), 

bronze,  91  x 67  mm. 

7 Wilhelm  II,  Deutscher  K - - r,  Konig  von  Preussen.  Cast  plaque 

(single),  bronze,  60  x 41  cm. 

5 The  same.  Cast  plaqu<  (single),  bronze,  20  x 14  cm. 


134 


Nos.  1,  2,  3,  i,  5 


GRACE  HOOPER 


Grace  Hooper,  sculptor  (American),  was  born  in  Boston,  and  is  at  present 
a resident  of  that  city.  Pupil  of  Cyrus  Dallin,  Boston,  and  J.  A.  Injalbert, 
Paris,  lias  exhibited  at  Poland  Springs  art  exhibitions,  Boston  Art  Club, 
Pennsylvania  Academy  of  Fine  Arts,  National  Sculpture  Society,  and  Na- 
tional Academy  of  Design,  New  York.  Address,  Hotel  Oxford,  Boston, 
Massachusetts. 

1 Astrea.  Bas-relief  in  wax  (under  glass). 

3 In  Days  of  Yore.  Bas-relief  (oval)  in  plaster. 

3 L'Inconnue.  Bas-relief  (oval)  in  plaster. 


FRITZ  IIORNLEIN 

Fritz  Hornlein,  medalist  (German),  was  born  in  1843,  at  Suhl  in  Thurin- 
gia, Germany.  From  an  excellent  weapon-engraver  of  his  native  town,  he 
learned  the  mechanical  process  of  engraving.  Here,  but  above  all  in 
Ltidenscheidt,  Vienna,  and  Dresden,  was  awakened  his  interest  in  the  repre- 
sentation of  figures,  and  particularly  in  the  medal  and  in  the  plaque.  His 
perceptions  in  art  were  quickened  by  attendance  upon  the  Dresden  School 
of  Industrial  Art,  and  later  upon  the  Dresden  Academy  of  Art.  In  the 
latter,  painters  such  as  Pohle,  Bautzer,  and  Ivtihl,  were  his  teachers. 
In  spite  of  this,  in  spite  of  the  distinctions  of  the  academy  (the  traveling- 
scholarship,  as  limited  to  natives  of  Saxony,  being  the  only  prize 
not  granted  to  him),  he  did  not  forget  the  art  in  miniature  to  which 
lie  had  become  attached.  His  contributions  to  the  International  Medallic 

136 


Exposition  are  sufficient  proof  of  it.  At  the  same  time  it  may  be 
mentioned  that  he  has  since  then  exerted  himself  with  success  as  a sculptor. 
As  a medalist,  Hornlein  has  been  a stanch  supporter  of  the  view  that  only 
the  hand-cut  die  and  the  cast  medal  render  possible  the  further  develop- 
ment of  the  medallic  art;  that  is,  he  approves  those  technical  processes 
which  make  the  artist  independent  of  the  reducing  machine,  and  force  him 
to  rigor  and  simplicity.  The  Greek  coin  and  the  Renaissance  medal  are 
Hornlein’s  ideal.  Address,  8 Burgsdorfstrasse,  Dresden. 


1 Bienenzucht,  Staatsmedaille  fur  Verdienst,  1906.  Struck  medal 

(dies  cut  lry  hand),  bronze,  42  mm.1 

2 E.  Heinze,  1907.  Cast  plaquette  (single,  matrix  cut  by  hand  in 

steel),  bronze,  68  x 50  mm. 

3 Entwiirfe  fiir  ein  5-Mark  Stuck  und  ein  25-Pfennig  Stuck,  1908. 

Obverse  and  reverse.  Copies  (9)  in  silver  and  in  bronze  (dies 
cut  by  hand)  (38  mm.  and  23  mm.). 

4 Gartenbau,  Staatsmedaille  fiir  Verdienst,  1906.  Obverse  and 

reverse.  Struck  medal,  bronze,  42  mm. 

5 Gefliigelzucht,  Staatsmedaille  fiir  Verdienst,  1905.  Struck  medal 

(uniface),  bronze,  42  mm. 

6 Glafey,  zur  Erinnerung  an  das  100-jahrige  Bestehen  der  Firma 

G.  A.  Glafey,  1907.  Struck  plaquette  (uniface),  bronze  silvered, 
55  x 32  mm. 

7 Gotthardt  Kuehl,  1905.  Struck  medal  (dies  cut  by  hand,  now 

deposited  in  the  Albertinum,  Dresden),  bronze,  60  mm. 

8 Hans  Nadler,  1908.  Cast  plaque  (single),  bronze,  22.3x17.2  cm. 

9 Kind  mit  Apfel,  1906.  Cast  medal  (single,  matrix  cut  by  hand  in 

steel),  bronze,  80  mm. 

10  Kinderkopfchen,  1909.  Cast  plaquette  (single),  octagonal,  original 

modeled  in  wax),  bronze,  45  x 43  mm. 

11  Kinderkopfchen,  1905.  Struck  medal  (uniface,  dies  cut  by  hand), 

bronze,  50  mm. 

12  Landeskulturrat  fiir  das  Konigreich  Sachsen,  Staatsmedaille,  1909. 

Struck  medal,  bronze,  50  mm. 


137 


1 Nos.  1,  3,  and  7 were  cut  by  hand  in  a soft  steel  block,  negative;  Nos.  10  and  14 
also  by  hand,  but  positive;  Nos.  2 and  11  were  cast  from  a steel  block  which  was 
cut  positive. 


15  Landwirtschaft  und  Viehzucht,  Staatspreis  des  Konigreichs  Sach- 

sen, 1909.  Struck  plaquette,  bronze,  85  x 78  mm. 

7 7 Maskc,  1909.  Struck  medal  (uniface,  dies  cut  by  hand),  bronze, 

42  mm. 

75  Obstbau,  Staalsmedaille  fiir  Verdienst,  1906.  Struck  medal, 
bronze,  42  mm. 

16  Paul  Move,  1909.  Cast  plaque  (single),  bronze,  21  x 17  cm. 

77  Ski,  1905.  Struck  plaquette  (uniface),  bronze  silvered,  60x42 
mm. 

IS  Susi,  1909.  Struck  medal,  silver,  33  mm. 

7.9  Wein,  1909.  Cast  medal  (double,  original  modeled  in  wax), 
bronze,  70  mm. 


138 


13 


18 


14 


10 


16 


15  4 1 


12 


11 


19 


17 


19 


< Staatspreis  des  Konigreichs  Sach- 
hronze,  85  x 78  mm. 

■'  ho,  dies  cut  by  hand),  bronze, 

s(  of)  Struc  k medal, 

V i bronze,  21  x 17  cm. 

■ o 'i,  bronze  silvered,  60  x 42 

i>I  81 

j\  sum  »’  n i i d |,  silver,  83  mm.  n 

Cast  medal  (dou^e,  original  modeled  in  wax), 
bronze,  70  mm. 

2 


138 


Nos.  1,  2,  3,  4,  5,  6. 


8,  9,  10.  11,  12,  13,  14,  15,  16,  17,  18,  19 


MARTHA  M.  HOVENDEN 


Martha  M.  Hovexdkx,  sculptor,  medalist  (American),  was  born  in  1884  in 
Plymouth  Meeting,  Pennsylvania.  She  studied  modeling  under  Charles 
Grally  in  the  schools  of  the  Pennsylvania  Academy  of  the  Fine  Arts,  and 
under  H.  A.  MacNeil  at  the  Art  Students’  League  of  New  York.  At  the 
schools  of  the  Pennsylvania  Academy  of  the  Fine  x\rts  she  won  in  1905 
the  Edmund  Stewardson  prize  for  sculpture.  She  exhibited  first  in  1905  at 
the  Pennsylvania  Academy  of  the  Fine  Arts.  She  is  a member  of  the  Plastic 
Club  of  Philadelphia.  Address,  Plymouth  Meeting,  Pennsylvania. 

1 Friendship  medal,  1909.  Obverse  and  reverse.  Medallion  in 

plaster,  153  mm. 

2 Kent  Hawley  and  Louisa  F.  Stevenson,  marriage  medal,  1909. 

Cast  medal,  bronze,  143  mm. 

3 Portrait  plaque  in  colored  wax. 

'i  Portraits  in  colored  wax  (5),  in  frames. 

5 Walter  H.  Corson,  1910.  Medal  in  plaster,  28  mm. 


140 


LUDWIG  HUJER 


Ludwig  Hujer,  medalist  (Austrian),  was  born  1872,  in  Wilhelmshohe, 
German  Bohemia.  Studied  first  at  the  Kunstgewerbeschule  in  Gablonz 
(Jablonec)  and  later  in  Vienna.  Receiving  a traveling  scholarship, 
he  spent  a considerable  time  in  Paris,  London,  Belgium,  and  Germany. 
Established  as  a medalist  in  Vienna  since  1890,  he  has  made  many  official 
medals  and  portraits  of  prominent  men.  His  works  have  a number  of 
times  received  distinctions,  among  them  the  Austrian  official  gold  medal 
in  1906;  the  gold  cross  of  merit  with  the  crown  in  1909;  a gold  medal  at 
the  Universal  Exposition  in  Brussels,  1910.  He  is  an  ordinary  member  of 
the  Vienna  Kiinstlergenossenschaft,  of  the  Deutsch-Bohmischer  Kiinstler- 
bund,  of  the  Numismatische  Gesellschaft  in  Wien.  Address,  14  Roten- 
Sterngasse,  Vienna  II. 

1 Aerztefahrt  der  “Thalia”  des  oesterr.  Lloyd,  1907.  Struck  plaquette, 

bronze,  74  x 70  mm. 

2 Alpenverein,  40-jahriger  Bestand,  1909.  Struck  plaquette,  bronze, 

80  x 60  mm. 

3 Ausflug  der  Numismatischen  Gesellschaft  in  Wien  naeh  Krems  a.  d. 

Donau,  1906.  Struck  plaquette  (uniface),  bronze,  60x  40  mm. 

4 Das  k.  u.  k.  Schottengymnasium,  100-jahriger  Bestand,  1907. 

Struck  plaquette,  bronze,  87  x 55  mm. 

5 Der  Landesaussehuss  fur  das  Erzherzogthum  Oesterreichs  unter 

der  Enns,  Preis  der  Niederoesterreichischen  Landes-Gewerbe- 

forderung,  1909.  Struck  medal,  bronze,  75  mm. 

6 Der  Wiener  Eislaufverein  ihrem  President,  Karl  Korper  v.  Marien- 

wert,  40-jahriges  Jubilaum,  1907.  Struck  plaquette,  bronze,  75  x 

50  mm. 

7 Die  Technische  Hochsehule,  Promotionsmedaille.  Struck  medal, 

bronze,  32  mm. 

8 Direktor  Regierungsrat  Richard  Heimbold.  Struck  plaquette, 

bronze,  75  x 50  mm. 

9 Dr.  August  Netoliszky,  Sanitatsreferent  von  Niederoesterreich, 

1906.  Struck  medal  (uniface),  bronze,  60  mm. 

10  Dr.  Julius  Hofmann.  Struck  plaquette,  bronze,  75x45  mm. 


141 


1 1 Deutseh-Bohmen,  Pramie  der  oesterr.  Gesellschaft  zur  Forderung 
der  Medaillenkunst  und  Kleinplastik.  Struck  plaquette,  bronze, 
70  x 120  mm. 

72  Deutsch-Bohmische  Ausstellung  in  Reiehenberg,  1906.  Struck 
plaquette,  bronze,  75  x 60  mm. 

IS  Exc.  Freiherr  Aug.  Stummer  von  Tavarnok,  1907.  Struck  plaquette, 
bronze,  85  x 58  mm. 

77  Exc.  Josef,  Graf  von  Tluin  und  Hohenstein,  Landesprasident  in 
Sehlesien,  1905.  Struck  plaquette,  bronze,  65x42  mm. 

15  Ilofrat  Heinrich  Ritter  von  Kamler.  Struck  plaquette,  bronze, 

75  x 46  mm. 

16  Ilofrat  Prof.  Dr.  Adolf  Ritter  von  Guttenberg,  1909.  Struck 

plaquette,  90  x 60  mm. 

7/  Huldigung  der  Stadt  Wien,  anlasslich  des  60-jahrigen  Regierungs- 
jubilaums  des  Kaisers  Franz  Josef  I,  1908.  Obverse.  Struck 
medal,  bronze,  85  mm. 

IS  The  same.  Obverse  and  reverse.  Cast  medal,  bronze,  model  for 
the  above,  150  mm. 

19  Huldigungsplakette  der  Numismatischen  Gesellschaft  in  Wien, 

1908.  Struck  plaquette,  bronze,  76  x 50  mm. 

20  Johann  II,  Fiirst  von  Liechtenstein,  50-jahriges  Regierungsjubi- 

laum,  1908.  Obverse  and  reverse.  Cast  medallion  (double), 
bronze,  20  cm.  (also,  struck  medal,  36  mm.). 

27  Kaiser jubilaumsausstellung,  1908  (Medaille  der  oesterr.  Gesell- 
schaft fur  Miinz-  und  Medaillenkunde) . Struck  medal,  bronze, 
67  mm. 

22  Kinderportrat.  Cast  medal,  pewter,  150  mm. 

23  Komponist  Hans  Forster.  Struck  plaquette,  bronze,  75x50  mm. 

24  Magistratsrat  Eduard  Gotti.  Struck  plaquette,  bronze,  70x  50  mm. 

25  Musik,  Gesang  und  Tanz,  Pramie  der  oesterr.  Gesellschaft  zur  For- 

derung dei'  Medaillenkunst  und  Kleinplastik,  1903.  Struck 
plaquette  (uniface),  bronze,  120x  100  mm.  (also,  86x84  mm.). 

26  Oesterreichische  Ausstellung,  London,  1906.  Struck  medal,  bronze, 

60  mm. 

27  Oesterreichischer  Gerstebau,  Staatspreis  fur  Verdienste.  Struck 

plaquette,  bronze,  50  x 100  mm. 

28  Prof.  Dr.  Friedrich,  Freiherr  von  Wieser,  1904.  Struck  plaquette, 

bronze,  50  x 85  mm. 


142 


29  Reichsratsabgeordneter  Direktor  Ernst  Zeiner,  1909.  Struck 

plaquette,  bronze,  78  x 72  mm. 

30  Rudolf  Freiherr  von  Doblhoff,  anlasslich  des  25-jahrigen  Bestehens 

der  Wiener  Molkerei,  1907.  Struck  plaquette,  bronze,  72  x 50 
mm. 

31  Tonkiinstler  Anton  Bartholme,  1903.  Struck  medal  (uniface), 

bronze,  55  mm. 


143 


144 


4 


ALBERT  JAEGERS 


Albert  Jaegers,  sculptor,  medalist  (American),  was  born  1868,  in  Elber- 
1‘elcl,  Germany.  While  still  a child  he  came  with  his  parents  to  Cincinnati, 
Ohio.  There  his  father,  a wood-carver,  was  engaged  in  ecclesiastical  work, 
to  which  he  eventually  apprenticed  his  boy,  who  at  the  same  time  took 
advantage  of  the  School  of  Design  there,  where  he  began  modeling.  A 
practical  course  for  a year  and  a half  in  an  architect’s  office  completed  the 
youth’s  tuition,  who  entered  no  oilier  school  or  studio  here  or  abroad 
thereafter.  Barring  this  rudimentary  instruction,  he  must  be  considered 
self-taught,  which,  in  spite  of  many  disadvantages,  produces  at  least  a 
strong  individual  development,  and,  if  the  artist  be  really  talented,  a per- 
sonality in  art.  In  1889  the  young  man  came  to  New  York.  A year  later  he 
married  Matilda  Holdt,  daughter  of  the  late  Dr.  George  Holdt  of  Cincinnati. 
Herself  a student  of  art,  she  has  assisted  him  in  his  work,  and  throughout 
his  struggles  has  been  a rare  companion.  The  National  Sculpture  Society, 
in  conformity  with  its  policy  of  encouraging  the  development  of  sculpture, 
arranged  for  competitions  from  time  to  time.  The  first,  for  a new  silver 
dollar  design,  was  won  by  Jaegers.  The  Hamilton  Fish  memorial  tablet 
for  Columbia  University,  the  subject  of  a competition  under  the  auspices 
of  this  society,  was  executed  by  the  artist.  Besides  private  orders  he  has 
executed  commissions  for  the  Buffalo  Pan-American  Exposition  and  the 
St.  Louis  World’s  Fair.  The  Fine  Arts  Building  of  St.  Louis  and  the  new 
New  York  Custom  House  have  statues  by  his  hand.  In  1905  he  was  invited 
by  the  United  States  Government,  in  a limited  competition  with  a number 
of  prominent  sculptors,  to  submit  a design  for  the  General  von  Steuben 
monument  for  Washington,  for  which  Congress  appropriated  $50,000. 
Augustus  Saint-Gaudens,  the  sole  expert  adviser  to  the  commission,  ex- 
pressed the  greatest  admiration  for  Jaeger’s  design  and  recommended  it 
for  execution.  The  unveiling  of  this  monument  took  place  December  7, 
1910.  Congress  has  recently  appropriated  funds  to  cast  a bronze  replica 

146 


of  the  Steuben  statue  to  be  presented  to  Emperor  William  II  of  Germany. 
Address,  Suffern,  New  York. 

1 Portrait  medallion  in  colored  plaster,  1904. 

2 “Research,”  1904.  Model  for  a medal,  in  plaster. 


F.  E.  JELTSEMA 

F.  E.  Jeltsema,  sculptor,  medalist  (Dutch),  was  born  in  Uithuizen,  in  the 
northern  part  of  the  province  of  Groningen,  Holland,  in  1879.  His  father, 
a well-to-do  farmer,  had  the  means  to  give  him  a very  good  education. 
When  scarcely  seven  he  began  to  draw,  and  tried  to  model  in  snow  and  in 
ice  and  later  in  poor  claj7.  From  the  age  of  nine  to  that  of  fourteen  he 
attended  once  a week  a drawing-school.  At  the  latter  age  he  went  to  Gro- 
ningen to  finish  his  general  education  and  to  draw  at  the  Academy  Minerva. 
He  remained  at  Groningen  only  six  months.  Finding  that  he  had  special 
capacity,  his  instructors  there  advised  him  to  continue  his  studies  at  Am- 
sterdam in  order  to  become  a teacher  of  drawing  and  of  perspective.  He 
arrived  in  Amsterdam  in  1895.  In  1896  he  passed  with  good  success  the 
examination  for  the  office  of  instructor  in  drawing  in  the  ordinary  schools. 
The  three  years  following  he  studied  in  the  Rijks  Museum,  at  the  normal 
147 


school  established  there  for  the  training  of  teachers  of  drawing  and  of 
perspective.  As  drawing  did  not  satisfy  him,  and  he  wished  to  become  a 
sculptor,  he  saved  his  money  and  took  lessons  from  a young  sculptor  at  a 
florin  a lesson.  At  the  age  of  nineteen,  in  1899,  he  passed  creditably  the 
examination  for  the  instructorship  in  drawing  in  the  lyceums.  Not  wish- 
ing, however,  to  become  a teacher,  tie  begged  his  parents  to  allow  him  to 
continue  his  study  of  sculpture  at  the  School  of  Fine  Arts  at  Amsterdam. 
They  consented  on  condition  that  he  should  show  himself  able  to  enter 
directly  the  third  class,  which  tie  did,  becoming  an  ardent  pupil  of  Ferdi- 
nand Leenhoff  during  the  year  before  the  latter  departed  for  Paris.  At  the 
end  of  this  year  Jeltsema  received  his  first  commission,  a relief  for  the 
grave  of  the  Dutch  geologist  Staring.  Finishing  this,  Jeltsema,  January  21, 
1901,  went  to  Rome,  where  lie  studied  under  P.  Pander,  and  made  one 
relief,  La  Nu.it,  and  one  statue,  L’Innocence,  the  former  of  which  is  now 
lost.  After  a year  and  a half  at  Rome  lie  returned  to  Amsterdam  to  com- 
pete for  the  Prix  de  Rome.  September  25,  1902,  he  won  the  prize  and  the 
gold  medal  with  a statue  of  a woman,  La  Douleur,  purchased  by  the  gov- 
ernment and  now  at  the  School  of  Fine  Arts.  December  18,  1902,  he  left 
for  Paris,  where  he  found  his  former  instructor  Leenhoff.  In  1903,  the 
first  year  of  his  studies  as  holder  of  the  Prix  de  Rome,  he  modeled  a group, 
Mate  mile.  In  1904  lie  was  sent  to  Paris  to  specialize  in  medal-engraving. 
With  introductions  from  the  Minister  of  the  Netherlands  and  from  Leen- 
hoff, lie  made  the  acquaintance  of  J.  C.  Chaplain,  who,  after  seeing  Jelt- 
sema’s  work,  received  him  in  his  studio  as  a special  pupil.  Each  morning 
at  half-past  eight  Jeltsema  went  to  Chaplain.  In  the  second  3rear,  1904, 
Jeltsema  produced  the  medal  Minerue,  the  bas-relief  Une  Coiffeuse,  and  a 
portrait  of  his  father.  In  the  third  year,  1905,  he  produced  the  medal 
Ferdinand  Leenhoff,  the  plaquettes  Venus  el  Amour,  and  La  Danse,  and 
the  portrait  bust  of  a lady.  In  November,  1905,  he  went  to  Munich  to  study 
the  collection  of  medals  Ihere,  but  after  a week  was  recalled  to  Amsterdam 
and  then  to  The  Hague  to  make  the  medal  commemorative  of  the  gratitude 
of  the  people  of  Holland  to  Mr.  H.  W.  Mesdag  for  the  gift  to  the  govern- 
ment of  his  museum.  After  this  he  made  the  Byleveld  and  the  van  Calcar 
de  Boer  medals.  In  April,  1906,  he  went  again  to  Paris,  whence  he  accom- 
panied Leenhoff  to  Lyons,  Valence,  Nimes,  Marseilles,  Nice,  Monaco, 

148 


Genoa,  Pisa,  and  Florence.  At  Florence  he  was  to  pass  the  fourth  year  of 
the  period  of  study  required  of  him  and  to  model  the  statue  of  a woman. 
He  made  two,  La  Justice  and  Bacchante.  La  Justice,  Maternite,  and  La 
Douleur  have  all  been  purchased  by  the  government  and  are  at  the  School 
of  Fine  Arts  at  Amsterdam.  Bacchante,  a marble  statue,  is  now  at  the 
Salon  des  Artistes  Francais  at  Paris.  Returning  from  Florence  in  1908,  he 
went  to  Scheveningen  to  make  several  statuettes  and  medals.  There  he  is 
permanently  established,  but  spends  much  time  in  Paris  in  the  interest  of 
his  art.  In  1910  he  executed  the  medal  M.  Dr.  W.  F.  nan  Leeuwen,  ex-mayor 
of  Amsterdam.  Address,  92  Oude  Schevening’sche  Weg,  Scheveningen, 
Holland. 

1 Ferdinand  Leenhoff,  1905.  Medal,  galvano  silvered,  90  mm. 

2 H.  W.  Mesdag  et  S.  Mesdag  von  Houten,  Noces  d’Or  (1856-1906), 

medaille  donnee  par  le  peuple  hollandais  comme  temoignage  de 
reconnaissance  pour  le  musee  qu’il  a donne  au  gouvernement 
hollandais,  1906.  Struck  medal,  bronze  silvered,  90  mm. 

3 La  Danse,  1905.  Struck  plaquette  (uniface),  bronze  silvered, 

55  x 80  mm. 

4 Minerve,  1904.  Obverse  and  reverse.  Struck  medal,  silver,  50  mm. 

5 Mme.  B.  C.  van  Calcar  de  Boer,  1905.  Struck  medal,  silver,  90  mm. 

6 Rembertus  Jeltsema,  Szn-Landbouwer  te  Uithuizen,  1904.  Medal, 

galvano  silvered,  90  mm. 

7 Venus  et  Amour,  1905.  Plaquette,  galvano  silvered,  70  x 55  mm. 


149 


WILLIAM  GOSCOMBE  JOHN 


William  Goscombe  John,  sculptor,  medalist  (British),  was  born  in  Cardiff, 
I860;  R.A.,  1909;  A.R.A.,  1899;  Membre  Correspondant  de  l’lnstitut  de 
France;  Hon.  A.B.I.B.A.;  sculptor.  Studied  under  his  father,  who  was  a 
wood-carver  and  designer,  and  under  his  tuition  learned  the  craft  of  wood- 
carving:  at  the  same  time  studied  privately  drawing  and  anatomy  under 
James  Philpotts,  working  also  in  the  evening  classes  of  the  Cardiff  School 
of  Art  under  Mr.  James  Bush;  Lambeth  School  of  Art  under  the  artist 
W.  S.  Frith  (1882);  Academy  Schools  (1884);  Royal  Academy  gold  medal 
and  traveling  studentship,  1889,  visiting  Cairo,  Constantinople,  Athens, 
Olympia,  Naples,  Rome,  Florence,  and  most  of  the  art  centers  of  Europe; 
studied  in  Paris,  1890-91;  mention  honorable,  Paris  Salon,  1892;  deuxieme 
medaille,  1901;  gold  medal,  Paris  International  Exposition,  1900.  William 
Goscombe  John  has  exhibited  annually  for  about  twenty-five  years  at  the 
Royal  Academy  of  Arts,  London,  and  frequently  at  the  Salon  and  various 
other  exhibitions  in  England  and  abroad. 

Works:  statues:  His  Majesty  King  Edward  VII,  at  Cape  Town;  Prince 
Christian  Victor,  at  Windsor;  Seventh  Duke  of  Devonshire,  at  Eastbourne; 
Viscount  Tredegar  (equestrian),  at  Cardiff;  Maharaja  of  Balrampur  and 
Sir  John  Woodburn,  at  Lucknow;  W.  E.  H.  Becky,  M.P.,  at  Trinity  College, 
Dublin;  Colonel  Sanderson,  M.P.,  at  Portadown;  T.  E.  Ellis,  M.P.,  at  Bala; 
James  Ileid,  at  Glasgow;  Sir  James  Fergusson,  at  Ayr;  Judge  Williams,  al 
Cardiff;  memorials:  The  Marquess  of  Salisbury,  in  Westminster  Abbey; 
The  Duke  of  Beaufort,  at  Badminton;  The  Marquess  of  Winchester,  al 
Amport;  Bishop  Lewis  and  Dean  Vaughan,  in  Llandaff  Cathedral;  Sir 
Arthur  Sullivan,  in  St.  Paul’s  Cathedral  (and  also  in  the  Embankment 
Gardens);  The  Coldstream  Guards  and  War  Correspondents,  in  St.  Paul’s 
Cathedral;  The  King's  Regiment,  at  Liverpool;  Second  Battalion,  Royal 
Sussex  Regiment,  at  Eastbourne;  Cape  Town  Volunteers,  at  Cape  Town; 
and  the  following:  Boy  at  Play,  Tate  Gallery;  The  Elf,  Glasgow  Art  Gal 
lery:  Morpheus,  St.  John  the  Baptist,  Cardiff  Art  Gallery;  Study  of  a Head, 
Liverpool  Art  Gallery;  Hermes,  Preston  Art  Gallery;  many  busts  and 
decorative  works,  including  medals,  seals,  drinking-horns,  etc. 

Reviews  of  his  work  may  be  found  in  L’ Art  (Paris),  the  Studio,  Art  Jour- 

150 


nal,  Magazine  of  Art,  and  other  periodicals  devoted  to  the  fine  arts;  also 
in  Spielmann’s  “British  Sculptors.”  Address,  24  Greville  Road,  St.  John’s 
Wood,  N.  W.,  London. 

1 Borough  of  Merthyr  Tydfil,  South  Wales.  Seal  in  wax.1 

2 National  Eisteddfod  Association,  1898.  Obverse  and  reverse. 

Struck  medal,  copper  silvered,  71  mm. 

3 The  same.  Obverse.  Struck  medal,  bronze,  71  mm. 

4 National  Museum  of  Wales.  Model  for  seal,  in  plaster,  31  mm. 

5 The  same.  Seal  in  wax,  64  mm. 

6 Prince  Llywelyn  Memorial,  1903.  Struck  medal,  bronze,  71  mm. 

7 The  same.  Obverse  and  reverse.  Copies  in  plaster  of  the  above. 

8 Professor  Alfred  William  Hughes,  Anatomist,  1900.  Struck  medal, 

bronze,  52  mm. 

9 The  same.  Obverse  and  reverse.  Copies  in  plaster  of  the  above. 

10  Thomas  Edward  Ellis.  Obverse  and  reverse.  Medal  in  plaster 
(struck  medal,  64  mm.). 


1 Nos.  1-10  loaned  by  John  N.  Pinches,  Esq. 


6 


JULES  JOURDAIN 


Jii.ks  Joi  rdaix,  sculptor,  medalist  (Belgian),  was  born  in  Namur,  1873. 
Al  ter  having  studied  law  at  the  University  of  Louvain  he  began  drawing  in 
the  studio  of  the  painter  A.  Lefevre,  in  Brussels,  and  later  worked  for  some 
lime  in  the  studio  of  the  decorative  painter  Privat-Livemont.  His  next  step 
was  in  sculpture,  which  had  attracted  him  for  a long  time,  and  lie  became 
the  pupil  of  Julien  Dillens  at  the  end  of  1899.  During  three  years  and  a 
half  he  was  under  the  direction  of  this  great  artist,  and  after  that  worked 
alone.  First  exhibited  at  the  Salon  d’Art  Chretien,  opened  in  Brussels  in 
1899,  Saint  Michel  and  Tele  du  Christ.  Exhibited  in  1900  Combat  de  Coqs 
at  the  Libre  Esthetiqne  at  Brussels,  and  then  at  different  exhibitions  and 
salons.  Obtained  the  first  prize  at  the  contest  organized  in  1905  by  the 
Academy  of  Belgium  for  the  medallion  commemorative  of  Her  Majesty 
Marie  Henriette,  Queen  of  Belgium.  His  most  important  work  is  the  statue 
in  bronze  of  Justus  Lipsius  at  Louvain,  1909.  Address,  78  rue  de  la  Con- 
solation, Brussels,  Belgium. 

1 Cinquantaire  de  l’lnstitut  Saint-Louis  a Bruxelles,  1908.  Struck 

medal  (jeton),  silver  gilt,  27  mm. 

2 Commission  Royale  d’Histoire,  1909.  Struck  medal,  bronze,  65  mm. 

3 S.  M.  La  Reine  Marie  Henriette,  medaille  de  l’Academie  Beige,  1905 

(medal  of  the  Societe  Hollandaise-Belge  des  Amis  de  la  Medaille 
d’Art).  Struck  medal,  bronze,  65  mm. 

4 Societe  Hollandaise-Belge  des  Amis  de  la  Medaille  d’Art,  Jeton  de 

Presence,  1907.  Struck  plaquette,  bronze  (two  copies,  one  in 
antique  finish),  39  x 30  mm. 

5 The  same.  Model  for  the  preceding  in  plaster. 


152 


153 


HUGO  KAUFMANN 


Hugo  Kaufmann,  sculptor,  medalist  (German),  was  born  in  Oberhessen, 
Germany,  1868.  Attended  school  at  Frankfurt-am-Main,  and  thereafter  the 
S tad  el  Art  Institute  under  Professor  Kaupert.  At  eighteen  went  to  Munich, 
where  he  entered  the  composition  class  of  Professor  von  Riimann.  His 
first  independent  large  work,  a figure,  Die  Iiunst,  on  the  Ludwig’s  Bridge, 
Munich,  was  completed  in  1895.  From  1898  to  1903  worked  on  the  Ein- 
heitsdenkmal  in  Frankfurt-am-Main.  In  1906  he  left  Munich,  and  went  to 
Berlin,  where  he  has  occupied  himself  chiefly  with  architectural  modeling. 
The  house  at  7 Behrenstrasse  in  Berlin  and  the  new  building  of  the  Bruder- 
verein,  Kurftirstenstrasse,  are  the  first  large  pieces  of  work  of  this  kind. 
He  has  made  many  medals  and  small  bronzes.  He  is  represented  in  the 
National  Gallery  in  Berlin  by  the  marble  bust  of  St.  George.  Address,  33 
Riistern-Allee,  Charlottenburg,  Western!. 

1 Arnold  Bocklin,  1897.  Struck  medal,  copper,  55  mm. 

2 Bayerischer  Fischereiverein,  1906.  Obverse  and  reverse.  Struck 

medal,  silver,  60  mm. 

3 Frau  Rath  Goethe  (nacli  Melchior),  1903.  Cast  medal  (single), 

bronze,  145  mm. 

4 Geheimrat  Paul  Zweifel,  1908.  Cast  medallion  (single),  bronze, 

23  cm. 

5 Geographische  Gesellschaft,  Miinchen,  Prinz  Ludwig  Medaille  fur 

Verdienste  um  die  geographische  Forschung,  1901.  Obverse  and 

reverse.  Struck  medal,  copies  in  silver  and  in  bronze,  50  mm. 

6 Johann  Wolfgang  Goethe,  Zur  150.-Geburtstagsfeier,  Die  Stadt 

Frankfurt  a.  M.,  1899.  Obverse  and  reverse.  Struck  medal,  copies 

in  silver  and  in  bronze,  65  mm. 

7 The  same.  Obverse.  Cast  medallion  (single),  bronze,  model  for 

the  above,  165  mm. 

8 Luitpold,  Prinzregent  von  Bayern,  1904.  Obverse  and  reverse. 

Struck  medal,  silver,  70  mm. 

9 The  same.  Cast  medallion  (single),  bronze,  model  for  the  above, 

21.6  cm. 

10  Max  Liebermann,  1905.  Struck  plaquette  (uniface,  octagonal), 

silver,  73  x 64  mm. 


154 


11  The  same.  Cast  plaque  (single),  bronze,  model  for  the  above, 

26  x 20.5  cm. 

12  Numismatik,  1904.  Obverse  and  reverse.  Struck  medal,  silver, 

60  mm. 

13  Pallas  Athena,  Medaille  der  Musterschule  in  Frankfurt  a.  M.,  1901. 

Struck  medal,  silver,  25  mm. 

74  25-Pfennig  Stuck,  II.  Preis  der  deutschen  Reichsconcurrenz,  1909. 
Nickel,  23  mm. 

15  Unterrichtswesen,  Der  Samann,  1903.  Obverse  and  reverse.  Struck 

medal,  silver,  59  mm. 

16  The  same.  Obverse.  Cast  medallion  (single),  bronze,  model  for 

the  above,  22.3  cm. 


155 


HENRI  K 


Henri  Kautsch,  sculptor,  medalist  was  bo. 

hernia,  in  1859.  Schools:  Decoral  i ue  and 

of  Paris.  Masters:  Injalbert,  Ron i Exposih. 

medal,  Vienna;  1889,  gold  medal  f j 

concours,  piember  of  the  j:  d ag  <*97,  Sal- 

mention;  1900,  Paris,  Universal  K;.:  owsinmi  ( hors  <->r 
medal  for  sculpture;  1904,  St.  Louis,  gold  medal  ; ! 
honor  at  Diisseldorf,  as  commissioner  for  Fn  1 
Exposition,  gold  medal:  diploma  of  {Fxl  ,0~ 
Exposition,  Brussels,  191.4-  « 

expositions  in  Europe.  Chevah 
Order  of  Francis  Joseph,  and  of 
chevalier  of  thirteen  foreign  orders* 
reichische  Gesellschaft  fur  Miinz-  und  d f : 
of  the  Societe  Nationale  des  Beaux-Arb  A 
Publications:  “L’Orfevrerie  du  X'  L 
one  hundred  illustrations,  1890;  “Rapp:, 
cago,  Art  et  Art  Decoratif,  par  H.  Kautsch 
Works:  objects  of  art  from  1878  to  1890, 
imperial  courts  and  for  the  Pope:  busts:  , >>  , 

Paris  Embassy,  Count  Hoyos,  Admiral  Jonqm 
donck,  Kudlich,  etc.;  funeral  monuments  in  Am- 
Paris,  Meran,  Salzburg,  etc.;  medallions:  Tin 

sr 

Lenbach,  Bonaparte,  Mucha , Viardot,  Wagner  +r 
A.  Bartliolome,  M.  Biach , one  hundred  and  lifter 
d’Armaille,  Paris,  XVII. 

git 

1 A.  Bartholome,  1905.  Obverse  and  revei  v 
. silvered,  76  x 100  mm.1 

2 The  $$me.  Obverse  and  reverse.  Plaque, 

20.5  x 26.5  cm. 

3 Alexander  Friedrich,  Landgraf  von  Hessen  ' - 

galvano  silvered,  90  mm.  01 

1 All  these  pieces  exist  in  cast,  galvano,  and  strn-'V- 


157 


? 


HENRI  KAUTSCH 


Henri  Kautsch,  sculptor,  medalist  (Austrian),  was  born  in  Prague,  Bo- 
hemia, in  1859.  Schools:  Decorative  Art  at  Prague  and  Vienna;  Academy 
of  Paris.  Masters:  Injalbert,  Roubaud,  Schulz.  Expositions:  1880,  bronze 
medal,  Vienna;  1889,  gold  medal  of  the  Emperor  of  Austria;  1893,  hors 
concours,  member  of  the  jury  at  Chicago;  1897,  Salon,  Paris,  honorable 
mention;  1900,  Paris,  Universal  Exposition  ( hors  concours) , also  silver 
medal  for  sculpture;  1904,  St.  Louis,  gold  medal  (large);  1904,  prize  of 
honor  at  Diisseldorf,  as  commissioner  for  France;  1905,  Liege,  Universal 
Exposition,  gold  medal;  diploma  of  first  class  in  fine  arts  at  Universal 
Exposition,  Brussels,  1910;  further,  more  than  twenty  medals  at  small 
expositions  in  Europe.  Chevalier  of  the  Iron  Crown  of  Austria,  of  the 
Order  of  Francis  Joseph,  and  of  the  Legion  of  Honor,  and  commander  and 
chevalier  of  thirteen  foreign  orders;  corresponding  member  of  the  Oester- 
reichische  Gesellsehaft  ftir  Miinz-  und  Medaillenkunde,  Vienna;  member 
of  the  Societe  Nationale  des  Beaux-Arts,  Paris. 

Publications:  “L’Orfevrerie  du  XVI.  au  XIX.  Siecle,  par  H.  Kautsch,” 
one  hundred  illustrations,  1890;  “Rapport  general  de  l’Exposition  a Chi- 
cago, Art  et  Art  Decoratif,  par  H.  Kautsch.” 

Works:  objects  of  art  from  1878  to  1890,  executed  for  several  royal  and 
imperial  courts  and  for  the  Pope;  busts:  Emperor  Francis  Joseph  for  the 
Paris  Embassy,  Count  Hoyos,  Admiral  Jonquiere,  P.  W.  Jansen,  Wesen- 
donck,  Kudlich,  etc.;  funeral  monuments  in  Amsterdam,  Vienna,  Prague, 
Paris,  Meran,  Salzburg,  etc.;  medallions:  The  Emperor  of  Austria,  F.  von 
Lenbach,  Bonaparte,  Mucha,  Viardot,  Wagner,  Jan  Kubelik,  Emil  Sauer, 
A.  Bartholome,  M.  Biach,  one  hundred  and  fifteen  pieces.  Address,  5 rue 
d’Armaille,  Paris,  XVII. 

1 A.  Bartholome,  1905.  Obverse  and  reverse.  Plaquette,  galvano 

silvered,  76  x 100  mm.1 

2 The  same.  Obverse  and  reverse.  Plaque,  galvano  bronzed, 

20.5  x 26.5  cm. 

3 Alexander  Friedrich,  Landgraf  von  Hessen,  1901.  Plaquette, 

galvano  silvered,  90  mm. 

1 All  these  pieces  exist  in  cast,  galvano,  and  struck  form. 

157 


'/  Alfonso  XIII.  Obverse  and  reverse.  Plaquette,  galvano  silvered, 
51  x 35  mm. 

5 Alfred  Koerner,  Noces  d’Argent,  1905.  Obverse  and  reverse. 

Plaquette,  galvano  silvered,  76  x 100  mm. 

6 Amelie  Radio  de  Radiis  (Mme.  Kautsch),  1899.  Medal,  galvano 

silvered,  100  mm.  (struck  medal,  90  mm.). 

7 A.  M.  Mucha,  Artiste-peintre.  Medal,  galvano  silvered  (cast 

(single),  100  mm.;  struck  (uniface),  70  mm.). 

S Automobiles,  Chambre  Syndicate,  1903.  Obverse  and  reverse. 
Plaquette,  galvano  silvered  (cast  (double),  100  mm.;  struck 
plaquette,  54  x 79  mm.). 

.0  Baron  el  Baronne  Rosenthal.  Plaquette,  galvano  silvered  (struck, 
100x80  mm.). 

10  Charles  Freund  Deschamps,  1899.  Plaquette,  galvano  silvered. 

11  Emanuel  Kautsch  (pere  de  l’artiste),  1902.  Plaquette,  galvano 

silvered  (cast  plaquette,  72  x 100  mm.;  struck,  25  x 36  mm.). 

12  Emil  Sauer,  1906.  Plaquette,  galvano  silvered  (cast,  80  x 100  mm.; 

struck,  70  x 32  mm.  and  36  x 50  mm.). 

13  Franz  von  Lenbach,  1903.  Obverse  and  reverse.  Plaque,  galvano 

silvered,  model. 

l'i  The  same.  Obverse  and  reverse.  Plaquette,  galvano  silvered, 
100x70  mm.  (cast  (double),  100x70  mm.;  struck  plaquette, 
86  x 61  mm.) . 

15  Graf  Anton  von  Wolkenstein-Trostburg,  1900.  Plaquette,  galvano 

silvered  (struck  plaquette,  68  x 90  mm.). 

16  Heinrich  Heine,  1900.  Obverse  and  reverse.  Plaquette,  galvano 

silvered,  105x63  mm.  (cast  (double),  105x63  mm.;  struck, 
70  x 36  mm. ) . 

17  Henry  Fournier,  La  Societe  Hotchkiss,  1905.  Obverse  and  reverse. 

Medal,  galvano  silvered,  90  mm. 

IS  Henry  Vignaud.  Obverse  and  reverse.  Plaquette,  galvano 
silvered,  73  x 54  mm. 

19  J.  P.  Reininghaus.  Obverse  and  reverse.  Plaquette,  galvano 

silvered,  100  x 70  mm. 

20  Laure,  Prix-Regatte  en  Bretagne,  1899.  Plaquette,  galvano 

silvered,  79  x 45  mm. 

21  Margo  Lenbach,  1905.  Medal,  galvano  silvered  (cast  (single),  100 

mm.;  struck  medal  (uniface),  60  mm.). 


158 


22  M.  et  Mme.  Pawle,  Noces  d’Or,  1902.  Medal,  galvano  silvered  (cast 

(double),  100  mm.;  struck,  60,  20,  and  10  mm.). 

23  Muse  avec  Couronne.  Plaquette,  galvano  silvered,  90  x 70  mm. 

2k  Paris  Recevant  la  Bosnie-Herzegovine,  1900.  Plaquette,  galvano 
silvered  (struck,  78  x 88  mm.). 

25  Pauline  Viardot,  1901.  Obverse  and  reverse.  Plaquette,  galvano 

silvered  (east  (double),  100  mm.;  struck,  70  mm.). 

26  Prince  Roland  Bonaparte,  1900.  Plaquette,  galvano  silvered, 

90  x 75  mm. 

27  P.  W.  Janssen,  1903.  Plaque,  galvano  silvered,  15  x 20  cm. 

28  S.  M.  Francois  Joseph,  Societe  de  Bienfaisance  Austro-Hongroise  a 

Paris,  1908.  Obverse  and  reverse.  Plaquette,  galvano  silvered, 
100  x 67  mm.  (struck  plaquette,  74  x 50  mm.). 

29  Ouvrier,  Noces  d’Argent.  Plaquette,  galvano  silvered,  100  x 36  mm. 


2 

(Obverse) 


159 


fT^CDY1 


^n]y?,!Vv~]^y. 


f)KA0T5cf) 


5 

(Reverse) 


160 


161 


Nos. 


ERNEST  WISE  KEYSER 


Ernest  Wise  Keyser,  sculptor,  medalist  (American),  was  born  in  Balti- 
more,  1874.  He  gol  his  general  education  in  public  and  private  schools, 
and  was  a student  of  the  Art  Students’  League  and  Academic  Julien,  Paris. 
He  made  successive  exhibits  in  Paris  Salons,  also  had  executed  in  compe- 
tition numerous  portraits  and  mortuary  and  public  memorials,  including 
the  Enoch  Pratt  memorial,  Baltimore;  statue  of  Admiral  W.  S.  Schley,  in 
State  House,  Annapolis,  Maryland;  Barry  memorial,  Frederick,  Maryland; 
bronze  figure  Sir  Galahad  for  Harper  memorial,  Ottawa,  Canada,  and 
many  others.  His  studio  is  now  in  New  York.  Address,  249  West  Seventy- 
fourth  Street,  New  York  City. 

1 Florence  S.  Plaquette. 

2 Joseph  0.  Plaquette. 

3 Mr.  and  Mrs.  W.  Plaquette. 

4 Peter  Fenelon  Collier.  Obverse  and  reverse.  Medal. 

5 The  Young  St.  John.  Plaquette. 

6 William  Travers  Jerome.  Medal. 

7 The  same,  mounted  on  a souvenir  card-case. 


ISIDORE  KONTI 

Isidore  Konti,  sculptor,  medalist  (American),  was  born  in  Vienna,  Austria, 
1862.  At  the  age  of  fifteen  he  entered  the  Imperial  Academy  of  Arts  in 
Vienna  and  there  obtained  a scholarship,  enabling  him  to  study  in  Rome, 
Florence,  Naples,  and  Venice.  In  1891  he  came  to  the  United  States,  and 
making  his  home  in  Chicago,  he  assisted  in  executing  some  groups  for  the 
Agricultural  and  Administrative  buildings  of  the  World’s  Columbian  Ex- 
position. In  1893  he  settled  in  New  York  City. 

Works:  the  group  West  Indies,  and  the  spandrels  symbolizing  the  North 
and  East  rivers  for  the  Dewey  Arch;  groups  for  the  Temple  of  Music  and 
l he  esplanade,  Pan-American  Exposition;  the  two  side  cascades  of  the 
great  fountain  at  the  St.  Louis  Exposition,  for  which  he  was  awarded  a 
gold  medal,  besides  a special  gold  medal;  the  McKinley  monument,  Phila- 

162 


delphia,  executed  after  a sketch  by  the  late  Charles  Lopez;  figures  of  Jus- 
tinian and  Alfred  the  Great  for  the  Court  House  in  Cleveland,  Ohio;  a frieze 
(festival  procession)  for  the  Gainsborough  Studio  Building,  New  York;  a 
group  representing  South  America  and  a historical  relief  for  the  Inter- 
national Bureau  of  American  Republics  Building,  Washington,  I).  C.;  a 
number  of  ideal  figures  and  groups:  Inspiration;  The  Brook,  a fountain 
executed  in  marble  at  “Greystone,”  Yonkers,  New  York;  The  Despotic  Age, 
Metropolitan  Museum,  New  York;  Orpheus,  and  The  Awakening  of  Spring, 
which  have  been  shown  in  exhibitions  throughout  the  United  States.  He 
has  also  designed  commemorative  and  other  medals.  Mr.  Konti  is  vice- 
president  of  the  National  Sculpture  Society,  and  a member  of  the  Archi- 
tectural League.  He  became  an  associate  of  the  National  Academy  of  De- 
sign in  1906,  and  was  elected  academician  in  1909.  He  is  a director  of  the 
Municipal  Art  Societjg  and  member  of  the  Salmagundi  Club  of  New  York 
City.  Address,  154  West  Fifty-fifth  Street,  New  York  City. 


163 


7 National  Academy  ol'  Design,  Isidor  Memorial.  Struck  medal, 
silver,  40  mm. 

2 Two  Hundred  and  Fiftieth  Anniversary  of  Jewish  Settlement  in  the 
United  States,  1905.  Obverse  and  reverse.  Struck  medal,  silver, 
70  mm. 


FRANZ  KOUNITZKY 

Franz  Kouxitzky,  medalist  (Austrian),  vcas  born  in  Vienna,  1880.  His 
ancestors  were  rich  landed  proprietors  in  Poland,  possessed  of  great  for- 
ests, who  came  to  Vienna  with  Sobieski  at  the  time  of  the  siege  by  the 
Turks  in  1083.  Their  wealth  was,  however,  lost  in  succeeding  generations, 
and  the  artist  came  into  the  world  under  lowly  circumstances.  As  a boy 
he  showed  a predilection  for  drawing,  but  his  father  washed  him  to  become 
a mechanic.  Meeting,  however,  with  friends,  he  was  enabled  to  enter  the 
Akademie  der  bildenden  Kiinste.  There,  after  passing  a rigorous  examina- 
tion, the  young  man  received  a scholarship.  Among  his  masters  was  Pro- 
fessor J.  Tautenhayn,  the  medalist.  After  journeys  to  Italy,  France,  and 
Germany,  he  became  established  at  the  Imperial  Mint  in  Vienna.  Among 
the  artist’s  more  recent  works  not  shown  in  the  present  exhibition  may  be 
mentioned:  Heine  lieben  Eltern,  cast  plaque  (single),  bronze,  20  x 30  cm.; 
Beethoven,  chased  plaque,  copper,  original  after  artist’s  own  composition, 
36x31.5  cm.;  Neujahrsplakette,  W eihnachtsmann,  1911,  struck  medal 
(oval),  bronze,  75x55  mm.;  Leo  Tolstoi,  russischer  Schriftsteller  (1828- 
1910),  cast  medal  (single),  bronze,  100  mm.1;  Turgenjew,  russischer  Schrift- 
steller (1818-1883),  cast  medal  (single),  bronze,  100  mm.;  Professor  Dr. 
Robert  Koch,  Mediziner  (1843-1910),  cast  medal  (single),  bronze,  115  mm.; 
Professor  Ehrlich  mit  seinem  japanischen  Assistenten  Halo,  cast  plaqnette 
(single),  bronze,  140x  180  mm.  Address,  14  Lohrgasse,  Wien  XV. 

7 Adolf  Menzel,  Maler,  1905.  Cast  medal  (single),  bronze,  125  mm. 

2 Adolf  Sonnenthal,  Schauspieler.  Cast  medal  (single),  bronze,  130 
mm. 


1 Illustrated  on  page  166. 


164 


3 

4 

5 

6 

7 

8 

9 

10 

11 

12 

13 

U 

15 

16 

11 

18 

19 

20 

21 

22 


B.  Bjornson,  norwegischer  Dichter.  Cast  medal  (single),  bronze, 
105  mm. 

C.  Darwin,  englischer  Naturforscher.  Cast  medal  (single),  bronze, 
110  mm. 

Emil  Sauer,  Klaviervirtuose  und  k.  k.  Professor.  Cast  medal 
(single),  bronze,  170  mm. 

Erik  Schmedes,  Sanger  Oesterreichs.  Cast  plaquette  (single), 
bronze,  125  x 65  mm. 

F.  Nietzsche,  Philosoph.  Cast  plaquette  (single),  bronze,  165x63 
mm. 

Gartenbau.  Struck  medal,  bronze,  60  mm. 

G.  Charpentier,  franzosischer  Musiker,  1903.  Cast  plaquette 
(single),  bronze,  110x80  mm. 

Gustav  Mahler,  Musiker.  Cast  medal  (double),  bronze,  65  mm. 

Hedwig  Wrangel,  Schauspielerin,  1902.  Cast  plaquette  (single), 
bronze,  110  x 65  mm. 

H.  Ibsen,  norwegischer  Schriftsteller.  Cast  plaquette  (single), 
bronze,  90  x 50  mm. 

Hugo  Wolf,  Musiker.  Struck  medal  (single),  bronze,  60  mm. 

J.  Brahms,  Musiker.  Cast  medal  (single),  bronze,  85  mm. 

J.  Joachim,  Musiker,  1902.  Cast  plaquette  (single),  bronze,  64  x 95 
mm. 

Jan  Kubelik,  Violinvirtuose.  Struck  plaquette  (single),  bronze, 

70  x 47  mm. 

Kaiser  Franz  Josef  I,  Jubilaum,  1848-1908.  Struck  medal,  bronze, 
60  mm. 

Landwirtschaftsausstellung,  Dem  Verdienste.  Struck  medal 
(uniface),  bronze,  60  mm. 

Mammon.  Chased  plaque,  copper.  Original  after  artist’s  own 
composition,  35  x 32.5  cm. 

Maxim  Gorki,  russischer  Schriftsteller.  Cast  plaquette  (single), 
bronze,  160  x 75  mm. 

Multatuli,  niederlandischer  Schriftsteller.  Cast  medal,  bronze,  90 
mm. 

Neujahrsplakette,  Allgemeine  Wahlrecht,  1907.  Struck  plaquette 
(uniface),  bronze,  75  x 30  mm. 


23  Neujahrsplakette,  Biedermeierfamilie,  1905.  Struck  plaquette, 

bronze,  60  x 45  mm. 

24  Neujahrsplakette,  Biedermeierfamilie,  1910.  Struck  plaquette 

(oval),  bronze,  45  x 80  mm. 

25  The  same.  Cast  plaque  (single),  bronze,  model,  28  x 20  cm. 

26  Neujahrsplakette,  Bosnien,  1909.  Struck  plaquette  (uniface, 

octagonal ),  bronze,  55  x 65  mm. 

27  Neujahrsplakette,  Kaiserjubilaum,  1908.  Struck  plaquette,  bronze, 

59  x 56  mm. 

28  Professor  Ernst  Mach,  Physiker.  Cast  medal  (single),  bronze, 

110  mm. 

29  Richard  Strauss,  Musiker.  Cast  medal  (single),  bronze,  105  mm. 

30  Robert  und  Clara  Schumann,  Musiker.  Cast  medal  (single), 

bronze,  85  mm. 

37  Siegfried  Wagner,  Musiker,  Sohn  Richard  Wagners,  1900.  Cast 
plaquette  (single),  bronze,  180  x 110  mm. 

32  Theodor  Mommsen,  Geschichtsforscher,  1902.  Cast  plaquette 
(single),  bronze,  105  x 65  mm. 


Teo  Tolstoi  (see  footnote,  page  164) 


166 


32 


168 


ALEXANDER  KRAUMANN 

Alexander  Kraumann,  dflulptor,  medilist  (Germai  „ was  born  in  Bud, 
st  in  1870.  Studied  at  the  Art  Academy  in  Vienna  with  Professor  Hell- 

Hr 

aer;  then  worked  as  assistant  to  Professor  August  Vogel  and  Pr 
• t ugo  Lederer  of  Berlin,  and  studied  ene  year  in  B ,e.  T • ; 

portrait  modeling  in  a private  academy  in  Berlin  for  .se* • 

Hr 

received:  in  the  competition  for  the  Oherbrm 
Breslau,  first  prize  and  execution;  design  o t 

Berlin,  1907,  second  prize;  Turners  h ft  dal  ol  gymnastic 

ciety),  F rankf urt-am-Main,  1907,  second  prize;  in  the  competition  for  a 
medal  for  the  Royal  Academy  of  Architecture,  Berlin,  1908,  one  of  five 

ro 

equal  prizes;  in  the  competition  . 

third  prize  and  the  execution  of  the  ler  . . 

1  ichendorff  monument,  Breslau,  1909,  one  •.  \ 

non.  Plaquettes  and  medals  have  been  purchased  l>v  the  Berlin  Xahm- 

co  & 

Gallery;  the  Kaiser  Friedrichsmuseiuu,  Berlin;  the  BresTau  Museum;  the 
Munich  Miinzkabinett;  tin  ^ erbemuseum;  the  Magde- 
burg Museum.  Address,  burins]  - 


-j 

K> 

ro 

1 Architektur,  1907.  Cfst  medal il 

(uniface),  75  mm.). 

Hr 

2 Entwurf  flic  'em  25-Pfennig  Si  g 

Reichskonkurrenz  (Adlerkopf  und  Acincs 
verse.  Model  for  coin  in  white  metal,  12 
23  mm.). 

£2  rc 

3 Heilquelle,  1900.  Cast  plaque  (idoubJe  d nz  , 2f  x 14  cm.  ( 

70  x 45  mnf.). 

4 Huldigung,  1901.  Cast  plaque  (single^,  bronze,  20  x 14  m. 

5 Liebe,  1905.  Cast  plaque  (single),  bronze,  40  x 21 

plaquette  (uniface),  d , 37  Rim.).  * 

6 Luftschiff,  1908.  Cast  medallion  (single),  bronze,  20  cm. 

60  mm.). 


ALEXANDER  KRAUMANN 


Alexander  Kraumann,  sculptor,  medalist  (German),  was  horn  in  Ruda- 
pest  in  1870.  Studied  at  the  Art  Academy  in  Vienna  with  Professor  Hell- 
mer;  then  worked  as  assistant  to  Professor  August  Vogel  and  Professor 
Hugo  Lederer  of  Rerlin,  and  studied  one  year  in  Rome.  Taught  act  and 
portrait  modeling  in  a private  academy  in  Rerlin  for  several  years.  Prizes 
received:  in  the  competition  for  the  Oberbrunn  Memorial  Medal,  1900, 
Rreslau,  first  prize  and  execution;  design  of  a gateway  for  the  new  Passage, 
Rerlin,  1907,  second  prize;  Turnerschaftsmedaille  (medal  of  gymnastic 
society),  Frankfurt-am-Main,  1907,  second  prize;  in  the  competition  for  a 
medal  for  the  Royal  Academy  of  Architecture,  Rerlin,  1908,  one  of  five 
equal  prizes;  in  the  competition  for  a 25-pfennig  piece,  Rerlin,  1909,  the 
third  prize  and  the  execution  of  the  legend;  in  the  competition  for  the 
Eichendorff  monument,  Rreslau,  1909,  one  of  three  prizes  and  the  execu- 
tion. Plaquettes  and  medals  have  been  purchased  by  the  Rerlin  National 
Gallery;  the  Kaiser  Friedrichsmuseum,  Rerlin;  the  Rreslau  Museum;  the 
Munich  Munzkabinett;  the  Frankfurt  Kunstgewerbemuseum;  the  Magde- 
burg Museum.  Address,  19  Gutzkowstrasse,  Frankfurt-am-Main. 


1 Architektur,  1907.  Cast  medallion  (single),  bronze,  24  cm.  (struck 

(uniface),  75  mm.). 

2 Entwurf  fur  ein  25-Pfennig  Stuck,  1908,  III.  Preis  der  deutschen 

Reichskonkurrenz  (Adlerkopf  und  Aehren).  Obverse  and  re- 
verse. Model  for  coin  in  white  metal,  125  mm.  (struck  coin, 
23  mm.) . 

3 Heilquelle,  1900.  Cast  plaque  (double),  bronze,  21  x 14  cm.  (struck, 

70  x 45  mm.). 

4 Huldigung,  1901.  Cast  plaque  (single),  bronze,  20x14  cm. 

5 Liebe,  1905.  Cast  plaque  (single),  bronze,  40x21  cm.  (struck 

plaquette  (uniface),  66  x 37  mm.). 

6 Luftsehiff,  1908.  Cast  medallion  (single),  bronze,  20  cm.  (struck, 

60  mm.) . 


169 


7 Musik,  1899.  Plaque  in  plaster  (tinted),  35  x 15  cm.  (struck 

plaquette,  87  x 37  mm.). 

8 Venedig,  Ausstellung,  1903.  Cast  medal  (single),  bronze  gilt,  117 

mm. 

9 Widmungstafel,  1904.  Cast  plaque  (single),  bronze,  30x21  cm. 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9 


170 


ABEL  LAFLEUR 


Vhel  Lafleur,  medalist  (Free  r . was  born  in  Rodvz,  ueyron,  France. 
Studied  at  the  Arts  Decoratifs  rid  subsequently  a,  ihe  I.  ole  des  Beaux- 
\rts,  Paris,  having  successively  as  professors  Messrs.  IVnscarme  and  Hi 
plain.  He  won  several  prizes  at  this  school.  During  this  period  he  e . 
peted  for  the  Prix  de. Rome.  He  worked  for  a loo-;  .. 

Charpentier.  In  1901  lie  began  to  exhibit  at  the  S;  . ms, 

f which  society  he  is  a member.  In  1903  he  . o;  -ble  men- 

»n;  in  1905  a medal  of  the  third  class:  in  : Bourse  de  Voyage  de 

; Etat,  a reward  obtained  only  very  rarely  b\  medal -engravers,  as  «>nh  ■ 

...  -e  been  so  rewarded  since  1874,  the  date  of  its  foundation;  finally,  in 
<04,  a medal  of  the  second  class.  Certain  of  his  works  are  exhibited  at 
s in  the  Luxembourg,  Galliera,  and  Petit  Palais  museums,  and  in  that 
s die  Mint;  in  several  provincial  ■ abroad,  at  the 

dll  Kensington  Museum,  London,  a!  C - ■ . 

ale  collections. 

Works:  Femme  au  $ain,  executed  for  the  S<u  s 

• ticaise;  Beethoven,  Diane,  and  Baignenses  for  ae  Admin  ist  m 
;.‘  d des  Monnaies  et  Medaill*.  ' Chn  ibrt  d/s  Proprietoires.  Tercentenary 
Quebec,  Congres  de  Medecine  et  d’Hifgi  eminent  of  the 

aentine  Republic,  Yin  Mariani,  etc.  Among  the  portraits  are  the  follow- 
: Deloncle  and  Aiijar.  Address,  50  rue  St  Didier,  Paris. 

« T 

1 Baigneuses,  1908  (edited  by  the  ^lint  at  Paris).  So  iu  k m<. 

bronze,  54  mm. 

2 The  same,  1902.  Cast  medal  (single),  bronze,  model  for  the  above, 

110  mm. 

3 Beethoven,  1905.  Stnu  k plaquette,  bronze,  73  x 49  mm. 

A Christ  au  Tombeau  1 401  Plaquette,  galvano  gilt,  41  x 150  mm. 

5 Diane,  1908  (edited  I c Mint  at  Paris).  Struck  medal,  bronze, 

54  mm. 

6 Faune  Dansant,  1900.  : • : iette,  galvano  gilt,  151  x 90  mm. 

7 Femme  Accoudee  Lisa---'  ' Struck  plaquette,  bronze  80x56 

171 


mm. 


pi  isi-r  ( tinted),  35  x 15  cm.  (struck 

piaouette,  87  x 3/  Him.). 

\nsstdUing,  1903  Casi  medal  (single),  bronze  gilt,  117 
; 1904.  Cast  plaque  (single),  bronze,  30x21  cm. 


8,  t,  5,  6,  8,  l.» 


170 


ABEL  LAFLEUR 


Abel  Lafleur,  medalist  (French),  was  born  in  Rodez,  Aveyron,  France. 
Studied  at  the  Arts  Decoratifs,  and  subsequently  at  the  Ecole  des  Beaux- 
Arts,  Paris,  having  successively  as  professors  Messrs.  Ponscarme  and  Cha- 
plain. He  won  several  prizes  at  this  school.  During  this  period  he  also  com- 
peted for  the  Prix  de  Rome.  He  worked  for  a long  time  with  Alexandre 
Charpentier.  In  1901  he  began  to  exhibit  at  the  Salon  des  Artistes  Francais, 
of  which  society  he  is  a member.  In  1903  he  obtained  an  honorable  men- 
tion; in  1905  a medal  of  the  third  class;  in  1906  a Bourse  de  Voyage  de 
l’Etat,  a reward  obtained  only  very  rarely  by  medal-engravers,  as  only  two 
have  been  so  rewarded  since  1874,  the  date  of  its  foundation;  finally,  in 
1909,  a medal  of  the  second  class.  Certain  of  his  works  are  exhibited  at 
Paris  in  the  Luxembourg,  Galliera,  and  Petit  Palais  museums,  and  in  that 
of  the  Mint;  in  several  provincial  museums  of  France;  abroad,  at  the 
South  Kensington  Museum,  London,  at  Copenhagen,  and  in  numerous 
private  collections. 

Works:  Femme  cm  Bain,  executed  for  the  Societe  des  Amis  de  la  Medaille 
francaise;  Beethoven,  Diane,  and  Bciignenses  for  the  Administration  Na- 
tional des  Monnaies  et  Medailles;  Chambre  des  Proprietaires,  Tercentenary 
of  Quebec,  Congres  de  Medecine  et  d’ Hygiene  for  the  government  of  the 
Argentine  Republic,  Vin  Mariani,  etc.  Among  the  portraits  are  the  follow- 
ing: Deloncle  and  Aujar.  Address,  50  rue  St.  Didier,  Paris. 

1 Baigneuses,  1908  (edited  by  the  Mint  at  Paris).  Struck  medal, 

bronze,  54  mm. 

2 The  same,  1902.  Cast  medal  (single),  bronze,  model  for  the  above, 

110  mm. 

3 Beethoven,  1905.  Struck  plaquette,  bronze,  73  x 49  mm. 

4 Christ  au  Tombeau,  1904.  Plaquette,  galvano  gilt,  41  x 150  mm. 

5 Diane,  1908  (edited  by  the  Mint  at  Paris).  Struck  medal,  bronze, 

54  mm. 

6 Faune  Dansant,  1906.  Plaquette,  galvano  gilt,  151  x 90  mm. 

7 Femme  Accoudee  Lisant,  1905.  Struck  plaquette,  bronze  80  x 56 

; 171 


mm. 


8 Femme  Arrangeant  des  Fleurs,  1902.  Cast  plaque  (single),  bronze 

29.5  x 9.5  cm. 

9 Femme  Assise  Lisant  (L’Etude),  1900.  Struck  plaquette,  bronze, 

82  x 81  mm. 

JO  Femme  an  Bain,  se  Coiffant,  1903  (plaquette  of  the  Societe  des 
Amis  de  la  Medaille  francaise).  Plaquette,  galvano  gilt,  model, 
174  x 100  mm.  (struck,  71  x 40  mm.). 

11  Femme  an  Bain,  1903.  Plaquette,  galvano  gilt,  model,  174x100 

mm.  (struck,  71  x 40  mm.). 

12  Femme  an  Collet,  1898.  Plaquette,  galvano  bronzed,  108  x 50  mm. 

13  Femme  an  Face-a-Main,  1900.  Struck  plaquette,  bronze,  80x40 

mm. 

15  Femme  au  Gant,  1900.  Struck  plaquette,  bronze,  80  x 40  mm. 

15  Femme  au  Manchon  (assise),  1900.  Struck  plaquette,  bronze  gilt, 

44  x 40  mm. 

16  Femme  au  Manchon  (debout),  1905.  Struck  plaquette,  bronze, 

80  x 30  mm. 

11  Femme  au  Manteau  et  a l’Ombrelle,  1907.  Plaquette,  galvano 
bronzed,  108  x 50  mm. 

18  Femme  Lisant  dans  un  Parc,  1905.  Struck  plaquette,  bronze, 

80  x 30  mm. 

19  Femme  Lisant  (Interieur),  1902.  Plaquette,  galvano  bronzed, 

100  x 78  mm. 

20  Femme  Nue  au  Miroir,  I,  1906.  Plaquette,  galvano  silvered, 

110  x 34  mm. 

21  Femme  Nue  au  Miroir,  II,  1906.  Plaquette,  galvano  silvered, 

110  x 34  mm. 

22  Femme  Portant  des  Fleurs,  1902.  Cast  plaque  (single),  bronze, 

29.5  x 9.5  cm. 

23  Le  Livre  d’lmages,  1901.  Struck  plaquette,  silver,  80  x 43  mm. 
25  Leopold  Aujar,  1897.  Cast  plaquette,  bronze,  150  x 106  mm. 

25  Reverie,  1902.  Plaquette  in  ivory,  62  x 75  mm. 

26  Silhouette  Parisienne,  I,  1905.  Plaquette,  galvano  gilt. 

27  Silhouette  Parisienne,  II,  1905.  Plaquette,  galvano  gilt. 

28  Vieille  Femme  Drapee,  1902.  Struck  plaquette,  bronze,  80  x 34 

mm. 


172 


10 


174 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14,115,  16,  17,  18,  19,  20,  21,  22,  23,  24,  25,  26/27,  28 


i : * AE 


Jl 

^,  LES  Lagae,  medalist  (Belgian  was  ^born  in  Roulers,  Belgium,  1862. 
^ hipil  ol  Charles  Vanderst^pju-i  uj  of  Lambeaux.  He  ha  nr  >du< . . - 

t - a!  decorative  works,  among  >hv  more  notable  being  a.  medal  for  the  Brus- 
!s  Exposition  of  1897  and  the  monument  erected  in  memory  of  the  poe- 
Ledeganck;  also  La  Ville  Gaud,  & lette.  In*1888  the  artist  obtain* 

pc 

(fe  Prix  de  Rome,  and  he  is  a knight  of  the  Order  of  Leopold. 

8 avenue  Michel-Ange,  Brussels. 

™ Ol 

1 Chevaux  Brabancons.  Cast  medallion,  brinze. 

2 M.  Edouard  Simon,  Bourgmestre  de  Pi' < r i ■ 

bronze,  68  mm. 

1o  Hr 

3 M.  Jules  Van  den  Heuvel,  a ; 

silver,  49  mm.  5 


PC 

PC 


Medal  for  n.  Inter i< r.  » . 1 b - 189 7 


Hr 


175 


co 

PC 


17 


JULES  LAGAE 


Jules  Lagae,  medalist  (Belgian),  was  born  in  Roulers,  Belgium,  1862. 
Pupil  of  Charles  Vanderstappen  and  of  Lambeaux.  He  has  produced  sev- 
eral decorative  works,  among  the  more  notable  being  a medal  for  the  Brus- 
sels Exposition  of  1897  and  the  monument  erected  in  memory  of  the  poet 
Ledeganck;  also  La  Ville  de  Gand,  plaquette.  In  1888  the  artist  obtained 
the  Prix  de  Rome,  and  he  is  a knight  of  the  Order  of  Leopold.  Address, 
8 avenue  Miehel-Ange,  Brussels. 

1 Chevaux  Brabancons.  Cast  medallion,  bronze. 

2 M.  Edouard  Simon,  Bourgmestre  de  Peruwelz,  1902.  Struck  medal, 

bronze,  68  mm. 

3 M.  Jules  Van  den  Heuvel,  Ministre  d’Etat,  1907.  Struck  medal, 

silver,  49  mm. 


Medal  for  the  Exposition  Internationale  de  Bruxelles,  1897 


175 


MRS.  BERENICE  FRANCIS  LANGTON 


Berenice  Francis  Langton,  sculptor  (American),  was  born  in  Erie 
County,  Pennsylvania.  Mrs.  Langton’s  first  regular  study  of  art  began 
under  Augustus  Saint-Gaudens.  Later,  1902-04,  she  spent  two  years  in 
Paris,  working  under  the  criticism  of  August  Rodin.  Her  principal  work 
lias  been  portraits  in  relief  and  round,  but  she  has  also  executed  several 
fountains.  She  has  exhibited  at  the  St.  Louis  and  the  Baltimore  Exposi- 
tions. Address,  142  East  Thirty-third  Street,  New  York  City. 

1 Charles  B.  Bradley.  Medallion  in  plaster. 

2 Little  Miss  Langton  in  her  Tenth  Year,  and  Polly  Smith.  Plaque  in 

plaster. 


/ 

/ 

/■ 


/ 

i 


- .'inr LlJ  : - '•  ; :>  if X fl.- 


a t 


176 


ALPHONSE  EUGENE  LECHEVREL 


Alphonse  Eugene  Leceievrel,  gem-engraver,  medalist  (French),  was 
born  in  Paris  in  1848.  He  was  a pupil  of  Henri  Francois,  and  is  a 
member  of  the  Societe  des  Artistes  Franca  is  and  of  its  jury.  The 
artist’s  productions  in  gem-engraving  are  very  numerous.  In  1877  and 
1878  he  was  employed  in  England,  at  the  Hodgetts,  Richardson  & Sons’ 
glass-works  at  Stourbridge,  to  revive  the  art  of  carved  vases  in  glass,  in 
imitation  of  the  famous  Portland  vase.  His  works  are  represented  in  Paris, 
at  the  Musee  du  Luxembourg,  the  Musee  de  la  Monnaie,  and  the  Musee  des 
Arts  Decoratifs;  also,  at  the  Hamburg  Museum,  etc.  At  the  Salon  of 
the  Societe  des  Artistes  Francais  he  obtained  honorable  mention  in  1884, 
1885,  1886;  a third-class  medal  in  1888;  a second-class  medal  in  1889;  a 
first-class  medal  in  1899,  together  with  a bronze  and  a silver  medal.  At 
the  French  International  and  Universal  Exhibitions  in  Paris  he  has  ob- 
tained, in  1878,  1889,  and  1900,  respectively,  a silver  medal,  a gold  medal, 
and  a grand  prize.  He  has  obtained  some  other  medals  of  high  class  at 
the  exhibitions  of  the  Societe  des  Arts  Decoratifs.  He  is  an  officier  de 
l’instruetion  publique,  president  of  the  Societe  des  Artistes  Graveurs  sur 
Pierres  Fines  Francais,  and  secretary  of  the  Societe  des  Artistes  Graveurs 
en  Medailles  Francais.  Address,  26  Place  du  Marche  St.  Honore,  Paris  I. 

1 Adolphe  Blanche,  1893.  Medal,  galvano  gilt  (cast,  bronze,  130  mm. 

and  90  mm.). 

2 Andre  Otten,  Portrait  d’Enfant.  Plaquette,  galvano  gilt,  50x35 

mm.  (cast,  bronze,  140  x100  mm.). 

3 The  same.  Medal,  galvano  gilt  (also,  cast,  bronze). 

4 Andree  Otten,  1896.  Plaquette,  galvano  gilt,  50  x 35  mm.  (cast, 

bronze,  140  x 100  mm.). 

5 Armes  d’Alliances  du  Baron  de  Errazu.  Plaquette,  galvano  gilt.1 2 3 4 5 6 7 

6 Armes  du  Baron  de  Errazu.  Plaquette,  galvano  gilt. 

7 Armes  et  Effigie  de  la  Republique  Francaise,  1897.  Obverse  and 

reverse.  Trial  design  for  a coin,  galvano  silvered,  26  mm.  (cast, 

bronze,  120mm.)  (second  proof). 


177 


’Nos.  5,  6,  11,  14,  16,  and  17  are  made  from  the  topaz  dies  presented  to 
the  Musee  des  Arts  Decoratifs  by  Baron  de  Errazu  in  1890. 


8 Amies  de  la  Republique  Francaise,  1897.  Galvano  silvered  model 

of  the  reverse  of  the  above,  110  mm.  (cast,  bronze,  120  mm.) 
(third  proof). 

9 Athene,  1898.  Medal,  galvano  silvered,  28  mm.  (cast,  bronze,  100 

mm.;  struck,  22  mm.). 

10  The  same.  Medal,  galvano  gilt. 

11  Baron  de  Errazu.  Plaquette,  galvano  gilt. 

12  Blanche  Lechevrel,  Portrait  d’Enfant,  1895.  Plaquette,  galvano 

silvered,  50  x 35  nun.  (cast,  bronze,  140  x 100  mm.). 

13  The  same.  Medal,  galvano  gilt. 

15  Casque,  Limier,  Lambrequins,  et  Ruban,  Devise  du  Baron  de  Er- 
razu. Plaquette,  galvano  gilt. 

15  Consultatio.  Medal  (oval),  galvano  gilt  (from  a die  in  sardonyx). 

16  Croix  de  Calatrava.  Plaquette,  galvano  gilt. 

15  Croix  de  Calatrava,  Cantonnee  aux  Armes  d’Alliances  du  Baron  de 
Errazu.  Plaquette,  galvano  gilt. 

18  Edward  VII,  Roi  d’Angleterre,  1909.  Obverse  and  reverse.  Medal, 

galvano  silvered,  100  mm.  (cast  medallion,  bronze,  22  cm.)  (first 
proof) . 

19  Felix  Faure,  President  de  la  Republique  Francaise,  1896.  Medal, 

galvano  silvered,  40mm.  (cast,  bronze,  120  mm.)  (third  proof). 

20  Hommage  aux  Graveurs  Francais  (edited  by  the  French  mint), 

1890.  Plaquette,  galvano  silvered,  66  x 48  mm.  (cast,  175x120 
mm.;  struck,  66  x 48  mm.). 

21  Humanite,  Fraternite,  1908.  Medal,  galvano  silvered,  100  mm.  (cast 

medallion,  bronze,  22  cm.)  (first  proof). 

22  J.  A.  D.  Ingres,  1904.  Medal,  galvano  silvered,  80  mm.  (cast,  bronze, 

1 80  mm . ) ( first  proof ) . 

23  .1.  Lechevrel,  Portrait  de  Femme,  1890.  Medal,  galvano  gilt. 

25  Lahore  et  Disciplina  Resurgunt,  1890.  Obverse  and  reverse.  Pla- 
quette, galvano  silvered,  65x80  mm.  (cast,  bronze,  115x180 
mm.;  struck,  65x80  mm.). 

25  L’Aurore,  1904.  Plaquette,  galvano  gilt  (from  a die  in  sardonyx) 

(cast  plaque,  bronze,  27.5  x 21  cm.). 

26  L’Histoire  Enregistre  les  Decouvertes  de  f Archeologie,  1906.  Ob- 

verse and  reverse.  Plaquette,  galvano  silvered,  69  x 80  mm.  (cast 
plaque,  bronze,  17  x 20  cm.;  struck,  69  x 80  mm.)  (second  proof). 

178 


27  Madame  X.  Medal,  galvano  silvered,  118  mm.  (east  medallion, 

bronze,  20  cm. ) (first  proof) . 

28  Maud  Mary  Taylor,  1902.  Medal,  galvano  silvered,  80  mm.  (cast, 

bronze,  140mm.)  (second  proof). 

29  Musique  Svlvestre.  Plaquette,  galvano  silvered,  80  x 65  mm.  (cast 

plaque,  bronze,  20  x 14  cm.)  (first  proof). 

30  Republica  Argentina,  1907.  Medallion,  galvano  silvered,  175  mm. 

(cast,  bronze,  175  mm.)  (first  proof). 

31  Republique  Francaise.  Obverse  and  reverse.  Plaquette,  galvano 

silvered,  127  x 80  mm.  (cast,  bronze,  127  x 80  mm.)  (first  proof). 

32  Sadi  Carnot,  President  de  la  Republique  Francaise.  Medal,  galvano 

silvered,  30  mm.  (from  a die  in  sardonyx). 

33  The  same.  Medal,  galvano  gilt. 

34  Timbre-poste  Franeais,  1893.  Plaquette,  galvano  gilt. 

35  Yvonne  Otten,  1898.  Plaquette,  galvano  silvered,  50  x 35  mm.  (cast, 

bronze,  140  x 100  mm.). 


179 


180 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14,  15,  16,  17,  18,  19,  20,  21,  22,  23,  24, 


JEAN  LECROARI 


Jean  Lecroart,  medalist  (Belgian),  was* born  in  1 
1883.  He  was  apprenticed  at  a very  early  » . trade 

sculpture  in  Brussels,  but  had  to  abandon  this 
country,  and  entered  a factory  at  Ghent.  Goii  £ I 
several  medallic  congests  and  ai  .si  drew  a ion  . 
he  Academie  des  Beaux-Arts  of  Ghent,  and  o; 

First  exhibited  in  1906  in  Brussels,  then  in  V. 
iorf,  Berlin.  Prizes:  Sod  el  e Holland:1 
d Art,  first  and  second  prizes;  fir:  pr  /<  m 

2;  h 

Academy  of  Belgium.  Of  his  medals,’4  gi 

lion  des  Travaux  de  Btux  § s ° % 

-d  °° 

were  struck  specially  for  the  S«  -A;  « 

Medaille  d’Art.  Address , Ml 


1 Bruxelles,  Port  de  M<\ 

Beige  des  Amis  d • i:1 

mm. 

h-r  CO 

2 Eleves  des  Ecoles  Com 

3 Facteurs  de  Bruxe’U 

4 Foot-ball  Club.  Stn  ■ . 

3 Jubile  Administrate  ‘ .v 
quette,  bronze,  7 1 • . G , 

6 La  Pensee,  1909.  Si;  u 


1 


O 

co 


Brussels,  in 
a i . a mental 

■cnis  to  the 
> >k  part  in 
fa  pi]  of 


R<  yal 
mora- 


JEAN  LECROART 


Jean  Lecroart,  medalist  (Belgian),  was  born  in  Laeken,  near  Brussels,  in 
1883.  He  was  apprenticed  at  a very  early  age  in  the  trade  of  ornamental 
sculpture  in  Brussels,  but  had  to  abandon  this  to  follow  his  parents  to  the 
country,  and  entered  a factory  at  Ghent.  Going  to  Paris,  he  took  part  in 
several  medallic  contests  and  at  last  drew  attention  to  his  works.  Pupil  of 
the  Academie  des  Beaux-Arts  of  Ghent,  and  of  H.  Le  Roy,  medalist  at  Ghent. 
First  exhibited  in  1906  in  Brussels,  then  in  Antwerp,  Ghent,  Bonn,  Dtissel- 
dorf,  Berlin.  Prizes:  Societe  Hollandaise-Belge  des  Amis  de  la  Medaille 
d’Art,  first  and  second  prizes;  first  prize  in  the  class  of  fine  arts  of  the  Royal 
Academy  of  Belgium.  Of  his  medals,  La  Biere  (1906),  En  Commemora- 
tion des  Travanx  de  Bruxelles,  Port  de  Mer  (1908),  and  La  Pensee  (1910) 
were  struck  specially  for  the  Societe  Hollandaise-Belge  des  Amis  de  la 
Medaille  d’Art.  Address , 34  rue  de  la  Poste,  Schaerbeek,  Belgium. 

1 Bruxelles,  Port  de  Mer,  1909  (medal  of  the  Societe  Hollandaise- 

Belge  des  Amis  de  la  Medaille  d’Art).  Struck  medal,  bronze,  65 
mm. 

2 Eleves  des  Ecoles  Communales.  Struck  badge,  bronze. 

3 Facteurs  de  Bruxelles.  Struck  badge,  silver. 

4 Foot-ball  Club.  Struck  badge,  bronze. 

5 Jubile  Administratif  de  Saint-Josse-ten-Noode,  1909.  Struck  pla- 

quette,  bronze,  74  x 52  mm. 

6 La  Pensee,  1909.  Struck  plaquette,  bronze,  64x45  mm. 


6 


HIPPOLYTE  LEFEBVRE 


Hirpolyte  Lefebvre,  sculptor,  medalist  (French),  was  born  in  Lille,  France, 
1863.  The  son  of  a working-man,  lie  began  as  a decorator.  Attending  the 
courses  of  the  Aeademie  des  Beaux-Arts  at  Lille,  he  won  all  the  first  prizes 
in  drawing  and  in  sculpture.  He  was  first  in  the  competition  held  in  the 
Departement  du  Nord  for  the  municipal  scholarship  of  the  city  of  Lille,  and 
gained  admission  to  the  Ecole  des  Beaux-Arts  in  Paris.  There  he  won  fifty- 
seven  medals  and  prizes:  the  prix  Lemaire;  prix  Sanzel;  grande  medaille 
d’emulation;  cinq  fois  en  loge;  second  Grand  Prix  de  Rome,  1888;  second 
Grand  Prix  de  Rome,  1891;  Grand  Prix  de  Rome,  1892,  with  Adam  Cliasse 
du  Paradis  Terrestre.  Finally,  M.  Lefebvre  won  from  the  Institute  three 
prizes,  that  of  Baron  Tremont,  the  prix  Leprince,  and  the  prix  Maubert. 
His  first  exhibit  at  the  Salon,  the  bust  of  M.  Levasseur,  won  an  honorable 
mention.  In  1896  he  exhibited  Le  Pardon  and  La  Douleur  for  the  tomb 
of  M.  Barrais,  the  first  of  which  won  a second  medal  and  some  votes  for 
the  medal  of  honor.  In  1898  his  group  Niobe  won  a first  medal.  During 
the  Exposition  of  that  year  he  was  charged  with  the  decoration  of  the 
cupola  of  the  fountain.  At  the  Exposition  he  won  a gold  medal  as  a statuary 
and  medal-engraver.  In  1902,  breaking  definitely  with  all  the  formulas 
of  the  schools,  he  produced  the  group  Les  Jeunes  Aveugles,  which  won  him 
the  medal  of  honor.  In  1904,  commissioned  by  M.  Henri  Marcel,  then 
Directeur  des  Beaux-Arts,  to  produce  a statue  of  Summer,  he  made  his 
L’Ete,  a lad}^  in  modern  summer  costume.  In  1907,  his  Winter,  L’Hiver, 
a lad}7  in  furs  and  muff,  illustrating  the  same  spirit  of  innovation,  was 
bought  for  the  Luxembourg  to  serve  as  a pendant  for  the  Jeunes  Aveugles, 
and  the  Aeademie  des  Beaux-Arts  proposed  Lefebvre  for  the  prix  Jean 
Renaud  et  Hollevigne.  In  1909  he  produced  Le  Printemps,  a large  group 
in  marble  consisting  of  six  personages,  and  subsequently  a statue  of  Car- 
dinal Richard.  In  1899  he  directed  the  decoration  of  the  Elysee  Palace, 
and  somewhat  later  was  the  sculptor  of  all  the  statues  of  the  altar  of  the 
Church  of  the  Sacred  Heart  at  Montmartre. 

Works:  Superieurs  de  V Institution  de  Marcq,  Jeton  de  Tourcoing,  Jeton 
de  Roubaix,  Sociele  des  Sciences  et  Arts  de  Lille,  Chambre  de  Commerce, 

182 


and  Republique  Frangaise,  Scectu  pour  le  Minister e des  Affaires  Etrangeres. 
As  a medalist  he  won  gold  medals  at  the  Paris  Exposition  of  1900,  and  at 
those  in  Vienna  and  in  Munich.  Hippolyte  Lefebvre  is  a member  of  the 
jury  of  l’Ecole  des  Beaux-Arts,  the  same  of  the  Salon,  the  same  of  the  Con- 
cours  de  Rome,  and  a member  of  the  Societe  des  Sciences  of  Lille.  The 
Dictionnaire  Biographique  Illustre  du  Nord  contains  the  portrait  of  the 
artist  and  reproductions  of  LHiver,  Les  Aveugles,  and  of  L’Ete.  Address, 
112  rue  du  Cherehe-Midi,  Paris. 

1 Agriculture.  Struck  medal. 

2 Architecture.  Struck  plaquette. 

3 Bebe,  1897.  Plaquette,  galvano  silvered. 

A Chambre  de  Commerce  de  Roubaix,  1897.  Struck  plaquette,  bronze, 
44  x 35  mm. 

5 Deman.  Struck  plaquette. 

6 Desire  Bloche,  1901.  Plaque,  galvano  silvered. 

7 Dessin.  Struck  medal. 

8 Exposition  du  Nord  de  la  France.  Struck  plaquette. 

9 Exposition  a Tourcoing.  Struck  plaquette. 

10  F.  Kulman.  Plaquette,  galvano. 

11  Foire  a Tourcoing.  Plaquette  (octagonal),  galvano  silvered. 

12  Hopital  de  Roubaix.  Obverse  and  reverse.  Struck  medal. 

13  Hygiene  et  Architecture.  Struck  plaquette. 

1A  Industrie,  Agriculture.  Struck  medal. 

15  Institution  des  Jeunes  Aveugles,  1902.  Plaquette  of  the  Societe 

Francaise  des  Amis  de  la  Medaille.  Obverse  and  reverse.  Struck 
plaquette. 

16  Julie  Lefebvre,  1891.  Medal,  galvano. 

17  Le  Creusot  (Saone  et  Loire).  Medal. 

18  L’Exil,  Philippe  de  Girard,  Inventeur  de  la  Filature  Mecanique  de 

Lin  (1810),  1900.  Cast  plaquette,  bronze. 

19  Madame  Ayache,  1897.  Medal,  galvano. 

20  Marie,  1889.  Medal,  galvano  silvered. 


183 


21  Marseille.  Struck  plaquette. 

22  Mutualite.  Struck  medal. 

23  Mutualite  des  Peigneurs,  1897.  Struck  medal. 

2'/  Patrie.  Struck  plaquette. 

25  The  same.  Struck  medal. 

26  P.  Perdrizet  et  Jouguet,  1891. 

21  Pierre  de  Roubaix.  Plaquette,  galvano  silvered. 

28  Repos  des  Moissonneurs.  Cast  medallion,  bronze. 

29  Republica  Argentina,  1810-1910.  Struck  medal,  silver. 

30  Republique  Francaise,  Sceau  pour  le  Ministere  des  Affaires  Etran- 

geres,  1909.  Plaque. 

31  Retour  au  Foyer.  Struck  plaquette. 

32  Sainte  Famille.  Obverse  and  reverse.  Struck  plaquette. 

33  Societe  des  Sciences  et  Arts  de  Lille,  1802-1902.  Obverse  and  reverse. 

Struck  medal. 

35  Souvenir.  Struck  medal. 

35  The  same.  Model  for  the  preceding,  galvano  silvered. 

36  Superieurs  de  l’lnstitution  de  Marcq  (1840-1891),  1892.  Plaque. 

37  Vi  lie  du  Havre.  Obverse  and  reverse.  Struck  medal,  silver. 

38  Same  subject.  Struck  plaquette,  silver. 

39  Yille  de  Rouen.  Struck  plaquette. 


184 


'%•  uk  plaquette. 

- ruck  medal. 

Peigneurs,  1897.  Struck  medal.  , 

struck  uiMijuette. 

5 01 

; uu  uet,  1891. 

• ■ uueite,  galvano  silvered. 

78  • ast  medallion,  bronze. 

20  Hepubi'ca  .w  - Struck  medal,  silver. 

SO  Republique  Fran^aise,  k i • vistere  des  Affaires  Etran- 

geres,  1909.  Plaque. 

Retour  a u Foyer  e8 

Struck  plaquette. 

8S  1902.  Obverse  and  reverse. 

9 

S£ 

sr  |pg,  galvano  silvered. 

^Institution  de  Marcq  (1840-1&1),  1892.  Plaque. 

37  Ville  du  Havre.  Obverse  and  reverse.  Struck  medal,  silver. 

38  Same  subject.  Struck  plaquette,  silver. 

39  Ville  de  Rouen.  Struck  plaquette. 

jri  as  *•£ 


62 


81 


YX 


YX 


181 


Nos.  3,  4,  5, 


9,  10,  11,  14,  15,  16,  17,  18,  23,  25,  28,  29,  35,  37  (Rev.),  38,  39 


185 


Nos.  1,  2,  6,  8,  12,  13,  19,  20,  21,  22,  24,  25,  26,  27,  30,  31,  32,  33,  34,  36,  37(Ot>V.) 


186 


JULES  PROSPER  LEGAST: 

Jules  Prosper  Legastelois,  medalist  (French),  u - ■■■•.:  : ■ . Paris  in  1 855.  lie 

is  a pupil  of  Eugene  Levasseur,  Emile  Garlic;  4 .aid  Georges  Ton  oeie: 

Among  the  prizes  which  have  been  awarded  to  the  artist  are:  silver  and 

21 

bronze  medals  at  the  Universal  Exposition  1889;  honorable  mention  at 
Ihe  Salon  des  Artistes  Francais,  1896;  m<  lai  of  the  third  class,  Salon  of 
1898;  bronze  medal  at  the  Universal  Exposition  of  1900.  He  is  a chevalier 
of  the  Legion  of  Honor.  In  1888  he  was  made  an  officier  d’Academie,  and 
in  1894  officier  de  l’instisuction  publique.  11  i>  vone8is  represented  in  the 
Musee  du  Luxembourg.  Address,  23  rue  Victor-Chevreuil,  Paris. 

7 Due  de  Dino,  1904.  Plaquette?%>alvano  silvered,  70  x 50  mm 

2 Enseignement  (edited  by  the  Mint  at  Paris).  Struck  medal,  bronze, 

50  mm. 

IS  ±2 

3 Ernest  d’Hervilly,  1900.  Plaquette,  galvano  gilt,  91  x 70  mm. 

4 Exposition  Internationale  d’Hal  itation,  1903.  Struck  mo 

64  mm. 

5 Independanoe  de  la  Re  nil  ss 

Struck  medal,  bronze,  41  imn. 

6 La -Jeunesse,  1900.  Struck  plaquette,  bronze,  61  x 59  mm. 

7 Le  Livre,  1900.  Plaquette,  galvano  silvered,  ill  x 75  mm. 

8 Leon  Duvauqhel,  Poete,  1897.  Plaquette,  galvano  gilt,  120  x 61  mm. 

9 Le  Travail  (edited  by  the  Mint  at  Paris).  Struck  medal,  bronze, 

51  mm. 

10  Les  Deblois,  Graveurs,  1900.  Cast  plaquette,  bronze,  61  x .44  mm 
77  Mes  Parents,  1900.  Struck  plaquette,  bronzed:  x 67  m. 

12  Mutualite  (edited  by  the  Minisat  Paris).  Struck  medal,  bronze, 

51  mm. 

13  Navigation  en  Mer  (edited  by  the  Mint  at  Paris).  Struck  medal, 

bronze,  51  mpi. . ss  _s 

74  Navigation  en  Riviere  (edited  by  the  Mint  at  Paris) . Struck  medal, 
bronze,  51  mm. 

15  Portrait  de  Dame,  1897.  Plaquette,  galvano  gilt,  55  x 42  mm. 

16  Portrait  de  Dame,  1897,  Plaquette,  galvano  gilt,  81  x 55  mm. 


12 


19 


m : 


30 


27 


36 


,v  -.  ...  - . - - - ;-.r  ••„.■  ■ -.. 

. , ■ 


20 


24 


33 


33 


‘ -i'  I 


jW'.fv*;  N!-  ."  _--a  „v --i  , 

. . 


f>.  ■• ' ■ --r>v.-v-  •••/-.•.. 


13 

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31 


34  22 


26 


32 


37 


Q:iv 


'f  ■/:■'■. ,V':*  Y :-  - : ■ I 

. . «■:,•  •; . -V  • : • ; 

.-•'i  : •.  : ■ ■ . 

"V  ' S .SMS.  \ 


JULES  PROSPER  LEGASTELOIS 


Jules  Prosper  Legastelois,  medalist  (French),  was  horn  in  Paris  in  1855.  He 
is  a pupil  of  Eugene  Levasseur,  Emile  Carlier,  Rot3r,  and  Georges  Tonneier. 
Among  Ihe  prizes  which  have  been  awarded  to  the  artist  are:  silver  and 
bronze  medals  at  the  Universal  Exposition  of  1889;  honorable  mention  at 
the  Salon  des  Artistes  Francais,  1896;  medal  of  the  third  class,  Salon  of 
1898;  bronze  medal  at  the  Universal  Exposition  of  1900.  He  is  a chevalier 
of  the  Legion  of  Honor.  In  1888  he  was  made  an  officier  d’Academie,  and 
in  1894  officier  de  l’instruction  publique.  His  work  is  represented  in  the 
Musee  du  Luxembourg.  Address,  23  rue  Victor-Chevreuil,  Paris. 

1 Due  de  Dino,  1904.  Plaquette,  galvano  silvered,  70  x 50  mm. 

2 Enseignement  (edited  by  the  Mint  at  Paris).  Struck  medal,  bronze, 

50  mm. 

3 Ernest  d’Hervilly,  1900.  Plaquette,  galvano  gilt,  91  x 70  mm. 

4 Exposition  Internationale  d’Habitation,  1903.  Struck  medal,  bronze, 

64  mm. 

5 Independance  de  la  Republique  Argentine.  Obverse  and  reverse. 

Struck  medal,  bronze,  41  mm. 

6 La  Jeunesse,  1900.  Struck  plaquette,  bronze,  61  x 59  mm. 

7 Le  Livre,  1900.  Plaquette,  galvano  silvered,  111  x 75  mm. 

8 Leon  Duvauchel,  Poete,  1897.  Plaquette,  galvano  gilt,  120  x 61  mm. 

9 Le  Travail  (edited  by  the  Mint  at  Paris).  Struck  medal,  bronze, 

51  mm. 

10  Les  Deblois,  Graveurs,  1900.  Cast  plaquette,  bronze,  61  x 54  mm. 

11  Mes  Parents,  1900.  Struck  plaquette,  bronze,  62  x 67  mm. 

12  Mutualite  (edited  by  the  Mint  at  Paris).  Struck  medal,  bronze, 

51  mm. 

13  Navigation  en  Mer  (edited  by  the  Mint  at  Paris).  Struck  medal, 

bronze,  51  mm. 

74  Navigation  en  Riviere  (edited  by  the  Mint  at  Paris).  Struck  medal, 

bronze,  51  mm. 

13  Portrait  de  Dame,  1897.  Plaquette,  galvano  gilt,  55  x 42  mm. 

16  Portrait  de  Dame,  1897.  Plaquette,  galvano  gilt,  81  x 55  mm. 


187 


7/  Soliege,  1900.  Plaquette,  galvano  silvered,  51  x 60  mm. 

IS  Syndicat  des  Journalistes  Republicans,  “Triomphe  de  la  Repu- 
blique,”  d’apres  Dalou,  1906.  Struck  plaquette,  bronze,  54x70 
mm. 

19  Venise,  1900.  Cast  plaquette,  bronze,  110  x 107  mm. 


188 


ALPHONSE  LEGROS 


Alphonse  Legros,  painter,  sculptor,  medalist  (French),  was  born  in  Dijon, 
France,  1837.  He  is  painter,  etcher,  medalist,  draftsman.  In  1848  he  was 
apprenticed  to  a house-painter.  Later  he  worked  at  Lyons  under  a deco- 
rator. Going  to  Paris,  he  worked  under  Cambon,  the  scene-painter,  and 
afterward,  entering  the  Ecole  des  Beaux-Arts,  studied  under  Belloc  and 
Lecoq  de  Boisbaudran.  Purchasing  freedom  from  conscription,  he  devoted 
himself  to  art.  In  1863  he  went  to  England,  where  he  was  well  received 
by  G.  F.  Watts,  Dante  G.  Rossetti,  and  others.  In  1876  he  was  appointed 
Slade  professor  of  art  at  University  College,  London,  in  succession  to  Sir 
Edward  Poynter,  who  had  resigned,  and  Legros  retained  the  chair  for 
about  seventeen  years.  His  instruction  was  distinguished  by  its  practical 
demonstration  through  drawing  and  painting  from  the  model,  including 
portraits  of  well-known  artists. 

Works:  Portrait  deM.  L.  (father  of  the  artist)  (1857),  Museum  of  Tours; 
L’Angelus  (1859);  Ex  Voto  (1861),  Dijon  Museum;  Messe  pour  les  Morts 
(1863) ; La  Lapidation  de  Saint  Etienne  (R.A.  1866,  Salon  1867,  gained  gold 
medal);  Amende  Honorable  (1868),  The  Luxembourg;  Pelerinage,  Walker 
Gallery,  Liverpool;  Le  Chaudronnier,  owned  by  Constantine  Ionides;  Songe 
de  Jacob  (1880),  Fitzwilliam  Museum,  Cambridge;  Christ  Mort;  gold-point 
portraits  of  Sir  Seymour  Haden,  his  son,  and  others  (Luxembourg); 
Femmes  Suppliantes , Tate  Gallery,  Milbank;  bronze  medallions,  Tennyson, 
Darwin,  and  others.  He  is  one  of  the  revivers  of  etching  and  a finished 
draftsman  in  chalk,  silver-point,  and  other  forms.  Address,  57  Brook 
Green,  W.,  London. 

1 Alfred  Tennyson,  1881.  Cast  medal  (single),  bronze,  118  mm. 

2 Charles  Darwin,  1881.  Cast  medal  (single),  bronze,  115  mm. 

3 John  Stuart  Mill,  1882.  Cast  medal  (single),  bronze,  101  mm. 

4 Thomas  Carlyle,  1881.  Cast  medal  (single),  bronze,  118  mm.1 2 3 4 

1 Nos.  1-4  were  loaned  by  Edward  D.  Adams,  Esq. 


189 


PIERRE  LENOIR 


Pikrre  Lenoir,  medalist  (French),  was  born  in  Paris,  1879.  Studied  at  the 
Ecole  des  Beaux-Arts  of  Rennes,  under  the  direction  of  his  father,  the 
sculptor  Charles  Lenoir,  and  was  admitted  to  the  Ecole  Nationale  etSpeciale 
des  Beaux-Arts  of  Paris,  where  he  had  in  succession  as  professors  the  mas- 
ters Falguiere,  Mercie,  and  Chaplin.  Obtained  at  this  school  several  awards 
(prize  Chenavar,  three  medals),  and  became  the  head  of  the  class.  Ex- 
hibited in  1904  in  the  Salon  de  la  Societe  des  Artistes  Francais,  of  which  he 
is  a member,  and  obtained  a mention.  In  1905  he  received  a third  medal, 
and  in  1907  a second  medal. 

Among  the  works  in  the  present  exhibition  note:  L’Infini;  Bucolique, 
inspired  by  the  verses  of  Vergil: 

Tityre,  tu  patulae  recubans  sub  tegmine  fagi 

Silvestrem  tenui  rausam  meditaris  avena  (Bucolics  I,  1-2); 


Fil  de  la  Vierge,  “The  Thread  of  the  Virgin”  [the  mother  of  Jesus  fell 
asleep  near  her  spinning-wheel,  and  during  her  sleep  the  angels  came  and 
unwound  the  thread  from  her  distaff  and  spread  it  over  the  fields,  which 
accounts  for  our  seeing  in  the  morning  those  beautiful  threads  on  the  twigs 
and  plants,  on  which  the  dewdrops  glitter  like  diamonds];  the  plaquette 
Via  Mariani,  representing  TEsculapius,  the  god  of  medicine,  about  to  seal 
a contract  with  the  joyous  Bacchus;  Les  Potiers,  a triptych,  representing 
the  history  of  pottery  as  it  is  still  practised  in  a little  hamlet  in  Brittany 
called  La  Poterie,  near  Lamballe.  Address,  14  avenue  du  Maine,  Paris. 


1 Anesse,  1908.  Cast  plaquette,  bronze,  104  x 150  mm. 

2 Apiculture,  1906.  Struck  medal,  bronze  silvered,  57  mm. 

3 Bacchus,  1904.  Cast  medal,  bronze,  130  mm. 

4 Bebe,  1905.  Cast  plaquette,  bronze  silvered,  135  x 100  mm. 

5 Bucolique,  1904.  Cast  plaquette,  bronze  silvered,  95x  125  mm. 

6 Charite,  1907.  Struck  plaquette,  bronze,  55x58  mm. 

7 Chevre,  1908.  Cast  plaquette,  bronze,  110  x 150  mm. 

8 Chevre  Broutant,  1904.  Cast  plaquette,  bronze,  125  x 100  mm. 

.9  Chien  de  Berger,  1904.  Cast  plaquette,  bronze,  110  x 93  mm. 


190 


10  Etude,  1906.  Struck  medal,  bronze,  40  mm. 

11  Exposition  Canine,  1905.  Struck  plaquette,  bronze  silvered,  43  x 60 

mm. 

12  Fit  de  la  Vierge,  1908.  Struck  plaquette,  bronze,  50  x 68  mm. 

13  Homme  a la  Pipe,  1908.  Cast  plaquette,  bronze,  100  x 75  mm. 

15  Jean  Mace  (1815-1894),  1905.  Cast  plaquette,  bronze,  150  x 110  mm. 

15  Jeune  Veau,  1908.  Cast  plaquette,  bronze,  100  x 105  mm. 

16  Les  Potiers,  1908.  Plaque,  triptych  in  plaster  (cast,  bronze,  14  x 34 

cm.). 

17  L’Infini,  1906.  Cast  plaque  (single),  bronze,  23  x 19.5  cm. 

18  Tete  d’une  vieille,  1904.  Cast  medal,  bronze,  80  mm. 

19  Vanneuses,  1905.  Medallion,  galvano  silvered  (cast,  bronze,  92 

mm.). 

20  Vin  Mariani,  1909.  Obverse  and  reverse.  Struck  plaquette,  bronze, 

53  x 42  mm. 


191 


192 


HIPPO  LATE  LE  ROY 


i Iippolyte  Le  Roy,  sculptor,  pai liter,  medalist  (Belgian),  was  born  in  1.  • . 
1857.  He  was  a pupil  of  the  Royal  Academy  of  Ghent,  where  he  gained 
the  firs|  prize  for  sculpture  in  alf:  grades;  of  the  Ecole  de  Saint-J< 

Xoode,  and  of  the  Ecole  des  Beaux-Arts  of  Paris,  from  which  he  was  gradu- 
ated with  the  s£6ond  rank  against  sixty-seven  competitors  . •*.  k 

of  Fajguiere.  Received  the  Godecharles  endowment  ( 1 88 1 ri 
endowment  (1886)^  Visited  Germany,  England, gHoll  in 
and  Italy.  Returning  to  Belgium,  he  installed  himsui  Ghent,  and  there 
developed  his  aptitude,  uniting  the  intellectual  a 

the  Walloon  artists  with  the  solid  qualitic  • 

Hippolyte  Le  Roy  has  been  honored  by  medals  diplomas,  and  orders 
of  merit  in  France,  Germany,  Spain,  Italy,  and  America,  where  he  obtained 
a silver  mecj^l  at  the  Exposition  gf  St.  Louis,  1904.  He  has  been  chevalier 
of  the  Order  of  Leopold  since  1896.  Has  received  many  distinctions  for  : I - 

"1  T 

works  of  sculpture,  his  medals,  and  painting,  in  which  he  excels  equally. 

Works:  Le  Gaulois  a VAffut  (Godecharles  prize);  Hero,  marble  statue 
in  the  Museum  at  Ghent;  La  Fatalite,  a group  which  brought  him  the  gold 
medal  from  Paris  and  Munich,  the  medal  of  honor  from  Barcelona,  and 
the  gold  medal  from  the  government  of  Belgium;  Conscience,  group  in 
bronze;  Soldat  Francois  Mourant,  monument  erected  to  the  memory  of 
the  French  who  died  at  Ghent  in  1870;  ^'Industrie,  les  Beaux-Arts,  Vlnstru 
lion,  in  the  Museum  of  Ghent;  Page,  XV V Siecte,  marble  study;  Le  Pm 
temps,  bronze  statue  in  the  Botanical  Gardens  of  Brussels,  which  belongs 
to  the  State;  La  Sagesse,  marble  statue  belonging  to  the  State;  Fileuse 
Flamande,  belonging  to  the  Societe  des  Filateurs  Gantois,  brought  to  I'm 
, :ty  of  Ghent  and  placed  in  the  Commercial  Exchange;  Le  Monument  du 
Maire  de  Roubaix;  busts:  Hippolyte  Lippens,  senior  burgomaster,  at  the 
Hotel  de  Vi  lie  of  Ghent;  Joseph  Plateau,  professor  at  the  University  of 
Ghent,  at  the  Royal  Academy  of  Brussels  and  belonging  to  the  State;  Jules 
Peru,  minister  of  state;  Mgr.  Lambrechi,  Bishop  of  Ghent;  ./.  Lechat,  pres- 
id.  nl  of  the  Societe  Francaise  de  Bienfaisance. 

■ die  of  the  principal  works  is  the  triple  military  diorama  which  figured 


HIPPOLYTE  LE  ROY 


Hippolyte  Le  Roy,  sculptor,  painter,  medalist  (Belgian),  was  born  in  Liege, 
1857.  He  was  a pupil  of  the  Royal  Academy  of  Ghent,  where  he  gained 
the  first  prize  for  sculpture  in  all  grades;  of  the  Eeole  de  Saint-Josse-ten- 
Noode,  and  of  the  Ecole  des  Beaux-Arts  of  Paris,  from  which  he  was  gradu- 
ated with  the  second  rank  against  sixty-seven  competitors.  He  was  a pupil 
of  Falguiere.  Received  the  Godecharles  endowment  (1881)  and  the  Archies 
endowment  (1886).  Visited  Germany,  England,  Holland,  Austria,  France 
and  Italy.  Returning  to  Belgium,  he  installed  himself  at  Ghent,  and  there 
developed  his  aptitude,  uniting  the  intellectual  and  sentimental  qualities  of 
the  Walloon  artists  with  the  solid  qualities  of  the  Flemish. 

Hippolyte  Le  Roy  has  been  honored  by  medals,  diplomas,  and  orders 
of  merit  in  France,  Germany,  Spain,  Italy,  and  America,  where  he  obtained 
a silver  medal  at  the  Exposition  of  St.  Louis,  1904.  He  has  been  chevalier 
of  the  Order  of  Leopold  since  1896.  Has  received  many  distinctions  for  his 
works  of  sculpture,  his  medals,  and  painting,  in  which  he  excels  equally. 

Works:  Le  Gaulois  a I’Affiit  (Godecharles  prize);  Hero,  marble  statue 
in  the  Museum  at  Ghent;  La  Fatalite,  a group  which  brought  him  the  gold 
medal  from  Paris  and  Munich,  the  medal  of  honor  from  Barcelona,  and 
the  gold  medal  from  the  government  of  Belgium;  Conscience,  group  in 
bronze;  Soldat  Francois  M our  ant,  monument  erected  to  the  memory  of 
the  French  who  died  at  Ghent  in  1870;  L Industrie,  les  Beaux-Arts,  l' Instruc- 
tion, in  the  Museum  of  Ghent;  Page,  XVL  Siecle,  marble  study;  Le  Prin- 
temps,  bronze  statue  in  the  Botanical  Gardens  of  Brussels,  which  belongs 
to  the  State;  La  Sagesse,  marble  statue  belonging  to  the  State;  Fileuse 
Flamande,  belonging  to  the  Soeiete  des  Filateurs  Gantois,  brought  to  the 
city  of  Ghent  and  placed  in  the  Commercial  Exchange;  Le  Monument  du 
Maire  de  Roubaix;  busts:  Hippolyte  Lippens,  senior  burgomaster,  at  the 
Hotel  de  Ville  of  Ghent;  Joseph  Plateau,  professor  at  the  University  of 
Ghent,  at  the  Royal  Academy  of  Brussels  and  belonging  to  the  State;  Jules 
Bara,  minister  of  state;  Mgr.  Lambrecht,  Bishop  of  Ghent;  .7.  Lechat,  pres- 
ident of  the  Soeiete  Francaise  de  Bienfaisance. 

One  of  the  principal  works  is  the  triple  military  diorama  which  figured 
193 


at  the  Universal  Exposition  of  Liege,  1905,  and  which  he  executed  in  col- 
laboration with  Abry. 

Among  his  other  productions  are:  Bas-reliefs:  Sylu.  Dupuis , chief  of  the 
orchestra  in  Brussels;  Mine.  A.  Bron,  a literary  woman  of  Brussels.  Monu- 
ments: the  monument  of  the  fountain,  seventeen  meters  in  height,  in 
honor  of  Ch.  de  Kerchove  de  Denterghem,  senior  burgomaster  of  Ghent, 
and  the  monument  of  the  Countess  de  Kerchove  thoe  Moerbeke  (Flemish- 
land);  the  monument  of  Ch.  Miry;  Prosperity,  a large  stone  group  at  the 
new  palace  of  the  King  in  Brussels.  Decoration:  the  facade  of  the  Dutry- 
Colson  house  at  Ghent.  Medals:  S.  M.  la  Heine  de  Hollande;  S.  A.  R.  la 
Princesse  Elizabeth;  S.  M.  Elisabeth,  Reine  des  Beiges;  Leopold  11,  Roi  de 
Beige;  Lems  Altesses  Rogales  le  Prince  et  Princesse  Albert  de  Beige;  medal 
for  twenty-fifth  anniversary  of  the  foundation  of  the  Societe  des  Inge- 
nieurs.  Address,  21  rue  Mercelis,  Brussels,  or,  4 rue  des  Tonneliers,  Ghent, 
Belgium. 

1 XXVe  Anniversaire  de  l’Association  des  Ingenieurs  des  Ecoles  de 

Gaud,  1901.  Obverse.  Struck  medal,  silver,  50  mm. 

2 The  same.  Reverse.  Struck  medal  (uniface),  silver,  50  mm. 

(artist’s  proof). 

3 The  same.  Obverse.  Struck  medal  (uniface),  silver,  50  mm. 

(artist’s  proof). 

4 Concours  Agricole  de  Gand,  1908.  Struck  medal,  bronze,  60  mm. 

5 The  same.  Struck  medal  (uniface),  bronze  silvered,  60  mm.  (art- 

ist’s proof). 

6 Concours  Agricole  de  Gand,  Insigne  de  Membre  du  Jury,  1908. 

Struck  plaquette  (uniface),  silver,  19x21  mm. 

7 Concours  Agricole  de  Namur,  1901.  Struck  medal,  bronze,  50  mm. 

8 Concours  Agricole  de  Namur,  Insigne  de  Membre  du  Jury,  1901. 

Struck  plaquette,  bronze  gilt,  35  x 28  mm. 

.9  Conference  de  la  Paix,  La  Haye,  1907  (medal  of  the  Societe  Hol- 
landaise-belge  des  Amis  de  la  Medaille  d’Art).  Struck  medal, 
bronze,  65mm.  (artist’s  proof). 

10  XXe  Congres  Archeologique  de  Gand,  1907.  Struck  medal  (uni- 
face), bronze,  60mm.  (artist’s  proof). 


194 


11  Conseillers  Communaux  de  Gand,  1906.  Struck  medal  (badge), 

silver,  30  mm. 

12  Federation  des  Societes  de  Sports  Athletiques  de  Belgique,  Bru- 

xelles, 1903.  Struck  plaquette  (badge),  silver,  35  mm. 

13  La  Pucelle  de  Gand  (Armes  de  la  Ville  ),  1907.  Struck  medal,  silver, 

30  mm. 

1A  Naissanee  du  Prince  Leopold,  1901.  Struck  medal,  bronze,  60  mm. 

15  GEuvre  du  Grand  Air,  1900.  Struck  medal,  silver,  30  mm. 

16  Paul  Kruger,  Protege  par  la  Reine  de  Hollande,  1900.  Reverse. 

Struck  medal,  bronze,  30  mm. 

17  S.  M.  Elisabeth,  Reine  des  Beiges,  1901.  Struck  medal,  bronze, 

30  mm. 

18  The  same.  Cast  medallion  (single),  model  for  the  above,  bronze, 

60  cm. 

19  S.  M.  Wilhelmina,  Reine  de  Hollande,  1900.  Struck  medal,  bronze, 

30  mm.  (artist’s  proof). 

20  Victoire  de  l’Equipe  Gantoise  aux  Regates  de  Henley,  Angleterre, 

1907.  Struck  medal,  bronze,  60  mm. 

21  Victor  Lemaire,  Graveur  Gantois,  1906.  Struck  medal,  bronze, 

60  mm. 

22  Visite  de  Leurs  Altesses  Royales  a Gand,  1902.  Struck  medal, 

bronze  silvered,  60  mm. 


195 


196 


BERTRAM  MACKENNAL 


Bertram  Mackennal,  sculptor,  medalist  (British),  was  born  in  Melbourne, 
in  1863.  His  father  was  also  a sculptor,  and  his  systematic  training  com- 
menced in  the  Melbourne  Art  School.  In  1882  he  went  to  London,  and  in 
the  following  year  became  a student  in  the  Royal  Academy  Schools,  but 
shortly  after  went  to  Paris,  and  for  the  next  five  years  he  divided  his  time 
between  Paris  and  Italy,  studying  closely  examples  of  modern  and  ancient 
sculpture.  In  the  virility  of  Rodin’s  work  he  found  much  that  roused  in 
him  a spirit  of  emulation,  and  though  he  did  not  set  himself  to  copy  the 
methods  of  the  French  master,  he  sought  to  make  himself  a sculptor  of  the 
same  fearlessly  individual  type.  In  1888  he  left  Paris  and  returned  to 
Australia,  receiving  a commission  to  execute  two  large  panels  for  the  Par- 
liament House  at  Melbourne,  a commission  gained  in  competition.  Three 
years  later  he  returned  to  Paris,  sending  his  first  work  to  the  Salon  in  1892; 
and  in  the  following  year  was  awarded  an  honorable  mention  for  his  Circe. 

Works:  A statue  of  Oceana,  for  the  Union  Club  at  Sydney;  statues 
Diana  and  The  Dancer;  a group  entitled  The  Elements;  Gloria;  two  statues 
of  Queen  Victoria,  one  at  Lahore,  India,  and  the  other  for  Ballarat;  a 
memorial  to  the  late  Sir  William  Clarke  at  Melbourne;  and  a colossal 
bronze  figure  of  the  Hon.  T.  J.  Byrnes,  for  Brisbane. 

Apropos  of  the  “New  British  Coins”  a recent  issue  of  the  Pall  Mall 
Gazette  has  the  following: 

Bertram  Mackennal,  A.R.A.,  the  Australian  sculptor,  has  been  ap- 
pointed to  design  and  model  the  coronation  medal  and  the  new  coinage. 
The  naval,  military,  and  Civil  Service  medals  of  the  new  reign  are  also 
to  be  designed  by  Mr.  Mackennal.  . . . 

The  exceedingly  successful  work  that  Mr.  Mackennal  has  already  done 
in  designing  and  modeling  medals  has  no  doubt  led  to  his  present  ap- 
pointment. It  was  he,  it  will  be  remembered,  who  designed  the  medals 
that  were  presented  to  the  victors  in  the  Olympic  games — medals  that 
contained  those  beautiful  designs  of  the  victory  of  St.  George,  of  the 
crowning  of  the  athlete,  of  the  figure  of  Victory,  and  of  the  chariot 
bearing  the  victor  into  the  city.  It  was  he,  too,  who  was  chosen  to  de- 
sign the  medal  of  the  Royal  Photographic  Society,  and  the  Lawrence 
Medal,  illustrating  the  culture  of  the  rose,  Progress,  and  the  fruitful 
tree,  for  the  Royal  Horticultural  Society. 


197 


II  is  of  interest,  too,  when  we  remember  the  King’s  deep  concern  in 
the  Colonies — the  concern  of  one  who  has  seen  and  known — to  note  that 
Mr.  Mackennal  is  a Colonial,  ihe  lirst  who  was  ever  elected  an  Associate 
of  the  Royal  Academy,  and  the  first  who  was  ever  commissioned  to 
design  a coinage. 

Mr.  Mackennal,  who  was  born  in  Melbourne  in  1863,  has  lived  in 
England  for  some  time.  He  was  elected  an  Associate  of  the  Royal 
Academy  last  year.  Among  the  latest  of  his  works  is  the  national  me- 
morial statue  of  Gainsborough,  which  is  to  be  erected  in  Sudbury — a 
statue  in  bronze  of  the  great  portrait-painter  in  the  picturesque  dress 
of  his  period.  Address,  38  Marlboro  Hill,  St.  John’s  Wood,  London. 

1 Olympic  Games,  London,  1908,  prize  medal.  Obverse  and  reverse. 

Struck  medal,  bronze,  32  mm. 

2 The  same.  Obverse  and  reverse.  Model  for  the  above,  in  plaster. 

3 Olympic  Games,  London,  1908,  commemorative  medal.  Obverse 

and  reverse.  Struck  medal,  bronze,  45  mm. 

4 The  same.  Obverse  and  reverse.  Model  for  the  above,  in  plaster. 


2 


4 


198 


FREDERIC  MacMONNIES 


Frederic  MacMonnies,  sculptor,  medalist  (American),  was  born  in  Brook- 
lyn, 1863.  He  was  admitted  to  the  studio  of  Augustus  Saint-Gaudens,  1880, 
and  worked  four  years,  studying  at  night  in  life  classes  of  the  Academy  of 
Design  and  the  Art  Students’  League.  He  completed  an  art  education 
abroad  at  Munich  and  in  the  atelier  of  Alexandre  Falguiere  in  the  Ecole 
des  Beaux-Arts,  also  in  Falguiere’s  private  studio.  He  received  the  first 
prize  at  the  National  Academy  of  Design  in  1884;  prix  d’atelier,  the  highest 
prize  open  to  foreigners,  in  1886.  He  established  his  own  studio  in  Paris 
in  1887,  and  received  honorable  mention  for  his  first  figure,  Diana,  in  the 
Paris  Salon,  1889;  second  medal  in  the  Salon,  1891,  for  statues  of  Nathan 
Hale  and  J.  S.  T.  Stranahan;  first-class  gold  medal,  Antwerp,  1894;  grand 
prize  of  honor,  Paris  Exposition,  1900;  first-class  medals  at  the  Expositions 
of  Atlanta,  Buffalo,  Philadelphia,  and  Boston;  honorable  mention  for 
painting  at  the  Paris  Salon  in  1902;  third  medal  in  1904.  He  was  created 
chevalier  of  the  Legion  of  Honor  by  the  French  government  in  1896; 
chevalier  of  the  Order  of  St.  Michael  of  Bavaria,  Munich,  in  1897;  N.A.  in 
1906.  He  is  a member  of  the  National  Sculpture  Society,  Architectural 
League,  etc. 

Works:  three  life-size  bronze  angels  (1889),  St.  Paul’s  Church,  New 
York;  Nathan  Hale  (1891),  City  Hall  Park,  New  York;  James  Samuel  Stra- 
nahan (1891),  Prospect  Park,  Brooklyn;  Pan  of  Rohallion  (1890);  Faun 
with  Heron  (1892);  Sir  Henry  Vane  (1893),  Boston  Public  Library;  colossal 
fountain,  World’s  Columbian  Exposition,  Chicago  (1893)  (twenty-seven 
figures);  Bacchante  with  Infant  Faun,  Metropolitan  Museum  of  Art,  New 
York,  also  in  Brooklyn  Institute  and  Carnegie  Institute,  Pittsburgh,  and  in 
Luxembourg  Gallery,  Paris,  1894;  two  pediments,  Bowery  Bank,  New  York, 
1894;  four  spandrels,  Washington  Arch,  New  York,  1894;  Venus  and 
Adonis,  1895;  Cupid,  1895;  figure  of  Victory  for  Battle  Monument,  West 
Point,  1895;  central  bronze  doors  and  statue  of  Shakespeare,  Congressional 
Library,  1898;  army  and  navy  groups  for  Soldiers  and  Sailors’  Arch,  Pros- 
pect Park,  Brooklyn,  1900;  two  groups  of  horses,  Prospect  Park,  Brooklyn, 
1900;  equestrian  statue  of  General  Slocum,  Brooklyn,  1900;  equestrian  stat- 
199 


net  to  of  Theodore  Roosevelt,  1905;  equestrian  statue  of  General  G.  B. 
McClellan,  Washington,  1906;  two  fountains,  Knickerbocker  Hotel,  New 
York,  1906;  group,  Pax  Yictrix,  1907;  Pioneer  Monument  Fountain,  Den- 
ver, Colorado,  1908-10.  Address,  Giverny- Vernon  (Eure),  France. 

1 Niagara.  Obverse.  Struck  medal,  silver,  58  mm.  (also,  struck 

medal  (uniface),  silver,  40mm.). 

2 Susie  Pratt  Kennedy,  1895.  Obverse.  Medal,  galvano  silvered, 

100  mm. 


RUDOLF  FERDINAND  MARSCHALL 

Rudolf  Ferdinand  Marschall,  sculptor,  medalist  (Austrian),  was  born  in 
Vienna,  1873.  He  studied  at  the  School  of  Engraving  under  Professor 
Schwartz,  Schulmeister,  and  Zapf.  In  the  year  1891  he  was  awarded  a 
first  prize  (silver  medal)  by  the  Chamber  of  Commerce  and  Industry  of 
Lower  Austria;  and  then  the  bronze  and  silver  medals  of  the  Engravers’ 
Association  for  modeling,  drawing,  and  engraving.  After  an  absence  of 
some  duration,  during  which  Marschall  visited  the  principal  artistic  cen- 
ters of  Europe,  he  returned  to  Vienna,  and  became  a pupil  of  the  Academy 
of  Decorative  Arts,  where  he  devoted  five  years  to  the  study  of  the  medallic 
art  under  the  special  supervision  of  Professor  Tautenhayn.  During  this 
period  he  received  numerous  prizes,  among  which  was  the  gold  Fiiger 
medal.  In  1898  he  left  the  Academy,  and  has  since  produced  numerous 
works  of  medallic  art  and  of  sculpture,  which  have  won  the  highest  dis- 
tinctions. The  artist  has  been  since  1903  court-medalist  of  the  Emperor 

200 


of  Austria;  since  1904  Professor  in  the  High  School;  since  1905  he  has  been 
intrusted  with  the  direction  of  the  Royal  Imperial  School  of  Medal  Engrav- 
ing. Professor  Marschall  received  the  Cross  of  the  Papal  Order  of  St.  Syl- 
vester, 1903;  Order  of  the  Prussian  Crown,  third  class,  1904;  Imperial 
Austrian  Order  of  the  Iron  Crown,  third  class,  1908;  the  papal  decoration 
“Benemerenti”  in  brilliants,  1910. 

Works:  Franz  Gahler  (1894),  cast  medallion  (single),  155mm.;  Marie 
Urban  (1894),  cast  medallion  (single),  155  mm.;  Damenspende,  cast  bronze, 
9.5  x 9.5  x 23  cm.;  Antonio  Tomasone  (1897),  cast  plaque  (single),  14.5  x 20 
cm.;  Christina  Martino  (1897),  cast  plaquette  (octagonal),  150x150mm.; 
Anton  Robert  (1897),  cast  plaquette,  143  x 196  mm.  (struck,  41  x 57  mm.), 
etc.  Cf.  “Wiener  Medailleure,”  by  A.  von  Loehr  (1899),  and  “Nachtrag” 
(1902).  Address , 40  Starhemberg,  Vienna  IV. 

1 Arthur  von  Gwinner,  Bankdirektor,  1907.  Cast  medal  (double), 

bronze,  140  mm. 

2 Baronin  Maria  von  Ebner  Eschenbach,  der  Dichterin  gewidmet  von 

ihren  Wiener  Freunden  und  Verehrern,  1900.  Obverse  and  re- 
verse. Struck  medal,  bronze,  58  mm. 

3 Bischof  Josip  Juraj  Strossmayer,  auf  den  Tod  desselben,  nach  der 

Natur  model liert,  1906.  Cast  plaque  (double),  bronze,  20  x 15.6 
cm. 

4 The  same.  Obverse  and  reverse.  Struck  plaquette,  bronze,  50  x 45 

mm. 

3 Biirgermeister  Dr.  Carl  Lueger  zum  60.  Geburtstag,  1904.  Struck 
medal,  bronze,  60  mm. 

6 C.  Karlweis,  ausgefiihrt  zum  50.  Geburtstage  des  Dichters,  1900. 

Cast  plaquette  (single),  bronze,  135x193mm. 

7 Dr.  Heinrich,  Ritter  von  Wittek,  Eisenbahnmeister  i.  P.,  1901. 

Struck  plaquette,  bronze,  43  x 64  mm. 

8 Dr.  Joseph  Scholz,  seinem  Prasidenten  u.  Griinder  gewidmet  vom 

arztl.  Verein  der  sudlichen  Bezirke  Wiens,  1906.  Struck  pla- 
quette (uniface),  bronze,  68  x 47  mm. 

9 Eisenbahnbeamter  Gesangverein  f.  besondere  Verdienste  auf  dem 

Gebiete  der  Musik  und  des  Gesanges,  1905.  Struck  plaquette 
(octagonal),  bronze,  75  x 32  mm. 

10  Enthullung  des  Goethe  Denkmales  in  Wien,  1901.  Struck  plaquette, 
bronze  (uniface),  75  x 53  mm. 


201 


11  Erster  Internationaler  Rhinologen-  und  Laryngologen-Congress  in 

\\  icn,  1908,  50-jahriges  Jubilaum  der  Einflihrung  des  Kehlkopf- 
spiegels  durch  Turck  und  Czermak.  Obverse  and  reverse.  Struck 
plaquette,  bronze,  60  x 45  mm. 

12  Erzherzog  Rainer,  ausgefiihrt  im  allerh.  Auftrage  zum  80.  Ge- 

burtstage,  1907.  Obverse  and  reverse.  Struck  medal,  bronze,  65 
mm. 

13  Erzherzog  Rainer  u.  Erzherzogin  Maria  (Goldene  Hochzeit),  gewid- 

met  von  der  k.  k.  Akademie  der  Wissenschaften,  1902.  Obverse 
and  reverse.  Struck  medal,  bronze,  60  mm. 

l'r  Erzherzogin  Maria  Rainer,  beim  Schiitzenfest,  1902.  Obverse  and 
reverse.  Struck  medal,  silver,  37  mm. 

13  Frau  Dr.  Suchanek,  1899.  Cast  plaquette  (single),  bronze,  128  x 187 
mm. 

16  Freiherr  von  Reck,  Feldzugmeister,  Chef  des  Generalstabes,  1906. 
Struck  medal,  bronze,  60  mm. 

11  Freiherr  von  Schonaich,  Reichskriegsminister,  1909.  Struck  pla- 
quette (uniface),  bronze,  70  x 60  mm. 

18  Friedrich  Alfred  Krupp,  1904.  Cast  medal  (single),  bronze,  112  mm. 

(struck,  110  mm.). 

19  Fiirst  Carl  Auersperg,  Jubilaumsmedaille  der  k.  k.  Landwirt- 

schaftsgesellschaft  in  Wien,  1907.  Struck  medal,  bronze,  70  mm. 

20  100.  Gedenktag  der  Schlacht  von  Aspern,  1909.  Struck  medal,  sil- 

ver, 54  mm. 

21  Graf  Bolfras,  Feldzugmeister,  zum  70.  Geburtstage,  1908.  Struck 

plaquette  (uniface),  bronze,  65  x 45  mm. 

22  Graf  Hans  Wilczek,  ausgefiihrt  im  Auftrage  der  Wiener  Freiwil- 

ligen-Rettungsgesellschaft,  1908.  Struck  plaquette,  bronze,  65  x 
45  mm. 

23  Graf  Wickenburg,  Leiter  des  Arbeitsministeriums,  1909.  Struck 

plaquette  (uniface),  bronze,  55  x 40  mm. 

24  Hofrat  Dr.  Friedrich  von  Kenner,  Direktor  der  Miinz-  und  Medail- 

lensammlung  des  allerhochsten  Kaiserhauses,  1899.  Cast  pla- 
quette (single),  bronze,  103  x 180  mm. 

25  Hofrat  Professor  Adolf  Friedrich,  Professor  an  der  Hochschule 

fur  Bodenkultur  in  Wien,  1902.  Struck  plaquette  (uniface), 
bronze,  55  x 55  mm. 


202 


26  Hofrat  Professor  Dr.  Gustav  Tschermak,  Mineraloge  an  der  Uni- 

versitat  zu  Wien,  gewidmet  von  seinen  Schiilern  zum  40-jahr- 
igen  Dozent  jubilaum,  1901.  Struck  medal,  bronze,  50  mm. 

27  Internationale  Ausstellung  fiir  Spiritus-Verwertung  und  Garungs- 

Gewerbe,  Staatspreis,  Wien,  1904.  Struck  plaquette,  bronze, 
50  x 76  mm. 

28  150-jahrige  Bestand  der  Konsular-Akademie,  1906.  Obverse  and 

reverse.  Struck  medal,  bronze,  60  mm. 

29  Johann  Freiherr  von  Chlunecky,  Minister  i.  P.,  zum  70.  Geburts- 

tage,  1905.  Struck  medal,  bronze,  65  mm. 

30  Josef  Haydn,  100.  Todestag  des  Tonkiinstlers,  1909.  Obverse  and 

reverse.  Struck  medal,  bronze,  54  mm. 

31  Josef  Lewinsky,  Hofschauspieler,  ausgefuhrt  anlasslich  seines  40- 

jahrigen  Wirkens  im  Wiener  Burgtheater,  1898.  Obverse  and 
reverse.  Cast  medal  (double),  bronze,  152  mm.  (also,  struck, 
56  mm.). 

32  Josef  Petschek,  Kohlengrubenbesitzer,  1904.  Struck  plaquette, 

bronze,  55  x 55  mm. 

33  Kaiser  Franz  Josef  I.,  Geschenk  fiir  den  deutschen  Kaiser,  naeh  der 

Natur  modelliert,  1900.  Cast  plaque  (single),  bronze,  15.3x22.3 
cm. 

34  Kaisergeburtstag,  ausgefiihrt  im  allerh.  Auftrage  zum  70.  Geburts- 

tage,  1900.  Struck  medal,  silver,  29  mm. 

35  Kaiserportrat  (nach  der  Natur  modelliert),  zur  Plakette  auf  das 

Armee-Preisschiessen,  Bruck  a.  d.  Leitha,  1908.  Cast  plaquette 
(double),  bronze,  model  (also  struck,  70  x 46  mm.). 

36  Kaiserregierungsjubilaum,  ausgefuhrt  anlasslich  des  50-jahrigen 

Regierungsjubilaums  Kaiser  Franz  Josef  I,  1898.  Struck  medal, 
bronze,  30  mm. 

37  Kinderfestzug,  ausgefuhrt  anlasslich  des  50-jahrigen  Regierungs- 

jubilaums Kaiser  Franz  Josef  I,  1898.  Struck  medal,  silver,  30 
mm. 

38  20-Kronen  Stuck,  60-jahr.  Jubilaum  (1848-1908),  Oesterreich,  1908. 

Obverse  and  reverse.  Gold,  21  mm. 

39  100-Kronen  Stuck,  60-jahr.  Jubilaum  (1848-1908),  Oesterreich, 

1908.  Obverse  and  reverse.  Gold,  38  mm. 

40  Max  Schaffner,  Chemiker,  President  des  Oesterr.  Vereins  fiir  che- 

mische  und  metallurgisehe  Produktion  in  Aussig,  1900.  Struck 
medal,  bronze,  61  mm. 

41  Merry  del  Val,  Cardinal-Staatssekretar,  1909.  Cast  plaque  (single), 

bronze,  23.5  x 20  cm. 

42  Niederoesterreichische  Landeskulturrat,  Preisplaquette,  1908.  Ob- 

verse and  reverse.  Struck  plaquette,  bronze,  50  x 80  mm. 


203 


'i3  Papst  Leo  XIII.,  Geschenk  tier  Gemeinde  Wien  zum  25-jahrigen 
Regierungsjubilaum,  nacli  der  Natur  modelliert,  1900.  Cast 
medallion  (double),  bronze,  20  cm.  (struck,  60  mm.). 

'i'i  Papst  Pius  X.,  nach  der  Natur  modelliert,  1908.  Obverse  and  re- 
verse. Struck  medal,  bronze,  60  mm. 

75  Paul  Heyse,  zum  70.  Geburtstage,  dem  Dichtei  gewidmet  von  seinen 

Wiener  Verehrern,  1901.  Obverse  and  reverse.  Cast  plaquette 
(double),  bronze,  120x  175  mm.  (struck,  bronze  and  silver, 
75  x 51  mm.). 

76  Regierungsjubilaums-Erinnerungskranz,  ausgefiihrt  anlasslich  des 

60-jahrigen  Reg.  Jubilaums  Kaiser  Franz  Josef  I.,  fiir  Offiziere 
und  Staatsbeamte,  1908.  Obverse  and  reverse.  Struck  piece, 
bronze  (badge),  37  mm. 

77  Sir  Francis  Drake,  ausgefiihrt  im  Auftrage  der  Amerikanischen 

Numism.  Gesellschaft,  New  York,  1907.  Obverse  and  reverse. 
Casl  plaque  (double),  bronze,  19.1  x 22.4  cm.  (struck,  65x46 
mm.) . 


204 


■iik  der  Gemeinde  Wien  zum  25-jahrigjin  ; 
k < ! er  Natur  modeliiert,  1900.  Ca^  -> 

• 01  • v r 'M  (struck,  60  mm.). 

■ ](  ’oilier!;,  1908.  Obverse  and  ri 

Hr 

w ■'  ! mm. 

x 

m 0 it  liter  gewidmet  von  seine n 
k.  reverse.  Castplacp.it  ■» 

,x  i I*  sl  uck,  bronze  and  silver, 

r * 

i ; fu  in  t anl asslicli  des  *■ 

hibilaunis  Kaiser  Franz  Josef  I.,  fur  Offiziere 
Obverse  and  reverse.  Struck  piece. 

i).  ' -'V,"  re 

x -J 

hi  Sir  Francis  r ;sgeC<!  i im  Ayftrage  der  Amerikanischen 

Numism.  Gesellschaft  Ne>s  York,  1907.  Obverse  and  reverse,  i 
Cast  plaque  (double),  bronze,  19.1x22.4 cm.  (struck,  6§x46J 
itim.). 


204 


205 


BARTOLOME  MAURA  Y MONTANER 


Bartolomk  Maura  y Montaner,  engraver,  medalist  (Spanish),  was  born  in 
Palma  do  Mallorca,  in  Ihe  Balearic  Islands,  in  1844.  He  studied  drawing  in 
the  Academy  of  Fine  Arts  of  that  city,  winning  several  medals  of  the  first 
class.  In  1868  he  went  to  Madrid,  entering  the  Escuela  Especial  de  Pintura, 
Escultura  y Grabado,  where  he  continued  his  studies  in  painting  and  in 
engraving,  obtaining  first  medals  in  the  examinations.  In  1871  he  won 
in  the  national  competition  for  an  engraving  of  Velazquez’  La  Rendition 
de  Breda:  Las  Lansas.  In  1873  a medal  of  art  was  awarded  to  him  at  the 
Universal  Exposition  of  Vienna  for  the  etching  of  Velazquez’  Una  Fabrica 
de  Tapices:  Las  Hilanderos.  In  1876  he  obtained  another  art  medal  in  the 
World’s  Fair  at  Philadelphia  for  the  engraving  Las  Lansas,  and  in  the 
National  Exposition  of  the  same  year  at  Madrid  he  gained  a first  medal  in 
gold  for  Ihe  same.  In  1890  he  gained  the  international  competition  for 
modeling  and  engraving  the  medal  commemorative  of  the  fourth  centenary 
of  the  discovery  of  America  by  Christopher  Columbus  in  1492.  In  1901 
he  was  again  rewarded  by  a gold  medal  of  the  first  class  at  the  General  Ex- 
position of  Fine  Arts,  Section  of  Engraving.  The  Biblioteca  Nacional  has 
a numerous  collection  of  engraved  portraits  of  the  most  distinguished 
Spanish  dramatists  and  men  of  letters  due  to  his  burin.  Since  1899  he  has 
been  a member  of  the  Real  Academia  de  Bellas  Artes  de  San  Fernando, 
lie  holds  several  decorations.  He  gained  by  competition  the  office  of  artis- 
tic director  of  the  mint  and  Ihe  office  for  the  printing  of  government 
stamped  paper,  and  is  Jefe  Superior  de  Administracion  Civil.  Address,  4 
Plaza  de  Colon,  Madrid. 

7 Alfonso  XIII  y Victoria  Eugenia  de  Battenberg,  Union  Augusta, 
1906.  Obverse  and  reverse.  Struck  medal,  bronze,  60  mm. 

2 Jose  Eehegaray,  Premio  Instituido  por  la  Real  Academia  de  Cien- 

cias  de  Madrid,  1905.  Obverse  and  reverse.  Struck  medal,  sil- 
ver, 68  mm. 

3 Tcrcer  Centenario  de  la  Publicacidn  del  “Quijote,”  1605-1905.  Ob- 

verse and  reverse.  Struck  medal,  bronze,  60  mm. 


206 


207 


DAVID  McGILL 


David  McGill,  sculptor,  medalist  (British),  was  born  in  Scotland.  Studied 
at  South  Kensington  and  the  Royal  Academy;  obtained  the  traveling  stu- 
dentship at  the  Royal  Academy  for  sculpture.  Made  the  statue  of  Sir  Wil- 
frid Lawson,  Bart,  (the  great  temperance  advocate  in  Parliament),  now  in 
the  Thames  Embankment  Gardens.  Address,  1 Scarsdale  Villas,  Kensing- 
ton, London,  W. 

1 Art.  Obverse  and  reverse.  Struck  medal,  copper  silvered,  89  mm. 

"2  Cambridge  University,  Prince  de  Bhaunagar,  1893.  Obverse  and 

reverse.  Struck  medal,  copper  silvered,  115  mm. 

3 F.  Derwent  Underwood.  Struck  medal,  copper  silvered,  89  mm. 

4 Nineteenth-Century  Allegory.  Obverse  and  reverse.  Struck  medal, 

copper  silvered,  102  mm. 

5 Robert  Bryden,  R.P.E.  Struck  medal,  134  mm. 

6 St.  Peter’s  College,  Westminster.  Obverse  and  reverse.  Struck 

medal,  copper  silvered,  83  mm. 

7 The  Right  Hon.  Thomas  Henry  Huxley,  F.R.S.  Obverse  and  reverse. 

Struck  medal,  copper  silvered,  134  mm. 


208 


r.  tajt  McKenzie 


R.  Tait  McKenzie,  sculptor,  medalist  (American  . o Jnmuk 

Ontario,  Canada,  1867.  He  was  lecturer  on  ,-uiUh  m >;  . M.mo---  ,*{ 

Art  Association,  1901;  Harvard  Summer  Selim -I . c I - 

Course,  St.  Louis,  1904.  He  has  been  profess*  >»  r o!  i 

ment  of  physical  education,  University  of  P<  . : ,;da.  since  1904. 

Works:  The  Sprinter  (1902),  Fitzw ill;  - urn,  Cambridge,  Emu a : f 

The  College  Athlete  (1903)  (ibid.);  Th<-  mpetilor  (1906),  Metropolitan 
Museum,  New  York;  The  Supple  Juggler  (1909)  (ibid.) ; The  Boxe<  ■ 191 A 
The  Relay,  1910;  Clark  memorial  (in  the  Pomfret  School,  Connecticut); 
Huger  Medallion  (University  of  Pennsylvania);  Samuel  Jackson  and 
Nathaniel  Chapman  (memorial  portrait  bronzes  in  mezzo  relief  for  the  Uni- 
versity of  Pennsylvania).  Since  1902,  exhibitor  at  Salon  des  Artistes 
Francais,  Royal  Academy,  National  Academy,  and  Pennsylvania  V 
Universal  Exposition  at  St.  Louis,  Ido; 

Exposition,  Brussels,  1910.  Address.  : 
delphia. 

1 Archibald  Larapman,  1903.  Cast  medal,  silver,  50  mm. 

2 Charles  Brockden  Brown,  Franklin  !im  Club,  1908.  Cast  plaqm  U , 

bronze,  50  x 35  mm. 

3 College  of  Physicians,  Philadelphia,  1910.  Struck  medal,  bronze, 

70  mm. 

4 Discobolus,  No.  1, 1904.  Cast  plaquette,  bronze,  170  x 100  mm. 

5 Discobolus,  No.  2, 1904.  Cast  plaquette,  bronze,  170  x 100  mm. 

6 Dorothy  B.,  1904.  Cast  medal,  silver,  47  mm. 

£ 18 

7 Dr.  Dudley  A.  Sargent,  1907.  Obverse  and  reverse.  Struck  medal, 

bronze  gilt,  50  mm. 

8 Dr.  W.  H.  Drummond,  1907.  Cast  medal,  bronze,  50  mm. 

T 6 

9 Francis  Kinloch  Huger  Memorial.  Cast  medal,  silver,  78  mm. 

10  Gertrude  Elliott,  as  Cleopatra,  1907.  Cast  medal,  bronze,  50  mm. 

11  Jeffrey  MacPhail,  1904.  Cast  plaquette, ^bronze,  50  x 35  mm. 

12  J.  Forbes-Robertson,  as  Csesar,  1907.  Cast  medal,  sbronze, 

13  List,  1909.  Cast  medal,  silver,  50  mm. 

74  Sir  William  C.  Van  Horne,  1908.  Cast  medal,  bronze,  135  mm 

15  Study  of  a Child,  No.  1,  1909.  Cast  medal,  bronze  gill,  50  mm. 

499 


<n  horn  in  Scotland.  Studied 
< my:  obtained  the  traveling  stu- 
e,  Made  the  statue  of  Sir  Wil- 
v !•  s'  orate  in  Parliament),  now  in 
S<  irsdale  Villas,  Kensing- 


• v . . ; medal,  copper  silvered,  89  mm. 

P ince  de  Bhaunagar,  1893.  Obverse  and 
i e vei  -a  Struck  medal,  copper  silvered,  115  mm. 

3 F.  Derwent  L nderwood.  Struck  medal,  copper  silvered,  89  mm. 

/ Nim  leentJvCenturv  Allegory.  Obverse  and  reverse.  Struck  medal, 
copper  silvered,  102  mm. 

k a v ; ■ . P H Struck  medal,  134  mm. 

ster.  Obverse  and  reverse.  Struck 
p : si!  \ rred,  83  mm. 

I minus  Henry  Huxley,  F.R.S.  Obverse  and  reverse, 
opper  silvered,  134  mm. 


208 


R.  TAIT  McKENZIE 


R.  Tait  McKenzie,  sculptor,  medalist  (American),  was  born  in  Almonte, 
Ontario,  Canada,  1867.  He  was  lecturer  on  artistic  anatomy,  Montreal 
Art  Association,  1901;  Harvard  Summer  School,  1901;  Olympic  Lecture 
Course.  St.  Louis,  1904.  He  has  been  professor  and  director  of  the  depart- 
ment of  physical  education,  University  of  Pennsylvania,  since  1904. 

Works:  The  Sprinter  (1902),  Fitzwilliam  Museum,  Cambridge,  England; 
The  College  Alhlete  (1903)  (ibid.);  The  Competitor  (1906),  Metropolitan 
Museum,  New  York;  The  Supple  Juggler  (1909)  (ibid.) ; The  Boxer  (1905) : 
The  Relay,  1910;  Clark  memorial  (in  the  Pomfret  School,  Connecticut); 
Huger  Medallion  (University  of  Pennsylvania);  Samuel  Jackson  and 
Nathaniel  Chapman  (memorial  portrait  bronzes  in  mezzo  relief  for  the  Uni- 
versity of  Pennsylvania).  Since  1902,  exhibitor  at  Salon  des  Artistes 
Franfais,  Royal  Academy,  National  Academy,  and  Pennsylvania  Academy, 
Universal  Exposition  at  St.  Louis,  1904  (silver  medal),  and  International 
Exposition,  Rrussels,  1910.  Address,  26  South  Twenty-first  Street,  Phila- 
delphia. 

1 Archibald  Lampman,  1903.  Cast  medal,  silver,  50  mm. 

2 Charles  Rrockden  Brown,  Franklin  Inn  Club,  1908.  Cast  plaquette, 

bronze,  50  x 35  mm. 

3 College  of  Physicians,  Philadelphia,  1910.  Struck  medal,  bronze, 

70  mm. 

4 Discobolus,  No.  1, 1904.  Cast  plaquette,  bronze,  170  x 100  mm. 

5 Discobolus,  No.  2, 1904.  Cast  plaquette,  bronze,  170  x 100  mm. 

6 Dorothy  B.,  1904.  Cast  medal,  silver,  47  mm. 

7 Dr.  Dudley  A.  Sargent,  1907.  Obverse  and  reverse.  Struck  medal. 

bronze  gilt,  50  mm. 

8 Dr.  W.  H.  Drummond,  1907.  Cast  medal,  bronze,  50  mm. 

9 Francis  Kinloch  Huger  Memorial.  Cast  medal,  silver,  78  mm. 

10  Gertrude  Elliott,  as  Cleopatra,  1907.  Cast  medal,  bronze,  50  mm. 

11  Jeffrey  MacPhail,  1904.  Cast  plaquette,  bronze,  50  x 35  mm. 

12  J.  Forbes-Robertson,  as  Caesar,  1907.  Cast  medal,  bronze,  50  mm. 

13  Lisl,  1909.  Cast  medal,  silver,  50  mm. 

74  Sir  William  C.  Van  Horne,  1908.  Cast  medal,  bronze,  135  mm. 

15  Study  of  a Child,  No.  1,  1909.  Cast  medal,  bronze  gilt,  50  mm. 


209 


W Study  of  a Child,  No.  2, 1909.  Cast  medal,  bronze  gilt,  50  mm. 

1 7 The  Sprinter,  1906.  Cast  medal,  bronze,  180  mm. 

13  The  same.  Struck  medal,  gold,  30  mm. 

19  Wharton  Stork,  1907.  Cast  medal,  silver,  50  mm. 

20  Wilfred  Campbell,  1906.  Cast  medal,  silver,  50  mm. 

2/  William  Williams  Keen,  M.D.  (original  for  Brown  University, 
Providence,  R.  I.),  1909.  Cast  plaquette,  silver,  175  x 100  cm. 

22  Wistful  ness,  1905.  Cast  medal,  bronze,  165  mm. 

23  The  same.  Cast  medal,  silver,  25  mm. 


Xos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14,  15,  16,  17,  18,  19,  20,  21,  22,  23 


210 


i r 


8 


8 


11 


1009.  Cast  medal,  bronze  gilt,  50  mm. 

I ; ,;-h  medal,  bronze,  180  mm. 

is  The  sun*  ;old,  30  mm. 

!'>  Wharton  Stork.  medal,  silver,  '50  mm. 

i Wilfred  Campbell,  1906.  Cast  medal,  silver,  50  mm. 

' ;m  Williams  Ke.  n ' i..  m.d  for  Brown  University, 

■•a  uUnce,  R.  I.),  st  pi  a pa-He,  silver,  175  x 100  cm. 

■h  s,  1905.  Cast  vk  < ;s  1,  bronze,  105  mm. 

■ *.  Cast  medal,  silver,  25  mm. 


Xos.  1.  J,  8,  I.  r.  6,  7.  8,  9,  !•>,  11,  12,  13.  14.  15.  16,  17,  18.  19,  20,  21,  22,  23 


210 


17 


211 


21 


HELEN  FARNSWORTH  MEARS 


Helen  Farnsworth  Mears,  sculptor  (American),  was  born  in  Oshkosh, 
Wisconsin.  Student  at  the  Art  Institute  of  Chicago  under  Lorado  Taft  for 
a few  weeks.  While  there  received  commission  for  a 9-foot  marble  statue, 
The  Genius  of  Wisconsin , from  the  women  of  her  native  State.  This  statue 
was  exhibited  at  the  Chicago  World’s  Fair  and  received  an  independent 
prize  of  $500  from  the  Milwaukee  Women’s  Club.  It  was  subsequently 
placed  in  the  rotunda  of  the  Capitol  at  Madison,  Wisconsin.  In  1894  she  came 
to  New  York,  where  she  studied  at  the  x\rt  Students’  League  under  Augustus 
Saint-Gaudens  for  two  years,  entering  Mr.  Saint-Gaudens’s  studio  as  assist- 
ant after  first  year.  Continued  studies  in  Paris  under  Alexandre  Charpen- 
tier,  Collin,  and  Merson  at  Academie  Vitti  and  at  Julien’s  under  Puech. 
Received  medals  at  Academie  Vitti  and  at  Julien’s.  While  in  Paris  worked 
as  assistant  in  Mr.  Saint-Gaudens’s  private  studio.  In  1898  won  in  com- 
petition a commission  to  execute  marble  statue  to  Frances  E.  Willard,  pre- 
sented by  the  State  of  Illinois  to  the  National  Capitol,  Washington,  D.  C. 
Her  large  wall  fountain,  The  Fountain  of  Life,  was  given  a place  of  honor 
and  received  a silver  medal  at  the  St.  Louis  Exposition  of  1904. 

Works:  portrait  bust,  President  George  Albee  of  Oshkosh  Normal  School, 
marble;  bronze  bas-reliefs,  Edward  MacDowetl,  Composer,  a replica  of 
which  is  installed  at  the  Metropolitan  Museum,  New  York  City,  also  one 
at  the  rooms  of  the  MacDowell  Club,  Metropolitan  Opera  House;  Louise 
Collier  Willcox,  Augustus  Saint-Gaudens,  Margaret  Adams,  Richard  Porter 
Hackelt,  Elizabeth  Mears;  group,  The  New  Year  Borne  in  Triumph  by  the 
Months,  designed  and  executed  for  Mrs.  F.  F.  Thompson,  New  York  City; 
bronze  bust,  General  George  Rogers  Clark,  for  the  Milwaukee  Public  Li- 
brary; bronze  bust,  William  T.  G.  Morion,  M.D.,  for  Smithsonian  Institu- 
tion, Washington,  D.  C.;  bronze  crouching  figure,  Echo,  for  Mrs.  William 
Schofield,  Cambridge,  Massachusetts. 

Member  of  the  National  Sculpture  Society,  the  MacDowell  Club,  New 
York  City,  and  the  Circle  of  the  Friends  of  the  Medallion.  Address,  The 
Clinton,  253  West  Forty-second  Street,  New  York  City. 

1 Augustus  Saint-Gaudens,  1898.  Cast  plaque  (single),  bronze, 

19  x 21.6  cm. 

213 


2 Edward  A.  MacDowell,  1906.  Cast  plaque  (single),  bronze,  20.3  x 

25.4  cm. 

3 Elizabeth  Mears  (mother  of  the  artist),  1907.  Bas-relief  (rectangu- 

lar), bronze,  46.3  x 59. 8 cm. 


LEO  MIELZINER 

Leo  Mielziner,  sculptor  (American),  was  born  in  New  York  City.  Both 
painter  and  sculptor.  Pupil  at  Cincinnati  Art  Academy;  at  the  Ecole  des 
Beaux-Arts,  Paris,  of  Gerome  and  Bouguereau;  at  the  Academie  Colorossi, 
Paris,  of  Collin  and  Courtois,  painters,  and  of  Injalbert  and  Gauquier, 
sculptors;  at  Copenhagen  of  Kroyer.  He  has  exhibited  sculpture  at  the 
Paris  Salon  and  the  Philadelphia  Academy.  Address,  Sherwood  Studios, 
58  West  Fifty-seventh  Street,  New  York  City. 

7 Dr.  M.  Mielziner,  1893.  Cast  medal,  bronze,  57  mm.  (also,  cast 
medallion  (single),  bronze,  25.4  cm.). 


214 


MARIETTE  BENEDICT  MILLS 

(Mrs.  Lawrence  Heyworth  Mills,  Jil) 


Mariette  Benedict  Mills,  sculptor  (American),  was  born  in  Paris;  daugh- 
ter of  Launt  Thompson,  the  sculptor.  Lived  for  some  time  in  Florence, 
Italy,  where  she  worked  under  Frederic  Beer  of  the  French  school.  Her 
work  has  been  variously  represented  at  the  Salon  in  Paris,  at  the  Academy 
of  Design  in  New  York,  and  at  an  exhibition  in  Florence.  Address, 
54  Madison  Avenue,  Morristown,  New  Jersey. 

1 Frank  Hunter  Potter,  1909.  Cast  medallion  (single),  bronze,  42  cm. 


215 


GEORGES  MORIN 


Georges  Morin,  medalist  (German),  was  born  in  Berlin  in  1874.  He  was 
educated  at  the  Eranzosisches  Gymnasium,  and  went  from  there  in  1894 
to  the  Kunstakademie  in  Berlin.  Worked  there  finally  in  the  studio  of  the 
masters  Herter  and  Brener  until  1898.  Since  then  he  has  worked  inde- 
pendently. After  leaving  the  Kunstakademie  he  made  short  visits  for  study 
to  Erance  and  to  Italy.  He  has  engaged  also  in  medallic  work  since  the 
beginning  of  his  independent  activity,  and  has  taken  part  in  many  com- 
petitions, winning  various  prizes,  among  them,  the  first  prize  in  the  com- 
petition for  the  monument  in  Bern  commemorative  of  the  International 
Postal  Union.  Much  of  his  effort  has  been  given  to  larger  decorative  work 
in  and  on  buildings.  Address,  126  Kurfiirstenstrasse,  Berlin  W.  62. 

1 Ausstellung  in  Diisseldorf,  1904.  Struck  medal,  silver. 

2 Balkentragender  Mann.  Struck  medal. 

3 Bogenschtitze.  Cast  medal,  bronze. 

4 Die  Handelskammer  in  Berlin,  Wilhelm  Herz.  Struck  medal, 

bronze. 

5 Die  Familie.  Cast  plaque,  bronze. 

6*  Die  Lebenstufen.  Cast  medal,  bronze. 

7 Die  Schwimmer.  Medallion,  tin. 

8 Der  Hygiene  Congress  in  Berlin,  1907.  Struck  plaquette,  bronze. 

9 Deutsche  Gesellschaft  fur  Yolksbader.  Struck  medal,  silver. 

10  Deutsche  Unterrichtsausstellung  in  St.  Louis,  1904.  Struck  medal, 

silver,  70  mm. 

11  Die  Ringer.  Struck  medal. 

12  Hermann  Schmidtmann.  Cast  medal,  bronze. 

13  Florence  und  Arno,  Doppelportratbiiste.  Cast  plaque,  bronze. 

15  Internationale  Urheberechtsconferenz  in  Berlin,  gestiftet  vom  Kai- 
ser Wilhelm  II,  1908.  Struck  medal,  bronze. 

15  Konigliche  Akademie  des  Bauwesens  zu  Berlin,  Preismedaille. 

Cast  medallion,  bronze,  model  (struck  medal,  gold). 

16  Leda.  Cast  medal,  bronze. 

17  Mann  mit  Zirkel.  Struck  medal,  bronze. 

18  Orientalische  Gesellschaft.  Struck  medal,  bronze. 

19  Portrait.  In  colored  wax. 

20  The  same.  In  colored  wax. 


216 


217 


KORGES  MORIN 


was  born  in  Berlin  in  1874.  He  was 

i isium,  and  went  from  there  in  1894 

t here  finally  in  the  studio  of  the 

. e then  he  has  worked  inde- 

8 made  short  visits  for  study 

. • in  medallic  work  since  the 

! taken  part  in  many  com- 

81  ' Plie  first  prize  in  the  com- 

■■■•m  commemorative  of  the  International 

' ; ■ k1  a i has  been  given  to  larger  decorative  work 

o ; beddings.  m 126  K uriVirstenstrasse,  Berlin  W.  62. 

8 2 

vi  sin],  silver. 

*mler  Mann.  Struck  medal, 
i . Cast  medal,  bronze. 

n a 1 Struck  medal, 

;•  • e.  Cast  plaque,  bronze, 
m nsiufen.  Cast  ine(iai.  bronze. 

‘ m iisinuT.  Medallion,  tin. 

SI  e 

a ogress  in  Berlin,  190/.  Struck  plaquette,  bronze, 
ellschaft  fur  YolJ^sbader.  Struck  medal,  silver. 

;f  htsausstellung  in  St.  Louis,  1904.  Struck  medal, 

70  mm. 

S [Hu  ‘ medal.  * 

■pi  Schrnidtmann.  Cast  medal,  bronze. 

II  01 

mid  Arno,  Doppelportratbuste.  Cast  plaque,  bronze. 

. iionale  t rheberechtsconferenz  in  Berlin,  gestiftet  vom  Rai- 
se,' Wilhelm  II,  1908.  Struck  medal,  bronze. 

« bnigliche  Akademie  des  Bauwesens  zu  Berlin,  Preismedaille. 

Cast  medallion,  bronze,  model  (struck  medal,  gold). 

o'  Leda.  Cast  medal,  bronze. 

/ Mann  mil  Zirkel.  Struck  medal,  bronze. 

hientalische  Gesellschaft.  Struck  medal,  bronze. 

10  Portrat.  In  colored  wax. 

!"■  The  same.  In  colored  wax. 


216 


ALEXANDRE  MORLON 


Alexandre  Morlon,  sculptor,  medalist  (French),  was  born  in  Macon, 
Saone-et-Loire,  France.  Pupil  of  Falguiere,  Mercie,  H.  Dubois,  and  Chap- 
lain. Has  received  a third  and  second  medal  from  the  Societe  des  Artistes 
Francais,  with  which  society  he  has  exhibited  since  1901.  Address,  35  rue 
Tombe-Issoire,  Paris. 

7  Andre  Destailleur.  Struck  plaquette,  bronze. 

2 Docteur  V.  Campenon.  Obverse  and  reverse.  Struck  plaquette, 

bronze. 

3 Automobile.  Struck  plaquette,  bronze. 

7 Furens  Gallia.  Obverse  and  reverse.  Struck  medal,  bronze,  54  mm. 
(also  struck  medal  (uniface),  silver,  27  mm.). 

5 The  same.  Obverse  and  reverse.  Galvano  model  of  the  above. 

6 Gallia.  Plaquette,  galvano  silvered,  90  x 80  mm. 

7 J.  Caillaux.  Obverse  and  reverse.  Plaquette,  galvano. 

8 La  Soif.  Plaquette,  galvano  gilt,  105  x 120  mm. 

9 L’Etude.  Medal,  galvano. 

10  L’Imprimerie.  Plaquette,  galvano  gilt,  123  x 90  mm. 

11  L’Industrie.  Struck  medal,  bronze. 

12  Mariage.  Plaquette,  galvano. 

13  Meclica.  Obverse  and  reverse.  Struck  plaquette,  bronze. 

77  Mme.  de  R.  Plaquette,  galvano. 

15  Navigation  Aerienne.  Obverse  and  reverse.  Plaquette,  galvano. 

16  Portrait  d’une  Dame.  Plaquette,  galvano. 

77  Reverie.  Plaquette,  galvano. 

18  Scientia.  Obverse  and  reverse.  Struck  plaquette  (badge),  bronze. 


4 


218 


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me  Dame.  Plaquette,  galvano. 

7/  tie vc«  I.  Plaquette,  galvano. 

0 and  reverse.  Struck  plaquette  (badge),  bronze. 


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219 


HENRY  NOCQ 


Henry  Nocq,  medalist  (French),  was  born  in  Paris  in  1868.  He  studied 
under  Chapn,  and  first  began  lo  exhibit  at  the  Paris  Salon  in  1887.  In  1890 
be  competed  for  the  Prix  de  Rome  in  medal-engraving.  At  the  Salon  of 
1889  be  obtained  an  honorable  mention.  For  the  last  fifteen  years  be  lias 
been  a constant  exhibitor  at  the  Salons  of  plaquettes,  medals,  chasings  in 
various  metals,  enamel  works,  carvings  in  ivory,  wood,  etc.  In  1900  be 
was  awarded  a silver  medal.  Specimens  of  M.  Nocq’s  medallic  and  other 
productions  are  on  exhibitions  at  the  Luxembourg  Museum,  Paris;  Vic- 
toria and  Albert  Museum,  South  Kensington,  London;  and  museums  at 
Brussels,  Hamburg,  Dresden,  Prague,  Vienna,  etc.  In  1896  the  artist  pub- 
lished a volume  of  art  criticism  entitled  “Tendances  nouvelles,”  which  is 
a collection  of  personal  views  of  artists  noted  in  contemporary  decorative 
art.  M.  Nocq  is  a member  of  the  Societe  Nationale  des  Beaux-Arts,  A.C.N. 
of  the  Societe  des  Antiquaires  de  France,  and  a knight  of  the  Legion  of 
Honor. 

Works:  Auguste  Rodin,  two  plaquettes  and  one  medal,  1902, 1903;  Emile 
Zola;  Anatole  France,  two  plaquettes  and  one  medal,  1902;  Octave  Mirbeau; 
G.  Geflroy;  G.  Clemenceau;  Colonel  Picquarl;  Paul  Margueritte;  Henry 
Bataille,  1901;  Maxime  Maufra,  painter,  1902;  Georges  B .;  Mine,  la  Com- 
tesse  de  P.;  C.  V.  Alkan  nine;  Mine.  Ellen  Andree;  Mine.  L.  de  P.;  Yvette 
Guilbeii,  portrait  plaquette,  1893;  Leon  Hennique;  Paul  el  Victor  Mar- 
gueritte; .1.  K.  Huysmans;  Elemir  Bourges;  Descaves;  ,/.  F.  Raffaelli,  1901; 
Panic;  Paul  Lallemand;  C.  Clermont-Ganneau;  E.  Molinier,  1901;  Le  Pere 
Monsabre,  Dominicain,  1888;  General  Boulanger,  1888;  Ma  Grand' mere, 
1888;  Le  Sommeil  d’Endymion,  silver  medal,  1890;  Venus  el  Amour,  silver 
medal;  Generate  le  Marquis  d’Ormesson,  portrait  medallion,  1891;  Mine. 
A.  de  Caillavet,  1903;  E.  Galle;  Georges  Lecomte,  1904;  J.  Renard,  1904;  J.  J. 
Weerts,  1904;  0.  Sainsere,  1906;  C.  Roll,  1907;  Princesse  Marie  Tenichev, 
1907;  Joachim,  1907;  Gustave  Babin;  Insigne  de  la  Societe  Franco-Japo- 
naise;  Dom  Montfaucon;  Diana,  Societe  du  Fusil  de  Chasse,  1900;  L’Ours 

220 


et  le  Samurai;  La  Famille,  Haec  sunt  ornamenta  mea  (for  the  Societe  des 
Amis  de  la  Medaille).  Address , 13  Quai  St.  Michel,  Paris. 

7  Anatole  France,  1902.  Cast  plaqnette,  bronze,  125  x 105  mm. 

2 Same  subject,  1902.  Cast  plaquette,  bronze,  180  x 120  mm. 

3 Auguste  Rodin,  1902.  Cast  plaque,  bronze,  20.5x14  cm. 

4 Same  subject,  1902.  Cast  plaquette,  bronze,  95  x 125  mm. 

5 Bernard  de  Montfaucon.  Struck  medal,  bronze,  50  mm. 

6 Doeteur  Martin.  Struck  plaquette,  bronze,  51  x 64  mm. 

7 Emile  Zola,  1902.  Cast  plaquette  (double),  bronze,  90  x 77  mm. 

8 Eugene  Carriere.  Cast  plaquette,  bronze,  90  x 75  mm. 

9 Georges  Clemenceau,  Senateur  du  Var,  1902.  Cast  plaquette, 

bronze,  110  x 85  mm. 

10  Georges  Picquart.  Cast  plaquette,  silver,  120  x 100  mm. 

11  Jacqueline  Cheruit.  Struck  medal,  bronze,  50  mm. 

12  J.  C.,  Etude  d’Enfant.  Cast  plaque  (single),  bronze,  21  x 14  cm. 

13  Jos.  Joachim,  1907.  Cast  plaquette,  bronze,  135  x 180  mm. 

74  Les  Premiers  Pas.  Cast  plaquette,  bronze,  110  x 145  mm. 

15  Octave  Mirbeau.  Cast  plaquette,  bronze,  100  x 75  mm. 

16  Paule,  Etude  d’Enfant,  1899.  Cast  plaquette,  bronze,  95  x 125  mm. 
77  Paul  et  Victor  Margueritte.  Cast  plaquette,  bronze,  120  x 155  mm. 

18  Princesse  Marie  Tenichev,  1907.  Medal,  galvano  gilt,  160  mm. 

19  Societe  Franco-Japonaise.  Struck  piece  (badge),  silver,  53  x 40  mm. 


221 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14,  15,  16,  17,  18,  19 


Oi  STERREICHISCHE  GESELLSCHAFT  7 ' : 
MEDAILLENKUNST  UNDrK LEINP 

President 

K.  K.  'fIofrat  An;i  * :■  ; ? 

<*■ 

Vice-Preside  n:  > '■ 

Max  Ihu  - 


1 Wienerinnen,  1003.  Si  : • 

mm.  w 

Ll’DWIu  m ! eh 
(Cf.  p.  141) 

2 Deutsch-Bohmen.  Struck  plaquette  (uniface),  bronze,  70x120 

mm. 

d Musik,  Gesami  und  iAii/.  . 

00 

mm. 

/ Kaiserjubilaum,  1 : 

i R ' NV  x.  j i* 

An  ton  Scharff , 190':.  - •!>.;)■ 

ID  00  qj 

CO  Hr  K Hr 

f>  Waschermadel-,  1878.  So-uck  1.  . - 7 -is  mm. 

STEFAN  S~:  MW  .!  7 

7 Haydn,  Mozart,  Beetho  * zc.  09 

mm. 

K ' ! ' 

Hr 

7 Der  Kuss.  Brooch,  silver 

STANISLAV  M • 

(Cf.  p.  X1S) 

9  Bohmische  Spinnstube.  Sin  73  x 

116  mm. 

10  Der  Frii  tiling.  St  fuel-  91  mm 

co 

11  Giirtelschliesse.  Bu 

12  Fuhrlich,  Schwind,  S - t , 70  x69  mm.1 

o»  q? 

1 Nos.  l - n *- 


> 


OESTERREICHISCHE  GESELLSCHAFT  ZUR  FOERDERUNG  DER 
MEDAILLENKUNST  UND  KLEINPLASTIK,  WIEN 

President 

K.  K.  Hofrat  August  Ritter  von  Loehr 
Vice-President  and  Treasurer 
Max  Riach 


W.  HEJDA 

1 Wienerinnen,  1903.  Struck  plaquette  (uniface),  bronze,  100x61 

mm. 

LUDWIG  HUJER 
(Cf.  p.  141) 

2 Deutsch-Bohmen.  Struck  plaquette  (uniface),  bronze,  70x120 

mm. 

3 Musik,  Gesang  und  Tanz,  1903.  Struck  plaquette,  bronze,  83  x 81 

mm. 

HENRI  KAUTSCH 
(Cf.  pp.  157,  244) 

4 Kaiserjubilaum,  1908.  Struck  plaquette,  bronze,  61  x 91  mm. 

FRANZ  X.  PAWLIKt 

5 Anton  Scharff,  1903.  Struck  plaquette,  bronze,  71  x 52  mm. 

ANTON  SCHARFFf 

6 Waschermadel,  1878.  Struck  medal,  silver,  48  mm. 


STEFAN  SCHWARTZ 
(Cf.  p.  295) 

7  Haydn,  Mozart,  Beethoven,  1907.  Struck  plaquette,  bronze,  90  x 69 


mm. 


8 Der  Kuss. 


H.  SCHWATHE 

Brooch,  silver  gilt,  25  x 42  mm. 


STANISLAV  SUCHARDA 
(Cf.  p.  328) 

9  Bohmische  Spinnstube.  Struck  plaquette  (uniface),  bronze,  73  x 
116  mm. 

10  Der  Friihling.  Struck  plaquette  (uniface),  silver,  66  x 94  mm. 

ANNA  WAGNER 

11  Gurtelschliesse.  Buckle,  silver,  102  x 69  mm. 

A.  WEINBERGER 

12  Fuhrlich,  Schwind,  Steinle.  Struck  plaquette,  bronze,  70  x 69  mm.1 


223 


1 Nos.  1-12  were  loaned  by  Mrs.  Edward  I).  Adams. 


9 


M.  GEORGIA  ORMOND 


M.  Georgia  Ormond,  sculptor  (American),  was  born  in  Sharon,  Pennsyl- 
vania. She  studied  sculpture  at  the  Chicago  Art  Institute;  also  at  the  Art 
Students’  League  of  New  York,  where  she  won  a scholarship.  At  the  schools 
and  in  private  studios  she  has  been  under  the  instruction  of  the  sculptors 
Herman  A.  MacNeil,  Lorado  Taft,  Charles  Mulligan,  William  Ordway  Par- 
tridge, Gutzon  Rorglum,  and  Charles  Albert  Lopez.  Examples  of  her  work 
have  appeared  in  various  exhibitions  of  the  principal  cities  of  this  country. 
Address,  2106  Jefferson  Avenue,  Toledo,  Ohio. 

1  Dorothy.  Bas-relief  plaque  in  plaster. 


LOUIS  PATRIARCHE 

Louis  Patriarche,  medalist  (French),  was  born  in  Bastia,  Corsica,  in  1872. 
He  was  a pupil  of  Barrias,  Vernon,  and  Hippolvte  Lefebvre.  He  began  his 
career  with  work  in  wood  sculpture  at  Bastia.  In  1893  his  native  city 
voted  him  a purse  to  enable  him  to  go  to  Rome  to  study.  Under  H.  Le- 
febvre at  the  Villa  Medicis  he  was  instructed  in  sculpture,  drawing,  and 
modeling;  and  at  his  advice  he  went  to  Paris.  In  1896  he  was  received  as 
a pupil  at  the  Ecole  des  Beaux-Arts,  in  the  atelier  Barrias.  In  1900,  upon 
the  recommendation  of  H.  Lefebvre,  he  was  received  as  a pupil  by  F.  Ver- 
non, whom  he  now  accepted  as  his  master  in  the  art.  He  exhibited  for  the 
first  time  at  the  Salon  de  la  Societe  des  Artistes  Francais  in  1900.  He  ob- 
tained an  honorable  mention  at  this  Salon  in  1903;  a third  medal  in  1906; 
and  a second  medal  in  1910.  He  is  a member  of  the  Societe  des  Artistes 
Francais.  Address,  103  rue  de  Vaugirard,  Paris. 

1 Agriculture,  1908.  Struck  medal,  bronze. 

2 Camille  Piccioni,  Ministre  Plenipotentiare,  1907.  Plaquette,  gal- 

vano  silvered  (cast  (single),  bronze,  110  mm.). 

3 Colomba,  jeune  fille  Corse,  1908.  Cast  plaque  (single),  bronze,  23.5 

cm.  (galvano,  90  mm.). 


225 


'/  Exposition  Coloniale  de  Marseille  (d’apres  le  tableau  de  D.  Delle- 
piane),  1908.  Plaquette,  galvano  silvered,  150  mm.  (struck,  80 
mm.). 

5 Exposition  d’Oceanographie  de  Marseille  (d’apres  le  tableau  de 

Vimar),  1906.  Obverse  and  reverse.  Plaquette,  galvano  silvered 
(struck,  70  mm.). 

6 Femme  en  Pied,  Portrait.  Plaquette,  galvano  silvered,  150  mm. 

7 La  Provence,  a l’occasion  du  lancement  du  paquebot  La  Provence 

de  la  Gompagnie  GIe  Transatlantique,  1906.  Medal,  galvano  sil- 
vered, 100  mm.  (also,  medallion,  galvano,  23  cm.,  and  struck 
medal,  36  and  20  mm.). 

S Mine.  F.  Vizzavona,  1907.  Plaquette,  galvano  silvered,  100  mm. 

9 Yin  Mariani,  1908.  Obverse  and  reverse.  Plaquette,  galvano  gilt 
(cast  (double),  bronze,  150  mm.;  struck,  51  mm.). 




8 


226 


CHRISTOPHER  D.  PAULUS 


Christopher  D.  Paulus,  sculptor  (American),  was  born  in  1848  at  Lud- 
wigsburg,  Wiirttemberg.  Was  employed  in  work  on  monuments  for  sev- 
eral years  before  he  entered  the  Art  School  at  Stuttgart,  where  he  was  a 
pupil  of  Professor  Theodor  von  Wagner.  From  1872  to  1875  he  studied  at 
the  Academy  of  Fine  Arts  in  Dresden  under  Professor  Dr.  Ernst  Hahnel. 
After  his  return  from  Palestine,  where  he  worked  for  more  than  ten  years, 
he  presented  a number  of  Oriental  studies,  more  than  fifty,  at  the  Inter- 
national Exhibition  of  1891  in  Berlin.  At  that  time  he  resided  in  Stuttgart, 
where  he  executed  many  portrait  busts.  He  came  to  the  United  States  in 
1893.  His  work  has  been  shown  at  various  exhibitions  in  New  York;  at  the 
St.  Louis  World’s  Fair  in  1904,  at  the  Philadelphia  Exhibition  of  1905,  and 
elsewhere.  Address,  Newton,  Massachusetts. 

1  Bedouin,  Palestine  (modeled  from  life).  Medallion  (oval)  in  plas- 


2 Fellah,  Palestine  (modeled  from  life).  Medallion  (oval)  in  plaster. 

3 Portrait  of  a Man  (modeled  from  life).  Medallion  (oval)  in  plaster. 


ter. 


\ 


227 


3 


HENRY  PEGRAM 


Hkxry  Pegram,  sculptor,  medalist  (British),  was  born  in  1862.  At  fifteen 
years  of  age  attended  Heatherley’s  School  of  Art;  also  commenced  at  the 
British  Museum  and  at  the  National  Gallery.  Entered  the  Schools  of  the 
Royal  Academy  as  a student  in  1881,  and  in  1883  the  studio  of  Hamo  Thor- 
nycrofl  as  assistant.  In  1889  he  received  a bronze  medal  at  the  Paris  Ex- 
position for  the  group  Death  Liberating  a Prisoner.  In  the  same  year  the 
bronze  Ignis  Fatuus  was  bought  for  the  nation.  In  1891  he  exhibited  Sibglla 
Fatidiea  at  the  Royal  Academy.  During  the  next  eighteen  months  he  was 
engaged  upon  the  sculpture  of  the  gateway  at  the  Imperial  Institute.  In  1893 
he  produced  the  Last  Song,  a bronze  relief  for  which  he  received  a gold 
medal  at  Dresden;  in  1894,  Bather  and  Mermaid,  a large  group  at  the  Royal 
Academy;  1896,  figure  of  Labour;  1896  to  1897,  the  great  candelabra  for  St. 
Paul’s  Cathedral,  which  the  artist  regards  as  his  most  important  work; 
1899,  figure  of  Fortune,  of  heroic  size,  which  won  a silver  medal  at  the  Paris 
Exposition  of  1900;  1901,  a large  monument  to  Mrs.  Michaelis;  1902,  A Sea 
Idyll;  1903,  bust  of  Cecil  Rhodes  and  monument  to  Sir  John  Stainer  in  St. 
Paul’s  Cathedral;  in  1904  he  was  elected  A.R.A.,  in  which  year  also  the 
Sibglla  Fatidiea  in  marble  was  bought  for  the  nation;  1905,  statue  of  Sir 
Thomas  Browne  for  Norwich,  and  the  large  group  Into  the  Silent  Land; 
1906,  Campbell  statue  for  New  Zealand,  and  the  relief  By  the  Waters  of 
Babylon;  in  1907  and  1908,  statues  for  Birmingham  University,  and  colossal 
groups  for  the  Canadian  Gates  of  the  Victoria  Memorial;  1909,  the  bronze 
Perseus  and  Andromeda,  a colossal  statue  of  Cecil  Rhodes  for  Cape  Town, 
busts  of  Rudyard  Kipling  and  of  Sir  Samuel  Baker.  Last  year  he  exhibited 
at  the  Royal  Academy  the  group  The  Vision  at  the  Altar  and  other  works. 
He  is  at  present  engaged  upon  a large  group,  Nymph  and  Merman.  Ad- 
dress, Si.  John’s  Lodge,  Harley  Road,  Avenue  Road,  N.  W.,  London. 


1 


1 Millicent  Margaret  Fisher,  1897.  Plaquette,  model  in  plaster. 

2 Mrs.  Athelstan  Riley,  1903.  Plaquette,  model  in  plaster. 

3 Richard  Cobden  Wilson,  1893.  Plaquette,  model  in  plaster. 


ELLA  F.  PELL 

Ella  F.  Pell,  painter,  sculptor  (American),  was  born  in  St.  Louis,  1846. 
First  art  studies  were  at  the  Cooper  Union  School  of  Art,  New  York  City. 
Studied  sculpture  in  the  same  school  under  Professor  William  Rimmer  of 
Boston,  Massachusetts.  Ex-vice-president  Ladies’  Art  Association,  New 
York  City;  ex-president  Liberal  Art  League  of  same  city. 

Principal  works  in  sculpture:  Andromeda;  Puck;  Hercules.  Studied 
painting  in  Paris  under  Jean  Paul  Laurens,  Ferdinand  Humbert,  Gaston 
Saint-Pierre  (l’Academie  des  Beaux-Arts  des  Champs-Elysees).  Exhibited 
important  pictures  in  Salons  of  1889-90.  Exhibited  extensively  in  the  va- 
rious art  centers  of  the  LTnited  States.  Most  important  pictures:  Adam; 
Salome;  Storm  Gods  of  the  Rig-Veda;  Agnus  Dei.  Given  the  place  of  honor 
in  the  National  Academy  of  Design,  New  York  City,  with  the  picture  Adam. 
Address,  123  South  Avenue,  Fishkill-on-the-Hudson,  New  York. 

1 Discovery.  Obverse  and  reverse.  Bas-relief  (octagonal)  in  plas- 
ter, gilded. 


229 


VICTOR  PETER 


Victor  Peter,  sculptor,  medalist  (French),  was  born  in  Paris.  He  was  a 
pupil  of  Devaulx  and  Falguiere.  He  exhibited  alternately  at  the  Societe 
Nationale  and  the  Society  of  French  Artists.  He  obtained  a medal  of  third 
class  in  1879;  a second  prize  in  public  contest  for  a medallion  representing 
the  republic  and  the  city  of  Paris  (1879),  and  the  first  prize  in  public  con- 
lesl  for  a Medaille  des  Felibres  in  1887,  also  a medal  of  the  third  class  at 
the  Universal  Exposition  of  1889.  He  was  made  a member  of  the  Societe 
Nationale  in  1891.  He  received  the  second  prize  medal  at  the  Salon  of  1898, 
and  (he  gold  medal  at  the  Universal  Exposition  in  1900.  He  was  named 
chevalier  of  the  Legion  of  Honor  in  1900,  and  appointed  professor  at  the 
Ecole  Nationale  des  Beaux-Arts,  1900.  He  was  awarded  the  first  prize 
medal  in  1905,  and  appointed  officer  of  the  Academy  in  1909,  chevalier  of 
the  Order  of  the  Couronne  de  Chene  (Holland). 

Works:  Music,  high  relief,  Hotel  de  Ville,  Paris;  Sculpture,  large  low  re- 
lief, Escalier  du  Prefet,  Hotel  de  Ville,  Paris;  equestrian  statue  of  Wil- 
liam II  of  Holland,  Luxembourg,  in  collaboration  with  Antonin  Mercie 
[executed  the  horse];  two  large  groups  in  bronze  at  the  Grand  Palais,  Ave- 
nue d’Antin,  Paris;  numerous  medallions  and  plaquettes  in  the  Luxem- 
bourg Museum  and  in  various  museums  in  France  and  abroad;  Arab  and 
his  Horse,  small  marble  group  in  the  Luxembourg  Museum;  Two  Bear  Cubs 
Playing,  group  in  gray  marble  in  the  Luxembourg  Museum;  The  Lion  and 
the  Rat,  marble  group  at  Montelimar;  Lioness  and  her  Young,  group  in 
marble  at  Villeneuve-sur-Lot;  marble  pedestal  to  the  memory  of  P.  J.  David 
d’ Angers,  in  the  cemetery  of  Neuilly;  marble  pedestal  to  the  memory  of 
the  painter  Delaunay;  The  Sleep  of  the  Muse,  marble  statue;  medallions 
L.  Pasteur,  Dalou,  Henner,  Rodin,  Falguiere,  Lhermitte,  etc. 

Biographical  notices  have  been  published  in  Revue  biographique  des 
Notabilites  francaises  contemporaines ; the  journal  L Art;  the  Dictionnaire 
Larousse,  and  elsewhere.  Address,  192  rue  de  Vaugirard,  Paris. 

7 Alexandre  Falguiere,  Peintre-statuaire,  1900.  Cast  medal  (double), 
bronze  gilt,  80  mm.  (struck,  47  mm.). 


230 


2 Anesse  Debarrassee  des  Mouches  par  des  Canards.  Plaquette  in 

plaster  (cast  (single),  110x145mm.). 

3 Canard  s’Epluchant.  Cast  plaquette  (single),  bronze,  70  x 73  mm. 

4 Chevreau.  Cast  plaquette  (single),  bronze,  60x87  mm.  (also, 

12  x 20  cm.,  15  x 23  cm.,  and  32  x 57  cm.). 

5 Chien  Epagneul  Gordon.  Struck  plaquette,  bronze,  30  x 50  mm. 

(cast  plaque  (single),  32  x 57  cm.  and  75  x 130  mm.). 

6 Chienne  Basset  d’Artois.  Plaquette  in  plaster  (cast,  120  x 170  mm.). 

7 Cochon.  Struck  medal,  bronze. 

8 Coq  et  Poules,  medaille  de  Prix.  Struck  medal,  bronze,  40  mm. 

.9  Cvparis.  Medal,  galvano  silvered,  104  mm. 

10  Dindon,  Lapin  et  Canard  (Etudes).  Cast  plaquette  (single),  bronze, 

132  x 146  mm. 

11  Dresseur  de  Chevaux.  Struck  medal,  bronze. 

12  Fauvette,  Chienne  d’Arret,  1883.  Cast  plaquette,  bronze,  75  x 130 

mm. 

13  The  same.  Struck  plaquette,  bronze,  30  x 50  mm. 

74  Gazelle  an  Repos.  Cast  plaquette,  bronze,  99  x 99  mm. 

15  Gazelle  Mangeant.  Cast  plaquette,  bronze,  96  x 96  mm. 

16  Hercule  Terrassant  l’Hydre  (medaille  donnee  pour  recompenser 

un  acte  de  courage  contre  des  bandits) . Cast  medal,  gold,  37  mm. 
(unique) . 

17  Idylle,  1877.  Medallion,  galvano  silvered,  150  mm. 

18  Jument  et  Son  Poulain.  Cast  medallion  (single),  bronze,  model, 

174  mm. 

7.9  L’Age  Heureux,  1886.  Medallion,  galvano  silvered,  150  mm. 

20  La  Seine.  Plaquette  in  plaster  (cast,  110  x 80  mm.). 

21  Le  Conseil  Tenu  par  les  Rats  (medaille  d’une  serie  de  Fables  de 

Lafontaine).  Plaquette  in  plaster  (cast  (single),  140  x 125  mm.). 

22  Le  Lion  et  le  Moucheron  (medaille  d’une  serie  de  Fables  de  Lafon- 

taine). Plaque  in  plaster  (cast  plaque  (single),  23x29  cm.). 

23  Louis  Pasteur  (1822-1895),  1906.  Obverse  and  reverse.  Struck 

medal,  bronze  silvered,  67  mm. 

24  Soeiete  des  Peintres  Oriental istcs.  Obverse  and  reverse.  Struck 

medal,  bronze,  65  mm. 

25  The  same.  Obverse.  Medallion,  galvano  bronzed,  24.3  cm. 

26  St.  Hubert,  1907.  Struck  plaquette,  bronze  silvered,  46  x 56  mm. 


231 


21  Taureau,  medaille  de  Prix.  Struck  medal,  bronze,  45  mm. 

28  Taureau  Normand  Couche.  Cast  plaquette,  bronze,  105  x 164  mm. 

29  Tigre  Couche.  Cast  plaque  (single),  bronze,  10  x 20  cm. 

30  Yin  Mariani.  Obverse  and  reverse.  Struck  plaquette,  bronze  sil- 

vered, 42  x 51  mm. 


232 


mm 


233 


10 


J.  J.  HENNEK 
Cast  medal,  bronze 

(Belongs  to  American  Numismatic  Society  and  was  exhibitc 
apart  from  the  other  numbers) 


, / . :v' 

— ■-  . 


234 


J.  J.  II ENKEK 

w Cast  modal,  bronze 

ft  • ..  ' A f 1 1 ( v i < • > = : N uju  is? uat.ic  Society  and  was  exhibit 

apart  lYmri  the  other  numbers) 


i> 


CO 

1C 


-i 


CO 

(O 

00 


234 


235 


CHARLES  PHILIPPE  GERMAIN  ARISTIDE  PILLET 

(Charles  Pillet) 

Charles  Philippe  Germain  Aristide  Pillet,  sculptor,  medalist  (French), 
was  born  in  Paris.  He  studied  under  the  direction  of  Chapu  and  of  Cha- 
plain. He  obtained  the  Grand  Prix  de  Rome,  1890;  a medal  of  the  third  class 
in  1895  at  the  Salon  des  Artistes  Francais;  a medal  of  the  second  class  at  the 
Salon  of  1896;  a silver  medal  at  the  Universal  Exposition  of  1900;  medal  of 
Ihe  first  class  at  the  Salon  of  1905;  hors  concours  at  St.  Louis;  hors  concours 
at  the  London  Exposition,  1908;  Grand  Prix  at  the  Exposition  of  Milan, 
1906;  Grand  Prix  at  the  Exposition  of  Saragossa,  1908. 

Works:  medallion  for  inauguration  of  the  Canal  Porfirio  Diaz  in  Mexico; 
the  commemorative  medal  of  the  chapel  of  the  Rue  Jean  Goujon,  erected 
to  Ihe  victims  of  the  Charite  Bazar  fire;  the  medallion  offered  to  Santos- 
Dumont  by  the  Brazilian  colony  of  Paris;  the  plaquette  offered  to  Professor 
A.-V.  Cornil  by  his  scholars  and  his  friends;  Agriculture,  plaquette;  pla- 
quette of  the  Grand  Cercle  des  Echecs  de  Paris;  the  silver  coins  of  fifty 
centavos  and  of  one  peso  for  the  Mexican  government;  the  plaquette  Ex- 
])Osilion  Franco-Britannique,  London,  1908;  various  subjects:  Amour  et 
Psyche;  Pastorale;  Daphnis  et  Chloe;  Idylles  des  nymphes;  Jeune  mere, 
etc. 

Journals:  La  Revue  Moderue;  the  New  York  Herald,  1904;  Figaro;  L Art, 
etc.  Address,  83  rue  Notre  Dame  des  Champs,  Paris. 

1 Agriculture,  1904.  Plaquette,  galvano  gilt,  180  mm.  (cast  bronze, 

180  mm.;  struck  bronze  and  silver,  65  mm.). 

2 A.-V.  Cornil,  1903.  Struck  plaquette,  bronze,  67x41  mm.  (cast 

plaquette,  bronze,  100  mm.,  and  plaque,  23  cm.).1 2 3 * 5 

3 Conseil  General  du  Departement  de  la  Seine,  1900.  Struck  pla- 

quette, bronze,  47  x 62  mm. 

A Exposition  Franco-Britannique,  Londres,  1908  (d’apres  Albert 
Maignan).  Obverse  and  reverse.  Plaquette,  galvano  gilt  (struck, 
100  nun.). 

5 Grand  Cercle  des  Echecs,  1903.  Struck  plaquette,  bronze,  70  x 49 
mm. 

1 Nos.  2,  3,  5,  6,  and  9 were  loaned  by  Edward  I).  Adams,  Esq. 


236 


6 Notre  Dame  de  Consolation,  Monument  Commemoratif  eleve,  rue 

Jean  Goujon,  a la  memoire  des  victimes  du  Bazar  de  la  Charite, 
1900.  Struck  medal,  bronze,  70  mm. 

7 Pastorale,  1899.  Plaquette,  galvano  gilt  (cast  bronze,  175x127 

mm.,  and  plaque,  24  cm.). 

8 Primavera,  1895.  Cast  plaquette,  bronze  silvered,  100  mm.  (east 

plaque,  25  cm.). 

9 Santos-Dumont,  Hommage  de  la  Colonie  Brasilienne  a Paris,  1901. 

Struck  medal,  bronze,  50  mm. 

10  Science,  1903.  Cast  plaquette,  bronze  gilt,  100  mm.  (struck  bronze 

and  silver,  66  mm.). 

11  Une  Mere,  1899.  Plaquette,  galvano  silvered  (cast,  80  and  170  mm.). 


237 


JOHN  R.  PINCHES 


John  R.  Pinches,  medalist  (British),  was  horn  in  1852.  Received  his  art 
education  in  London.  He  first  studied  drawing  and  painting  at  the  Slade 
School,  University  College,  when  he  was  sixteen  years  of  age,  and  where 
at  the  age  of  nineteen  years  he  won  a scholarship  which  enabled  him  to 
study  two  years  longer.  He  studied  modeling  also  at  the  Kensington 
Modeling  School  and  with  Gilbert  Bayes,  to  whom  he  declares  himself  in- 
debted for  what  he  knows  about  relief.  He  belongs  to  the  well-known 
family  of  London  medalists  and  die-sinkers,  who  for  three  generations 
have  followed  this  line  of  employment.  His  father,  John  H.  Pinches,  is 
I lie  present  head  of  the  firm.  Mr.  Pinches  has  exhibited  examples  of  his 
work  at  the  Royal  Academy  and  other  large  exhibitions.  Address,  21  Albert 
Embankment,  London,  S.  E. 

7 Chamen  Lintott,  1909.  Cast  plaque  (single),  bronze,  36.8  x 24.4  cm. 

2 Horticulture,  1908.  Struck  medal,  copper  silvered,  51  mm. 

3 Institute  of  Builders,  prize  medal,  1908.  Struck  medal,  bronze, 

51  mm. 

4 Music,  1908.  Struck  medal,  copper  silvered,  51  mm. 

5 Music,  prize  medal,  1908.  Struck  medal,  copper  silvered,  38  mm. 

6 National  Rose  Society,  Dean  Hole  Memorial,  1905.  Struck  medal, 

silver,  32  mm. 

7 Royal  Agricultural  Society  of  England,  prize  medal,  1902.  Struck 

medal,  bronze,  54  mm. 

8 Royal  Society,  Buchanan  medal,  1894.  Struck  medal,  bronze, 

54  nun. 

.9  Swimming,  1909.  Struck  medal,  copper  silvered,  51  mm. 


1 


238 


RICHARD  PLACHT 


Richard  Placht,  medalist  (Austrian),  was  born  in  Kratzau,  North  Bohe- 
mia, in  1888.  He  studied  in  the  Royal  Academy  of  Arts  in  Vienna  under 
the  Austrian  medalist  Professor  Joseph  Tautenhayn.  He  received  in  1901 
the  Gundel  prize  and  in  1904  the  gold  Fiiger  medal.  Since  1904  he  has  been 
employed  in  the  service  of  the  State  at  the  Imperial  and  Royal  Mint.  In 
1908  he  was  elected  a member  of  the  Society  of  Arts  in  Vienna.  Address, 
k.  k.  Miinze,  Vienna  III/3. 

1 Alfred  Ritter  von  Lindheim,  zum  70.  Geburtstage,  1906.  Struck 

plaquette,  bronze,  65  mm. 

2 Bosnisch-Herzegowinische  Erinnerungsmedaille,  gestiftet  von  Kai- 

ser Franz  Josef  I,  1909.  Obverse  and  reverse.  Struck  medal, 
bronze,  36  mm. 

3 Der  Graphische  Club  in  Wien,  Preismedaille,  gestiftet  1908.  Struck 

medal,  bronze,  65  mm. 

4 Dr.  Eugen  Nik.  Lucius,  Begrtinder  der  chem.  Fabrik,  Hochst  am 

Main,  Pr.,  1903.  Struck  medal,  bronze,  60  mm. 

5 Eduard  Fiala,  Numismatiker  in  Wien,  1905.  Struck  medal,  bronze, 

45  mm. 

6 Franz  Sehistek,  1854-1907,  Belgrad.  Medal,  galvano. 

7 Freiherr  und  Freifrau  Bachofen  von  Echt,  an  Anlass  ihrer  goldenen 

Hochzeit,  1909.  Obverse  and  reverse.  Struck  medal,  bronze,  50 
mm. 

8 The  same.  Cast  medallion  (single),  model  for  the  above,  bronze, 

175  mm.  (unique). 

9 Friedrich  Ludwig  Jahn,  fur  den  Akad.  Turnverein,  Wien.  Struck 

plaquette,  bronze,  51  mm. 

10  Fiirst  Carl  Kinsky,  President  d.  Jockey-Club  f.  Oesterreich,  1908. 

Obverse  and  reverse.  Struck  plaquette,  bronze,  105  mm. 

11  Grossindustrieller  Prosper  von  Piette-Rivage,  zum  60.  Geburtstage, 

1906.  Obverse  and  reverse.  Struck  plaquette,  bronze,  60  mm. 

12  Guido  Rotter,  Griinder  der  Studentenherberge,  1908.  Struck  pla- 

quette, bronze,  75  mm. 

13  Hofrat  Dr.  Viktor  Mucha,  Direktor  des  allgemeinen  Krankenhauses 

in  Wien,  1909.  Struck  plaquette,  bronze,  65  mm. 


239 


/'/  Julius  E.  Thausing,  Brauereitheoretiker,  Wien,  1909.  Struck 
medal,  bronze,  50  mm. 

Jj  K.  k.  Hauptmiinzamt,  Wien,  1907.  Obverse  and  reverse.  Struck 
medal,  bronze,  00  mm. 

16  Xeu jahrsplakette,  “Heil  1910.”  Struck  plaquette,  bronze,  59  mm. 

77  Oscar  Ritter  von  Keller,  Statthaltereirat,  Wien,  1907.  Obverse  and 
reverse.  Struck  plaquette,  bronze,  65  mm. 

IS  Regierungsrat  Dr.  Rudolf  Sonndorfer,  Wien,  1905.  Struck  pla- 
quette,  bronze,  60  mm. 

19  Studienkopf,  Christus,  1903.  Cast  medal,  bronze,  165  mm.  (cast  in 

several  copies  as  a “study”). 

20  Studienkopf,  Madehen,  1903.  Struck  medal,  bronze,  130  mm. 


240 


10 


CARL  POELLATH  (INHABER  GG.  GREINER),  GRAVIER-ANSTALT, 
SCHROBENHAUSEN,  UPPER  BAVARIA,  GERMANY 
(Loan  Exhibition) 

RUDOLF  BOSSELT 

Sculptor,  medalist  (German),  Diisseldorf 

1 Ernst  Ludwig,  Grossherzog  von  Hessen,  1901.  Struck  medal, 

bronze,  60  mm. 

2 Friih  iibt  sich  wer  ein  Meister  werden  will,  1904.  Struck  plaquette, 

bronze  silvered,  62  x 32  mm. 

3 Gartenbau,  1904.  Struck  medal,  bronze,  60  mm. 

7  Handel,  1904.  Struck  plaquette,  bronze  silvered,  69  x 42  mm. 

5 Liebe  und  Treue,  1904.  Struck  plaquette,  bronze,  39  x 59  mm. 

6 Marchen,  1904.  Struck  plaquette,  bronze,  42  x 62  mm. 

7 Viel  Gluck,  1906.  Struck  plaquette  (octagonal),  bronze,  65  x 65  mm. 

FRITZ  CHRIST 

Sculptor,  medalist  (German),  Munich 

8 Berg  Heil,  or  Hochtouristik,  1904.  Struck  medal,  bronze,  60  mm. 

9 Friedrich  Schiller,  1904.  Struck  medal,  bronze  silvered,  60  mm. 

10  Wintersport,  1904.  Struck  plaquette,  bronze,  60  x 44  mm. 

MAX  DASIO 

Painter,  medalist  (German),  Munich 

11  A.  Dasio,  Mutter  des  Kiinstlers,  1907.  Cast  medal  (obverse  cut  nega- 

tive in  plaster,  reverse  cut  positive  in  boxwood),  bronze,  70  mm. 

12  Bavaria.  Original  model  in  plaster. 

13  Cosmas  Leyrer,  1908.  Cast  medal  (double),  bronze,  70  mm. 
l'i  Das  gauze  Leben,  1908.  Cast  medal  (double),  bronze,  67  mm. 

15  Diana.  Obverse.  Original  model  in  boxwood  (cast  medal,  bronze, 

obverse  cut  positive  in  boxwood,  reverse  in  Solnhofer  stone,  70 
mm.) . 

16  Franz  Reber,  1909.  Cast  medal  (double),  bronze,  70mm. 

17  Franz  Josef  Haydn,  1910.  Cast  medal  (double),  bronze,  70  mm. 

18  Leo  Samberger,  1908.  Cast  medal,  bronze  (obverse  cut  negative 

in  plaster,  reverse  cut  positive  in  Solnhofer  stone),  70  mm. 

19  Madonna.  Original  model  in  boxwood  (cast  medal,  bronze). 

20  25-Pfennig  Stuck  (Kronen  und  Adler),  1909.  Obverse  and  reverse. 

Nickel.  " 


242 


21  St.  Michael.  Original  model  in  steatite  (cast  medal,  bronze). 

22  Xaver  Dasio,  1908.  Cast  medal  (double,  original  cut  negative  in 

plaster),  bronze,  70  mm. 

23  Zeus.  Original  model  in  boxwood  (cast  medal,  bronze). 

LUDWIG  EBERLE 
Sculptor,  medalist  (German),  Munich 

24  Internationale  Luftschifffahrtsausstellung  in  Frankfurt  a.  M.,  Offi- 

zielle  Medaille,  1909.  Cast  medal  (double,  modeled  in  actual 
size),  85  mm. 

25  Same  subject,  1909.  Struck  medal,  bronze,  43  mm. 

WILHELM  GOETZE 
Sculptor,  medalist  (German),  Darmstadt 

26  Eleonore,  Grossherzogin  von  Hessen,  1907.  Struck  plaquette, 

bronze  silvered,  63  x 75  mm. 

27  Ernst  Ludwig,  Grossherzog  von  Hessen,  1908.  Cast  plaquette  (sin- 

gle), bronze,  63  x 75  mm. 

ANTON  GRATH 

Sculptor,  medalist  (Austrian),  Vienna 

28  Ernst  Haeckel,  1909.  Struck  medal,  bronze,  60  mm. 

29  Franz  Grillparzer,  1909.  Struck  medal,  bronze,  60  mm. 

30  Franz  Liszt,  1909.  Struck  medal,  bronze,  60  mm. 

31  Friedrich  Nietzsche,  1909.  Struck  medal,  bronze  silvered,  60  mm. 

32  Kaiser  Franz  Josef  1, 1908.  Cast  plaque  (octagonal,  single,  modeled 

from  nature,  and  cast  from  the  original  model,  i.e.,  not  reduced), 
bronze,  109  x 109  mm. 

33  Same  subject,  1909.  Struck  medal,  bronze,  70  mm. 

34  Prinz  Otto  von  Bismarck,  1908.  Struck  medal,  bronze  silvered, 

60  mm. 

35  Richard  Wagner,  1908.  Struck  medal,  bronze,  60  mm. 

DANIEL  GREINER 

Sculptor,  medalist  (German),  Jugenheim 

36*  J.  S.  Bach,  1908.  Cast  plaquette  (single,  modeled  in  actual  size), 
bronze,  73  x 77  mm. 

37  Kath.  Merseburger,  1908.  Cast  medal  (single,  modeled  in  actual 

size),  bronze,  85  mm. 

38  Max  Merseburger,  Leipzig,  1908.  Cast  medal  (single),  bronze,  95 

mm. 


243 


39  Otto  Grandhomme,  1908.  Cast  medal  (single),  bronze,  80  mm. 

40  Rembrandt,  1908.  Cast  medal  (double),  bronze,  80  mm. 

41  Rhinozerus,  1908.  Cast  plaquette  (single,  reduced),  bronze,  80  x 59 

mm. 

42  Selbstportral,  1908.  Cast  medal  (double,  modeled  in  actual  size), 

bronze,  90  mm. 

43  Wittwe,  1908.  Cast  plaquette  (single,  reduced),  bronze,  110  x 132 

mm. 

44  Wolfgang  Goethe,  1909.  Struck  medal,  bronze,  50  mm. 

HERMANN  HAHN 
(Cf.  p.  120) 

45  Franz  von  Lenbaeh,  1905.  Struck  medal,  bronze,  70  mm. 

FRITZ  HORNLEIN 
(Cf.  p.  130) 

46  Kinderkopfchen,  1909.  Struck  medal  (dies  cut  by  hand),  bronze, 

50  mm. 

47  M.  E.  S.  V.,  Preisplakette,  officielle.  Struck  plaquette,  bronze, 

70  x 60  mm. 

HUGO  KAUEMANN 
(Cf.  p.  154) 

48  Max  Liebermann,  1905.  Struck  plaquette  (octagonal),  bronze, 

73  mm. 

49  Numismatik,  1905.  Struck  medal,  bronze  silvered,  60  mm. 

50  25-Pfennig  Stuck  (Merkur,  II.  Preis  der  Deutschen  Reichsconcur- 

renz),  1909.  Nickel. 

51  S.  Iv.  Hoheit  Prinzregent  Luitpold  von  Bayern,  1904.  Struck  medal, 

bronze  gilt,  70  mm. 

52  Unterrichtswesen,  Der  Samann,  1905.  Struck  medal,  bronze,  59  mm. 

HENRI  IvAUTSCH 
(Cf.  pp.  157,  223) 

53  Alpine,  1903.  Struck  plaquette,  bronze  silvered,  54  x 79  mm. 

54  Automobil,  1903.  Struck  plaquette,  bronze  silvered,  54  x 79  mm. 

55  Franz  von  Lenbaeh,  1903.  Struck  plaquette,  bronze,  61  x 86  mm. 

56  Hubertus,  1905.  Struck  medal  (oval),  bronze,  61  x 75  mm. 

57  Margo  Lenbaeh,  1905.  Struck  medal,  bronze,  60  mm. 

ALEXANDER  KRAUMANN 
(Cf.  p.  169) 

58  Liebe,  1905.  Struck  plaquette,  bronze  silvered,  36  x 65  mm. 

59  25-Pfennig  Stuck  (Adlerkopf,  III.  Preis  der  Deutschen  Reichskon- 

kurrenz),  1909.  Reverse  (Aehren).  Nickel. 


244 


CARL  POELLATH 

60  Wettfliegen,  Erinnerung  an  die  I.  L.  A.,  Frankfurt  a.  M.,  1909,  offi- 

zielle.  Struck  plaquette  (octagonal),  bronze  silvered,  45  x 45  mm. 

61  Motorballonfahrt,  Parseval,  I.  L.  A.,  1909.  Struck  medal,  bronze, 

45  mm. 

WILHELM  OSKAR  PRACK 
Sculptor,  medalist  (German),  Frankfurt  a.  Main 

62  Friedrich  Schiller,  zum  100.  Todestag,  1805-1905.  Cast  medal 

(double),  bronze,  88  mm. 

63  I.  L.  A.,  Preismedaille,  1909.  Struck  medal  (obverse  by  reducing- 

machine,  reverse  cut  by  hand  by  Firma  C.  Poellath  after  a design 
by  W.  0.  Prack),  bronze,  70  mm. 

64  Same  subject.  Struck  medal,  bronze,  50  mm. 

65  Schwebende  Welt,  I.  L.  A.,  Frankfurt  a.  M.,  1909.  Struck  medal, 

bronze,  60  mm. 

GEORG  ROEMER 
(Cf.  p.  261) 

66  Allerseelen,  1905.  Struck  medal  (dies  cut  by  hand),  bronze  sil- 

vered, 44  mm. 

67  Erntezeit,  1904.  Struck  medal  (dies  cut  b}^  hand),  bronze  silvered, 

44  mm. 

68  Fruhling,  1904.  Struck  medal  (dies  cut  by  hand),  bronze,  44  mm. 

69  Weihnaehten,  1904.  Struck  medal  (dies  cut  by  hand),  bronze, 

42  mm. 

HANS  SCHAEFER 
(Cf.  p.  291) 

70  Triumph  des  Weibes,  1908.  Struck  plaquette,  bronze,  59  x 91  mm. 

BALTHASAR  SCHMITT 
Sculptor,  medalist  (German),  Munich 

71  Edelweiss,  1909.  Struck  medal  (dies  cut  by  hand),  bronze,  22  mm. 

72  Jugend,  1908.  Struck  medal  (dies  cut  by  hand),  bronze  silvered, 

24  mm. 

73  Oberammergau,  1909.  Struck  medal  (dies  cut  by  hand),  bronze, 

41  mm. 

74  25-Pfennig  Stuck  (Adler  mit  Brustschild),  1909.  Reverse  (Aehren). 

Nickel  (dies  cut  by  hand). 

HANS  SCHWEGERLE 
Sculptor,  medalist  (German),  Munich 

75  Eduard  Heintz,  1909.  Cast  medal  (single),  bronze,  120  mm. 

76  Ernst  Gloeckner,  1908.  Cast  medal  (single),  bronze,  108  mm. 


7 7 Kva  Jonas,  1908.  Cast  medal  (single),  bronze,  103  mm. 

7 cV  Frau  Schxvegerle,  1909.  Cast  medal  (single),  bronze,  92mm. 

7.9  Gauklerlag,  1909.  Cast  medal  (double),  bronze,  29  mm. 

SO  1 Ians  Prinzhorn,  1908.  Cast  medal  (single),  bronze,  102  mm. 

81  llarro,  Freiherr  von  Zeppelin,  1909.  Cast  medal  (single),  bronze, 

97  mm. 

82  Hermann  Sehwegerle,  1908.  Cast  medal  (single),  bronze,  93  mm. 

83  .liingling  mit  Eule,  1908.  Cast  medal  (double),  bronze,  30  mm. 

S3  Kinderkopfchen,  1909.  Cast  medal  (double),  bronze,  23  mm. 

85  Paula  Heintz,  1909.  Cast  medal  (single),  bronze,  117  mm. 

86  Pegasus,  1909.  Cast  medal  (double),  bronze,  63  mm. 

81  Petrus,  1909.  Cast  medal  (double),  bronze,  30  mm. 

88  Walpurgisnacht,  1909.  Cast  medal  (double),  bronze,  64  mm. 

89  Zittau,  Erinnerungsmedaille  an  das  200-jahrige  Bestehen  des  Kgl. 

Sachs.  3.  Inf.  Regt.,  No.  102,  Luilpold  Prinzregent  von  Bayern, 
1709-1909.  Cast  medal,  bronze,  80  mm. 

90  Same  sub  ject.  Struck  medal,  bronze  silvered,  38  mm. 

LOUISE  STAUDINGER 
Sculptor,  medalist  (German),  Berlin 

91  Immanuel  Kant,  1908.  Struck  plaquette,  bronze,  43  x 60  mm. 

92  Weibl idler  Akt,  1908.  Struck  plaquette  (semicircular),  bronze, 

44  x 38  mm. 

HEINRICH  WADERE 
Sculptor,  medalist  (German),  Munich 

93  Ehe,  1905.  Struck  medal,  bronze,  60  mm. 

93  Firmungstaler  I,  1905.  Struck  medal,  bronze  silvered,  60  mm. 

95  Firmungstaler  II,  1905.  Struck  medal,  bronze  silvered,  60  mm. 

96  Priesterweihe,  1905.  Reverse.  Struck  medal,  bronze,  60  mm. 


MAX  WIESE 

Sculptor,  medalist  (German),  Charlottenburg 

97  Theodor  Fontane,  1907.  Struck  plaquette,  bronze  silvered,  42  x 

62  mm. 

GEORG  WRBA 

Sculptor,  medalist  (German),  Dresden 

98  Alfred  Messel,  1905.  Struck  medal,  bronze,  58  mm. 

99  Georg  Graef,  1905.  Struck  plaquette,  bronze,  48x56  mm. 

100  Georg  Leinfelder,  1905.  Struck  medal,  bronze,  60  mm. 


246 


ie  »,  bronze,  103  mm. 

1 1 < single),  bronze,  92  mm-. 

ie ),  bronze,  29  mm. 

(single),  bronze,  102mm. 
ist  m single),  bronze. 


«V.V  :iinJ  a: 

££ 

Par!.* 

Si-  Pegu  : 
Petrus,  ) 

• . Waijtiu 

> Zilt  »i 

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se 


» medal  (single),  bronze,  93  mm. 
dal  (double),  bronze,  30  mm. 
e < t!  (double),  bronze,  23  mm. 
i s i n gl e ) , bro n«e,  117  mm . 
mm*' ),  bronze,  63 mm. 

. > ; .e  bronze,  30  mm. 

■ m 'al  (double),  bronze,  64  mm. 

! 2« M i ja hrige  Bestehen  des  Kgl. 

Dg 

102,  Lui  If  Prmzregent  von  Bayern, 

a I,  bronze,  80  mm. 

: i dal,  bronze  silver*  d,  38  mm. 


91  In 
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SG 


STAGDING)  R ts 

S<  ulpNir,  medalist  (German),  Berlin 
S8 

1908.  Struck  plaquette,  bronze,  43  x 60  mm. 

Struck  plaquette  (semicircular),  bronze, 

9£ 

HEINRICH  WADERE 
ulptor,  medalist  (German),  Munich 

vim  medal, abronze,  60  mm. 

or  Struck  medal,  bronze  silvered,  60  mm. 

G 

1905.  Struck  medal,  bronze  silvered,  60  mm. 

.).  Reverse.  Struck  medal,  bronze,  60  mm. 

\fe\X  WIESE  59 

‘iii  ■!  di.st  (German),  Charlottenburg 

’ Si i uck  plaquette,  bronze  silvered,  42  x 

"9  99 


8 


GEORG  WHUA 

»i . * j !••< h* ’ jsi  (German ),  Dresden 

-it  ire.  Sal,  bronze, xf>8  mm. 
bfM  plaquette,  bronze,  48  x 56  mm. 
* Snatch  medal,  bronze,  60  mm. 


246 


Nos.  1,  3,  5,  6,  10,  22,  25,  27,  29,  32,  41,  4=3,  46,  47,  48,  55,  64,  65,  66,  67,  70,  93,  96,  98,  99 


247 


Xos.  9,  11,  17,  20,  28,  30,  35,  36,  38,  39,  40,  44,  45,  50,  58,  62,  68,  71,  73,  74,  90,  91,  97 


248 


Vl'V- 


58 

08 


S9 


31 


oe 


II 


35 


*8 


88 


80 


72 


85 


12 


19 


01 


68 


05 


IT 


51 


001 


II 


95 


85 

30 


*6 


e9 


18 


15 


44 


8 


SI 


97 


T8 


ei 


74 


T8 


88 


4 


51 

95  ^ 


e-t- 


89 


09 


59 


25 


09 


91 


92 


Nos.  2,  4,  7,  8,  12,  15,  16,  19,  23,  26,  31,  33,  37,  49,  51,  52,  53,  54,  56,  57,  59,  60. 
63,  69,  72,  79,  87,  94,  95 


LUDOV!  l ( M iLIAGHI 


Ludovico  Pogliaghi,  sculptor,  in  .vi  (Italian),  lives  iu  Milan  ar.-l  is  em- 
ployed in  the  well-known  firm  < v.<  Cano  Johnson.  Aiming  If  s man;  pro- 

ductions are  the  enormous  br  central  portals  for  the  Milan  cathedral. 

3T 

Address,  Milan,  Italy. 

68  ±S 

1 Bonta,  targa  presen tata  a Camillo  Boito,  Architetto  di  Milano,  1909. 

Cast  plaque  (single),  bronze,  43  x 22  cm 

2 Cristoforo  Colombo,  1892.  Obverse  an  1 reverse.  Struck  medal, 

modeled  by  L.  Pogliaghi,  engraved  by  A.  Cappuccio,  bronze, 
100  mm 

3 The.  same.  Cast  medallion  (singh  °d 

30  cm. 

i Deita  Tutelare  d’un  Fiume.  Cast  medallion  (single  f bronze,  40 
cm. 

LB 

2G 

5 Forza,  targa  presentata  a Camillo  Boito,  Architetto  di  Milano  1908. 

Cast  plaque  (single),  O use,  43x22  cm. 

6 Francia  ed  Italia,  1909.  Cast  medallion  (single),  bronze,  40  cm. 

7 Gara  d!8Tiro  a Segno  Nazionale  in  Roma,  Prei&io,  1890.  Struck 

medal,  modeled  by  L.  Pogliaghi,  engraved  by  A.  Cappuccio,  52 
mm. 

8 Giubileo  (50  am#)  della  Fondazione  de||’  Associazione  per  le  Belle 

Arti  in  Milano,  1893.  Struck  medal,  bronze,  60  mm. 

9 Messina,  1908.  Cast  medaiypn  (single),  bronze,  34  cm. 

10  Vergine,  1900.  Struck  plaquette,  bronze,  110  x80  mm. 

1 Nos.  1-10  were  loaned  by  Stabilimento  Stefano  Johnson,  Milan. 


251 


70 


24 


89 


80 


42 


77 


92 


81 


61 


78 


82 


83 


14 


84 


85 


75 


86 


18 


13 


88 


LUDOVICO  POGLIAGHI 


Ludovico  Pogliaghi,  sculptor,  medalist  (Italian),  lives  in  Milan,  and  is  em- 
ployed in  the  well-known  firm  of  Stefano  Johnson.  Among  his  many  pro- 
ductions are  the  enormous  bronze  central  portals  for  the  Milan  cathedral. 
Address,  Milan,  Italy. 

7  Bonta,  targa  presentata  a Camillo  Boito,  Architetto  di  Milano,  1909. 
Cast  plaque  (single),  bronze,  43  x 22  cm.1 

2 Cristoforo  Colombo,  1892.  Obverse  and  reverse.  Struck  medal. 

modeled  by  L.  Pogliaghi,  engraved  by  A.  Cappuccio,  bronze, 
100  mm. 

3 The  same.  Cast  medallion  (single),  bronze,  model  for  the  above, 

30  cm. 

4 Deita  Tutelare  d’un  Fiume.  Cast  medallion  (single),  bronze,  40 

cm. 

5 Forza,  targa  presentata  a Camillo  Boito,  Architetto  di  Milano,  4908. 

Cast  plaque  (single),  bronze,  43  x 22  cm. 

6 Francia  ed  Italia,  1909.  Cast  medallion  (single),  bronze,  40  cm. 

7 Gara  di  Tiro  a Segno  Nazionale  in  Roma,  Premio,  1890.  Struck 

medal,  modeled  by  L.  Pogliaghi,  engraved  by  A.  Cappuccio,  52 
mm. 

8 Giubileo  (50  anni)  della  Fondazione  dell’  Associazione  per  le  Belle 

Arti  in  Milano,  1893.  Struck  medal,  bronze,  60  mm. 

9 Messina,  1908.  Cast  medallion  (single),  bronze,  34  cm. 

70  Vergine,  1900.  Struck  plaquette,  bronze,  110  x80  mm. 

1 Nos.  1-10  were  loaned  by  Stabilimento  Stefano  Johnson,  Milan. 


251 


6 


4 


9 


252 


KATHERINE  T.  PRESCOTT 
(Mrs.  Harry  L.  Prescott) 

Katherine  T.  Prescott,  sculptor  (American),  was  born  in  Biddeford, 
Maine.  She  has  studied  and  worked  exclusively  in  America.  She  is  a mem- 
ber of  the  Boston  Art  Students’  Association  and  of  the  Copley  Society  of 
Boston.  She  has  exhibited  at  the  New  Gallery,  London,  and  at  the  leading 
exhibitions  in  America,  as  the  National  Sculpture  Society,  the  National 
Academy  of  Design  of  New  York,  the  Academy  of  Fine  Arts,  Philadelphia, 
and  the  Copley  Society  of  Boston,  for  the  past  fifteen  years.  She  makes  a 
specialty  of  portraits  in  low  relief.  She  has  had  studios  in  Boston  and  in 
New  York,  and  is  now  in  Chicago.  Address,  1616  East  55th  Street,  Chicago, 
111. 

1 Harry  Forbes  Prescott.  Plaquette  in  plaster,  165  x114mm.  (also, 

cast  bronze). 

2 Joseph  Jefferson.  Plaque  in  plaster,  21.6x16.5  cm.  (also,  cast 

bronze). 

3 Ralph  Waldo  Emerson.  Medallion  (oval)  in  plaster,  152  x 114  mm. 

(also,  cast  bronze). 

4 Sir  Henry  Irving  and  Ellen  Terry.  Plaque  in  plaster,  20.3  x 17.8 

cm.  (also,  cast  bronze). 


GEORGES  HENRI  PRUD’HOMME 

Georges  Henri  Prud'homme,  medalist  (French),  was  born  in  Cap-Breton 
(Landes),  France.  Pupil  of  Falguiere  and  of  Alphee  Dubois.  Has  received 
a medal  of  the  third  class  from  the  Societe  des  Artistes  Francais  in  1904. 

Works:  La  Source,  plaquette;  Maurice  Fame;  D'  Paul  Riche;  La  Fileuse; 
Meditation;  Bonnes  Femmes  Allant  a la  Messe;  Jean  Monnier;  Le  Novice; 
Benedicite;  Gustave  de  Blonaij  (1900);  Tercentenaire  de  I’Edit  de  Nantes 
(1898).  Address,  109  rue  de  Sevres,  Paris. 

1 Alphee  Dubois,  1906.  Medal,  galvano  bronzed,  150  mm.  (cast  (sin- 

gle) bronze,  150  mm.). 

2 Caisse  d’Epargne  de  La  Rochelle,  1904.  Obverse  and  reverse.  Pla- 

quette, galvano  silvered,  120  x90  mm.  (cast  (single)  120x90 
mm.;  struck,  63  x 48  mm.). 


253 


3 Conseil  Municipal  de  La  Rochelle,  1902.  Struck  plaquette,  bronze, 
03  x 45  mm. 

7 Coneours  de  Facades  de  la  \ i 1 le  de  Paris,  1908.  Struck  plaquette, 
bronze,  73  x 59  mm. 

5 Docteur  Antoine  Florand,  1905.  Plaquette,  galvano  silvered,  120  x 
90mm.  (cast  (single)  bronze,  120x90mm.). 

(y  Docteur  J.  13.  Duguet,  1903.  Struck  plaquette,  bronze,  60  x 47  mm. 
(cast  (single)  bronze,  120x80mm.). 

7 Docteur  V.  Hanot,  1906.  Struck  plaquette,  bronze,  57  x 48  mm. 

3 Georges  Veyrat,  1907.  Plaquette,  galvano  silvered,  120  x 100  mm. 
(cast  (single)  bronze,  120x100mm.). 

.9  Maurice  Fame,  Senateur,  1906.  Struck  medal,  bronze,  63  mm. 

10  Professeur  A.  Gilbert,  Docteur  en  Medecine,  1906.  Struck  plaquette, 

bronze,  71  x 52  mm. 

11  Professeur  Paul  Bar,  Docteur  en  Medecine,  1908.  Struck  plaquette, 

bronze,  62  x 50  mm. 

12  Senateur  Frederic  Desmons,  1909.  Struck  plaquette,  bronze,  69 

mm.  (cast  (single)  bronze,  190x150mm.). 

13  Vierge  aux  Lys,  1904.  Plaque,  galvano  silvered  (cast  (single) 

bronze,  26  x 12.5  cm.). 

I'i  Yille  de  Paris,  1900.  Medal,  galvano,  120  mm.  (cast  (single)  bronze, 
120  mm.,  1901;  for  struck  medals  with  this  obverse,  cf.  F.  Maze- 
rolle,  “G.-H.  Prud’homme,”  Nos.  2,  12,  13). 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14 


254 


CAROL! Ni  HUNT  RIMMER 


Caroline  Hunt  Rimmer,' sculptor,  medalist  (American),  was  born 
dolph,  Massachusetts,  in  1851.  She  is  the  daughter  of  Dr.  William  Rimmer 
; 1816-79),  who  was  from  1866  to  1870  director  of  the  School  of  Design  of 
die  Cooper  Institute,  lecturer  on  art  at  the  Lowell  Institute,  I tarvard  l niver- 
' dy,  and  the  National  Academy  of  Design,  the  sculptor  of  St.  Stephen.  o>r  is 
The  Falling  Gladiator,  and  Alexander  Hamilton,  and  the  author  of  “Lie 
ments  of  Design”  and  of  “Art  Anatomy.”  She  studied  under  her  father, 
i ceeiving  a silver  medal  while  at  the  Cooper  Institute.  She  received  honor- 
able mention  for  work  sent  to  the  World’s  Fair  at  Chicago,  1893;  also  honor- 
able mention  for  bronze  vases  sent  to  Paris  Exposition,  1900.  She  is  the 
author  of  “Figure  Drawing  for  Children”  (Boston,  1893),  and  a - , 

Drawing:  A Series  of  Thirteen  Plates  with  Descriptive  e r 

Address,  Belmont,  Massachusetts,  and  4-  .v  : -Mi- 

1 Dr.  William  and  Mary  H.  C.  Rimmer  (parents  of  the  artist),  1910. 

Obverse  and  reverse.  Medallion  in  plaster,  26.7  cm. 

2 Adeline  Eunice  Wilson,  In  Memory,  1901.  Obverse  and  reverse. 

Medallion  in  plaster,  152  mm. 

3 Psyche  and  Mors  (Death  driven  away  by  the  Soul) , 1910.  Medallion 

in  terra-cotta,  171  mm. 

h Sketch  A,  Flying  Cloud,  1901.  Medal  in  terra-cotta,  70  mm. 

5 Sketch  B,  The  Cherub’s  Crown,  1901.  Medal  in  terra-cotta,  102  mm. 

6 Sketch  C,  A Benefactor,  1910.  Medallion  imterra-cotta,  152  mm. 

t 

7 Tablet,  in  memory  of  Adeline  Rimmer  Durham,  1910.  Plaquette 

(lozenge-shaped ) in  terra-cotta,  140  x 102  mm.  21 


H 


» it  ^ il  de  La  i ■<  • 1902.  Struck  plaquette,  bronze, 

i'  - f .'s  de  hi  \ i Paris,  1908.  Struck  plaquette, 

> ’ I . * q u cite,  galvano  silvered,  120  x 

■a  •-  > 1 i oiize.  120  x 90  mm.). 

. ••  ; L Si  ruck  plaquette  bronze,  60  x 47  mm. 

i,  , 120  x (SO  mm.). 

Struck  plaquette,  bronze,  57  x 48  mm. 

PI  juetle,  galvano  silvered,  120  x 100  mm. 
20  x 100  mm.). 

• -i.  Struck  medal,  bronze,  63  mm. 
n Medecine,  1906.  Struck  plaquette, 

* • i < 1 i i / i : < $ * \ . » . * < U ) ) t „ 

V v-.  it.  Paul  i •••.•iciu  cn  Mcde -ine,  1908.  Struck  plaquette, 
bronze,  62  x 50  mm. 

72  Sr. i :0c i r Fn'dc  \c  Desmoris,  1909.  Struck  plaquette,  bronze,  69 
mm.  <casi  (single)  bronze,  190x  150mm.). 

Plaque,  galvano  silvered  (cast  (single) 

• ■ 22  \ 12.  : : m. ). 

1 g:  ivano,  120  mm.  (cast  (single)  bronze, 

Td  iv  medals  with  this  obverse,  cf.  F.  Maze- 

; homme,”  Nos.  2,  12,  13). 


4,  r>,  «,  t,  k.  y,  io,  it,  i a.’  is,  11 


CAROLINE  HUNT  RIMMER 


Caroline  Hunt  Rimmer,  sculptor,  medalist  (American),  was  born  in  Ran- 
dolph, Massachusetts,  in  1851.  She  is  the  daughter  of  Dr.  William  Rimmer 
(1816-79),  who  was  from  1866  to  1870  director  of  the  School  of  Design  of 
the  Cooper  Institute,  lecturer  on  art  at  the  Lowell  Institute,  Harvard  Univer- 
sity,  and  the  National  Academy  of  Design,  the  sculptor  of  St.  Stephen,  Osiris, 
The  Falling  Gladiator,  and  Alexander  Hamilton,  and  the  author  of  “Ele- 
ments of  Design”  and  of  “Art  Anatomy.”  She  studied  under  her  father, 
receiving  a silver  medal  while  at  the  Cooper  Institute.  She  received  honor- 
able mention  for  work  sent  to  the  World’s  Fair  at  Chicago,  1893;  also  honor- 
able mention  for  bronze  vases  sent  to  Paris  Exposition,  1900.  She  is  the 
author  of  “Figure  Drawing  for  Children”  (Roston,  1893),  and  of  “Animal 
Drawing:  A Series  of  Thirteen  Plates  with  Descriptive  Text”  (Roston,  1895). 
Address,  Relmont,  Massachusetts,  and  4 St.  Botolph  Studios,  Boston. 

1 Dr.  William  and  Mary  Id.  C.  Rimmer  (parents  of  the  artist),  1910. 

Obverse  and  reverse.  Medallion  in  plaster,  26.7  cm. 

2 Adeline  Eunice  Wilson,  In  Memory,  1901.  Obverse  and  reverse. 

Medallion  in  plaster,  152  mm. 

3 Psyche  and  Mors  (Death  driven  away  bj^  the  Soul ) , 1910.  Medallion 

in  terra-cotta,  171  mm. 

4 Sketch  A,  Flying  Cloud,  1901.  Medal  in  terra-cotta,  70  mm. 

5 Sketch  B,  The  Cherub’s  Crown,  1901.  Medal  in  terra-cotta,  102  mm. 

6 Sketch  C,  A Benefactor,  1910.  Medallion  in  terra-cotta,  152  mm. 

7 Tablet,  in  memory  of  Adeline  Rimmer  Durham,  1910.  Plaquette 

(lozenge-shaped)  in  terra-cotta,  140  x 102  mm. 


255 


3 


6 


256 


ANNE  GREGORY  VAN  BRIGGLE  RITTER 
(Mrs.  Etienne  Ritter) 


Anne  Gregory  Van  Briggle  Ritter,  painter  (American),  was  born  in 
Plattsburg,  New  York.  She  studied  painting  for  five  years  under  Charles 
Melville  Dewey,  and  for  some  years  in  Paris  and  in  Berlin.  In  1900  she 
went  to  Colorado  Springs,  where  she  assisted  her  husband  in  making  pot- 
tery.  She  has  exhibited  both  paintings  and  pottery  in  the  Salon  and  also 
in  New  York,  Philadelphia,  Boston,  Chicago,  and  St.  Louis.  She  was 
awarded  a bronze  medal  for  pottery  in  the  Fine  Arts  Exhibit  at  St.  Louis. 
She  is  a member  of  the  National  Society  of  Craftsmen,  master  craftsman 
in  the  Boston  Society  of  Arts  and  Crafts,  member  of  the  New  York  Keramic 
Society,  associate  member  of  the  American  Ceramic  Society  and  of  the 
American  Federation  of  Arts.  At  present  she  devotes  herself  to  designing 
and  making  pottery  and  tiles  for  interior  and  exterior  use.  Address,  1712 
North  Nevada  Avenue,  Colorado  Springs,  Colorado. 

1 Decorative  landscape  panel.  Terra-cotta  (glazed). 


LOUIS  AUGUSTE  THEODORE  RIVIERE 
(Theodore  Riviere) 

Louis  Auguste  Theodore  Riviere,  sculptor  (French),  was  born  in  Tou- 
louse in  1851.  Pupil  of  Jouffroy,  Falguiere,  and  Mercie.  1890-93  instruc- 
tor at  the  Lycee,  Carthage  (Tunis).  Member  of  Societe  des  Artistes 
Francais  since  1889.  He  was  made  officer  of  the  Legion  of  Honor  in  1906. 

Works:  La  Mnsiqne;  Orientale;  Salammbd  chez  Matho,  bronze  and  ivory, 
Musee  de  Luxembourg;  portrait  statuettes;  Pasteur,  Metchnikoff,  0.  Roll], 
A.  Mariani,  Claret ie.  Mistral,  de  Heredia,  etc.;  Les  Deux  Douleurs,  marble, 
1903;  Statue  du  roi  d’Annam,  1903;  La  Vie,  group,  1906;  Les  Parques; 
Triomphe  des  Courtisanes,  ivory  group,  belonging  to  Mine.  Paquin;  Bac- 
chus, ivory  statuette,  both  at  Paris  Salon,  1910.  Address,  99  rue  Mozart, 
Paris. 

1 Frederic  Mistral.  Bronze  statuette. 

2 La  Danse  Voilee.  Bronze  statuette. 


3 Le  Silence.  Bronze  statuette. 

'/  Messe  de  Minuit.  Gray  marble  statuette. 

3 Porteuses  d’Offrandes  Cambodgiennes.  Bas-relief  in  bronze  and 
gilt. 

6 Portrait  d’un  Amateur.  Bronze  statuette. 

7 Saint  a l’Aine.  Bronze  statuette. 

S Souvenir  d’Alexandrie.  Marble  statuette. 


5 


PIERRE  ROCHE 


Pierre  Roche,  sculptor,  medalist  (French),  was  born  in  Paris.  He  was  a 
pupil  of  Roll  and  of  Dalou.  He  is  an  associate  sculptor  of  the  Societe  Na- 
tional des  Reaux-Arts,  and  member  of  the  permanent  jury  of  the  city^  of 
Paris  at  the  Musee  Galliera.  He  received  a silver  medal  during  the  Paris 
Exposition  of  1900.  In  decorative  sculpture  and  design  he  has  made  some 
interesting  essays  in  the  art  moderne  style.  Among  his  best-known  works 
are  the  fountain  Avril , Musee  Galliera,  and  YEffort  in  the  garden  of  the 
Luxembourg,  Paris.  His  medals  are  exhibited  at  the  Luxembourg  and  the 
Petit  Palais.  Address,  25  rue  Vaneau,  Paris. 

1 Aigle,  1905.  Cast  plaquette,  lead  bronzed,  95  x 110  mm. 

2 Centauresse,  1897.  Cast  plaquette,  lead  bronzed,  65x112  mm. 

3 Femme  Volante,  1908.  Cast  plaquette,  lead  bronzed,  117  x 95  mm. 

4 L’Innocence  Lutte  eontre  le  Vice  et  la  Violence,  1896.  Cast  pla- 

quette, lead  bronzed,  100  x 100  mm. 

5 Lion,  1905.  Cast  plaquette,  lead  bronzed,  110  x 110  mm. 

6 Lo'ie  Fuller  (medal  of  the  Societe  des  Amis  de  la  Medaille  Fran- 

caise),  1900.  Reverse.  Cast  medal,  lead  bronzed,  71  mm. 

7 Melusine,  1900.  Cast  medal,  lead  bronzed,  71  mm. 

8 Portrait  d’Enfant,  Louis,  1887.  Cast  plaquette,  lead  bronzed,  100  x 

100  mm. 

9 Souhaits  Nouveaux.  Cast  plaquette,  lead  bronzed,  90  x 50  mm. 

10  St.  Jean,  1902.  Cast  plaquette,  lead  bronzed,  120  x 120  mm. 

11  Vierge  et  Enfant,  1890.  Cast  plaquette,  lead  bronzed,  150  x 110  mm. 


6 


259 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11 


10 


260 


GEORG  ROEMEB 


>rg  Roemer,  sculptor,  medalist  (Germ a : 
studied  in  Dresden,  Berlin,  and*! 'a* 

•rence,  where  he  lived  for  l.weivt  yea; 
n icli.  He  is  well  krfown  by  his  mm 
inis  and  portraits.  His  princi 
beck,  Berlin,  Munich,  and  Rom 

IS  01 

G 

1 Allerseelen,  1905.  Obvt rsi  <•.  . i d (dies  cut  by 

hand),  copies  in  bronze,  bronze  silvered,  and  silver,  44mm. 

2 Deutsches  Bundesschiessen,  Mu  mhci  1906 

Struck  me b,d  • r e 

3 The  same.  Oi > v 1 1 s<  , . • 

silver  gilt  android  - 

4 Erntezeit,  1901.  * #t >\  g 

hand),  copi<  s , :■# 

3  Franz  Schuette,  1906.  Cast  medal  * 

silver,  70  mm. 

0 Friihling,  1904.  Obverse  and  reverse.  Struck  medal  (dies  cut  b\ 

hand),  bronze,  i>ronze  silvered,  and  silver,  44mm. 

7 Herzog  Georg  von  Sachscn-Mein inge n.  !!'«'“  k ms  • ••• . ; 

Cast  medal  (-double,  modeled  : 

in  bronze,  59  mm. 

8 Vita  Beata,  1906.  Cast  medal  (double,  * i/e  o sil- 

ver, 68  mm. 

9 Weihnachten,  1904.  Obverse  and  rex  cr  I medal  (dies  cut 

by  hand),  copies  in  silver  and  in  bronze,  ki  me.. 


260 


GEORG  ROEMER 


Georg  Roemer,  sculptor,  medalist  (German),  was  born  in  Bremen,  1868. 
He  studied  in  Dresden,  Berlin,  and  Paris,  and  went  thence  to  Rome  and 
Florence,  where  he  lived  for  twelve  years.  Since  1904  he  has  resided  in 
Munich.  He  is  well  known  by  his  many  works  in  stone  and  bronze,  his 
medals  and  portraits.  His  principal  works  are  in  Bremen,  Hamburg, 
Liibeck,  Berlin,  Munich,  and  Rome. 

1 Allerseelen,  1905.  Obverse  and  reverse.  Struck  medal  (dies  cut  by 

hand),  copies  in  bronze,  bronze  silvered,  and  silver,  44  mm. 

2 Deutsches  Bundesschiessen,  Mtinchen,  1906.  Obverse  and  reverse. 

Struck  medal  (dies  cut  by  hand),  silver,  38  mm. 

3 The  same.  Obverse  and  reverse.  Struck  medal  (dies  cut  by  hand), 

silver  gilt  and  gold,  27  mm. 

4 Erntezeit,  1904.  Obverse  and  reverse.  Struck  medal  (dies  cut  by 

hand),  copies  in  bronze,  bronze  silvered,  and  silver,  44  mm. 

5 Franz  Schuette,  1906.  Cast  medal  (double,  modeled  in  actual  size), 

silver,  70  mm. 

6 Friihling,  1904.  Obverse  and  reverse.  Struck  medal  (dies  cut  by 

hand),  bronze,  bronze  silvered,  and  silver,  44mm. 

7 Herzog  Georg  von  Sachsen-Meiningen,  1907.  Obverse  and  reverse. 

Cast  medal  (double,  modeled  in  actual  size),  copies  in  silver  and 
in  bronze,  59  mm. 

8 Vita  Beata,  1906.  Cast  medal  (double,  modeled  in  actual  size),  sil- 

ver, 68  mm. 

9 Weihnachten,  1904.  Obverse  and  reverse.  Struck  medal  (dies  cut 

by  hand),  copies  in  silver  and  in  bronze,  42  mm. 


261 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9 


262 


J.  ED(d  \RD  ROINE 


J.  Edouard  Roine,  sculptor,  medalist  (American)  was  born  in  Nantes, 
France.  Pupil  of  Leopold  Maurice  and  of  Char:!  oil.  Came  to  America  in 
1881,  and  returned  to  France  in  1898,  where  r • hibited  in  the  Paris  Salon, 
receiving  mention;  the  following  year  he  wa-  awarded  the  first  medal  at 
the  Paris  Exposition.  Some  of  his  wot ' art  at  the  Luxembourg,  Paris; 
others  at  the  Metropolitan  Museum  in  New  York;  he  is  also  represented  al 
Berlin,  Venice,  etc.  Member  of  the  National  Sculpture  Society.  Address, 
Roine,  Weil  & Co.,  139  East  Twenty-third  Street,  New  York  City. 

1 Abraham  Lincoln,  1908.  Struck  medal,  bronze,  63  mm. 

2 Algernon  Sydney  Sullivan,  1907.  Struck  plaquetjie,  bronze,  89  x 

61  mm. 

3 Amour  Divin,  1908.  Medallion,  galvano  silvered,  20  cm. 

4 “Aux  Armes,  Citoyens,”  La3 Marseillaise,  1900.  Struck  medal,  sil- 

ver, 50  mm. 

5 Bapteme,  1900.  Plaquette,  galvano  si) vend.  100  x67  mm. 

6 Benedicite.  1907.  Plaquette  galvano  silvered, 94 

7 Centenary  of  the  Establishrm  , of  the  Catholic  . 

York,  1909.  Obverse  and  re  *.  - Struck  medal,  silve  , 

8 The  same.  Reverse.  Medallion  h I er,  model,  33.4  cm. 

9 Exposition  Universelle  de  ?aris,  1 : . d’apres  line  compo- 

sition de  Besnard)  (medal  of  the  Soei<  Fran,  des  Amis  de  la 

S 

Med.).  Obverse  and  reverse.  Struck  8 c.  bronze,  55x68 

mm.  (cliches). 

10  The  same.  Obverse  and  reverse.  Plaque,  galvano  slivered,  21  x 

30  cm. 

11  Femme  sur  une  Globe.  Medallion  (oval),  galvano  silvered.  : -odk  ; 

for  a jewel-box,  27  x 18  cm. 

12  Fiancailles,  1900.  Obverse  and  reverse.  Medal,  galvano  silvered, 

120  mm. 

13  Floreal,  1900.  Struck  plaquette  m (agonal),  silver,  40  x 35  mr u 

74  Grover  Cleveland,  1908.  Struck  plaquetle,  silver,  90  x 78  mm.  (cast 

(single),  bronze,  model.  26.2x23.2  cm.). 

15  Honneur  de  la  Patrie,  1897.  Struck  plaquette,  bronze,"  56  x 35  mm. 

16  Jour  de  Naissance.  1899.  Struck  medal,  silver,  41  mm. 


263 


N'\ 


2s 


J.  EDOUARD  ROINE 


J.  Edouard  Roine,  sculptor,  medalist  (American),  was  born  in  Nantes, 
France.  Pupil  of  Leopold  Maurice  and  of  Chantrou.  Came  to  America  in 
1881,  and  returned  to  France  in  1898,  where  he  exhibited  in  the  Paris  Salon, 
receiving  mention;  the  following  year  he  was  awarded  the  first  medal  at 
the  Paris  Exposition.  Some  of  his  works  are  at  the  Luxembourg,  Paris; 
others  at  the  Metropolitan  Museum  in  New  York;  he  is  also  represented  at 
Berlin,  Venice,  etc.  Member  of  the  National  Sculpture  Society.  Address , 
Roine,  Weil  & Co.,  139  East  Twenty-third  Street,  New  York  City. 

7  Abraham  Lincoln,  1908.  Struck  medal,  bronze,  63  mm. 

2 Algernon  Sydney  Sullivan,  1907.  Struck  plaquette,  bronze,  89  x 

61  mm. 

3 Amour  Divin,  1908.  Medallion,  galvano  silvered,  20  cm. 

4 “Aux  Amies,  Citoyens,”  La  Marseillaise,  1900.  Struck  medal,  sil- 

ver, 50  mm. 

5 Bapteme,  1900.  Plaquette,  galvano  silvered,  100  x 67  mm. 

6 Benedicite,  1907.  Plaquette,  galvano  silvered,  94  x 70  mm. 

7 Centenary  of  the  Establishment  of  the  Catholic  Diocese  of  New 

York,  1909.  Obverse  and  reverse.  Struck  medal,  silver,  71  mm. 

8 The  same.  Reverse.  Medallion  in  plaster,  model,  33.4  cm. 

9 Exposition  Universelle  de  Paris,  1900  (revers,  d’apres  une  compo- 

sition de  Besnard)  (medal  of  the  Societe  Fran,  des  Amis  de  la 
Med.).  Obverse  and  reverse.  Struck  plaquette,  bronze,  55x68 
mm.  (cliches). 

70  The  same.  Obverse  and  reverse.  Plaque,  galvano  silvered,  24  x 
30  cm. 

77  Fennne  sur  une  Globe.  Medallion  (oval),  galvano  silvered,  model 
for  a jewel-box,  27  x 18  cm. 

12  Fiancailles,  1900.  Obverse  and  reverse.  Medal,  galvano  silvered, 

120  mm. 

13  Floreal,  1900.  Struck  plaquette  (octagonal),  silver,  40  x 35  mm. 

74  Grover  Cleveland,  1908.  Struck  plaquette,  silver,  90  x 78  mm.  (cast 
(single),  bronze,  model,  26.2x23.2  cm.). 

15  Honneur  de  la  Patrie,  1897.  Struck  plaquette,  bronze,  56  x 35  mm. 

16  Jour  de  Naissanee,  1899.  Struck  medal,  silver,  41  mm. 


263 


y;  Le  Siecle  Nouveau,  1900.  Plaque,  galvano  silvered,  37.5x64.5  cm. 
JS  Ligue  des  Droits  de  l’Homme,  1898.  Struck  medal,  bronze,  50  mm. 

19  Louis  F.  Rousseau,  1905.  Plaque  in  plaster,  57  x 45.5  cm. 

20  Madonna,  1897.  Medal  (oval),  galvano  silvered,  50  x 38  mm. 

21  Marguerite  Delpeeh,  1894.  Plaque,  galvano  silvered,  24.5  x 15  cm. 

22  Natalis  Dies,  1897.  Medal,  galvano  silvered,  80  mm. 

23  Paul  el  Jean  Delpeeh,  1902.  Plaque,  galvano  silvered,  25  x 31.5  cm. 
2i  Perine  Rome  (mere  de  l’artiste),  1895.  Medallion,  galvano  bronzed, 

32  cm. 

23  Sainte  Genevieve,  1898.  Plaquette,  galvano  silvered,  95  x 61  mm. 

26  Souvenir  du  Mariage,  1900.  Struck  medal,  silver,  41  mm. 

27  V.  Exposizione  Internazionale  d’Arte  della  Citta  di  Venezia,  1903. 

Obverse  and  reverse.  Medal,  galvano  gilt,  120  mm. 


19 


264 


265 


LOUIS  OSCAR  ROTY 

oo 

Oscar  Roty,  sculptor,  medalist  (Frtm  : 
tied  in  March,  1911.  He  entered  t I . 

i painting.  Liter  he  became  a 

■ He  obtained  the  second  gras 
Rome  in  1875;  medal  of  t A 

best  class,  bestowed  for  if; 

At  the  Universal  Exposition  - 

■ Hie  chevalier  of  the  Legion  of  Honor  ;1:  V officer  in  1889;  mem- 
(he  Institute  in  1888,  taking  the  place  of  Berlin  t,  p pi  , : 

From  the  commencement  of  du  £ 

‘■sited  in  the  Institute  A 
plain,  his  former  " - 
cption  was  made  : ■ ; 

-J 

( the  Salon,  given  • a ihe  first  time  to  an  eng!  v* 
minder  of  the  Legion  of  Honor,  officer  of  Public  Instruction,  and 

■ and  president  of  the  Fraternite  Artistique.  M.  Roty  made  himself 
a to  collectors  principally  by  his  pl%quettes,  a form  neglected  since 

to 

n aissance,  and  to  the  general  public  by  the  French  coin  La  Semeuse, 
f < coins  of  Albert  I,  Prince  of  Monaco,  and  those  of  Chili  and  of  II  ,y! 
*RKS:  two  bas-reliefs,  La  Peinture  and  La  M u 
mums  of  the  windows  of  the  Hotel  de  Ville,  Paris;  La  Republique 
■'  e;  L’ Amour  Consolant  V Humanite ; La  Yiergc.  etc. 
r.  Mazerolle,  “L.  0.  Rot}-,  Biographic  el  Catalogue  de  son  (Euvre/ 
•ecoration,  Apia  I 

_ Q5 

O Hr 

t Actes  de  Devouenient,  1 896.  Struckgnedal,  27  mn^ 

Adolphe  Brongniart  : ' Obverse  and  reverse.  Cast  medal 
(double),  bro  s 

Agents  de  Chan gj  !<  i ’••(ruck  medal,  silver,  50  mm. 

Assemblee  Gene?  a : de  la  Compagnie  Paris-Lvon- 

Mediterranec,  i • die,  silver,  45  x 59  mm. 

Association  Praia  des  Sciences,  1890  Strut  , 

medal,  bronze  s w 


LOUIS  OSCAR  ROTYf 


Louis  Oscar  Roty,  sculptor,  medalist  (French),  was  born  in  Paris,  1846, 
and  died  in  March,  1911.  He  entered  the  Ecole  des  Beaux-Arts  in  1864  and 
studied  painting.  Later  he  became  a pupil  of  the  sculptor  Augustin  Du- 
mont. He  obtained  the  second  grand  prize  of  Rome  in  1872;  the  first  grand 
prize  of  Rome  in  1875;  medal  of  the  second  class  of  the  Salon  of  1882;  medal 
of  the  first  class,  bestowed  for  the  first  time  on  an  engraver  of  medals,  in 
1885.  At  the  Universal  Exposition  of  1889  he  took  the  grand  prize.  He 
was  made  chevalier  of  the  Legion  of  Honor  in  1885,  officer  in  1889;  mem- 
ber of  the  Institute  in  1888,  taking  the  place  of  Bertinot,  copperplate-en- 
graver. From  the  commencement  of  the  century,  the  medallic  art  had  been 
represented  in  the  Institute  only  by  one  artist.  Through  the  initiative  of 
M.  Chaplain,  his  former  instructor,  who  was  then  a member  of  that  body, 
an  exception  was  made  in  favor  of  M.  Roty.  He  received  the  medal  of 
honor  of  the  Salon,  given  for  the  first  time  to  an  engraver,  in  1907.  He  was 
Commander  of  the  Legion  of  Honor,  officer  of  Public  Instruction,  and 
founder  and  president  of  the  Fraternite  Artistique.  M.  Roty  made  himself 
known  to  collectors  principally  by  his  plaquettes,  a form  neglected  since 
the  Renaissance,  and  to  the  general  public  by  the  French  coin  La  Semeuse, 
and  the  coins  of  Albert  I,  Prince  of  Monaco,  and  those  of  Chili  and  of  Hayti. 

Works:  two  bas-reliefs,  La  Peinture  and  La  Musique,  executed  for  the 
tympanums  of  the  windows  of  the  Hotel  de  Ville,  Paris;  La  Republique 
Casquee;  L Amour  Consolant  VHumanite;  La  Vierge,  etc. 

Cf.  F.  Mazerolle,  “L.  0.  Roty,  Biographic  et  Catalogue  de  son  CEuvre,” 
Art  et  Decoration,  April,  1911. 

1 Actes  de  Devouement,  1896.  Struck  medal,  27  mm. 

2 Adolphe  Brongniart,  1880.  Obverse  and  reverse.  Cast  medal 

(double),  bronze,  65  mm. 

3 Agents  de  Change  de  Paris,  1898.  Struck  medal,  silver,  50  mm. 

A Assemblee  Generate  des  Actionnaires  de  la  Compagnie  Paris-Lyon- 
Mediterranee,  1901.  Struck  plaquette,  silver,  45  x 59  mm. 

5 Association  Francaise  pour  l’Avancement  des  Sciences,  1890.  Struck 
medal,  bronze  silvered,  68  mm. 


267 


6 Assurances  Mutuelles  de  Rouen,  1895.  Struck  medal,  bronze  sil- 

vered, 68  mm. 

7 Aux  Combaltants  de  Nuits,  1894.  Struck  medal,  bronze  silvered, 

50  mm. 

S Chambre  de  Commerce  de  Lyon,  1892.  Struck  plaquette  (jeton, 
octagonal),  silver,  41  x 41  mm. 

9  Chambre  de  Commerce  de  Paris,  1894.  Struck  medal,  silver,  50  mm. 

10  Chambre  de  Commerce  de  St.  Nazaire,  1893.  Struck  plaquette 

(jeton,  octagonal),  silver,  41  x 41  mm. 

11  Charles  Piet-Lataudrie,  1886.  Obverse  and  reverse.  Cast  plaquette 

(double),  bronze,  74  x 53  mm. 

72  Chemin  de  Per  de  l’Est-Algerien,  1886.  Cast  medal  (double), 
bronze,  99  mm. 

13  Cinquaintaire  de  la  Fondation  de  la  Maison  Christofle,  1893.  Struck 
plaquette,  bronze,  59  x 95  mm. 

74  Club  Alpin  Francais,  1889.  Struck  plaquette,  silver,  61  x 46  mm. 

75  Colonel  Laussedat,  1898.  Struck  medal,  silver,  50  mm. 

16  Commission  d'Hygiene  Publique,  1892.  Struck  medal,  silver, 

36  mm. 

77  Compagnie  des  Bateaux  Parisiens,  1899.  Struck  medal,  silver, 

32  mm. 

IS  Yf  Congees  Penitent iaire  International,  1895.  Struck  medal,  bronze 
silvered,  50  mm. 

7.9  Dr.  Paul  Brouardel,  1802.  Struck  plaquette,  silver,  70x50  mm. 

20  Dr.  L.  H.  Farabeuf,  1899.  Struck  plaquette,  bronze  silvered,  61  x 
43  mm. 

27  Dr.  Leon  Gosselin,  1888.  Obverse  and  reverse.  Cast  plaquette 
(double),  bronze,  140  x 99  mm. 

22  Dr.  J.  R.  Lepine,  1901 . Struck  plaquette,  silver,  59  x 42  mm. 

23  Dr.  Charles  Perier,  1897.  Cast  plaquette  (double),  bronze  (struck, 

60  x 43  mm.). 

27  Ecole  Franca ise  d’Athenes,  1891.  Struck  medal,  bronze  silvered, 

60  mm. 

25  Emile  Gaston  Boutmy,  1896.  Struck  plaquette,  bronze  silvered, 

60  x 43  mm. 

26  The  same.  Obverse  and  reverse.  Plaquette,  galvano  silvered. 

27  Enseignement  Secondaire  des  Jeunes  Filles,  1884.  Struck  medal, 

bronze  silvered,  68  mm. 


268 


28  Exposition  Internationale  de  Chicago  (1893),  1894.  Struck  pla- 

quette,  silver,  50  x 58  mm. 

29  Exposition  Franchise  de  Moscou  (1891),  1892.  Struck  medal,  silver, 

63  mm. 

30  Exposition  Universelle  de  Paris,  1900.  Struck  plaquette,  silver, 

51  x 36  mm. 

31  Exposition  Nationale  et  Coloniale  de  Rouen,  1896.  Struck  medal, 

silver,  27  mm. 

32  Eudoxe  Marcille,  1886.  Cast  plaquette  (double),  bronze,  75  x 56 

mm. 

33  Famille  Engel,  1899.  Struck  plaquette,  bronze  silvered,  58  x 81  mm. 

34  Georges  Duplessis,  1886.  Cast  plaquette  (double),  bronze,  130  x 

90  mm. 

35  Gustave  Adolphe  Hirn,  1889.  Cast  medal  (single),  bronze,  98  mm. 

36  The  same.  Obverse  and  reverse.  Struck  plaquette,  bronze  silvered, 

61  x 46  mm. 

37  Gustave  Louis  Dubar,  1901.  Obverse  and  reverse.  Struck  plaquette, 

bronze  silvered,  71  x 50  mm. 

38  Henri  Rouley,  1885.  Struck  medal,  bronze,  66  mm. 

39  Henri  Loze,  1892.  Obverse  and  reverse.  Struck  plaquette,  silver, 

59  x 43  mm. 

40  Hibou,  1891.  Struck  medal,  silver  gilt,  21  mm.  (also,  32  mm.). 

41  Inauguration  des  Prisons  de  Fresnes-les-Rungis,  1900.  Struck  pla- 

quette, silver  gilt,  59  x 80  mm. 

42  Instruction  Primaire,  1896.  Struck  medal,  bronze  silvered,  50  mm. 

43  Jeanne,  1879.  Cast  plaquette  (single),  silver,  60  x 47  mm. 

44  Jeanne  d’Arc,  1896.  Struck  medal,  bronze,  28  mm.  (also,  50  mm.). 

45  Jockey  Club  de  Ruenos-Ayres,  1889.  Struck  plaquette  (jeton,  octag- 

onal), 27  x 27  mm. 

46  Jnles  Cambon,  1892.  Reverse.  Struck  plaquette,  bronze  silvered, 

59  x 43  mm. 

41  Jules  Eugene  Lenepveu,  1881.  Obverse  and  reverse.  Cast  medal 
(double),  bronze,  69  mm. 

48  Julien  Girard,  1892.  Struck  plaquette,  bronze,  59  x 43  mm. 

49  L.  A.  Collin,  1892.  Obverse  and  reverse.  Struck  plaquette,  silver, 

60  x 43  mm. 

50  La  Foi,  1887.  Cast  plaquette  (single),  bronze,  29.5  x 22.4  cm. 

51  Same  subject,  1887.  Cast  medal  (single),  bronze,  74  mm. 


269 


.32  L’Amour  Cousolant  1'IIumanite,  1899.  Struck  medal  (oval),  silver 
gilt,  26  x 31  mm. 

~)3  La  Vierge,  1896.  Struck  medal  (oval),  silver  gilt,  36x30  mm. 

54  Leon  Say,  1900.  Obverse  and  reverse.  Cast  medal  (double),  bronze, 

83  mm. 

55  Louis  Francois  Marie  Amedee  de  Boissieu,  1886.  Cast  plaquette 

(double),  bronze,  73  x 52  mm. 

56  Maison  d’Education  d’Auberive,  1885.  Struck  medal,  bronze  sil- 

vered, 45  mm. 

.3/  Marie  Laurent,  1901.  Struck  medal,  silver,  41  mm. 

58  Maternite  (Bapteme  de  J.  G.  Roty),  1893.  Struck  piece,  silver  gilt, 

36  mm.  (various  reverses). 

59  Mathieu  Edouard  et  Rose  Pauline  Aynard,  1894.  Cast  plaquette 

(double),  bronze,  111  x 133  mm. 

60  Maurice  Roty,  1886.  Obverse  and  reverse.  Cast  plaquette  (double), 

silver,  64  x 48  mm. 

61  Medaille  de  Mariage  (Semper,  First  type),  1895.  Struck  medal  (uni- 

lace), silver  (pied-fort),  41  mm. 

62  M.  et  Mine.  Pierre  Boulanger,  1885.  Cast  plaquette  (single), bronze, 

140  x 100  mm. 

63  M.  et  Mme.  Morel,  Noces  d’Argent  (1875-1901),  1901.  Reverse. 

Struck  plaquette,  65  x 76  mm. 

64  Michel  Eugene  Chevreul,  1886.  Obverse  and  reverse.  Cast  medal 

(double),  bronze,  98  mm. 

65  The  same.  Struck  medal,  bronze  silvered,  69  mm. 

66  Mile.  Genevieve  Louise  Taine,  1894.  Cast  plaquette  (single),  bronze, 

140  x 105  mm. 

67  Mme.  Boucicaut,  1887.  Obverse  and  reverse.  Medal,  galvano  sil- 

vered (cast  (double),  bronze,  60mm.). 

68  Mme.  Jonnart,  1896.  Cast  plaquette  (double),  bronze,  68x48  mm. 

69  Mme.  M.  A.  Roty,  1880.  Cast  plaquette  (single),  bronze,  148.x  113 

mm. 

70  Mon.  0.  Roty  a ses  Amis,  1890.  Cast  plaquette  (single),  bronze,  100  x 

106  mm.  (struck,  50  x 58  mm.). 

71  (Euvre  des  Liberees  de  St.  Lazare,  1900.  Struck  plaquette,  silver, 

51  x 36  mm. 

72  President  Sadi  Carnot  (Son  mod  en  1894),  1898.  Struck  plaquette, 

silver,  105x75mm.  (also,  81  x58mm.). 


270 


73  Republique  Casquee,  1895.  Cast  medal  (single),  bronze,  model  for 

the  obverse  of  No.  18. 

74  Sapeurs-Pompiers,  1887.  Struck  medal,  bronze  silvered,  68  mm. 

75  Sir  John  Pope  Hennessv,  1890.  Obverse  and  reverse.  Struck  medal, 

bronze  silvered,  68  mm.  (cliches). 

76  Ste.  Genevieve,  1896.  Struck  medal  (oval),  silver  gilt,  45  x 37  mm. 

(also,  26  x 18  mm.). 

77  Stephane  Derville,  1894.  Struck  plaquette,  silver,  59  x 43  mm. 

78  Union  Centrale  des  Arts  Decoratifs,  1899.  Struck  plaquette,  silver, 

67  x 47  mm. 

79  The  same.  Struck  plaquette  (jeton),  silver,  41  x 41  mm. 

80  Union  Franco-Americaine,  1886.  Struck  medal,  bronze  silvered, 

68  mm. 

81  Victor  Hugo,  1885.  Reverse.  Cast  medal  (double),  bronze,  68  mm. 

82  Yin  Mariani,  1895.  Reverse.  Struck  plaquette,  silver,  52  x 38  mm. 


271 


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274 


Models  for  Nos.  12,  72,  73  ; also  Nos.  71,  80 
(Belonging  to  American  Numisniatic  Soviets'  and  exhibited  apart  front  rV 


it  it 


Models  for  Nos.  12,  72,  73  ; also  Wos.  71,  80 

(Belonging  to  American  Numismatic  Society  and  exhibited  apart  from  the  other  numbers) 


275 


EDOARDO  RUBINO 


Ehoardo  Rubino,  sculptor,  medalist  (Italian),  was  born  in  Turin.  He  is 
thirty-six  years  of  age.  He  obtained  his  instruction  in  art  at  the  Accademia 
Albertina  in  Turin,  which  he  left  with  many  prizes.  He  was  the  sculptor 
of  some  of  the  groups  of  the  Monumental  Fountain  so  much  admired  at  the 
Turin  Exposition  of  1898  and  now  in  the  Valentino  Park  of  that  city,  and  the 
sole  sculptor  of  the  decorative  groups  for  the  last  International  Exposition 
of  Modern  Art  at  Turin,  which  won  him  the  great  diploma  and  gold  medal, 
and  of  which  the  King  of  Italy  asked  a reproduction  in  small  form.  In 
addition  to  various  sepulchral  monuments,  he  is  the  author  of  the  monu- 
ment at  Aosta  to  King  Humbert  and  of  the  marble  memorial  to  Casimir 
Teja  at  Turin.  In  conjunction  with  Davide  Calandra  he  has  recently  ex- 
ecuted a monument  at  Buenos  Ayres  to  General  Bartolome  Mitre.  In  the 
intervals  of  labor  upon  this  last  work  he  modeled  one  of  the  flying  Victories 
for  the  Victor  Emmanuel  monument  at  Rome.  To  the  memory  of  Ed- 
mondo  de  Amicis,  one  of  his  friends,  for  the  Italian  Alpine  Club  he  executed 
a medallion  to  be  put  upon  a wall  of  the  Albergo  del  Giomein,  a favorite 
resort  of  the  author.  Himself  an  enthusiastic  mountaineer  and  able  etcher, 
he  has  illustrated  books  on  mountain-climbing.  Among  Italian  sculptors 
he  has  special  distinction  also  for  the  ability  shown  in  his  plaques. 

Works:  La  Danza,  a group  of  three  figures;  the  statue  at  Trent  of  the 
sculptor  Alessandro  Vittoria;  La  Jovencita  de  Nazareth  (these  three  repro- 
duced in  the  Nacion  of  Buenos  Ayres  for  October  22,  1908).  Address , 17 
Via  Asti,  Turin,  Italy. 

1 75°  Anniversario  di  Fondazione  della  Litografia  Doyen  in  Torino, 

a Luigi  Simondetti,  1907.  Plaque  in  plaster  (cast  plaque  (single), 
bronze,  26  x 29  cm.). 

2 Carita,  1903.  Plaque  in  plaster  (cast  plaque  (single),  silver,  22.4  x 

12.3  cm.). 

3 Club  Alpino  Italiano,  Sezione  di  Torino,  1904.  Plaque  in  plaster, 

29  x 20  cm.  (struck,  75  x 52  mm.) . 

7 Coppa  per  Corse  di  Cavalli,  1902.  Plaster  (cast,  bronze). 

5 “Cuore”  di  Edmondo  de  Amicis,  300°  Edizione,  1904.  Plaquette  in 
plaster  (cast  plaquette  (single),  silver,  174x113mm.). 


276 


6 Esposizione  Internazionale  di  Fotografia  Artistica,  Societa  Foto- 

grafica  Subalpina,  1902.  Plaque  in  plaster,  18x27  cm.  (struck, 
74  x 50  mm.). 

7 Helene  d’Orleans,  Duchessa  d’Aosta,  1907.  Medallion  in  plaster 

(cast,  silver,  150  mm.). 

8 II  Duea  degli  Abruzzi,  1907.  Medallion  in  plaster  (cast,  bronze, 

180  mm.). 

9 In  Memoriam,  1903.  Plaque  in  plaster  (cast,  silver,  30.7  x 26  cm.). 

10  La  Stampa,  1903.  Plaque  in  plaster  (cast,  silver,  13  x 23  cm.). 

11  Maternita,  1908.  Medallion  in  plaster  (cast,  bronze,  20.5  cm.). 

12  Navigazione,  1902.  Plaque  in  plaster  (cast,  silver,  24  x 12  cm.). 

13  Omaggio,  1909.  Plaquette  in  plaster  (cast,  bronze,  190  x 130  mm.). 

H Professore  Alberto  Gamba,  1899.  Medal  in  plaster  (cast,  silver, 

78  mm.). 

15  Professore  Carlo  Cipolla,  1906.  Medallion  in  plaster,  175  mm. 

(struck,  45  mm.). 

16  Vittoria,  1909.  Medal  in  plaster  (cast,  silver,  145  mm.). 

17  Vila,  1909.  Medallion  in  plaster  (east,  bronze,  25  cm.). 


3 


277 


278 


279 


280 


281 


HENNING  RYDEN 


IEwixg  Rydex,  sculptor  (American),  was  born  in  Sweden  in  1869.  He 
arrived  in  the  United  States  in  1891.  He  studied  at  the  Art  Institute  of 
Chicago  and  at  the  Art  Students’  League  of  Chicago.  He  is  a member  of  the 
Salmagundi  Club.  Address,  83  Central  Avenue,  Montclair,  New  Jersey. 

1 Portrait  Group,  1900.  Plaque  in  plaster  (cast  plaque  (single), 
bronze,  34.2  x 24.7  cm.). 


CHARLES  SAMUEL 

Charles  Samuel,  sculptor,  medalist  (Belgian),  was  born  in  Brussels, 
1862.  From  his  first  academic  studies  he  manifested  a great  aptitude  for 
drawing,  passing  his  holidays  in  the  museums.  On  completing  his  literary 
studies  in  1879  he  entered  the  office  of  the  goldsmith  Wolfers,  a friend, 
attending  in  the  evenings  the  courses  of  industrial  art  at  the  Academy.  It 
was  during  an  equally  short  term  with  the  medallic  engraver  Ch.  Wiener 
that  he  became  interested  in  the  art  of  statuary.  From  1881  he  applied 
himself  to  t he  technical  study  of  sculpture,  at  first  under  Simonis,  then  for 
a longer  period  under  Ch.  Vanderstappen.  He  has  been  twice  mentioned 
in  t lie  competitions  for  the  prize  of  Rome.  For  his  debut  at  the  triennial 
Salon  of  Brussels  he  sent  the  statue  An  Soir,  which  represents  an  emaciated 
laborer  returning  from  the  fields,  his  shoulder  bent  under  the  weight  of  his 
implements.  This  remarkable  work  obtained  the  silver  medal  at  the  Uni- 
versal Exposition  of  1889  at  Paris.  In  1889  he  spent  several  months  in  Italy 
and  conceived  the  project  for  a monument  destined  to  perpetuate  the 
memory  of  the  celebrated  writer  Charles  de  Cosier.  Returning  to  Brussels, 
he  carried  out  this  conception  and  exhibited  it  at  the  Salon  of  Brussels  in 
1890.  The  following  year  the  government,  in  union  with  the  commune  of 
Ixelles,  intrusted  to  him  the  final  execution  of  the  monument  of  Charles 
de  Coster.  The  plaster  model  of  this  monument,  admired  at  the  Universal 
Exposition  at  Antwerp  in  1894,  gained  the  gold  medal  for  its  author.  He 
received  a similar  award  at  the  Universal  Exposition  at  Brussels,  1897,  for 

282 


his  project  for  a decorative  fountain,  Nymphe,  which  received  the  gold 
medal  at  St.  Louis  in  1904,  at  Barcelona  in  1907,  at  Turin,  etc.  He  took 
part  in  the  expositions  of  Antwerp,  1894,  and  of  Brussels,  1897,  exhibiting 
statuettes  in  which  ivory  was  used  with  wood  and  with  precious  metals. 
Among  these  ilia}''  be  mentioned  La  Fortune,  acquired  by  Colonel  North; 
Les  Lis,  belonging  to  Baron  E.  Van  Eetvelde;  Crepuscule,  property  of 
Mile.  Tordeus;  Nele,  bust  in  ivory  and  wood,  acquired  by  the  banker 
Empain.  In  1898  he  took  part  in  the  contest  for  a monument  to  be  erected 
to  Frere-Orban,  and  gained  the  first  mention.  In  1900  the  statue  of  the 
statesman  was  erected. 

Works:  Monument  Rivier,  in  the  interior  of  the  Free  University  of 
Brussels;  Lion  couche,  at  the  Botanical  Garden,  and  two  Trophees  deco- 
ratifs,  ornamenting  the  rear  facade  of  the  Palais  des  Beaux-Arts  of  the 
capital;  L’Abondance,  Agriculture,  Boucherie,  group  and  statues,  decorat- 
ing the  Maison  du  Cygne  on  the  Grand  Place  of  Brussels;  the  Plaque  tom- 
bale  of  the  funeral  monument  of  the  painter  Edouard  Duvck,  in  the  cem- 
etery of  Saint-Gilles;  Hommage,  in  marble,  at  the  Brussels  Museum.  Among 
the  most  remarkable  of  his  portrait  busts  should  be  mentioned:  Mine. 
Samuel,  his  mother;  Mine.  Juliette  Wytsman;  Senator  Edouard  Otlet;  the 
Franehomme  children;  Attorney-General  Mesdach  de  ter  Kiele;  Judge  of 
the  Court  of  Appeals  Van  Maldeghem;  Mine.  Paul  Hymans;  M.  Charles 
Hayem.  This  last  bust  is  at  the  Luxembourg  Museum.  Among  the  num- 
ber of  medallions  bearing  his  signature  should  be  cited  those  of  Count 
Goblet  d’Alviella  and  of  M.  Montefiore-Levi.  He  has  executed  for  the  new 
hospital  at  Monaco  the  superb  upper  part  of  a door  in  white  marble,  La 
Medecine,  and  is  at  present  making  a rough  outline  of  a small  model  for  a 
monument  to  the  memory  of  Pierre  Van  Humbeek,  senior  minister  of 
public  instruction.  M.  Samuel  is  a chevalier  of  the  Order  of  Leopold,  and 
also  chevalier  of  the  Order  of  the  Crown.  Address,  36  rue  Washington, 
Brussels. 

1 Charles  Graux,  1907.  Struck  plaquette,  bronze,  68  x 50  mm. 

2 Commune  de  St.  Gilles-lez-Bruxelles,  1904.  Struck  plaquette,  bronze 

silvered,  53  x 60  mm. 

3 Comte  Goblet  d’Alviella,  1907.  Struck  medal,  bronze,  65  mm. 


283 


'/  Exposition  d’Art  Culinaire,  Union  Syndicale  des  Hoteliers,  Restau- 
rateurs, Cafetiers  de  Bruxelles,  1905.  Obverse  and  reverse. 
Struck  medal,  bronze  silvered,  50  mm. 

5 F.  A.  Gevaert,  1908  (revers,  d’apres  Paul  de  Vigne).  Obverse  and 

reverse.  Struck  plaquette,  silver,  63  x 48  mm. 

6 Gaby.  Medal  in  plaster,  100mm.  (ivory,  30mm.). 

7 Leopold  II.  Obverse  and  reverse.  Struck  medal,  copies  in  silver 

and  in  bronze,  70  mm. 

8 Paul.  Medal  in  plaster,  100  cm.  (ivory,  30  mm.). 

.9  Retour  du  Prince  Albert  du  Congo.  Struck  medal,  bronze,  65  mm. 

10  Societe  Medicale  de  Monaco.  Struck  plaquette,  bronze,  50  x 33  mm. 

11  Vingtieme  Anniversaire  de  l’Etat  Independant  du  Congo,  1905 

(medal  of  the  Societe  Hollandaise-Belge  des  Amis  de  la  Medaille 
d’Art).  Struck  plaquette,  bronze  silvered,  55  x 55  mm. 


284 


ENRICO  SAROLDI 


Enrico  Saroldi,  sculptor,  medalist  (Italian),  was  born  in  Carmagnola,  in 
the  province  of  Turin,  Italy,  1878.  He  studied  sculpture  at  the  Academy 
of  Milan  under  the  master  Enrico  Butti.  In  1902  he  opened  a studio  in 
Milan,  where  he  fixed  his  residence.  In  1903  he  won  the  Tantardini  prize 
for  sculpture  with  the  work  II  Sogno,  and  in  1905  the  prize  for  the  medal 
of  the  Ministry  of  Agriculture,  Industry,  and  Commerce.  In  the  interna- 
tional competition  for  the  post  of  professor  and  director  of  the  School  of 
the  Medal  at  Rome  he  was  among  the  five  declared  eligible. 

Works:  the  large  group  La  Guerra;  Giovinezza  spensierata.  Since  1906 
he  has  been  an  honorary  member  of  the  Accademia  di  Belle  Arti  in  Milan. 
Address , Milan,  Italy. 

1 Banca  Coop.  Pop.  di  Padova  all’  Illustrissimo  Presidente,  Barone 

Comm.  Mario  Treves  dei  Bonfili,  1884-1909.  Cast  plaque  (sin- 
gle), bronze,  23  x 32  cm.1 

2 Camera  di  Commercio  di  Torino,  premio,  1908.  Struck  medal, 

bronze,  22  mm. 

3 Cav.  Carlo  Guffanti,  1909.  Struck  medal,  bronze,  65  mm. 

4 Cristo,  1908.  Cast  plaque  (single),  bronze,  36  x 36  cm. 

5 Diana,  1908.  Struck  medal,  bronze,  35  mm. 

6 Esposizione  di  Vicenza,  1908.  Struck  medal,  bronze,  32  mm. 

7 Esposizione  Internazionale  d’Arte  della  Citta  di  Venezia,  1903.  Ob- 

verse and  reverse.  Cast  medal,  bronze,  model,  120  mm.  (struck 
medal  unedited). 

8 Esposizione  Internazionale  di  Milano,  Inaugurazione  del  Sempione, 

1906,  medaglia  commemorativa.  Obverse  and  reverse.  Struck 
medal,  bronze,  44  mm. 

9 The  same.  Obverse  and  reverse.  Cast  medallion  (single),  bronze, 

model,  23  cm. 

10  Francesco  Balli,  1907.  Struck  medal,  bronze,  45  mm. 

11  Giovanni  Silvestri,  1906.  Obverse  by  E.  Saroldi;  reverse  by  A. 

Cappuccio.  Struck  medal,  bronze,  67  mm. 

12  Giuseppe  Benzi,  1907.  Struck  medal,  bronze,  53  mm. 

13  II  Canto,  1909.  Cast  plaque  (single),  bronze,  23  x 36  cm. 

74  II  Primo  Peccato,  1909.  Cast  plaque  (single),  bronze,  20  x 31  cm. 

1 Nos.  1-24  were  loaned  by  Stabilimento  Stefano  Johnson,  Milan. 


285 


13  Madonna,  1909.  Cast  plaque  (single,  triptych),  bronze,  22x11  — 
22x48— 22x11  cm. 

16  Medaglia  Commemorativa  del  1859,  1909.  Struck  medal,  bronze, 

32  mm. 

17  Ministero  dell’  Istruzione,  1907.  Obverse  and  reverse.  Cast  medal- 

lion, bronze,  model,  190  mm.  (medal  inedited). 

IS  Ministero  di  Agricoltura,  Industria  e Commercio,  1905.  Obverse  and 
reverse.  Cast  medallion,  bronze,  model,  190  mm. 

10  Omaggio  dell’  Impresa,  Carlo  Andrucci,  Ettore  Allegra,  e Francesco 
Rossi  alia  Casa  dei  Dochi  Gaetani  di  Sermoneta  per  Derivazione 
di  Acque,  1908.  Cast  plaque  (single),  bronze,  27  x 33  cm. 

20  Onle  Marchese  Ugo  di  Sant’  Onofrio,  1908.  Struck  medal,  bronze, 

44  mm. 

21  Oscar  Greco,  Professore  di  Stenografia,  1909.  Struck  medal,  bronze, 

44  mm. 

22  Testa  di  Bimba,  1908.  Cast  plaquette  (single),  bronze,  160x120 

mm. 

23  Testa  di  Bimba,  1908.  Cast  medal  (single,  irregular  shape),  bronze, 

150  mm. 

27  Va  Gara  di  Tiro  a Segno  Nazionale  in  Roma  celebrandosi  it  1°  Cen- 
tenario  dalla  Nascita  di  Garibaldi,  premio,  1907.  Obverse  and 
reverse.  Struck  medal  (badge),  bronze,  38  mm. 


286 


287 


288 


EDWARD  WARREN  SAWYER 


Edward  Warren  Sawyer,  sculptor,  medalist  (American),  was  born  in 
Chicago,  1876.  Studied  at  the  Art  Institute  in  Chicago.  Went  to  Paris  in 
1899.  Studied  under  Veret  at  the  Academie  Julien,  under  Injalbert  and 
Colorossi,  and  under  Fremiet  at  the  Jardin  des  Plantes.  Has  exhibited  at 
the  Salon  and  at  the  Societe  des  Artistes  Francais  since  1903.  He  received 
a bronze  medal  at  the  St.  Louis  Exposition,  1904.  He  is  represented  in  the 
Musee  du  Luxembourg,  Paris.  Address,  9 rue  Falguiere,  Paris,  France. 

1 Alfred  H.  Maurer,  1908.  Medal,  galvano  silvered,  65  mm. 

2 Apache  Indian,  Arizona,  1908.  Medal,  galvano  silvered,  65  mm. 

3 “Captain  Coffey,”  Apache  Indian  Scout,  1908.  Medal,  galvano  sil- 

vered, 66  mm. 

4 Chief  Tja-yo-ni,  Navajo  Chief,  Arizona,  1904.  Medal,  galvano  sil- 

vered, 69  mm. 

5 Eugene  Paul  Ullman,  1909.  Medal,  galvano  silvered,  65  mm. 

6 Marie  Christiani  Sawyer,  1908.  Medal,  galvano  silvered,  65  mm. 

7 Ne-i-so-meh,  Yuma  Indian,  Arizona,  1904.  Medal,  galvano  silvered, 

70  mm. 

8 Old  Jim,  Apache  Indian,  1908.  Medal,  galvano  silvered,  66  mm. 

9 Theodore  E.  Osborne,  1910.  Medal,  galvano  silvered,  65  mm. 


289 


290 


HANS  SCHAEFER 


Hans  Schaefer,  sculptor,  medalist  (Austrian),  was  born  in  Sternberg,  in 
Moravia,  1875.  He  attended  for  live  j^ears  the  Kunstgewerbeschule  in 
Vienna  under  Professor  Stefan  Schwartz.  For  nine  years  he  has  been  an 
independent  sculptor  and  medalist  in  Vienna.  He  is  a member  of  the 
Wiener  Kimstlergenossenschaft.  His  most  important  works  in  sculpture 
are  the  Kaiser  Franz  Joseph  monument  at  Mahrisch-Ostrau  and  the  monu- 
ment at  Galatz,  Rumania,  together  with  various  grave  monuments  in 
Vienna.  Address,  106  Gumpendorferstrasse,  Vienna  VI/2. 

1 Dr.  Alexander  Ritter  von  Nava,  1910.  Struck  plaquette,  bronze, 

90  x 70  mm. 

2 Dr.  Alexander  von  Peez,  1909.  Struck  medal,  bronze  silvered, 

70  mm. 

3 Dr.  Richard  Weiskirchner,  Handelsminister,  1907.  Struck  medal, 

bronze,  60  mm. 

A Edmund  Guschelbauer,  1903.  Struck  medal,  bronze,  44  mm. 

5 Eroffnung  des  rumanischen  Blindenheims  durch  die  Konigin,  in 

Anftrage  Hirer  Majestat  der  Konigin  Elisabeth  von  Rumanien, 

vatra  luminoasa,  1908.  Cast  plaque  (single),  bronze,  32.5x48.5 

cm. 

6 The  same.  Struck  plaquette,  bronze,  68  x 100  mm. 

7 Familie  Hiitterott,  1908.  Struck  plaquette,  bronze,  67  x 110  mm. 

8 Franz  Tewele,  1909.  Cast  plaque  (single),  bronze,  21.2  x 13.7  cm. 

9 Ferdinand  Brunner,  1908.  Cast  plaque  (single),  bronze,  20.7  x 

14.3  cm. 

10  Gottfried  Hiittemann,  1909.  Struck  plaquette,  bronze,  100  x 65  mm. 

11  50.  jahr.  Jubilaum  des  Stabilimento  Tecnico  Triestino,  1907.  Struck 

medal,  bronze,  60  mm. 

12  Julius  Ritter  von  Kink,  1904.  Struck  plaquette,  bronze,  60x100  mm. 

13  Kaiserin  Elisabeth  von  Oesterreich,  1904.  Struck  plaquette,  bronze 

silvered,  100  x 70  mm. 

74  Kaiserhuldigung,  Konkurrenzprojekt  fur  die  von  der  Gemeinde 

Wien  ausgeschriebene  Jubilaumsmedaillen-Konkurrenz,  1908. 

Medal,  galvano  silvered,  80  mm. 

15  L.  Gottsleben,  1909.  Struck  medal,  bronze,  50  mm. 

16  Moritz  Faber,  1907.  Struck  medal,  bronze,  60  mm. 


291 


11  Moritz,  Carl  und  Theodor  Faber,  Neujahrsplakette,  1907.  Obverse 
and  reverse.  Struck  plaquette,  bronze  silvered,  60  x 98  mm. 

AS’  Paul  Ritter  von  Schoeller,  1909.  Cast  plaque  (single),  bronze, 

19  x 31.5  cm. 

19  The  same.  Struck  plaquette,  bronze  silvered,  60  x 100  mm. 

20  Schubertiade,  1909.  Cast  medallion  (single),  bronze,  28  cm.  (struck, 

70  mm.). 

21  The  same.  Obverse  and  reverse.  Medal,  galvano  silvered,  70  mm. 

22  Triumph  des  Weibes,  1907.  Struck  plaquette,  bronze  silvered,  90  x 

58  mm. 


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18 


292 


293 


22 


294 


STEFAN  SCHWARTZ 


Stefan  Schwartz,  sculptor,  medalist  (Austrian),  was  born  in  Neutra,  Hun- 
gary, 1851.  He  studied  at  the  Royal  Art  School  in  Vienna  under  Professor 
Otto  Konig.  He  has  made  a great  number  of  pieces  in  bronze  and  marble, 
many  medals  and  small  molded  pieces. 

Works:  the  monuments:  Rudolph  von  Eitelherger;  Cardinal  Prince 
Fiirstenberg  (Olinutz);  Adventus  Augusli  (Hofburg,  Vienna);  Die  Blilte- 
seile  des  Rittertums,  stone  monument  (Neue  Hofburg,  Vienna);  the  marble 
statue  of  Seneca;  the  marble  statue  of  Frederick,  Count  Schonborn  (Reichs- 
ratsgebaude,  Vienna).  His  awards  include:  Paris,  1878,  three  silver  med- 
als; Chicago,  1893,  a medal;  Berlin,  1896,  a small  gold  medal;  Paris,  1900, 
a gold  medal;  Vienna,  1905,  the  Grand  Duke  Karl  Ludwig’s  gold  medal.  He 
is  a knight  of  the  Franz  Josef  Order,  and  Commander  of  the  H.  Sava  Order. 
He  is  professor  of  sculpture  and  the  medallic  art  at  the  Kunstgewerbeschule 
in  Vienna.  He  has  gained  great  recognition  and  has  been  the  teacher  of 
a majority  of  the  younger  men.  Address,  1 Hiibenring  3,  Vienna. 

1 Adagio  (Beethoven),  1909.  Cast  plaque,  bronze,  25  x 28.8  cm. 

2 Arthur  und  Margareth  Krupp,  1906.  Obverse  and  reverse.  Struck 

medal,  bronze,  60  mm. 

3 Ausstellung  in  Bukarest,  1905.  Obverse  and  reverse.  Struck  medal, 

bronze,  90  mm. 

4 The  same,  Dr.  C.  I.  Istrati,  1905.  Obverse.  Cast  medal  (single), 

bronze  model  of  the  obverse  of  the  above,  195  mm. 

5 Damenportrat,  1902.  Cast  plaquette,  91x116  mm. 

6 Das  Wasser,  1898.  Cast  plaquette,  130  x 170  mm. 

7 Der  Alchemist,  1899.  Obverse  and  reverse.  Cast  medal,  bronze, 

120  mm.  (struck,  50  mm.). 

8 Die  Bildenden  Kfuiste,  Oesterr.  Staatsmedaille,  1905.  Reverse. 

Cast  medallion  (single),  bronze,  20.5  cm. 

9 Die  Trailer,  1898.  Medal,  galvano,  98  mm. 

10  2-Dinar  Stuck,  Serbien,  1905.  Silver  (also,  5-  and  1 -Dinar). 

11  Drei  Portraits,  1904.  Cast  plaque,  bronze,  24.5  x 19.6  cm.  (struck 

plaquette,  bronze,  82  x 69  mm.). 

12  Dr.  Karl  Freiherr  von  Lemaver,  1904.  Struck  plaquette  (uniface), 

bronze,  70  x 50  mm. 


295 


13  I)r.  David  Ritter  von  Schonherr,  1897.  Obverse  and  reverse.  Struck 
medal,  silver,  46  mm. 

/'/  Elegie,  1897.  Cast  plaquette  (single),  bronze,  197  x 140mm.  (struck 
plaquette  (uniface),  bronze  and  silver,  80x68  mm.). 

13  Friedrich  Schiller,  1905.  Cast  plaque,  bronze,  21.7x16  cm. 

16  Tlic  same.  Obverse  and  reverse.  Struck  medal,  bronze,  60  mm. 

11  Fiirst  Rudolf  Liechtenstein,  1909.  Struck  plaquette  (uniface), 
bronze,  80  x 62  mm. 

IS  Graf  F.  Schonborn,  1905.  Cast  medal,  bronze,  126  mm.  (struck 
medal,  bronze,  70mm.). 

19  H.  Ilessl,  1909.  Struck  plaquette  (uniface),  bronze,  70  x 52  mm. 

20  Hofkirche  in  Innsbruck,  1887.  Struck  medal,  silver,  46  mm. 

21  Inspiration,  1900.  Cast  plaquette,  bronze,  183  x 121  mm. 

22  Julius  Wiesner,  1893.  Cast  medal,  bronze,  125  mm.  (struck  medal, 

bronze  and  silver,  62  mm.). 

23  Kaiserin  Elizabeth,  an  ihren  Tod,  1898.  Obverse  and  reverse. 

Struck  medal,  silver,  40  nun.  (also,  100  and  80  mm.). 

23  Kinderkopf,  1891.  Medal,  galvano,  88  mm. 

23  100-Kronen  Stuck,  Montenegro,  1908.  Gold  (also,  20-  and  10- 
Kronen,  gold). 

26  100-Kronen  Stuck,  Oesterreich,  1909.  Gold  (also,  20-  and  10-Kronen, 

gold,  and  5-Kronen,  silver). 

27  Madchenkopf,  1904.  Struck  medal  (uniface),  bronze,  100mm. 

28  Notturno  (Diana),  1908.  Cast  plaque,  bronze,  21.6x16.3  cm. 

(struck  plaquette  (uniface),  bronze  and  silver,  70  x 53  mm.). 

29  Otto  Konig,  1907.  Struck  plaquette  (uniface),  bronze,  70x51  mm. 

30  Raphael  Conner,  1893.  Obverse  and  reverse.  Struck  medal,  bronze, 

70mm.  (cast  medallion,  20.9cm.). 

31  Sigmund  Exner,  1906.  Struck  plaquette  (uniface),  bronze,  70  x 

53  mm. 

32  Theodor  Billroth,  1889.  Cast  medal,  bronze,  120  mm.  (struck 

medal,  bronze  and  silver,  62  mm.). 

33  Tunnelarbeiier,  Mesticanesti,  1902.  Cast  plaquette,  bronze, 

157  x 117  mm.  (struck,  bronze,  71  x 53  mm.). 

33  Sladt  Hall  in  Tirol,  Jubilaum,  1303-1903.  Obverse  and  reverse. 

Cast  medal,  bronze,  151  mm. 

33  The  same.  Obverse  and  reverse.  Struck  medal,  copies  in  silver  and 
in  bronze,  50  mm. 


296 


36  St.  Hubertus,  1895.  Obverse  and  reverse.  Struck  medal,  silver, 

40  mm. 

37  Viribus  Unitis,  1901.  Obverse  and  reverse.  Struck  plaquette, 

bronze,  76  x 53  mm. 

38  The  same.  Cast  plaque  (single),  bronze,  model  for  the  above, 

22.4  x 15.5  cm. 


297 


34 


298 


299 


CARL  MARIA  SCHWERDTNER 


Carl  Maria  Scuaverdtner,  sculptor  and  medalist  (Austrian),  born  in 
Vienna  in  1874,  was  the  pupil  of  his  father,  Johann  Schwerdtner,  and  of 
Professors  Helmer  and  Zumbusch.  His  first  intention  Avas  to  devote  him- 
self to  sculpture,  to  create  some  great  work  in  which  he  could  show  to  the 
Avorld  a vigorous  and  daring  treatment.  A visit  to  A.  Charpentier  in  Paris 
became  a decisive  turning-point  in  his  career.  This  famous  artist  took  no 
pupils,  but  he  did  more  than  teach  his  youthful  folloAver,  for,  during  the 
six  months  in  Paris,  Charpentier  not  only  alloAvecl  him  to  visit  him  in  his 
studio,  but  corrected  his  work,  and,  furthermore,  explained  his  own  de- 
velopment by  means  of  illustrations  and  models.  The  knowledge  of  tech- 
nique thus  gained  proved  invaluable.  Portraiture  has  been  his  chief  inter- 
est. He  has  made  figures  in  bronze,  some  monuments,  and  many  medals; 
his  largest  Avork  is  the  Priessnitz  monument  in  Vienna.  Address,  2 Lenau- 
gasse,  Wien  VIII,  Austria. 


3 


/ Deutschmeister  Denkmal,  Wien,  1907.  Struck  medal,  bronze, 

60  mm. 

2 Fechtmeister  Werdnik,  1902.  Struck  plaquette,  bronze,  80  mm. 

300 


3 Kais.  Rat  Johann  Schwerdtner  (Vater  des  Ki'instlers),  1904.  Struck 

medal  (uniface),  bronze,  50  mm. 

4 Professor  Siegmund  Freud,  1907.  Obverse  and  reverse.  Struck 

medal,  bronze,  60  mm. 

5 Professor  Wilhelm  Winternitz,  1906.  Obverse  and  reverse.  Struck 

medal,  bronze,  60  mm. 

6 Professor  Laurenz  Milliner,  1908.  Struck  plaquette  (uniface), 

bronze,  70  mm. 

7 The  same.  Cast  plaquette,  bronze,  170  mm. 

8 Seine  Ex.  Biirgermeister  Lueger,  1908.  Struck  medal,  bronze, 

70  mm. 

9 The  same,  1907.  Cast  medal,  bronze,  180  mm. 

10  Stadtbaudirektor  Berger,  1908.  Obverse  and  reverse.  Struck  pla- 
quette, bronze,  70  mm. 


JANET  SCUDDER 

Janet  Scudder,  sculptor,  medalist  (American),  was  born  in  Terre  Haute, 
Indiana.  Commenced  the  study  of  sculpture  in  the  Cincinnati  Art  Acad- 
emy under  Louis  J.  Rebisso,  and  continued  under  Lorado  Taft  at  the  Chi- 
cago Art  Institute,  and  later  at  Academie  Vitti  and  Colorossi  in  Paris,  finally 
becoming  the  pupil  of  Frederic  MacMonnies.  While  studying  in  Chicago 
was  given  commissions  for  two  statues,  one  for  the  Illinois  Building  and 
the  other  for  the  Indiana  Building  of  the  Chicago  World’s  Fair.  Awarded 
bronze  medal  at  Chicago  and  St.  Louis  Expositions.  In  1901  she  produced 
five  portrait  medallions  acquired  by  the  government  for  the  Luxembourg 
Museum  in  Paris.  She  was  the  first  American  woman  to  have  her  work 
bought  for  the  Luxembourg  Museum.  Collection  of  medallions  in  Met- 
ropolitan Museum  of  New  York,  Indianapolis  Museum  of  Art,  and  the 
Congressional  Library  at  Washington.  Bronze  casting,  Frog  Fountain,  sold 
to  Metropolitan  Museum  in  1904. 

Works:  seal  for  Bar  Association  of  New  York;  cinerary  urn  for  Daniel 
Mather  Walbridge,  Woodlawn  Cemetery,  New  York;  fountains  for  Arch- 
hold Cottage,  Bar  Harbor,  Maine;  Miss  Sharswood,  Stonington,  Vermont; 
301 


Stan  lord  'White:  Henry  Lane  Eno,  Bar  Harbor,  Maine;  Mrs.  MacCormick, 
Lake  Forest,  Chicago;  Mrs.  Chapin,  New  York;  Richmond  Art  Association 
for  public-school  house;  Mrs.  E.  Howard  Child,  Westwood,  Massachusetts; 
statue,  Japanese  Art,  for  facade  of  Brooklyn  Art  Museum;  marble  sun-dial 
for  Mrs.  Warner  M.  Leeds,  Port  Washington,  Long  Island;  bronze  memo- 
rial tablets  to  Arthur  Middleton  Reeves,  Richmond,  Indiana,  and  to  Bishop 
Hare,  Sioux  Falls,  Iowa. 


— -~_j 


■.  • » «• ' 

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f ------  - 

' . 

3 


Articles  treating  of  her  work  have  appeared  in  the  Studio , Cyclopedia  of 
American  Biography,  Outlook,  Scribners,  and  Metropolitan  magazines. 
Address,  3 Washington  Square,  New  York  City. 

1 Alice,  1906.  Cast  plaquette  (single),  bronze,  110  x80  mm. 

2 Alice  Jones,  1900.  Cast  plaquette  (single),  bronze,  105  x60  mm. 

3 Bishop  Hare,  1904.  Cast  plaquette  (single),  bronze,  110  x 90  mm. 

4 Caroline  Reeves  Foulke,  1904.  Cast  plaquette  (single),  bronze, 

130  x 95  mm. 

5 Francis  Meredyth  Whiteliouse,  Esq.,  1909.  Cast  plaquette  (single), 

bronze,  110  x 90  mm. 

6 Helen  Seely,  1906.  Cast  plaquette  (single),  bronze,  130  x 55  mm. 

7 Leslie  Emmet,  1900.  Cast  medal  (single,  oval),  bronze,  80  x 70  mm. 

8 Louise  Hartshorne  Moore,  1900.  Cast  plaquette  (single),  bronze, 

90  x 70  mm. 

9 Master  Billy  Fahnestock,  1904.  Cast  medal  (single),  bronze,  150 

mm. 

10  Mildred  Barnes,  1906.  Cast  plaquette  (single),  bronze,  110  x 90  mm. 

11  Percy  Chubb,  Esq.,  1903.  Cast  plaquette  (single),  bronze,  110  x 

90  mm. 

12  Royal  Parsons,  1906.  Cast  plaquette  (single),  bronze,  100  x 60  mm. 


303 


LUIGI  SECCHI 


Lric.i  Skc.cui,  sculptor,  medalist  (Italian),  resides  in  Milan,  Italy. 

/ Cav.  Prof.  Luigi  Brianzi,  1907.  Struck  plaquette,  bronze,  67  x 50  mm. 

2 Comm.  Camillo  Boito,  1909.  Struck  medal,  obverse  modeled  by  L. 

Secchi,  engraved  by  A.  Cappuccio,  bronze,  67  mm. 

3 Professore  Carlo  Baravalle.  Plaquette  in  plaster. 

'/  Ritralto  della  Madre  di  Senatore  Beltrami,  1907.  Struck  medal,  sil- 
ver, 23  mm. 

5 Ritralto  di  Giovane  Signora.  Plaquette  in  plaster. 

6 Ritralto  d’Uomo.  Medallion  in  plaster. 

7 Ritratto  d’Uomo.  Plaquette  in  plaster. 

(S’  Senatore  Francesco  Brioschi.  Medallion  in  plaster. 

9 Senatore  Giuseppe  Colombo,  1906.  Obverse  modeled  from  nature; 
the  reverse  of  this  medal  is  the  Scuola  d’ Alena,  by  A.  Cappuc- 
eio.  Cf.  p.  39,  No.  14.  Struck  medal,  bronze,  67  mm. 

70  Senatore  Luca  Beltrami,  1900.  Obverse  and  reverse.  Medal, 
modeled  by  L.  Secchi,  engraved  by  A.  Cappuccio,  galvano  sil- 
vered (struck,  67  mm.). 


8 


304 


3 


305 


MRS.  ELEANOR  ANTOINETTE  SNEDEN 


Ei. manor  A.  Sxeden,  sculptor  (American),  was  born  in  Tilly  Foster,  New 
York.  Studied  in  Paris,  the  pupil  of  Mile.  Genevieve  Granger.  Idas  exhib- 
ited in  the  Paris  Salon.  Specialty,  portrait  medallions.  Address,  Avon-by- 
the-Sea,  New  Jersey. 

1 Italian  Woman,  portrait,  1905.  Cast  plaquette  (single),  bronze, 

121  x 108  mm. 

2 Portrait  of  a Child,  1905.  Cast  medal  (single),  bronze,  76  mm. 


SOCIETE  DES  AMIS  DE  LA  MEDAILLE  FRAN^AISE,  PARIS 

Founded  by 

M.  Roger-Marx 

President, 

M.  Delagrave 

ALBERT  BARTHOLOME 

Albert  Bartholome,  sculptor,  medalist  (French),  was  born  at  Thierval 
(Seine-et-Oise)  in  1848.  He  exhibited  at  the  Salon  up  to  1887  paintings, 
portraits,  etc.,  of  which  one,  Tete  de  Paijsanne,  is  in  the  Luxembourg.  In 
1891  he  exhibited  sculpture  at  the  Societe  des  Beaux-Arts;  won  the  Grand 
Prix  de  Sculpture  at  the  Universal  Exposition,  1900. 

Works:  Monument  aux  Moris,  Pere-Lachaise  cemetery;  Jeune  Fide  se 
Coiffant,  Dresden  Museum;  Petite  Fille  Pleurant,  bronze;  P nste  de  Madame 
B.,  marble,  Luxembourg,  etc.  Work  now  in  hand,  Le  Tombeau  de  J.  J. 
Rousseau,  ordered  by  the  government  for  the  Pantheon.  Address,  1 rue 
Raffet,  Paris. 

1 Tendres  Amants,  Heureux  Epoux.  Cast  plaquette,  bronze  silvered, 

80  x63  mm.1 

LOUIS  A.  BOTTEE 
(Cf.  p.  16) 

2 Aux  Poetes  Moris  sans  Gloire,  1904.  Struck  medal,  silver,  191  mm. 

B.  CARABIN 
(French  medalist) 

3 La  Danse,  1901.  Struck  medal,  silver,  50  mm. 


1 Nos.  1—38  were  loaned  by  Mrs.  Edward  D.  Adams. 


306 


J.  M.  MICHEL  CAZIN 


J.  M.  Michel  Cazin,  sculptor,  medalist  (French),  was  born  in  Paris  in  1869. 
He  was  a pupil  of  his  father,  and  exhibited  at  the  Champs-Elysees  from 
1885  to  1889.  He  was  created  officier  d’Academie  in  1894.  The  following 
medals  are  his  work:  Orphelinat  des  Arts;  Pierre  Marie  Lepretre;  Antoine 
Delhaye;  Coqnelin  Cadet,  etc.  (all  cast  bronze).  Address,  1 rue  de  l’Alboni, 
Paris. 


4 L’Accalmie.  Cast  plaquette,  silver,  67  x 83  mm. 

ALEXANDRE  L.  M.  CHARPENTIERf 
(Cf.  p.  57) 

5 Maternite,  1899.  Struck  plaquette,  silver,  81  x 53  mm. 

6 La  Glyptique.  Struck  plaquette,  silver,  75  x 62  mm. 

7 La  Societe  des  Amis  de  la  Medaille  Francaise,  1901.  Reverse.  Struck 

plaquette  (octagonal),  silver,  67  x 73  mm. 

CESAR  ISIDORE  HENRI  CROS 
(French  medalist) 

8 Conservation  des  Pavsages  et  des  Forets.  Struck  medal,  silver, 

60  mm. 

JEAN  R.  A.  DAMPT 
(Cf.  p.  (38) 

9 La  Moisson,  1903.  Struck  medal,  silver,  60  mm. 

LOUIS  DEJEAN 
(French  medalist) 

10  Le  Printemps.  Struck  medal,  silver,  60  mm. 

CHARLES  DUFRESNE 
(French  medalist) 

11  Bretagne.  Struck  medal,  silver,  56  mm. 

GEORGES  GARDET 

Georges  Gardet,  sculptor,  medalist  (French),  was  born  in  Paris  in  1863. 
He  was  educated  at  the  Ecole  Nationale  des  Arts  Decoratifs  and  the  Ecole 
des  Beaux-Arts.  In  1889  he  won  the  gold  medal  at  the  Universal  Exposi- 
307 


lion:  medal  of  honor  at  the  Salon,  1898;  Grand  Prix  at  Ihe  Universal  Ex- 
position, 1900. 

Works:  Chiens  Danois,  1894;  Combat  de  Pantheres,  1896;  Lions,  Tigers, 
1898:  Lions,  Palais  Royal  de  Laeken,  Brussels,  1900.  Address,  38  rue 
Boileau,  Paris. 

12  Cerf  et  Biches,  1900.  Struck  plaquetle,  silver,  59  x 96  mm. 

GENEVIEVE  GRANGER 
(Cf.  p.  112) 

13  Le  Gouter,  1909.  Struck  placjuette,  bronze,  51  x 71  mm. 

M.  GREBER 
(French  medalist) 

14  La  Mine.  Struck  medal,  bronze,  73  mm. 

JOUVE 

(French  medalist) 

15  Les  Singes.  Struck  plaquetle,  bronze,  53x61  mm. 


ABEL  LAELEUR 
(Cf.  p.  171) 

16  Femme  an  Bain,  1903.  Struck  plaquette,  silver,  71  x 40  mm. 

LAMOURDEDIEU 
(French  medalist) 

11  Le  Joie  de  Vivre.  Obverse  and  reverse.  Struck  medal,  silver, 

57  mm. 

ALPHONSE  EUGENE  LECHEVREL 
(Cf.  p.  177) 

18  L’Histoire  Enregistre  les  Decouvertes  de  l’Archeologie.  Struck  pla- 
quette, silver,  69  x 80  mm. 

HIPPOLYTE  LEFEBVRE 
(Cf.  p.  182) 

1(J  Institution  des  Jeunes  Aveugles,  1902.  Reverse.  Struck  plaquette, 
silver,  69  x 81  mm. 

20  Le  Vent.  Struck  medal,  bronze,  69  mm. 


308 


JULES  PROSPER  LEGASTELOIS 
(Cf.  p.  187) 

21  La  Jeunesse,  1899.  Struck  plaquette,  silver,  61  x 59  mm. 

FERDINAND  LEVILLAINf 

Ferdinand  Levillain,  sculptor,  medalist  (French),  was  born  at  Passy,  near 
Paris.  He  was  a pupil  of  Lequien  and  Jouffroy.  In  1872  he  was  awarded 
a medal  of  the  second  class;  in  1884,  a medal  of  the  first  class;  he  was  made 
a knight  of  the  Legion  of  Honor  in  1892.  Died  in  January,  1905. 

22  Juno  et  Psyche.  Struck  medal,  silver,  47  mm. 


GEORGES  LOISEAU-BAILLY 

Georges  Loiseau-Bailly,  sculptor,  medalist  (French),  was  born  at  Sail- 
vigny-le-Bois  (Yonne).  He  was  a pupil  of  A.  Dumont.  He  obtained  a 
gold  medal  at  the  Universal  Exposition,  1900.  Has  exhibited  portrait  me- 
dallions since  1879.  His  studies  of  children  (in  bronze),  both  sculpture 
and  medallions,  are  well  known.  Address,  152  rue  de  Vaugirard,  Paris. 

23  Les  Forgerons,  1906.  Struck  plaquette,  silver,  50  x 80  mm. 

FIRMIN  MARCELIN  MICHELET 

Firmin  Marcelin  Michelet,  sculptor,  medalist  (French),  was  born  in  Tar- 
bes  (Hautes-Pyrenees).  He  was  a pupil  of  Falguiere,  Mercie,  Henri  Du- 
bois, and  Theodore  Riviere.  The  following  medals  are  his  work:  Exhibi- 
tion of  the  Republic  of  Ecuador,  1900;  V.  M.  Rendon,  Commissioner-Gen- 
eral of  Ecuador,  1900. 

24  L’Ete.  Struck  plaquette,  bronze,  64  x 43  mm. 

FRANCOIS  PAUL  NICLAUSSE 

Francois  Paul  Niclausse,  sculptor,  medalist  (French),  was  born  at  Metz 
(Lorraine).  He  was  a pupil  of  Thomas,  Ponscarme,  and  others,  and  has 
exhibited  since  1896.  The  following  medals  may  be  mentioned:  Societe  des 
Sauveteurs  dii  Puy-de-Dome;  Dr.  Henri  Bonnet;  La  Femme  an  Chat.  Ad- 
dress, Bisset  de  Saint- Augustin  (Seine-et-Marne) . 

25  La  Musique  Guerriere,  1900.  Struck  medal,  silver,  60  mm. 


309 


HENRY  NOCQ 
(Cf.  p.  220) 


26  Void  mes  Bijoux,  1901.  Struck  medal,  silver,  53  mm. 


VICTOR  PETER 
(Cf.  p.  230) 

27  Lion  et  Taureau,  1905.  Struck  medal,  silver,  60  mm. 


CHARLES  FILLET 
(Cf.  p.  230) 

28  Enfants.  Struck  plaquette,  silver,  53  x 61  mm. 

PIERRE  ROCHE 
(Cf.  p.  259) 

29  Lo'ie  Fuller,  1900.  Struck  medal,  silver,  72  mm. 

PAUL  ROGER-BLOCHE 

Paul  Roger-Bloche,  sculptor,  medalist  (French),  was  born  in  Paris.  He 
was  a pupil  of  Cavelier  and  Barrias. 

30  Soldats,  1906.  Struck  plaquette,  silver,  56  x 81  mm. 

J.  EDOUARD  ROINE 
(Cf.  p.  263) 

31  Exposition  Universelle  de  1900  (d’apres  line  composition  de  Bes- 

nard).  Struck  plaquette,  silver,  55  x 68  mm. 


FRANCOIS  JULES  ALEXANDRE  ROQUES 
(Francois  Roques) 

Francois  Roques,  sculptor,  medalist  (French),  was  a pupil  of  Charpentier. 
He  exhibited  at  the  Salon  of  the  Societe  Nationale  des  Beaux-Arts.  In  1909 
he  won  the  fourth  prize  in  competition  for  the  Centenary  plaquette  of  the 
Paris  firm  Pleyel.  (Cf.  Adolphe  Bader,  “Le  Medailleur  Francois  Roques,” 
Arl  Decoralif,  1906.) 

32  Art  des  Jardins.  Struck  plaquette,  bronze,  76x45  mm. 

310 


LOUIS  OSCAR  ROTYf 
(Cf.  p.  267) 

55  La  Toilette,  1899.  Struck  plaquette,  silver,  69  x 34  mm. 

CHARLES  RENE  DE  SAINT-MARCEAUX 

Charles  Rene  de  Saint-Marceaux,  sculptor,  medalist  (French),  was  born 
at  Rheims  in  1845.  Pupil  of  Jouffroy  and  the  Ecole  des  Beaux-Arts.  In  1872 
he  obtained  the  medal  of  the  second  class.  He  is  the  author  of  the  follow- 
ing sculptures:  Forgeron  Florenlin,  1875;  Genie  Gardcint  le  Secret  de  la 
Famille,  1879,  Luxembourg;  bust  of  Renan,  1882;  etc.  Address , 100  boule- 
vard Malesherbes,  Paris. 

54  Vieillesse.  Struck  plaquette,  bronze,  66x81  mm. 


FREDERIC  DE  VERNON 
(Cf.  p.  346) 

35  La  Solidarity,  1901.  Struck  plaquette,  silver,  76  x 54  mm. 

OVIDE  YENCESSE 
(Cf.  p.  369) 

36  Caresses  d’Enfant,  1904.  Struck  medal,  silver,  40  mm. 

57  Francois  le  Remouleur,  1905.  Struck  plaquette,  bronze,  71  x 50  mm. 

38  Les  Deux  Ages,  “Manette  et  Minette,”  1901.  Struck  medal,  silver, 
60  mm. 


311 


312 


SOCIETE  HOI J.  ' >A  1SE-BELGE  DEN  A MIS  DE 
LA  MCDAILLE  D’ART, 

BRUXELLES 


os  9 1 Wit  A X8 

TV  founded  in  Belgium  and  Holland,  April  1,.  1001.  The  object  of 
society  is  the  encouragement  an4/levelopment  of  the  taste  for  medallic 
by:  thesissue  of  medals  destined  to  be  distributed  among  its  own  mem- 
> and  executed  by  Dukh  or  Belgian  sculptor  medalists;  medallic  con- 
s with  prize  every  three  s among  artists  under  thirty  vears  of  age* 
organization  of  exhibit  s and  of  courses  • ; I t i.  and  by  publica- 


G ODEFH OI U IjI  > R E } ] si •; 

18 

I Alphonse  de  Witte,  F teurdel  ick  plaquette, 

silver,  67  x 47  mm. 

V Invention  du  DessSh,  1903..  Struck  pld^uette,  broffi 

V La  Societe  Holla ndaise-Belge  des  Amis  de  la  5L  iaille  a j t,  1 ns 

de  Membre,  1901.  Struck  plaquette  (badge),  br< 

a Mimine,  1906.  Struck  plaquette  (octagonal  , silver,  39  x 31  mm 


8X  gg 

PAUL  DU  BO  IS 
(CL  jg,  82) 

d Bruxelles,  Port  du  Mer,  1903.  -Struck  plaqc  52  x 

55  mm.  ?,s  e 

8 LOUIS  DUPUIS 

21 

:v  PRANCois  Joseph  Dupuis,  sculptor,  medalist  (Duk  h),  was  born  a: 
kiege,  Belgium,  in  1842.  Studied  under  J.  Gee-  . the  Antwerp 
Laureate  at  the  great  Contours  tie  Rome.  He  is  repress  u ted 
(seums  and  collections.  Has  been  called  the  dean  of  cor  lew 
; -m  medalists.  He  has  executed  many  official  commissions 

72 


tit  busts. 


28 


62 


• Le  Comte  de  Flandie,  1906  Struck  medal,  hr  nze,  6 . 

1 Nos.  1-14  were  loaned  by  M.  Alphonse  d«  Witt» 


36 


31 


21 


35 


13 


20 


17 


20 


15 


30 


38 


34 


38 


33 


16 


22 


14 


18 


12 


25 


37 


29 


27 


32 


24 


!4. 


SOCIETE  HOLLANDAISE-BELGE  DES  AMIS  DE 
LA  MEDAILLE  D’ART, 

BRUXELLES 


President, 

M.  Alphonse  de  Witte 


A society  founded  in  Belgium  and  Holland,  April  1,  1901.  The  object  of 
the  society  is  the  encouragement  and  development  of  the  taste  for  medal] ic 
art,  by:  the  issue  of  medals  destined  to  be  distributed  among  its  own  mem- 
bers and  executed  by  Dutch  or  Belgian  sculptor  medalists;  medallic  con- 
tests with  prize  every  three  years  among  artists  under  thirty  years  of  age; 
the  organization  of  exhibitions  and  of  courses  of  lectures,  and  by  publica- 
tion. 

GODEFROID  DEVREESE 
(Cf.  p.  72) 

7 Alphonse  de  Witte,  Fonda teur  de  la  Soeiete,  1902.  Struck  plaquette, 
silver,  67  x 47  nun.1 

2 Invention  du  Dessin,  1903.  Struck  plaquette,  bronze,  52  x 60  mm. 

3 La  Soeiete  Hollandaise-Belge  des  Amis  de  la  Medaille  d’Art,  Insigne 

de  Membre,  1901.  Struck  plaquette  (badge),  bronze,  26  x 30  mm. 

4 Mimine,  1906.  Struck  plaquette  (octagonal),  silver,  39x31  mm. 

PAUL  DU  BOIS 
(Cf.  p.  82) 

5 Bruxelles,  Port  du  Mer,  1903.  Struck  plaquette,  bronze,  52  x 

55  mm. 


LOUIS  DUPUIS 

Louis  Francois  Joseph  Dupuis,  sculptor,  medalist  (Dutch),  was  born  at  Lix, 
near  Liege,  Belgium,  in  1842.  Studied  under  J.  Geefs  at  the  Antwerp  Acad- 
emy. Laureate  at  the  great  Coneours  de  Rome.  He  is  represented  in  differ- 
ent museums  and  collections.  Has  been  called  the  dean  of  contemporary 
Belgian  medalists.  He  has  executed  many  official  commissions,  especially 
portrait  busts. 


6  Le  Comte  de  Flandre,  1906.  Struck  medal,  bronze,  67  mm. 


313 


1 Nos.  1-14  were  loaned  by  M.  Alphonse  de  Witte. 


TOON  DUPUIS 
(Cf.  pp.  87,  3(33) 

7  Dr.  H.  J.  de  Dompierre  de  Chaufepie,  1908.  Struck  medal,  bronze, 
67  mm. 


.T.  M.  PADDEGON 
(Belgian  medalist) 

8  L’Etablissement  du  Pouvoir  NeerlandTais  aux  Indes  Orientales,  1902. 
Struck  medal,  bronze,  64  mm. 


JULES  JOURDAIN 
(Cf.  p.  152) 

9  S.  M.  La  Reine  Marie-Henriette,  1907.  Struck  medal,  bronze,  65  mm. 


HIPPOLYTE  LE  ROY 
(Cf.  p.  193) 

10  Conference  de  la  Paix  a La  Haye,  1907.  Struck  medal,  bronze, 
65  mm. 


CHARI.ES  SAMUEL 
(Cf.  p.  282) 

11  20e  Anniversaire  de  l’Etat  Independant  du  Congo,  1905.  Struck 
plaquette,  bronze,  55  x 57  mm. 


D.  VAN  GOOR 
(Dutch  medalist) 

12  L’Amiral  Michel  Adrience  de  Ruyter,  1907.  Struck  medal,  bronze, 

66  mm. 

J.  C.  YVIENECKE 
(Cf.  p.  3(32) 

13  La  Reine  Emma  de  Hollande,  1904.  Struck  plaquette,  bronze,  51  x 

41  mm. 

PAUL  WISSAERT 
(Cf.  p.  3G5) 

1A  L’Enseignement,  1908.  Obverse  and  reverse.  Struck  plaquette, 
bronze,  66  x 47  mm. 


314 


315 


0.  SPANIEL 


0.  Spaniel,  sculptor  (Austrian),  was  born  in  Jaromer,  Bohemia.  Studied 
at  the  School  for  Decorative  Art  at  Gablonz,  in  North  Bohemia;  the  School 
of  Engraving  and  Medals  (Professor  J.  Tautenhayn)  at  the  Academy  of 
I'ine  Arts  in  Vienna;  School  of  Sculpture  at  the  Academy  of  Fine  Arts  in 
Prague.  First  exhibition  (after  leaving  the  Academy)  in  1902.  Prizes: 
(iundel  prize,  prize  for  l lie  best  medallion  engraved,  prize  of  the  official 
schools  at  the  Academy  of  Fine  Arts  in  Vienna;  two  prizes  for  sculpture 
at  the  Academy  of  Fine  Arts  in  Prague;  prize  L.  Schmidt  from  the  Academy 
for  the  Sciences  and  Fine  Arts  of  Bohemia  (1907). 

W orks:  M.  Jules  Janssen,  astronomer,  director  of  the  Observatoire  de 
Meudon,  plaquette;  medallion  of  the  governor  of  Bohemia;  M.  E.  Denis, 
professor  at  the  Sorbonne,  plaquette;  M.  K.  Zenger,  astronomer,  plaquette. 
Address,  1 rue  Leclerc,  Paris  XIV. 

1 Exposition  de  Bruo-Moravie,  1908.  Obverse  and  reverse.  Struck 

medal,  55  mm. 

2 Couturiere,  1905.  Cast  plaque  (single),  bronze,  25  x 17.5  cm. 

3 Jeune  Femme  an  Bain,  1906.  Cast  plaque  (single),  bronze,  20.5  x 

16  cm. 

7 Jules  Janssen,  Astronome,  Membre  de  l’lnstitut,  1906.  Struck  pla- 
quette, bronze,  41  x 60  mm. 

5 The  same.  Cast  plaque  (single),  model  for  the  above,  bronze,  19  x 

25  cm. 

6 Mine.  Janssen,  1906.  Cast  plaque  (single),  bronze,  20.5  x 23  cm. 

7 M.  Milan  Stefan  ik,  1906.  Struck  plaquette,  bronze,  48  x 51  mm. 

8 Prince  Lobkowitz,  1904.  Obverse  and  reverse.  Struck  medal, 

bronze,  60  mm. 


316 


317 


(Photograph  from  the  cast  model) 


6 


THEODORE  SPICER-SIMSON 


Theodore  Spicer-Simson,  sculptor,  medalist  (British),  was  born  in  Havre, 
France.  Studied  at  the  Ecole  des  Beaux-Arts,  Paris.  Began  exhibiting  in 
1896,  having  that  year  examples  of  his  work  in  the  Salon,  Paris,  the  Royal 
Academy  and  the  New  Gallery,  London;  exhibited  nearly  every  year  at  the 
two  former  exhibitions.  Elected  associate  member  of  the  Societe  Nationale 
des  Beaux-Arts,  1901.  First  undertook  the  making  of  medals  in  1903,  con- 
currently with  his  larger  work,  and  his  medals  are  exhibited  in  the  muse- 
ums of  many  British  and  Continental  cities,  Dresden,  Frankfurt,  Leipzig, 
Prague,  Munich,  The  Hague,  Brussels,  New  York,  etc.  Special  articles  on 
his  work  are  to  be  seen  in  the  French  magazines  of  art,  L'Art  Decoratif, 
1904,  and  L’Ari  et  Decoration  of  September,  1903.  Work  mentioned  with 
reproductions  in  the  Studio , February  16,  1903,  May  15,  1904,  and  Sep- 
tember, 1905,  and  article  in  Putnam's  Magazine  for  March,  1897.  Spink’s 
Numismatic  Circular  contains  article  on  his  medallic  work,  with  a repro- 
duction, in  the  number  for  February,  1905. 

Works:  portrait  busts:  The  Earl  of  Selborne,  Museum  of  Art,  Johannis- 
berg;  Dr.  Moncure  D.  Conway,  at  Dickinson  College,  Pennsylvania,  and  at 
the  Author’s  Club,  New  York;  M.  Henri  Monod,  former  director  of  the 
Sanitary  Department  of  France;  the  Maharaja  of  Bobbili,  K.C.I.E.;  Maha- 
raja Doorga  Churn  Law,  in  the  Town  Hall,  Calcutta,  India;  etc.  Other 
works  are  medals:  George  F.  Watts,  R.A.;  Sir  Walter  Lawrence,  C.I.E.; 
the  Duchess  of  Saxe-Coburg  and  Gotha;  General  Horace  Porter;  Barrett 
Wendell;  George  P.  Baker;  George  Meredith;  etc.  Address,  3 rue  Campagne 
Premiere,  Paris. 

1 Admiral  Sir  Wilmot  Fawkes,  K.C.V.O.,  1905.  Cast  medal  (double), 

bronze,  125  mm. 

2 Alexander  B.  Trowbridge,  1904.  Cast  medal  (single),  bronze, 

105  mm. 

3 Alfred  Simson,  1904.  Cast  medal  (single),  bronze,  98  mm. 

4 Alice  Arbuthnot  Simson,  1904.  Cast  plaquette  (single),  bronze, 

110  x 76  mm. 

5 Alice  Peabody,  1906.  Cast  medal  (single),  bronze,  96  mm. 

6 Anna  B.  Bliss,  1907.  Cast  medal  (single),  bronze,  95  mm. 


319 


7 Harrell  Wendell,  1905.  Cast  medal  (single),  bronze,  110mm. 
cS’  Charles  Bach,  1904.  Cast  medal  (single),  bronze,  74  mm. 

9  Charles  Peabody,  1906.  Cast  medal  (single),  bronze,  85  mm. 

10  Child,  1901.  Cast  medal  (single),  bronze,  101mm. 

11  Edward  T.  Newell,  1904.  Cast  medal  (single),  bronze,  101  mm. 

12  E.  F.  Rechberg,  1907.  Cast  medal  (single),  bronze,  105  mm. 

13  Elizabeth  S.  Hammond,  1906.  Cast  medal  (single),  bronze,  65  mm. 
11  Ella  Mielziner,  1906.  Cast  medal  (single),  bronze,  172  mm. 

13  Ernest  Bengongh  Ricketts,  1904.  Cast  medal  (single),  bronze, 

68  mm. 

16  Eva  Murdocci  and  Bella  Edvards,  1910.  Plaquette  in  plaster. 

11  G.  B.  Spicer-Simson,  1903.  Cast  medal  (single),  bronze,  77  mm. 

18  George  F.  Watts,  1904.  Cast  medal  (single),  bronze,  121  mm. 

19  George  Meredith,  1908.  Cast  medal  (single),  bronze,  105  mm. 

20  George  P.  Baker,  1908.  Cast  medal  (single),  bronze,  119  mm. 

21  Gilbert  Colgate,  1905.  Cast  medal  (single),  bronze,  60mm. 

22  Henri  Fritsch  Estrangin,  1904.  Cast  medal  (single),  bronze,  91  mm. 

23  Herman  Simson,  1904.  Cast  medal  (single),  bronze,  119  mm. 

21  Hilda  Louise  Spicer-Simson,  1910.  Cast  plaquette  (single),  bronze, 
148  x 101  mm. 

25  Hippolyte  Louis,  1909.  Cast  medal  (single),  bronze,  116  mm. 

26  John  Philip  Wood,  1905.  Cast  medal  (single),  bronze,  115  mm. 

27  Lawrence  Halsey,  1905.  Cast  medal  (single),  bronze,  93  mm. 

28  Louise  S.  Hammond,  1906.  Cast  medal  (single),  bronze,  114  mm. 

29  Louise  W.  Newman,  1904.  Cast  medal  (single),  bronze,  80  mm. 

30  Margaret  Anglin,  1909.  Plaquette  in  plaster. 

31  Margaret  Spicer-Simson,  1906.  Cast  medal  (single),  bronze,  118  mm. 

32  Mary  Scovill  Baxter,  1907.  Cast  medal  (single),  bronze,  103  mm. 

33  Max  Rosenheim,  1910.  Cast  medal  (single),  bronze,  125  mm. 

31  Mildred  Schmidt,  1905.  Cast  medal  (single),  bronze,  76  mm. 

35  Mildred  C.  Spicer-Simson,  1906.  Cast  medal  (single),  bronze,  78  mm. 

36  N.  C.  S.  Simson,  1903.  Cast  medal  (single),  bronze,  76  mm. 

37  Noelie  G.  S.  Simson,  1905.  Cast  medal  (single),  bronze,  106  mm. 

38  Otto  Hen  tig,  1904.  Cast  medal  (single),  bronze,  126  mm. 


320 


39  Penelope  King,  1904.  Cast  medal  (single),  bronze,  98  mm. 

40  Philip  Carroll,  1905.  Cast  medal  (single,  oval),  bronze,  123  x 

107  mm. 

44  Princesse  Alexander  Meschersky,  1904.  Cast  medal  (single),  bronze, 
112  mm. 

42  Sir  Patrick  Playfair,  C.I.E.,  1905.  Cast  medal  (single),  bronze, 

83  mm. 

4 3 Sir  Walter  Lawrence,  G.C.I.E.,  1908.  Cast  plaquette  (single),  bronze, 

151  x 120  mm. 

44  T.  Spicer-Simson,  1907.  Cast  medal  (single),  bronze,  68  mm. 

45  Victoria  Adelheid,  Duchess  of  Saxe-Coborg  and  Gotha,  1906.  Cast 

medal  (single),  bronze,  101  mm. 

4 6 Waldron,  1905.  Cast  medal  (single),  bronze,  101  mm. 

47  Wilhelm  von  Scharfenberg,  1906.  Cast  medal  (single),  bronze, 

116  mm. 


18 


322 


CONSTANTIN  STARCI 

o 

Hr 

Hr  00 

Constantin  Starck,  sculptin',  mecfalist  (German) 
sia,  1866.  Studied  at  the  Art  Academies  In  Sin 
reived  honorable  mention  for  l^is  first  figure,  FI  «• 

ci  K> 

Exposition  of  1892,  and  medals  at  th<  D esdei 

• ^ 

t-H)4,  the  Berlin  Exposition,  1904,  and  the  Louisiana 
1904.  He  is  represented  in  the  National  Gallerv, 

as 

tigure  Quelle  and  the  small  bronze  Trdumerei  a* 

Bum  by  the  wax  busts  : wonfen  and  m r 
a member  of  the  Royal  Academy  oi 

05  03 

strasse,  Wi.lmersdorf,  Berlin;  studio,  f Ga  0 


1 Akademie  der  Wissenschaften  zu 

Obverse  and  Reverse.  Struck  n .<• 

co  & 

2 Fiseherei,  1903.  Obverse  and  re  verse  :■  g 

ver  and  Britannia  metal,  60  mm. 

3 Gartenbau.  Struck  medal,  silver,  39  mm. 

4 Graf  Waldersee.  Struck  medal,  silver,  34  mm. 


5 Grossherzog  von  Hessen,  1905.  Struck  medd!,  sit 

6 Hygiene,  Berlin,  1907.  Struck  medal  si  Ivey  do  mm 

7 J ahrhu nderts we n de,  1900-1901.  Obverse  and  rev, 

medal,  silver,  39  mm. 

Hr 

S Kaiserin  Friedrich.  Struck  medal,"  silver,  46  mm 

9 Krankenpflege,.  Schwesteriischaft  der  Stadt  Berlin.  ■ : 
silver,  34  mm. 

co 

t0  Jubilaum  der  Stadt  Riga.  Obverse  and  revc  $ 
ver,  56  trim.  K 115 

11  Pallas  Athena.  Struck  medal,  silver,  46  mm. 

12  Pomona.  Struck  medal,  Silver.  IS  ram. 

13  Taufmedaille.  w Obverse  and  reverse.  Struck* medal, 


11  Brochen  a us  Silber  (10),  Architektur,  Bacchus,  He 
werbe,  Malerei,  MerlF  r,  Mu  v,  Plastik,  P<  • . 

21  mm.  o,  S » 


15  Halskette  mit  vier  kleinen  Plaketten,  Bacchus  i.d  • 
Poesie,  13  mm,  » 


323 


cc 

CO 


Ol 

CO 


CONSTANTIN  STARCK 


Constantin  Starck,  sculptor,  medalist  (German),  was  born  in  Riga,  Rus- 
sia, 1866.  Studied  at  the  Art  Academies  in  Stuttgart  and  Berlin.  He  re- 
ceived honorable  mention  for  his  first  figure,  Flotenspieler,  at  the  Berlin 
Exposition  of  1892,  and  medals  at  the  Dresden  International  Exposition, 
1904,  the  Berlin  Exposition,  1904,  and  the  Louisiana  Purchase  Exposition, 
1904.  fie  is  represented  in  the  National  Gallery,  Berlin,  by  the  marble 
figure  Quelle  and  the  small  bronze  Traumerei;  also  in  the  Dresden  Alberti- 
num  by  the  wax  busts  of  women  and  by  medals  and  plaquettes.  He  is 
a member  of  the  Royal  Academy  of  Arts,  Berlin.  Address,  35  Nassauische- 
strasse,  Wilmersdorf,  Berlin;  studio,  1 Gasteinerstrasse. 

1 Akademie  der  Wissenschaften  zu  Berlin,  Leibnitzmedaille,  1907. 

Obverse  and  reverse.  Struck  medal,  silver,  46  mm. 

2 Fischerei,  1903.  Obverse  and  reverse.  Struck  medal,  copies  in  sil- 

ver and  Britannia  metal,  60  mm. 

3 Gartenbau.  Struck  medal,  silver,  39  mm. 

4 Graf  Waldersee.  Struck  medal,  silver,  34  mm. 

5 Grossherzog  von  Hessen,  1905.  Struck  medal,  silver,  48  mm. 

6 Hygiene,  Berlin,  1907.  Struck  medal,  silver,  60  mm. 

7 Jahrhundertswende,  1900-1901.  Obverse  and  reverse.  Struck 

medal,  silver,  39  mm. 

8 Kaiserin  Friedrich.  Struck  medal,  silver,  46  mm. 

9 Krankenpflege,  Schwesternschaft  der  Stadt  Berlin.  Struck  medal, 

silver,  34  mm. 

10  Jubilaum  der  Stadt  Riga.  Obverse  and  reverse.  Struck  medal,  sil- 

ver, 56  mm. 

11  Pallas  Athena.  Struck  medal,  silver,  46  mm. 

12  Pomona.  Struck  medal,  silver,  43  mm. 

13  Taufmedaille.  Obverse  and  reverse.  Struck  medal,  silver,  46  mm. 

74  Brochen  aus  Silber  (10),  Architektur,  Bacchus,  Hebe,  Kunstge- 

werbe,  Malerei,  Merkur,  Musik,  Plastik,  Poesie,  Ruhm,  21  x 

21  mm. 

15  Halskette  mit  vier  kleinen  Plaketten,  Bacchus,  Malerei,  Plastik, 

Poesie,  13  mm. 


323 


Nos.  1,  2,  3,  4,  5,  6. 


8,  9,  10,  11,  12,  13,  14,  15 


324 


FRANK  F.  STONE 


Frank  F.  Stone,  sculptor,  medalist  (American  , was  born  in  London  in 
1863.  He  followed  commercial  pursuits  until  he  was  between  twenty  and 
thirty,  when  he  came  under  the  influence  of  Richard  Belt,  at  one  time 
sculptor  to  Queen  Victoria,  and  in  a very  short  time  wa%  doing  portrait 
work.  Some  of  the  notable  people  who  sat  for  him  for  portrait  busts 
were  the  late  William  Ewart  Gladstone,  Cardinal  Manning  (Jubilee  bust), 

±1  AX 

and  Dadabhai  Naoroji,  the  latter  an  Indian  statesman.  Of  the  three  last 
named  he  also  made  medallions.  From  Lor  doc  Mr.  Stone  weir  to0fanada, 
and  thence  tef California.  He  exhibited  at  Montreal,  Sacramenio,  Chicago, 
Philadelphia;  also  at  San  Antonio  and  Seattle  (Alaska-Yukon  Exposition). 
Works:  Innocence  and  Death,  bust  group;  The  Age  of  Romance, 

FI 

statuette;  Whisper  of^the  Dawn,  group;  The  Angel  of  Silence,  statu- 
ette; The  Two  Ambitions,  high  relief;  Cupid  Admonished,  group:  The 
Worker,  statuette;  also  The  Agony  of  the  Ages,  relief,  to  which 
awarded  a gold  medal  at  the  Alaska-Yukon  Exposition.  Besides  p i ! mi 
busts,  of  which  Mr.  Stone  has  made  a large  number,  he  has  made  ' i 
lowing  posthumous  busts:  Dr.  Charles  Kendall  Adams,  late  pres 
the  University  of  Wisconsin;  Dr.  Bara  of  the  Elizabeth  Bard  Hospital, 
lands,  California;  Milton  T.  Hancock,  inventor  of  the  disk  plow;  th< 
Professor  Clay  pole  of  Throop  Institute,  'Pasadena.  California;  and  of  Cai 
lyle  Petersilea,  musician  i Je  has  man  ■ a ■ ■'  M Zame 

the  inventor  of  the  uni  ei  d auxiliary  lame  d . - >.  The  rer:  nt 

FI 

death  of  Mark  Twain  gives  a special  interest  to  a i t r * it  medallion  bv  Mr. 

AX 

Stone  of  Mark  Twain  at  the  age  of  sixty-id  . ■ Yale  Street, 

Los  Angeles,  California.  5 

a e 

1 Cardinal  Manning  (modeled  fi  * 

in  plaster,  model  for  marble,  24.1  x 1 

2 Francis  Murphy,  19hn.  Medallion  in  p.L 

3 General  William  Booth,  1892.  Medal  (<>\  ai  . 

120  mm.  sx 

4 John  Ruskin,  1893.  Medallion  (oval)  in  ' ; 

5 Leo  Tolstoi,  1910.  Medallion  in  plaster,  29  ■ 


2 


8 


14 


10 


14 


14 


14' 


5 


11 


14 


10 


3 


14  14 


14 


324 


FRANK  F.  STONE 


Frank  F.  Stone,  sculptor,  medalist  (American),  was  born  in  London  in 
1863.  He  followed  commercial  pursuits  until  he  was  between  twenty  and 
thirty,  when  he  came  under  the  influence  of  Richard  Belt,  at  one  lime 
sculptor  to  Queen  Victoria,  and  in  a very  short  time  was  doing  portrait 
work.  Some  of  the  notable  people  who  sat  for  him  for  portrait  busts 
were  the  late  William  Ewart  Gladstone,  Cardinal  Manning  (Jubilee  bust), 
and  Dadabhai  Naoroji,  the  latter  an  Indian  statesman.  Of  the  three  last 
named  he  also  made  medallions.  From  London  Mr.  Stone  went  to  Canada, 
and  thence  to  California.  He  exhibited  at  Montreal,  Sacramento,  Chicago, 
Philadelphia;  also  at  San  Antonio  and  Seattle  (Alaska-Yukon  Exposition). 

Works:  Innocence  and  Death,  bust  group;  The  Age  of  Romance, 
statuette;  Whisper  of  the  Dawn,  group;  The  Angel  of  Silence,  statu- 
ette; The  Two  Ambitions,  high  relief;  Cupid  Admonished,  group;  The 
Worker,  statuette;  also  The  Agony  of  the  Ages,  relief,  to  which  was 
awarded  a gold  medal  at  the  Alaska-Yukon  Exposition.  Besides  portrait 
busts,  of  which  Mr.  Stone  has  made  a large  number,  he  has  made  the  fol- 
lowing posthumous  busts:  Dr.  Charles  Kendall  Adams,  late  president  of 
the  University  of  Wisconsin;  Dr.  Bard  of  the  Elizabeth  Bard  Hospital,  Red- 
lands, California;  Milton  T.  Hancock,  inventor  of  the  disk  plow;  the  late 
Professor  Clay  pole  of  Throop  Institute,  Pasadena,  California;  and  of  Car- 
lyle Petersilea,  musician.  He  has  made  a portrait  medallion  of  Zamenhof, 
the  inventor  of  the  universal  auxiliary  language  Esperanto.  The  recent 
death  of  Mark  Twain  gives  a special  interest  to  a portrait  medallion  by  Mr. 
Stone  of  Mark  Twain  at  the  age  of  sixty-five.  Address,  719  Yale  Street, 
Los  Angeles,  California. 

1 Cardinal  Manning  (modeled  from  life),  1891.  Medallion  (oval) 

in  plaster,  model  for  marble,  24.1  x 18.4  cm. 

2 Francis  Murphy,  1908.  Medallion  in  plaster,  21.6  cm. 

3 General  William  Booth,  1892.  Medal  (oval)  in  plaster,  140  x 

120  mm. 

4 John  Buskin,  1893.  Medallion  (oval)  in  plaster,  165  x 136  mm. 

5 Leo  Tolstoi,  1910.  Medallion  in  plaster,  29.8  cm. 


325 


(i  Sir  Henry  Irving,  1905.  Medallion  in  plaster,  21cm.  (also,  cast 
bronze) . 

7 Susan  B.  Anthony,  1906.  Medallion  in  plaster,  22.8  cm. 

<S  The  Agony  of  the  Ages,  1909.  High  relief  in  plaster,  model  for 
marble,  91.5  x 50.8  cm. 

9 William  E.  Gladstone  (modeled  from  life),  1891.  Medallion  (oval) 
in  plaster,  165  x 136  mm. 


326 


PAUL  STURM 


Paul  Sturm,  medalist  (German),  is  art  director  of  the  Royal  Mint,  Berlin. 

Works:  Swimming,  prize  plaquette,  cast  (single)  bronze;  Georg  Trell 
(from  model  in  Solnhofer  stone);  Kiel  Regattas,  model  for  medal,  cast 
bronze;  Chanson  Kaas,  Wood-sculptor,  cast  plaquette,  bronze;  Werner 
Wiegand,  1906,  cast  medal,  bronze;  Gerhard  Wiegand,  1906,  cast  medal, 
bronze;  Life,  1904-1907,  cast  medal  (oval),  silver;  Electrical  Society  of 
Berlin,  1907,  cast  plaquette  (single),  bronze;  XII th  International  Congress 
of  the  Press,  Berlin,  1908,  medal  (badge),  silver;  The  Royal  Mint,  Berlin 
( New  Year),  1909,  plaquette  in  iron  (private  property);  Society  for  An- 
thropology, Ethnology,  and  Prehistoric  Science,  1909,  strike  on  gilt  tin. 
Address,  k.  k.  Miinze,  Berlin. 

1 Edward  D.  Adams,  Esq.,  1906.  Obverse  and  reverse.  Cast  medal 

(double),  silver,  71  mm.1 

2 The  same.  Original  model  cut  in  Solnhofer  stone,  from  which 

the  medal  was  reproduced  by  the  cire  perdu  process. 

3 Life,  1904-1907.  Cast  medal  (double,  oval),  silver,  70  x 59  mm. 

4 Portrait  of  a Man,  1901.  Cast  medal  (double),  silver,  31  mm. 

1 Nos.  1-4  were  loaned  by  Edward  I).  Adams,  Esq. 


327 


STANISLAV  SUCHARDA 


Stanislav  Si charda,  medalist  (Austrian),  was  born  in  Nova  Paka,  Bo- 
hemia. in  1866.  lie  studied  at  the  School  for  Decorative  Art  in  Prague, 
where  lie  is  now  professor.  He  has  won  the  following  prizes:  the  Reichel 
prize  at  the  Kiinstlerhaus,  Vienna;  at  St.  Louis  a gold  medal;  at  Munich  a 
gold  medal.  He  is  a corresponding  member  of  the  Academy  of  Sciences 
and  Fine  Arts  of  Bohemia  and  member  of  the  Kuratorium  of  the  Moderne 
(lalerie,  Prague.  Address,  Prague,  Bohemia. 

1 Fairy-tales,  1909.  Plaquettes  (7),  galvano  silvered,  100x61  mm. 

2 Gardener,  1904.  Plaquette,  galvano  silvered,  116  x34  mm. 

3 Instruction,  1909.  Obverse  and  reverse.  Medal,  galvano  silvered, 

65  mm. 

4 Karel  Dimmer,  1907.  Struck  medal,  bronze,  80  mm. 

5 Krok,  1904.  Plaquette,  galvano  silvered,  65  x 65  mm. 

6 Portrait  of  a Lady,  1905.  Medal  in  ivory,  80  mm. 

7 Prague  and  Moldau  (Praha  a Ultava),  1905.  Plaquette,  galvano 

silvered,  57  x 70  mm. 

8 YVaker,  1907.  Plaquette,  galvano  silvered,  70x85  mm. 


328 


ERNEST  PAULIN  TASSET 


Ernest  Paulin  Tasset,  medalist  (French),  was  born  in  Paris.  Received 
honorable  mention  in  1876;  a medal  of  the  third  class  in  1883;  and  a bronze 
medal  during  the  Paris  Exposition  in  1900.  He  is  a chevalier  of  the  Legion 
of  Honor  and  a member  of  the  Societe  des  Artistes  Francais.  Address,  127 
Boulevard  Raspail,  Paris. 


3 


1 Chambre  Syndicate  des  Produits  Chimiques,  1881.  Struck  medal 

(jeton),  37  mm. 

2 Commission  des  Huiles,  1884.  Medal,  galvano  silvered  (cast  (sin- 

gle) bronze,  65  mm.;  struck  jeton,  36  mm.). 

3 Edmond  Hebert,  1890.  Obverse  and  reverse.  Medal,  galvano  sil- 

vered (cast  (double)  bronze,  100  mm.;  struck,  68  mm.). 

4 Gaston  Meunier,  medaille  offerte  par  le  Personnel  des  Etablisse- 

ments  Meunier  a P occasion  de  sa  nomination  de  Chevalier  de  la 


329 


Legion  d’Honneur,  1883.  Medal,  galvano  silvered  (struck  medal, 
08  mm.). 

5  Jonkheer  Otto  Reuchlin,  1898.  Obverse  and  reverse.  Medal,  gal- 
vano silvered  (east  bronze,  100  mm.). 

6‘  Sociele  d’Encouragement  cle  l’Escrime,  1883.  Medallion,  galvano 
silvered  (east  (single)  bronze,  79  mm.;  struck,  50  mm.). 

7 Societe  Francaise  de  Sauvetage,  1885.  Medal,  galvano  silvered  (cast 

(single)  bronze,  07  mm.;  struck  medal,  41  mm.). 

8 Syndicat  General  de  la  Bourse  de  Commerce  de  Paris,  1892.  Medal 

(jeton,  octagonal),  galvano. 


I  VAR  THRONDSEN 

I var  Throndsen,  medalist  (Norwegian),  was  born  in  Naes,  Romerike,  Nor- 
way, 1853.  He  is  a pupil  of  J.  Tostrup  and  J.  Middelthun,  Christiania; 
A.  Michelsen,  Copenhagen;  and  of  Paulin  Tasset,  Paris.  He  was  made  en- 
graver of  the  Royal  Mint  of  Norway,  situated  at  Kongsberg,  in  1879.  He 
has  won  the  following  prizes:  at  the  Christiania  Exhibition,  1883,  a silver 
medal;  at  the  Paris  Exposition,  1889,  a bronze  medal;  at  the  Skien  Exhibi- 
tion, 1891,  a gold  medal;  in  1890  the  royal  medal  of  merit;  at  the  Stockholm 
Exhibition,  1897,  a silver  medal;  at  the  Paris  Exposition,  1900,  a silver 
medal  and  a bronze  medal;  at  the  Drammen  Exhibition,  1901,  a gold  medal; 
in  1900  a coronation  medal  on  the  occasion  of  the  crowning  of  King 
Haakon  VII.  Address,  Kongsberg,  Norway. 

7 75e  Anniversaire  du  Jour  de  Naissance  de  Oscar  II.  Struck  medal, 

silver  (cliche). 

2 Bjornstjerne  Bjornson  et  la  Chanson  Nationale.  Struck  plaquette, 

bronze,  03  x 43  mm.  (cliche). 

3 Christian  Michelsen,  portrait.  Cast  medal,  bronze,  118  mm. 

4 Christian  Michelsen  et  Carl  Berner,  1905.  Obverse  and  reverse. 

Struck  medal,  silver,  35  mm.  (cliches). 

5 Couronnement  de  Haakon  VII  et  Maude  (officielle),  1900.  Obverse 

and  reverse.  Struck  medal,  bronze,  29  mm.  (cliches). 

6 Couronnement  de  Haakon  VII  et  Maude  (souvenir),  1906.  Obverse 

and  reverse.  Struck  medal,  bronze,  40mm.  (cliches). 

7 Det  ll'le  Almindelige  Norske  Landbrugsmode  i Trondhjem  (Expo- 

330 


sition  Agriculturale  a Drontheim),  1902.  Obverse  and  reverse. 
Struck  medal,  bronze,  55  mm.  (cliches). 

8 Det  12de  Almindelige  Norske  Landbrugsmode,  Kristiania  (Exposi- 

tion Agriculturale  a Christiania),  1907.  Obverse  and  two  dif- 
ferent reverses,  “Agriculture”  and  “Horticulture.”  Struck  medal, 
bronze  (cliches). 

9 Haakon  VII,  medaille  de  recompense  de  l’Universite  de  Christiania. 

Obverse  and  reverse.  Struck  medal,  bronze,  40  mm.  (cliches). 

10  Haakon  VII,  medaille  de  merite.  Struck  medal,  silver,  28  mm. 

11  Le  Roi  Haakon  VII,  la  Reine  Maude  et  le  Prince  Royale  Olav.  Cast 

medal,  bronze,  150  mm. 

12  Rop  leve  Norge  (Vive  la  Norvege).  Struck  plaquette,  bronze,  63  x 

43mm.  (cliche). 

13  Selskabet  for  Christiania  Rys  Vel  (Societe  pour  rAvancement  du 

Rien-etre  de  Christiania),  prize  medal.  Struck  medal,  bronze, 
35  mm.  (cliche). 

74  Sport,  Idroet  giver  Sundhed  (“L’Exercice  Enfante  la  Sante”). 
Struck  medal,  bronze,  31mm.  (cliche). 

15  Til  enig  Vagt  om  Norge  (“A  la  Protection  Mutuelle  de  la  Norvege”), 

May  17,  1905.  Cast  medal,  bronze,  118  mm. 

16  Universite  de  Christiania,  For  videnskabeligt  Arbeide  (Pour  Tra- 

vail Scientifique),  Cato  Maximilian  Guldberg.  Obverse  and  re- 
verse. Struck  medal,  bronze,  60mm.  (cliches). 

17  Valkyrie.  Struck  plaquette,  bronze,  41  x 34  mm.  (cliche). 

18  Visite  du  Roi  Haakon  VII  a Kongsberg.  Struck  medal,  bronze, 

31  mm. 

19  White  et  Fils,  Fabrique  des  Eaux  Mineraux,  Londres,  1903.  Ob- 

verse and  reverse.  Struck  medal,  bronze,  60mm.  (cliches). 


331 


Nos.  2,  5,  9,  12,  14,  15,  18 


' i i ANY  & CO. 


Goldsmiths,  .v  . Jem  Merchants,  • 


<:  house, of  Tiffany  & was  founded  in  1837  b\ 

Oi 

s ny,  who  was  its  1 a >. : i d i ! 1 902. 

Hr 


CO 


! A1  Hefoe  de  la  Pa/.,  Estado  de  Chihuahn 
silver,  72  mm.  (also  exists  in  gold  and 

2 The  same.  \ ■ ><  k ( : plaster. 

K - co 

> GommaiKkT  C ••!••:  rt  Edwin  Pea.  , K 

graphic  So,  u-iy  for  the  Di§ro  . . 

verse  and  reverse.  Etched1"!!  100  mm 

(also,  exists  in  gold  and 

i Edgar  Allan  Poe,  Cent;  ■ >n  • »},■■.,.  . 

verse.  Struck  g 

.1  The  same.  >!>•  ‘ s 

O'  Gardiner  G.  Hubbard,  awarded  by  the  Na  d 
to  Sir  Ernest  H.  Shacldeton  for  Explot  n 
March  30,  1910.  Etched  and  en  graved  ; n . . . : . 

/ Jamestown  Tercentennial  Exposition,  1907.  Strut  k 
62  mm.  ^ « 

8 The  same . Model  in  plaster. 

9 Peter  Stuyvesant,  1908.  Struck  medal,  gold,  62  mm. 

10  The  same.  Model  in  plaster. 


Q? 


Q5 


TIFFANY  & CO. 

Goldsmiths,  Silversmiths,  Gem  Merchants,  New  York 


The  house  of  Tiffany  & Co.  was  founded  in  1837  by  the  late  Mr.  Charles  L. 
Tiffany,  who  was  its  head  until  1902. 


1 At  Heroe  de  la  Paz,  Estado  de  Chihuahua,  1909.  Struck  medal, 

silver,  72  mm.  (also  exists  in  gold  and  bronze). 

2 The  same.  Model  in  plaster. 

3 Commander  Robert  Edwin  Peary,  awarded  by  the  National  Geo- 

graphic Society  for  the  Discovery  of  the  North  Pole,  1910.  Ob- 
verse and  reverse.  Etched  and  engraved  medal,  silver,  100  mm. 
(also  exists  in  gold  and  bronze). 

•4  Edgar  Allan  Poe,  Centenary,  January  19,  1909.  Obverse  and  re- 
verse. Struck  medal,  bronze,  38  mm. 

5 The  same.  Model  in  plaster. 

6 Gardiner  G.  Hubbard,  awarded  by  the  National  Geographical  Society 

to  Sir  Ernest  H.  Shackleton  for  Explorations  in  the  Antarctic, 
March  30,  1910.  Etched  and  engraved  medal,  gold,  75  mm. 

7 Jamestown  Tercentennial  Exposition,  1907.  Struck  medal,  silver, 

62  mm. 

8 The  same.  Model  in  plaster. 

9 Peter  Stuyvesant,  1908.  Struck  medal,  gold,  62  mm. 

W The  same.  Model  in  plaster. 


333 


UNITED  STATES  MINT,  PHILADELPHIA 


/ Abraham  Lincoln,  1909.  Struck  medal,  bronze,  64  mm. 

1?  The  same.  Galvano  model  for  the  above. 

5 American  Red  Cross,  1909.  Struck  medal,  bronze,  38  mm. 

/ The  same.  Phosphor-bronze  model  for  the  above. 

3 Cardenas,  May  11,  1898.  Obverse  and  reverse.  Struck  medal, 
bronze,  72  mm. 

6 The  same.  Phosphor-bronze  model  for  the  above. 

/ Departure  of  the  United  States  Atlantic  Fleet  on  its  Cruise  around 
the  World,  1907.  Obverse  and  reverse.  Struck  plaquette,  bronze, 
62  x 80  mm. 

8 The  same.  Phosphor-bronze  model  for  the  above. 

.9  George  B.  Cortelyou,  Secretary  of  the  Treasury,  1909.  Struck  pla- 
quette, bronze,  57  x 40  mm. 

10  The  same.  Phosphor-bronze  model  for  the  above. 

11  Inauguration  of  Theodore  Roosevelt,  Second  Term,  1905.  Reverse. 

Struck  medal,  bronze,  71  mm. 

72  The  same.  Phosphor-bronze  model  for  the  above. 

13  Inauguration  of  William  H.  Taft,  1909.  Obverse  and  reverse. 
Struck  medal,  bronze,  71  mm. 

74  The  same.  Galvano  model  for  the  above. 

13  John  Griffin  Carlisle,  Secretary  of  the  Treasury,  1893.  Obverse  and 
reverse.  Struck  medal,  bronze,  71  mm. 

16  The  same.  Phosphor-bronze  model  for  the  above. 

17  Leslie  M.  Shaw,  Secretary  of  the  Treasury,  1902-1907.  Struck  pla- 

quette, bronze,  71  x 51  mm. 

18  The  same.  Galvano  model  for  the  above. 

79  Wilbur  and  Orville  Wright,  Aeronauts,  1909.  Obverse  and  reverse. 
Struck  plaquette,  bronze,  57  x 83  mm. 

29  The  same.  Phosphor-bronze  model  for  the  above. 

27  William  McKinley,  Pan-American  Exposition,  1901.  Reverse. 
Struck  medal,  bronze,  71  mm. 

22  The  same.  Phosphor-bronze  model  for  the  above. 


1 Nos.  1 24  are  the  work  of  Messrs.  Barber  and  Morgan,  Engravers  at  the  Mint  at 
Philadelphia.  Nos.  25-27  were  modeled  and  engraved  by  Augustus  Saint-Gaudens. 


334 


23  World’s  Columbian  Exposition,  Four-Hundredth  Anniversary  of 

the  Landing  of  Columbus  (1492-1892),  1893.  Reverse.  Struck 
medal,  bronze,  77  mm. 

24  The  same.  Phosphor-bronze  model  for  the  above. 

AUGUSTUS  SAINT-GAUDENSf 

Augustus  Saint-Gaudens,  sculptor,  medalist  (American),  was  born  in  Dub- 
lin, 1848.  His  father,  Bernard  Paul  Ernest,  was  a native  of  France,  coming 
from  the  vicinity  of  the  town  of  Saint-Gaudens,  among  the  spurs  of  the 
Py  renees.  His  parents  brought  him  to  this  country  while  he  was  still  an 
infant.  At  the  age  of  thirteen  he  was  apprenticed  to  a cameo-cutter.  Sub- 
sequently he  studied  at  the  National  Academy  of  Design  in  New  York.  In 
1867  he  went  to  Paris,  entered  the  Ecole  des  Beaux-Arts,  and  was  pupil  of 
Jouffroy  for  three  years.  In  1871  he  went  to  Rome,  where  he  executed  his 
first  statue  in  marble,  Hiawatha.  He  died  in  August,  1907. 

Works:  The  Puritan;  The  Adoration  of  the  Cross  by  the  Angets;  bas- 
relief  for  St.  Thomas’s  Church,  New  York;  the  statue  of  Admiral  Farragut 
for  New  York  City,  which  was  exhibited  at  the  Salon  of  Paris  in  1880,  along 
with  six  medallions,  and  which  won  him  an  honorable  mention;  the  statues 
of  Robert  Randall  and  Abraham  Lincoln  for  the  city  of  Chicago;  the 
equestrian  statue  of  General  Sherman  at  the  entrance  to  Central  Park, 
New  York;  Diana , Madison  Square  Tower,  New  York;  statue  of  Samuel 
Chapin  for  Springfield,  Massachusetts;  the  busts  of  W.  M.  Evarts;  of  the 
Hellenist,  Theodore  Dwight  Woolsey;  and  of  General  Sherman;  the  Shaw 
Memorial , Boston,  Massachusetts. 

25  10-Dollar  Gold  Piece,  1907.  Obverse  and  reverse.  Model  in  plaster. 

26  20-Dollar  Gold  Piece,  1907.  Obverse  and  reverse.  Model  in  plaster.1 

27  World’s  Columbian  Exposition,  Four-Hundredth  Anniversary  of 

the  Landing  of  Columbus  (1492-1892),  1893.  Obverse  and  re- 
verse.2 Galvano  model  for  medal. 

1 The  first  20-dollar  gold  pieces  are  4 nun.  thick;  the  succeeding  pieces  2 mm.; 
the  latest  pieces  beginning  with  1908  are  only  2 mm.  thick.  The  pieces  of  greatest 
thickness  and  very  high  relief  were  struck  on  a medal  press,  and  each  piece  was 
struck  ten  times  and  annealed  between  each  impression. 

2 The  reverse  design  for  this  medal  was  rejected,  and  the  reverse  by  C.  E.  Barber, 

No.  23,  adopted. 


335 


■'  , ■ : I 'jY y ; ’Jr' r. Is 

; vs* - -j.Mr  ■ 

'0 r!r  l '£l& 


Nos.  7,  8 


Nos.  23,  24 


Nos.  13.  14 


336 


Nos.  21,  22 


Nos.  19,  20 


337 


Nos.  11,  12 


338 


FRANTZ  YERMEYLEN 


Frantz  Vermeylen,  sculptor,  medalist  (Belgian),  was  born  in  Louvain, 
1857.  After  serious  studies  in  his  native  city,  he  went  to  the  Ecole  des 
Reaux-Arts  at  Paris  to  perfect  himself,  and  there  attended  for  two  years 
Dumont’s  studio.  On  his  return  to  Belgium,  he  worked  during  eight  years, 
in  collaboration  with  his  father,  on  innumerable  sculptures  in  the  Rijks 
Museum  and  the  central  station  of  Amsterdam.  He  gained  a reputation  by 
his  numerous  busts  and  portraits  of  the  professors  of  the  University  of 
Louvain  and  of  many  eminent  men  of  Belgium:  Dr.  Heynen,  vice-presi- 
dent of  the  Chamber  of  Representatives;  the  chemist  Louis  Henry,  etc.  At 
present  he  is  completing  a bust  of  the  minister  Helleputte  and  is  working 
on  a portrait  of  Professor  de  Walque.  He  had  charge,  as  sculptor,  of  the 
restoration  of  the  most  beautiful  ancient  monuments  of  Belgium,  the  Hotel 
de  Ville  of  Louvain,  the  Hotel  de  Ville  of  Audenarde,  the  Palais  du  Grand- 
Conseil  of  Malines,  etc.  The  monument  erected  at  Arlon  to  the  governor 
Orban  de  Xivry  is  considered  to  be  among  the  best  monuments  decorating 
public  squares  of  the  country.  He  was  one  of  the  first  to  take  part  in  re- 
viving the  artistic  medal  in  Belgium.  His  numerous  works  have  gained 
for  him  the  decoration  of  chevalier  of  the  Order  of  Leopold.  F.  V ermeylen 
is  the  appointed  sculptor  of  the  University  of  Louvain.  In  1909  he  was 
president  of  the  committee  of  the  Exposition  Constantin  Meunier,  where 
all  the  works  of  this  great  artist  were  gathered  together.  Constantin  Meu- 
nier had  been  for  ten  years  professor  at  the  Academie  des  Beaux-Arts  at 
Louvain.  Address,  49  rue  des  Recollets,  Louvain,  Belgium. 

1 50e  Anniversaire  du  Manage  du  Comte  de  Limburg-Stirum,  1906. 

Struck  medal,  bronze,  65  mm. 

2 75e  Anniversaire  de  l’Universite  de  Louvain,  1909.  Obverse  and  re- 

verse. Struck  medal,  bronze,  60  mm. 

3 Professeur  Docteur  E.  Masoin,  de  l’Universite  de  Louvain,  Docteur 

en  Medecine,  1909.  Struck  medal,  bronze,  50  mm. 

4 Professeur  Docteur  Francois  de  Walque,  de  l’Universite  de  Lou- 

vain, 1908.  Struck  medal,  bronze,  33  mm. 


339 


5 Professeur  Docteur  G.  Yerriest,  de  l’Universite  de  Louvain,  Doc- 

teur  en  Medecine,  1909.  Struck  medal,  bronze,  50  mm. 

6 Professeur  Docteur  Th.  Debaiseux,  de  l’Universite  de  Louvain,  Doc- 

teur en  Medecine,  1909.  Struck  medal,  bronze,  50  mm. 


3 


340 


EMILE  SERAPHIN  VERNIER 


Emile  Seraphin  Vernier,  engraver,  sculptor,  medalist  (French),  was  born 
in  Paris,  1852.  Member  of  the  Council  of  the  Societe  Nationale  des  Beaux- 
Arts.  Member  of  the  Superior  Council  for  Instruction  in  Decorative  Art. 
President  of  the  Society  of  Artist  Decorators.  Chevalier  of  the  Legion  of 
Honor.  Officer  of  Public  Instruction.  He  was  apprenticed  to  a carver  in 
1865,  at  the  age  of  thirteen;  about  1876  was  one  of  the  most  prominent 
engravers,  and  took  an  active  part  in  works  of  art  industry,  goldsmith’s 
work,  and  jewelry.  It  was  in  the  evening  courses  of  the  schools  of  the  city 
of  Paris  that  he  learned  to  draw.  During  the  period  from  1876  to  1890  he 
executed  works  in  engraving  which  are  in  various  museums.  Toward  the 
close  of  1888  he  began  to  devote  himself  more  exclusively  to  the  engraving 
of  medals,  and  applied  this  art  to  jewelry.  He  has  always  made  portraits 
in  chased  work,  in  sculpture,  and  in  engraved  medallions.  Vernier  was 
intrusted  by  the  French  government  in  1895  with  a study  of  Egyptian  jew- 
elry, and  was  sent  for  that  purpose  to  Cairo.  The  memoir  of  this  mission 
was  awarded  a prize  by  the  Academy  of  Inscriptions  and  Relles-Lettres 
( prize  Delalande-Guerineau ) . 

Works:  L’Orfevrerie  Francaise,  panel  in  goldsmith’s  work,  gold,  agate, 
and  enamel,  National  Museum  of  the  Luxembourg;  Le  Porte- enseigne,  iron 
panel,  carved  an  repousse,  ail  champleve,  embossed  in  gold  and  silver  (this 
panel  was  at  first  assigned  to  the  National  School  of  Decorative  Arts,  and 
is  now  in  the  Museum  of  Decorative  Arts);  La  Comparaison,  small  bronze 
plateau,  carved  and  gilded,  Musee  Municipal  de  Galliera,  Paris;  Femme  an 
Chien,  silver  cup,  gilded,  Musee  Galliera;  Les  Trois  Ages  de  la  Vie,  silver 
plaquette,  carved  and  gilded,  Musee  du  Luxembourg;  La  Conference  In- 
ternationale Ouvriere  de  Berlin,  bronze  bas-relief,  National  Museum  of 
Versailles;  La  Peinture  Ceramique,  mark  of  the  National  Manufactory  of 
Sevres;  medal  commemorative  of  the  inauguration  of  the  monument 
of  Gambetta  at  Paris,  1888;  medal  of  the  laying  of  the  first  stone  of  the  Mu- 
seum of  Antiquities  at  Cairo;  plaquette  to  the  memory  of  Mariette  Pacha; 
Republique  Francaise;  Archeologie;  Manage;  Pierre  Curie,  Georges  Ber- 
ger, etc.;  medallions  of  Paillet,  president  of  the  Amis  des  Livres;  portraits 
of  Carolus  Duran,  G.  Maspero,  Bonvalot,  Commandant  Berger,  Pierre  Laf- 
fitte,  Mesureur,  Tolain,  Spuller,  etc.  He  is  represented  by  collections  of 
341 


plaquettes  and  medals  in  the  Musee  du  Luxembourg  and  the  Petit  Palais 
at  Paris,  and  by  a collection  of  coins  in  the  Museum  of  Versailles. 

Studies  and  reproductions  have  been  published  by  Le  Portefeuille  de 
U nion  Cenirale  des  Arts  Decoratifs;  L’Art  Decoratif  Moderne;  Gazette  des 
Beau.r-Arls;  L'Arl;  Magas  in  Piitoresque;  L Art  Ancien  et  Moderne;  Art  et 
Peroration.  Finally,  the  Gazette  Nnmismatique  Franeaise  has  published  a 
complete  catalogue  of  his  works  and  two  supplements  by  M.  Fernand 
Mazerolle.  Address.  5 bis,  rue  Bara,  Paris. 

1 Alexandra  R.,  1899.  Struck  medal,  gold,  30  mm. 

2 Anatole  France,  1903.  Cast  plaquette  (single),  bronze,  140 x 103mm. 

'3  Archeologie,  1902.  Struck  plaquette,  bronze,  70  x 50  mm. 

7 The  same,  1900.  Plaque,  galvano  bronzed,  model  for  the  above, 
20.7  x 14.8  cm. 

5 Auguste  Comte,  1902.  Struck  plaquette,  bronze,  71  x 50  mm. 

6 Carolus  Duran,  1905.  Cast  plaquette  (single),  bronze,  125  x 90  mm. 

7 Charles  Augustin  Sainte-Beuve  (frappee  pour  le  Journal  des  De- 

bats),  1904.  Struck  plaquette,  bronze,  47  x 65  mm. 

8 De  Wailly,  1889.  Plaquette,  galvano  bronzed,  90  x 74  mm. 

.9  Eugene  Spuller,  1894.  Cast  medal  (single),  bronze,  91  mm. 

70  F.,  1899.  Struck  medal,  gold,  30  mm. 

77  Fernand  Mazerolle,  1901.  Cast  plaquette  (single),  bronze,  142  x 110 
mm.  (also,  83  x 70  mm.). 

72  Gaston  Maspero,  1905.  Cast  plaquette  (single),  bronze,  88  x 61  mm. 

73  Georges  Berger,  President  de  l’Union  Centrale  des  Arts  Decoratifs, 

1907.  Struck  plaquette,  bronze,  90x65  mm. 

71  Germaine,  1908.  Plaquette,  gal  vano  bronzed,  70  x 51  mm. 

75  The  same.  Obverse  and  reverse.  Struck  medal  (badge),  silver, 

21  mm. 

76  Gustave  Mesureur,  Depute  de  la  Seine,  1887.  Cast  medal  (single), 

bronze,  90  mm. 

77  Jean  Henri  Chouppe,  1904.  Cast  plaquette  (single),  bronze,  80  x 

57  mm. 

78  Jeanne,  1888.  Cast  medal  (single,  oval),  bronze,  108x88  mm. 

79  La  Conference  Internationale  Ouvriere  de  Berlin,  1890.  Plaquette, 

galvano  gilt,  85  x 121  mm.  (only  20  numbered  copies,  No.  12). 

20  La  Station  Viticole  de  Villefranche,  1903.  Struck  plaquette,  bronze, 
70  x 50  mm. 


342 


21  Le  Jeune  G.,  1895.  Struck  medal,  silver,  29  mm. 

22  Le  Petit  Henri  D.,  1892.  Plaquette,  galvano  gilt,  71  x 52  mm. 

23  Le  “Set,”  1895.  Plaquette  (triptych),  galvano  gilt,  73  x 128  mm. 

24  Les  Trois  Ages  de  la  Vie,  1895.  Plaquette,  galvano  gilt,  80  x 43  mm. 

25  Marguerite,  1896.  Struck  medal,  gold,  30  mm. 

26  Mariette  Pacha,  1905.  Obverse  and  reverse.  Struck  plaquette, 

bronze,  60  x 75  mm. 

27  Les  Enfants  L.  B.,  1901.  Struck  medal  (oval),  silver,  33  x 28  mm. 

28  Mine.  A.  P.,  1897.  Cast  plaquette  (single,  irregular  shape),  bronze, 

135  mm. 

29  Mine.  G.,  1890.  Cast  plaquette  (single),  bronze,  84  x 58  mm. 

30  Mine.  N.,  1895.  Medal,  galvano  gilt,  63  mm. 

31  Pierre  Curie,  1908.  Struck  plaquette,  bronze,  70x50  mm.  (reduc- 

tion of  the  plaque  executed  for  the  city  of  Paris). 

32  Princesse  de  Chimay,  1896.  Struck  medal  (oval),  gold,  35  x 27  mm. 

33  Republique  Francaise,  Obverse,  1903,  Reverse,  1909.  Struck  pla- 

quette (with  reverse,  l’lnstitut  Francais  d’Archeologie  Orientale 
du  Caire),  bronze,  53  x 33  mm. 

34  L’Orfevrerie,  1897.  Cast  plaquette  (single),  bronze,  170  x 117  mm. 


343 


6 


344 


X 


4- 

IC 


344 


345 


FREDERIC  CHARLES  VICTOR  I)E  VERNON 
(Frederic  Vernon) 

Frederic  Charles  Victor  de  Vernon,  medalist  (French),  was  born  in  Paris, 
1858.  He  studied  at  the  Ecole  des  Beaux-Arts,  where  he  was  a pupil  of 
Tassel,  Cavelier,  and  Chaplain.  He  exhibited  for  the  first  time  in  the  Salon 
of  the  Soeiete  des  Artistes  Franeais  in  1882,  and  obtained  a medal  of  the 
third  class  in  1884  with  a collection  of  medals  which  included,  among 
others,  a portrait  of  Charcot.  In  1887  he  obtained  first  prize  in  the  Con- 
cours  de  Rome,  having  obtained  the  second  prize  in  1881.  During  his  stay 
at  Rome  he  exhibited  work  in  the  Exposition  Universelle  of  1889,  where 
he  obtained  a bronze  medal.  Upon  returning  to  Paris,  the  artist  received 
a second  medal  in  1892,  a first  medal  in  1895,  and  a gold  medal  from  the 
Exposition  Universelle  in  1900.  This  year  marked  his  creation  as  a chev- 
alier of  the  Legion  of  Honor.  His  most  widely  known  medals  have  been 
modeled  since  the  year  1905.  In  1907  the  artist  gained  the  medal  of  honor 
from  the  Salon  in  the  section  of  sculpture,  which  up  to  the  present  time  has 
been  only  twice  awarded  to  medalists.  In  1909,  after  the  death  of  his 
master  M.  Chaplain,  M.  Vernon  was  elected  a member  of  the  Academic  des 
Beaux-Arts,  and,  several  days  after,  professor  in  the  medalists’  atelier  in 
the  Ecole  des  Beaux-Arts. 

Works:  medals:  Clemence  de  Vernon;  Medaille  des  Sports,  Exposition 
de  1900;  S.  M.  la  Heine  Louise  de  Danemark;  Mariage  du  Due  d’ Orleans, 
M.  Nagelmackers;  M.  Pierre  Baudin;  M.  Louis  Ricard;  plaquettes:  M.  Wal- 
deck-Rousseau;  Mine.  Waldeck-Rousseau  el  son  Fils;  Les  Communiantes; 
La  Poesie;  Congres  de  Medecine  de  1900;  Amis  des  Arls  de  Pau;  Exposition 
Universelle  de  Glasgow;  Exposition  Universelle  de  Liege;  Association  In- 
ternationale des  Academies;  M.  Etienne,  Minister  of  War,  of  which  the  re- 
verse has  for  its  subject,  LOranie  a son  Depute;  Jeunes  Filles  au  Travail, 
etc. 

See  F.  Mazerolle,  “F.  de  Vernon,  Biographie  et  Catalogue  de  son  CEuvre” 
(Paris,  Raymond  Serrure,  1899),  and  the  same,  “F.  de  Vernon,  Catalogue 
de  son  CEuvre  (Supplement)”  (Chalon-sur-Saone,  Emile  Bertrand,  1905), 
both  being  reprints  from  the  Gazelle  Numismatique  Erancaise  for  1899 
and  1904;  also  Clement- Janin,  “Le  Medailleur  F.  Vernon,”  in  the  Revue 

346 


des  Arts  Decoratifs  for  March  and  April,  1901.  Address,  35  rue  cle  l’Univer- 
site,  Paris. 

1 Albert  Gaudry,  1902.  Struck  plaquette,  silver,  70  x 52  mm. 

2 Albert  Robin,  1905.  Plaquette,  galvano  silvered  (struck,  73  x 

51  mm.) . 

3 Association  Internationale  des  Academies,  1901.  Plaquette,  gal- 

vano silvered,  130  x 178  mm.  (also,  plaque,  15.6  x 24.6  cm.;  struck 
plaquette,  58  x 80  mm.).1 

4 Atelier  de  Couture,  1899,  plaquette  destinee  a former  un  de  a 

coudre,  offerte  par  le  president  Kruger  a la  reine  Wilhelmine. 
Plaquette,  galvano  silvered,  40  x 144  mm.  (cast  (single),  variety, 
40  x 144  mm.;  struck  plaquette  (uniface),  23  x 54  mm.). 

5 Benedictine  de  Fecamp,  Inauguration  des  Nouveaux  Batiments, 

1900.  Plaquette,  galvano  silvered,  100x78  mm.  (cast  (double), 
100  x 78  mm.;  struck,  69  x 53  mm.). 

6 Cardinal  Langenieux,  Archeveque  de  Bheims,  1896.  Medals,  gal- 

vano silvered  (cast  (single),  60mm.;  struck,  34mm.). 

7 Centenaire  de  la  Marseillaise,  1892-1894.  Obverse  and  reverse. 

Cast  medal  (double),  bronze,  100  mm. 

8 Christ,  1897.  Medal,  galvano  silvered,  60  mm.  (cast  (single),  150 

and  60mm.;  struck  in  various  sizes). 

9 Christophe  Colomb,  1892-1894.  Medal,  galvano  silvered  (cast  (sin- 

gle), 80  mm.;  struck  (uniface)  in  various  sizes). 

10  Congees  International  de  Medecine,  1900.  Plaquette,  galvano  sil- 

vered, 100x58mm.  (cast  (double),  100x58mm.;  struck  medal 
( badge ) , 40  x 22  mm. ) . 

11  Cour  d’Appel  de  Paris,  Le  Bureau  d ’Assistance  Publique  a son  Pres- 

ident, M.  Jourdan,  1892.  Obverse  and  reverse.  Cast  medal 
(double),  bronze,  98  mm.  (cf.  Mazerolle,  “F.  de  Vernon,”  etc., 
No.  68). 

12  Dr.  J.  M.  Charcot,  1900.  Struck  medal,  silver,  68  mm. 

13  Dr.  William  Osier,  1903.  Cast  plaquette  (single),  bronze,  111  x 

78  mm. 

74  Dr.  F.  Terrier,  1900.  Cast  plaquette  (single),  bronze,  120  x 92  mm. 
(struck,  67  x 50  mm.). 


347 


1 Nos.  3,  4,  38,  and  43  belong  to  the  American  Numismatic  Society, 
and  were  exhibited  apart  from  the  other  numbers. 


75  E.  Boutry,  1891.  Casl  plaquette  (single),  bronze,  172  x121mm. 

16  Ecole  Municipale  des  Arts  du  Dessin,  1892-1894.  Obverse  and  re- 
verse.  Medal,  galvano  silvered,  90  mm.  (east  (double),  90  mm.; 
struck  in  various  sizes  and  with  various  reverses). 

1 7 Exposition  Internationale  de  Glasgow,  1902.  Obverse  and  reverse. 
Plaquette,  galvano,  100  x 78  mm.  (cast  (double),  100x  78  mm.; 
struck,  69  x 54  mm.). 

18  Eve,  1905.  Cast  plaquette  (single),  bronze,  123  x48  mm. 

7.9  Frederic  de  Vernon  (on  “Riric,”  Ills  de  l’artiste),  1904.  Plaquette, 
galvano  silvered  (cast  (single),  99x  76  mm.). 

20  G.  Nagelmackers,  1901.  Plaquette,  galvano  silvered  (cast  (single), 

99  x 70  mm.). 

21  H.  Danger,  1891.  Cast  plaquette  (single),  bronze,  172  x 121  mm. 

22  Horticulture,  Soeiete  de  Montmorency,  1892-1894.  Obverse  and 

reverse.  Medal,  galvano  silvered  (cast  (double),  91  mm.;  struck 
in  various  sizes). 

23  .lean  de  Vernon  (tils  de  l’artiste),  1904.  Plaquette,  galvano  silvered 

(cast  (single),  99x76  mm.). 

2'\  La  Pensee,  1899.  Galvano  silvered  model  for  paper-cutter,  140 
mm.  (struck  piece  (uniface),  145, 105,  and  68  mm.;  cf.  Mazerolle, 
op.  cit.,  98). 

25  La  Poesie,  1903.  Plaquette,  galvano  silvered  (cast  (single),  120  x 

89  mm.). 

26  La  Solidarity,  1901.  Plaquette,  galvano  silvered  (cast  (double), 

101  x 71  mm.;  struck,  76  x 54  mm.). 

27  Le  Baiser  (on  Amour),  1903.  Cast  plaquette  (single),  bronze,  150  x 

109  mm. 

28  Le  Reve,  1899.  Cast  plaquette  (single,  elongated  shape),  bronze, 

195  mm. 

29  Les  Communiantes,  1905.  Plaquette,  galvano  silvered  (cast  (sin- 

gle), 150  x 111  mm.  and  111  x 81  mm.). 

30  Les  Fileuses  (on  Les  Devideuses),  1904.  Plaquette,  galvano  sil- 

vered (cast  (single),  120x92mm.). 

31  Les  Sports,  Exposition  Universelle  de  Paris,  1900.  Obverse  and 

reverse.  Plaquette,  galvano  silvered  (cast  (double),  100x69 
mm.;  struck,  60  x 42  mm.). 


348 


32  Louis  Delaunay-Belleville,  1895.  Obverse  and  reverse.  Struck 

medal,  silver,  68  mm. 

33  L.  Ricard,  Depute,  Ministre  de  la  Justice,  1897.  Cast  plaquette 

(single),  bronze,  100x74mm. 

54  Mariage  du  Due  d’Orleans  et  de  rArchiduchesse  d’Autriche,  1896. 

Obverse  and  reverse.  Cast  medal  (double),  bronze,  100mm. 
(struck,  36  mm.). 

35  M.  Etienne,  Depute,  Ministre  de  la  Guerre,  plaquette  offerte  par 

TOranie  (Algerie),  1906.  Reverse.  Plaquette,  galvano  silvered, 
100mm.  (cast  (double),  100mm.,  existing  in  one  copy  only; 
cast  (single),  100  mm.;  struck,  70  mm.). 

36  Mile.  Yvonne  X.,  1902.  Plaquette,  galvano  silvered  (cast  (single), 

99x72  mm.). 

37  Mme.  Ernestine  Danjard  (tante  de  fartiste),  1895.  Cast  plaquette 

(single),  bronze,  91  x 69  mm. 

38  Mme.  Clemence  de  Vernon  (mere  de  l’artiste),  1895.  Cast  plaquette 

(single),  bronze  gilt,  89  x 69  mm.  (also,  24.5  x 18.5  cm.). 

39  Mme.  M.  Ormond,  1895.  Plaquette,  galvano  silvered  (cast  (single), 

120  x 92  mm.;  also,  100  x 60  nun.) . 

50  Mme.  Waldeck-Rousseau  et  Jacques  Liouville,  son  fils,  1902.  Pla- 

quette, galvano  silvered  (cast  (single),  120x  75  mm.). 

51  P.  L.  Armand  de  Potter,  1896.  Cast  medal  (double),  bronze,  98  mm. 

52  Rene  Nagelmackers,  1897.  Obverse  and  reverse.  Cast  plaquette 

(single),  bronze,  98  x 66  mm. 

53  Rosa,  1888.  Cast  plaque  (single),  bronze,  25.5  x 11.6  cm. 

55  R.  Waldeck-Rousseau,  1900.  Plaquette,  galvano  silvered,  99  x 70 

mm.  (cast  (double)  (1900),  99x70  mm.;  struck  (1905),  variety . 
28x20  mm.). 

55  S.  M.  la  Reine  Louise  de  Danemark,  1898.  Plaquette,  galvano  sil- 

vered, 123  x89  mm.  (cast  plaque  (single),  29.7  x 21.7  cm.;  also, 
123  x89  mm.). 

56  Tete  d’Etude,  1889.  Medal,  galvano  silvered,  98  mm.  (cast  (single), 

98  mm.) . 

57  Vierge,  1897.  Medal,  galvano  silvered,  60  mm.  (cast  (single),  150 

and  60  mm.;  struck  in  various  sizes). 

58  Viticulture  (on  Les  Vendanges),  1886.  Cast  medal  (single),  sil- 

vered, 120  mm.  (struck  (uniface)  in  various  sizes). 


349 


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351 


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352 


353 


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355 


ALBERT  WEINER T 


Albert  Weixert,  sculptor,  medalist  (American),  was  born  in  Leipzig, 
Germany.  Studied  at  the  Royal  Academy  in  Leipzig  and  at  the  Ecole  des 
Beaux-Arts  in  Brussels. 

Works:  two  groups  in  marble  in  the  vestibule  of  the  Hall  of  Records, 
New  York  City;  the  Lake  George  monument,  erected  by  the  Society  of 
Colonial  Wars;  the  McKinley  monument  in  Toledo,  Ohio;  the  monument 
to  the  first  governor  of  Michigan,  Stevens  T.  Mason,  in  Detroit,  Michigan; 
the  statue  of  Lord  Baltimore,  in  Baltimore,  Maryland;  the  following  memo- 
rial tablets:  the  Tallmadge  tablet  in  Fraunces’s  Tavern,  New  York  City; 
the  Washington  tablet  in  St.  Paul’s  Church,  New  York  City;  and  historical 
tablets  in  the  College  of  the  City  of  New  York  and  on  the  grounds  of  the 
New  York  University.  Address,  1931  Broadway,  New  York  City. 

1 Major-General  George  H.  Sharpe,  LT.  S.  V.,  1899.  Cast  medallion 
(single),  bronze,  28.8  cm. 


i 


356 


ADOLPH  ALEXANDER  WEINMAN 


Adolph  Alexander  Weinman,  sculptor,  medalist  (American),  was  born  in 
Karlsruhe,  south  of  Germany,  1870.  He  came  to  this  country  when  a boy 
of  ten  years,  and  was  later  apprenticed  to  a carver  of  wood  and  ivory.  At 
the  age  of  sixteen  entered  evening  drawing  and  modeling  classes  at  Cooper 
Union,  and  at  the  age  of  twenty  entered  the  studio  of  Mr.  Philip  Martiny  as 
pupil,  continuing  his  studies  at  the  Art  Students’  League  of  New  York.  He 
also  studied  under  Olin  L.  Warner,  Augustus  Saint-Gaudens,  C.  H.  Niehaus, 
and  D.  C.  French  of  New  York.  With  the  exception  of  his  earliest  boyhood, 
when  he  received  some  training  in  drawing  in  the  public  schools  in  Ger- 
many,  his  art  education  was  accomplished  in  this  country  and  under  the 
men  above  mentioned.  Won  Mitchell  Vance  prize,  Cooper  Union;  prizes 
in  modeling  class,  Art  Students’  League;  competition  for  Macomb  monu- 
ment, Detroit;  and  Maryland  Union  soldiers’  and  sailors’  monument,  Bal- 
timore. 

Works:  Lincoln  monument,  Hodgenville,  Kentucky,  Lincoln’s  birth- 
place; Lincoln  monument,  Madison,  Wisconsin;  sculpture  for  library  of 
J.  Pierpont  Morgan,  Escp,  for  new  Terminal  Station,  Pennsylvania  Rail- 
road, and  other  important  structures;  medal  of  award,  Louisiana  Purchase 
Exposition;  medal  of  honor,  American  Institute  of  Architects;  medal  of 
honor,  National  Institute  of  Arts  and  Letters;  United  States  medal  for  life- 
saving on  railroads.  Address,  441  West  Twenty-first  Street,  New  York  City^. 

1 Catharina  Weinman  (mother  of  the  artist),  1895.  Medal,  galvano 

silvered,  101  mm. 

2 Howard  K.  Weinman  (son  of  the  artist),  1902.  Medal,  galvano  gilt 

(struck  bronze,  45  mm.). 

3 Life-Saving  on  Railroads,  United  States,  190(3.  Obverse  and  reverse. 

Medallion  in  plaster,  model,  178  mm.  (struck  medal,  bronze). 

4 The  Charge,  1909.  Cast  plaque  (single),  bronze,  127  x 178  mm. 


357 


358 


JULIA  BRACKEN  WENDT 
(Mrs.  William  Wendt) 


Julia  Bracken  Wendt,  sculptor  (American),  was  born  in  Apple  River, 
Illinois,  1871.  Began  art  studies  in  the  Art  Institute  of  Chicago  in  1887. 
A pupil  of  Lorado  Taft,  to  whom  she  was  a private  assistant  in  his  studio 
from  1887  to  1892.  She  worked  in  the  decoration  of  the  buildings  and 
grounds  of  the  World’s  Columbian  Exposition,  Chicago,  1893,  when  she 
received  several  independent  commissions,  among  them  the  statues  Faith 
and  Illinois  Welcoming  the  Nations.  The  latter  was  presented  to  the  State 
by  the  Illinois  Woman’s  Exposition  Board,  and  at  the  close  of  the  exposi- 
tion placed  in  the  State  Capitol  at  Springfield.  At  the  St.  Louis  Exposition 
she  received  the  commission  for  the  statue  of  President  James  Monroe. 
In  1896  she  won  the  first  prize  offered  in  Chicago  for  sculpture,  that  given 
by  the  Arche  Club;  in  1904  she  was  appointed  a member  of  the  staff  of 
sculptors  of  the  St.  Louis  Exposition;  in  1905  she  received  the  first  prize  for 
sculpture  of  the  Municipal  Art  League  of  Chicago.  She  is  a member  of  the 
Western  Society  of  Artists;  a member  and  director  of  the  Chicago  Society 
of  Artists;  a member  and  director  of  the  Municipal  Art  League  of  Chicago; 
a member  of  the  Fine  Arts  Association  of  Los  Angeles;  honorary  member 
of  the  North  Side  Art  Club. 

Works:  Faith;  Illinois  Welcoming  the  Nations;  President  James  Monroe 
for  the  St.  Louis  Exposition;  portraits  of  F.  W.  Freer  and  M.  J.  Spalding; 
portrait  busts  of  Mr.  and  Mrs.  Leander  McCormack;  a series  of  Prophets 
of  the  Nineteenth  Century,  including  Rnskin,  Carlyle,  Morris,  Emerson, 
Tolstoi,  Lincoln,  and  others;  the  Battle  monument  at  Missionary  Ridge, 
Tennessee;  the  medal  of  the  Chicago  Society  of  Artists;  portraits  of  the 
children  of  Mr.  and  Mrs.  McBernie;  Children  of  John  Oliver;  Florence,  a 
portrait;  Fireside  Memories,  a decorative  panel;  The  Tree  of  Life,  an  altar- 
piece;  mortuary  urns  for  Mr.  and  Mrs.  Sturges;  Memory,  statue  in  Oak- 
woods  Cemetery;  Pan  Piper  Fountain;  Fountain  of  Life;  the  Riddle; 
Napoleon  in  Exile;  Carl  Oscar  Borg;  Marion  Holden  Pope,  Perez  Hastings 
Field,  Rene  T.  de  Quelin,  Mrs.  Charlotte  Wetzler  Rudolph,  Mrs.  Mary  A. 
Hubbard,  Mrs.  Loretta  Vosburgh,  and  Jean  Obozinski.  Address,  Studio 
Building,  Chicago. 

359 


1 Carl  Oscar  Borg,  1910.  Medallion  in  plaster. 

2 Charlotte  Weltsler  Rudolph,  190(3.  Cast  medal  (single),  bronze. 

3 Chicago  Society  of  Artists,  1905.  Medallion  in  plaster  (cast  medal 

(double),  bronze,  1908). 

't  Jean  Obozinski,  1905.  Medallion  in  plaster. 

5 Loretta  Vosburgh,  1909.  Medallion  in  plaster. 

6 Marian  Holden  Pope,  1908.  Medallion  in  plaster. 

7 Perez  Hastings  Field,  1910.  Plaquette  in  plaster. 

S Rene  T.  de  Quelin,  1906.  Plaque  in  plaster  (cast  (single),  bronze). 


360 


361 


J.  C.  WIENECKE 

(Loan  Exhibition) 


J.  C.  Wienecke,  sculptor,  medalist  (Dutch),  was  born  of  Dutch  parents  in 
Heiligenstadt,  Prussia,  1872.  He  began  his  studies  at  Amsterdam  as  a pupil 
of  the  sculptor  Bartholomeus  Van  Hove,  and  continued  them  at  Antwerp 
under  the  sculptor  Deakers,  and  at  Brussels  under  the  sculptor  Charles 
Yanderstappen.  From  1895  to  1900  he  was  a student  in  Paris  of  Puech  at 
the  Academie  Julien,  and  of  Collorossi,  and  worked  for  some  time  at  the 
Paris  Mint  under  the  medalist  Patey,  in  order  to  learn  engraving.  His 
distinctions  have  been:  a silver  medal  at  St.  Louis  in  1904;  a gold  medal  at 
Munich  in  1905;  a silver  medal  at  Liege  in  1905;  a gold  medal  at  Barcelona 
in  1907;  election  as  chevalier  of  the  Order  of  Orange-Nassau.  He  is  chief 
engraver  at  the  Royal  Mint  of  Utrecht.  Address,  Rijksmunt,  Utrecht, 
Holland. 

CAREL  J.  BEGEER,  FABRIQUE  NEERLANDAISE 
D’ARGENTERIE  A UTRECHT 

1 50®me  Anniversaire  du  Cardinal  G.  W.  Van  Heukelum,  1909.  Struck 

medal,  bronze,  59  mm. 

2 Anthon  Begeer,  Proprietaire  de  la  Fabrique  Royale  C.  J.  Begeer  a 

Utrecht,  1907.  Struck  plaquette,  bronze. 

3 Deuxieme  Conference  de  la  Paix  a la  Haye,  1907.  Struck  medal 

(oval),  silver,  38  x 28  mm. 

4 Jhr.  E.  W.  Berg  et  A.  A.  Lenting,  Noces  d’Argent,  1880-1906.  Struck 

plaquette  (uniface),  silver,  65  mm. 

5 Josef  Israels,  Peintre,  offerte  a l’Occasion  de  sa  606me  Anniversaire, 

1904.  Struck  medal,  bronze,  90  mm. 

6 Prince  Henri,  Due  de  Mecklenbourg-Schwerin,  medaille  de  Prix, 

1902.  Struck  medal,  bronze. 

7 Sietske  Wienecke  nee  Abrahamsz  (mere  de  M.  J.  C.  Wienecke), 

1905.  Struck  plaquette,  bronze,  85  mm. 

8 S.  M.  Emma,  la  Reine-mere  des  Pays-Bas,  a l’Occasion  de  ses  25 

Annees  de  Sejour  en  Hollande  (1879-1904),  1904.  Struck  medal, 

silver,  65  mm. 

.9  Syndicat  General  des  Fabricants  de  Sucre  a Java,  Prix,  1906.  Struck 

medal,  gold,  75  mm. 

10  Yachtclub  de  la  Marine  Royale  Neerlandaise,  offerte  par  le  Ministre 

de  Marine  pour  Concours  Nautiques.  Obverse  and  reverse. 

Struck  medal,  silver,  40  mm. 


362 


TOON  DUPUIS 
(Cf.  pp.  87,  314) 

11  Dr.  H.  J.  de  Dompierre  de  Chaufepie,  1908.  Struck  medal,  bronze, 

67  mm. 

12  Professor  P.  J.  Blok,  1909.  Struck  medal,  bronze,  65  mm. 

JAC.  J.  VAN  GOOR 

13  Baron  W.  H.  E.  van  der  Borch,  Bourgmestre  de  Ginneken,  1906. 

Struck  medal,  bronze. 

1 4 Hommage  a Rembrandt  Harmensz  van  Rhijn,  1906.  Struck  medal, 

bronze. 

15  L’Amiral  Michel  Adrience  de  Ruyter,  1907.  Struck  medal,  bronze, 

66  mm. 

F.  E.  JELTSEMA 
(Cf.  p.  147) 

16  H.  W.  Mesdag  et  S.  Mesdag  van  Houten,  Noces  d’Or,  1906.  Struck 

medal,  bronze,  90  mm. 

PIER  PANDER 

Pier  Pander,  sculptor,  medalist  (Dutch),  was  born  in  Drachten,  Friesland, 
in  1872.  Pupil  of  Falguiere. 

Works:  sculpture:  Famke;  Youth;  Poverty;  medals:  Marriage  of  Queen 
Wilhelmina  and  Prince  Henry  of  Mecklenburg,  1901,  etc.  He  made  the 
gold  and  silver  coinage  of  Queen  Wilhelmina. 

17  Jan  Volkert  Wierdsma,  1905.  Cast  medal,  bronze. 

18  Visite  de  S.  M.  la  Reine  Wilhelmina  a la  Monnaie  d’Utrecht,  1900. 

Struck  medal,  bronze.  (The  obverse  is  a reproduction  of  a relief 
by  P.  Pander;  the  medal  was  executed  by  the  firm  of  C.  J.  Begeer.) 

J.  C.  WIENECKE,  THE  MINT  OF  UTRECHT 

19  Exposition  Coloniale  de  Curacao,  Societe  d’Agriculture  a Curacao, 

1903.  Reverse.  Struck  medal,  bronze,  38  mm. 

20  J.  C.  Eelde,  a l’Occasion  de  sa  Demission  apres  40  Annees  de  Ser- 

vices a la  Monnaie,  1901.  Struck  plaquette,  bronze,  55  mm. 

21  L.  W.  A.  Besier,  a l’Occasion  de  sa  Demission  apres  40  Annees  de 

Services  a la  Monnaie,  1901.  Struck  plaquette,  bronze,  55  mm. 

22  Naissance  de  Son  Altesse  Royale,  Juliana  Princesse  des  Pays-Bas, 

1909.  Struck  medal,  silver. 


363 


Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10,  11,  12,  13,  14,  15,  16,  17,  18,  19,  20,  21,  22 


364 


FA  CL  WISSAERT 


Paul  Wissaert,  medalist  (Belgian),  was  born  in  Brussels,  1885.  From 
1901  to  1905  studied  at  the  Acadenffe  des  Beaux-Arts  at  Brussels,  under  the 
diiection  of  Messis.  Charles  Vanderstappen  and  Julien  Dillens,  sculptors. 
From  1906  to  1907  he  followed  the  courses  at  the  Ecole  des  Beaux-Arts  at 
Paris,  under  the  direction  of  J.  C.  Chaplain,  member  of  the  Institute.  In 
1908  he  tiaveled  i$i  Italy  and  Sicily  for  the  purpose  of  study,  and  made 
especially  a long  stay  in  Florence.  Exhibited  for  the  first  time  in  Brussels, 
at  the  Musee  Moderne,  in  June,  19(?9.  Obtained  first  prizes  in  Brussels  at 
the  Academie  des  Beaux-Arts;  also  prizes  in  Paris  at  the  Ecole  des  Beaux- 
Arts;  first  prize  at  the  contest  of  the  Societe  des  Amis  de  la  Medaille  in 

* 

Works:  All  Ruisseau;  V ingl-cinquieme  Anniversaire  de  Manage;  L’En- 

seignement,  a plaquette  struck  for  the  Societe  des  Amis  de  la  Medaille. 

Criticisms  of  his  works  are  to  be  found  in  the  Revue  Durandal,  Brussels, 

for  October,  1908,  and  October,  1909;  also  in  the  newspaper  journals  of 

June,  July,  and  August,  1909.  Address,  216  avenue  Albert,  Brussels. 

81  8 

sx7  Am  Bach,  1909.  Plaque  in  plaster,  20x20  cm.  (struck  placfnette, 
bronze,  50  x 50  mm. ) . 

2 Concours  Institue  par  le  Professeur  Morse  de  l’Universite  de  New 

York,  1908.  Obverse  and  reverse.  Struck  medal,  bronze,  39  mm. 
gx(four  struck  in  gold,  and  four  artist’s  proofs)  sx 

3 “Due,"  1902.  Obverse  and  reverse.  Struck  medal  (dies  cut  by 

hand),  bronze,  27  mm. 

4 Juin,  1908.  Struck  plaquette  (uniface),  bronze,  58  x 45  mm. 

5 La  J^nesse  Bruxelloise  arFPrince  Albert,  1909. 12  Obverse  and 

verse.  Struck  plaquette,  bronze,  71  x 49  mm. 

6 L’Enseignement  (medal  of  the  Societe  Hollandaise-Belge  des  Amis 

de  la  Medaille  d’Art),  1908.  Obverse  and  reverse.  Struck  pla- 
quette, bronze,  66  x 17  mm. 

7 Lion8Belge,  1®903.  Obverse  sqid  reverse.  Struck  ifttedal  (dies  cut  by 

hand),  bronze,  50  mm. 

8 Patria,  1908.  Struck  medal,  bronze,  65  mm. 

1 Nos.  2,  5,  8,  9,  and  12  are  itu-di !<.*•.!  and  have  not  hitherto  been  shown  in  an  ex- 
hibition. 

(Since  this  note  was  written  I*  i artist,  some  of  these  medals  have  been  issued. 

See  Revue  Beige,  1911.  ! ! ! 

365 


17 


10,  11,  12,  13,  1-1,  15,  16,  17,  18,  19,  20,  21,  22 


■M 


PAUL  WISSAERT 


Paul  Wissaert,  medalist  (Belgian),  was  born  in  Brussels,  1885.  From 
1901  to  1905  studied  at  the  Academie  des  Beaux-Arts  at  Brussels,  under  the 
direction  of  Messrs.  Charles  Vanderstappen  and  Julien  Dillens,  sculptors. 
From  1906  to  1907  he  followed  the  courses  at  the  Ecole  des  Beaux-Arts  at 
Paris,  under  the  direction  of  J.  C.  Chaplain,  member  of  the  Institute.  In 
1908  he  traveled  in  Italy  and  Sicily  for  the  purpose  of  study,  and  made 
especially  a long  stay  in  Florence.  Exhibited  for  the  first  time  in  Brussels, 
at  the  Musee  Moderne,  in  June,  1909.  Obtained  first  prizes  in  Brussels  at 
the  Academie  des  Beaux-Arts;  also  prizes  in  Paris  at  the  Ecole  des  Beaux- 
Arts;  first  prize  at  the  contest  of  the  Societe  des  Amis  de  la  Medaille  in 
1908. 

Works:  Au  Ruisseau;  Vingt-cinquieme  Anniversaire  de  Mariage;  L’En- 
seignement,  a plaquette  struck  for  the  Societe  des  Amis  de  la  Medaille. 

Criticisms  of  his  works  are  to  be  found  in  the  Revue  Durandal,  Brussels, 
for  October,  1908,  and  October,  1909;  also  in  the  newspaper  journals  of 
June,  July,  and  August,  1909.  Address,  216  avenue  Albert,  Brussels. 


1 Am  Bach,  1909.  Plaque  in  plaster,  20  x 20  cm.  (struck  plaquette, 

bronze,  50  x 50  mm.). 

2 Concours  Institue  par  le  Professeur  Morse  de  l’Universite  de  New 

York,  1908.  Obverse  and  reverse.  Struck  medal,  bronze,  39  mm. 
(four  struck  in  gold,  and  four  artist’s  proofs).1 2 3 4 5 6 7 8 

3 “Due,”  1902.  Obverse  and  reverse.  Struck  medal  (dies  cut  by 

hand),  bronze,  27mm. 

4 Jilin,  1908.  Struck  plaquette  (uniface),  bronze,  58  x 45  mm. 

5 La  Jeunesse  Bruxelloise  au  Prince  Albert,  1909.  Obverse  and  re- 

verse. Struck  plaquette,  bronze,  71  x 49  mm. 

6 L’Enseignement  (medal  of  the  Societe  Hollandaise-Belge  des  Amis 

de  la  Medaille  d’Art),  1908.  Obverse  and  reverse.  Struck  pla- 
quette, bronze,  66  x 47  mm. 

7 Lion  Beige,  1903.  Obverse  and  reverse.  Struck  medal  (dies  cut  by 

hand),  bronze,  50  mm. 

8 Patria,  1908.  Struck  medal,  bronze,  65  mm. 

1 Nos.  2,  5,  8,  9,  and  12  are  inedited  and  have  not  hitherto  been  shown  in  an  ex- 
hibition. 

(Since  this  note  was  written  by  the  artist,  some  of  these  medals  have  been  issued. 

See  Revue  Beige,  1911,  Part  II.) 


365 


9  Peeheuse  (Knocke),  1909.  Plaque  in  plaster,  17x22  cm.  (struck 
plaque! te,  bronze,  50  x 05  mm.). 

10  Richard  Wagner,  1902.  Obverse  and  reverse.  Struck  medal  (dies 

cut  by  hand),  bronze,  45  mm. 

11  Signorina  Bertha  P.,  1908.  Plaque  in  plaster,  27  x 20  cm.  (struck 

piece,  brooch,  30  mm.). 

12  Vingt-cinquieme  Anniversaire  de  Mariage  de  M.  et  Mine.  Fr.  Wis- 

saert,  1909.  Reverse.  Medallion  in  plaster,  30  cm.  (struck  medal, 
bronze,  66  mm.). 


Nos.  1,  2,  3,  1,  5.  6,  7,  8,  9,  10,  11,  12 

ENID  YANDELL 

Enid  Yandell,  sculptor  (American),  was  born  in  Louisville,  Kentucky, 
1870;  graduated  Cincinnati  Art  School.  Pupil  of  Philip  Martiny,  in  New 
York,  MacMonnies  and  Rodin  in  Paris.  She  won  the  designer’s  medal,  at 
the  Chicago  Exposition,  1893.  lias  exhibited  in  Paris  Salon  regularly  since 
1895;  silver  medal,  Nashville  Exposition,  1897;  honorable  mention,  Buffalo 
Exposition,  1901;  bronze  medal,  St.  Louis  Exposition,  1904;  decorated  Of- 

366 


ficier  d’Academie,  by  Government,  in  1906.  Organizer,  the 

Branstock  Summer  School  > f Art,  Edgartown,  Island  o»  V<  ,{•  s Vine 
yard,  Massachusetts  1907.  Sculptor  of  the  Woman’s  h .i 

Exposition,  1893;  Carrie  Lvmw  n Memorial  Fountain,  Pr-  . 


of  Dr.  w.  T.  Bull,  Col  leg 

e of  ! ovsicians  and  Surgeons,  N- 

Vo  !, , 1909; 

Sun  dial  for  Oliver 

i mm,  1900;  Emma  Willard  rm 

inat.  Albany, 

\ ew  Y or k ; C h a n i ■ e If 

• ria  id,  V'anderbilt  Universit  , ' r 

H - in 

Fountain,  Lou  is v i 1 D K- 

! • t.  • , ] 905;  Thomas  monument. 

■ ",  i i() 

Member  National  Sen.  ; i 

r»  Society,  Municipal  Art  Sore  o . 

md  Crafts  SocieK 

- u Scenic  and  Historic  Preset- van-. 

v . , - , , j , . \ • _ 

■ • i \ , % »! 

tional  Arts  Club.  And:  • 

summer)  Edgartown,  Mass  it  he  * 

*tts;  winter- 

119 East  Ninet<  entl  « 

* 

7 Mrs.  Breck< 

1.22  m.  b»  > s T= 

Son,  1902.  Bas-rgjief  in 
and  marble). 

er,  0.91  f>  x 

- b 


< cL  190i).  ' a me  in  plaster,  17x22  cm.  (struck 

■nze,  50  x 65  mm.). 

\ 

1902.  Obverse  and  reverse.  Struck  medal  (dies 
) ronze,  45  mm. 

1908.  Plaque  in  plaster,  27  x 20  cm.  (struck 
90  mm.). 

A nniversaire  de  Manage  de  M.  et  Mme.  Fr.  Wis- 
■ erse.  Medallion  in  plaster,  30  cm.  (struck  medal. 


; . fi,  7,  8,  9,  10,11,  12 


RNID  YANDELL 

r can),  was  born  in  Louisville,  Kentuck} . 
' t School.  Pupil  of  Philip  Martiny,  in  New 
a in  Paris.  She  won  the  designer’s  medal,  at 
. •••  ;M95.  Has  exhibited  in  Paris  Salon  regularly  since 

;e  Exposition,  1897;  honorable  mention,  Buffalo 
ra  <e  medal,  St.  Louis  Exposition,  1904;  decorated  Of 

366 


ficier  d’Academie,  by  the  French  Government,  in  1906.  Organizer,  the 
Branstock  Summer  School  of  Art,  Edgartown,  Island  of  Martha’s  Vine- 
yard, Massachusetts,  1907.  Sculptor  of  the  Woman’s  Building,  Chicago 
Exposition,  1893;  Carrie  Brown  Memorial  Fountain,  Providence,  1900;  bust 
of  Dr.  W.  T.  Bull,  College  of  Physicians  and  Surgeons,  New  York,  1909; 
Sun  dial  for  Oliver  Harriman,  1900;  Emma  Willard  memorial,  Albany, 
New  York;  Chancellor  Garland,  Vanderbilt  University,  Nashville;  Hogan 
Fountain,  Louisville,  Kentucky,  1905;  Thomas  monument,  Nashville,  1907. 
Member  National  Sculpture  Society,  Municipal  Art  Society,  National  Arts 
and  Crafts  Society,  National  Scenic  and  Historic  Preservation  Society,  Na- 
tional Arts  Club.  Address,  (summer)  Edgartown,  Massachusetts;  (winter) 
119  East  Nineteenth  Street,  New  York  City. 

1 Mrs.  Breckenridge  and  Son,  1902.  Bas-relief  in  plaster,  0.915  x 
1.22  m.  (bronze  and  marble). 


367 


OVIDE  YENCESSE 


0 vide  Yencesse,  medalist,  sculptor  (French),  was  born  at  Dijon,  1869.  He 
belongs  lo  a Burgundian  family  of  Flemish  origin.  He  commenced  his 
artistic  studies  in  his  native  town  and  completed  them  at  the  Ecole  des 
Beaux-Arts  of  Paris,  where  he  was  sent  as  exhibitioner  from  the  depart- 
ment of  Cote-d’Or.  He  was  a pupil  of  Ponscarme,  Levillain,  and  Thomas. 
He  received  a gold  medal  at  the  Universal  Exposition  of  1900,  and  was 
made  a chevalier  of  the  Legion  of  Honor  the  same  year.  He  is  a member 
of  the  Societe  des  Artistes  Francais.  Among  the  medals  of  this  artist  in- 
cluded in  the  national  museums  may  be  mentioned  Le  Beurre,  Le  Re- 
mouleur,  Pierrette  la  Pauvre,  Virginie  la  Sage,  Annette  la  Folle.  He  has 
exhibited  in  Dresden,  Venice,  Prague,  Munich,  Basel,  Diisseldorf,  St.  Louis, 
Hanoi,  Liege,  Milan,  Bucharest,  where  he  has  obtained  several  awards;  gold 
medals  at  Dresden,  grand  prize  at  Bucharest,  grand  prize  at  Milan.  His 
works  are  largely  represented  at  the  Musee  du  Luxembourg. 

Works:  Van  Dyck;  Baiser  de  la  Mere,  which  has  been  reproduced  by 
goldsmiths  and  jewelers,  1901;  Les  Deux  Ages,  Manette  el  Minette,  for  the 
Societe  des  Amis  de  la  Medaille;  the  senators  Magnin,  Edme.  Piot;  Docteur 
Claude  Chauveau;  Hubert  Yencesse;  La  Fumee,  cigarette-case;  La  Flamme, 
match-box,  1902;  Le  Semeur;  Ponscarme,  plaquette  to  the  memory  of  the 
master  engraver;  M.  et  Mine.  Curie,  and  a study  Pierre  Curie,  which  consti- 
tutes the  only  portrait  after  nature  of  the  illustrious  savant,  1903;  Le  Baiser 
de  l' Enfant;  Charles  Gaulhiot;  Berlioz  et  Wagner,  1904;  Caresse  d' Enfant, 
medal  for  the  Societe  des  Amis  de  la  Medaille;  Diane,  plaquette  for  the  Min- 
ister of  Agriculture,  for  the  repression  of  poaching,  1905;  Le  Peintre  James 
Lignier;  Francois  le  Remouleur;  Henri  Chabeuf,  Pierre  Taitot,  et  Jeanne 
Millanuoy,  portraits;  Enfant  aux  Roses;  Fuchsias,  1906;  Le  Baiser  de  Paix, 
medal  offered  to  the  German  miners  by  members  of  the  International  Con- 
ciliation Society;  Le  Docteur  Veau,  hospital  surgeon;  La  Gaite,  medal  for  the 
Societe  de  la  Cote-d’Or;  La  Grappe,  1907.  M.  Yencesse  is  also  the  author 
of  a medal  ordered  by  the  State  for  the  donors  of  national  museums,  and 
of  the  commemorative  plaquette  of  the  International  Exhibition  of  Milan. 
Address,  91  rue  de  Sevres,  Paris  VI. 

1 Bacchante,  1906.  Cast  medal,  bronze,  140  mm.  (struck,  35  mm.). 

2 Baiser  de  la  Mere,  1899.  Cast  piece,  bronze  (heart-shaped),  80  mm. 

368 


3 Baiser  d’Enfant,  1903.  Cast  plaquette  (single),  bronze,  82  x 115 

mm. 

4 Caresse  d’Enfant,  1904.  Struck  medal,  bronze  silvered,  46  mm. 

(cast,  114  mm.,  very  rare). 

5 Conciliation  Internationale  (d’apres  Eugene  Carriere),  1907. 

Struck  medal,  bronze,  46  mm. 

6 Diane,  frappee  par  la  Direction  des  Eaux  et  Forets,  1905.  Struck 

plaquette,  silver,  50  x 40  mm.  (artist’s  proof). 

7 Enfant  aux  Roses,  1906.  Struck  plaquette,  bronze,  55  x 33  mm. 

8 Exposition  Internationale,  Milan,  1906.  Obverse  and  reverse. 

Struck  plaquette,  bronze,  52  x 70  mm. 

9 F.  J.  Hubert  Ponscarme,  1901.  Cast  plaque  (single),  bronze,  22.5  x 

12  mm. 

10  Francois  le  Remouleur,  1905.  Cast  plaque  (single),  bronze,  25  x 

17  cm.  (struck,  71  x 50  mm.). 

11  Gustave  Servois,  1908.  Obverse  and  reverse.  Cast  medal  (double), 

bronze,  140  mm. 

12  The  same.  Struck  medal,  bronze,  60  mm. 

13  Hubert  Yencesse,  1902.  Cast  medal,  bronze,  80  mm. 

74  Le  Beurre,  1900.  Cast  plaque  (single),  bronze,  22  x 9 cm. 

15  L’Etude,  1909.  Cast  plaquette  (single),  bronze,  93  x 103  mm. 

16  Le  Semeur,  1901.  Cast  medal  (single),  bronze,  110  mm. 

17  Les  Deux  Ages,  “Manette  et  Minette”  (medal  of  the  Societe  des 

Amis  de  la  Medaille  Francaise,  1901).  Struck  medal,  bronze  sil- 
vered, 60mm.  (cliches). 

18  Paul  d’Estournelles  de  Constant,  1907.  Cast  medal  (single),  bronze, 

110  mm. 

19  Pierre  Curie,  1903.  Cast  plaquette  (single),  bronze,  130  x 100  mm. 

20  Pierrette  la  Pauvre,  1899.  Cast  plaque  (single),  bronze,  20  x 11  cm. 

21  Portrait  de  Deux  Enfants,  1903.  Cast  plaquette  (single),  bronze, 

80  x 82  mm. 

22  Rafale,  1909.  Cast  medal  (single),  bronze,  140  mm.  (edition  very 

limited). 

23  Senateur  E.  Piot,  1902.  Struck  medal,  bronze,  50  mm. 

24  Senateur  Joseph  Magnin,  1903.  Struck  medal,  bronze,  50  mm. 

25  Societe  des  Amateurs  Independants,  1906.  Reverse.  Cast  plaquette 

(double),  bronze,  70  x 85  mm. 

26  Virginie  la  Sage,  1899.  Cast  plaque  (single),  bronze,  20  x 11  cm. 


369 


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Nos.  1,  2,  3,  4,  5,  6,  7,  8,  9,  10.  11,  12,  13,  14,  15,  16,  17,  18,  19,  20,  21,  22,  23,  24,  25,  26 


GENERAL  INDEX 


GENERAL  INDEX 


Abruzzi,  S.  A.  R.  II  Duca  degli,  p.  39, 
n.  13;  p.  277,  n.  8 
Academie  Beige,  p.  152,  n.  3 
Academies,  Association  Internationale 
des,  p.  347,  n.  3 

Academy  of  Design,  National,  p.  28,  n. 

45;  p.  164,  n.  1 
Accalmie,  L’,  p.  307,  n.  4 
Actes  de  Devouement,  p.  267,  n.  1 
Actors’  Fund  Fair,  p.  8,  n.  1 
Adaedre,  p.  82,  n.  1 
Adagio  (Beethoven),  p.  295,  n.  1 
Adams,  Edward  D.,  p.  327,  n.  1,  2 
Aerienne,  Navigation,  p.  218,  n.  15 
Aero  Club  of  America,  p.  29,  n.  65 
Aeronauts,  W.  and  O.  Wright,  p.  29,  n. 
65;  p.  334,  n.  19,  20 

Aerztefahrt  der  “Thalia,”  p.  141,  n.  1 
African  War,  Termination  of  the  South, 
p.  106,  n.  33 

Age  Heureux,  L',  p.  231,  n.  19 
Agents  de  Change  de  Paris,  p.  267,  n.  3 
Agony  of  the  Ages,  The,  p.  326,  n.  8 
Agricoltura,  Industria  e Commercio, 
Ministero  di,  p.  286,  n.  18 
Agricultural  Society  of  England,  Royal, 
p.  238,  n.  7 

Agriculture,  p.  183,  n.  1 ; p.  225,  n.  1 ; p. 

236,  n.  1;  Industrie,  p.  183,  n.  14 
Agriculture,  L\  p.  115,  n.  2 
Agriculture,  Societe  d’,  Curagao,  p.  363, 
n.  19 

Aieule,  L’,  p.  74,  n.  27 
Aigle,  p.  259,  n.  1 

Akademie  des  Bauwesens,  Konigl.,  Ber- 
lin, p.  216,  n.  15 

377 


Akademie  der  Wissenschaften,  Berlin, 
p.  323,  n.  1 

Albert  de  Belgique,  Cercle  Africain  a 
S.  A.  R.  Mgr.  le  Prince,  p.  74,  n.  13 
Albert,  La  Jeunesse  Bruxelloise  an 
Prince,  p.  365,  n.  5 
Alchemist,  Der,  p.  295,  n.  7 
Alexander  Friedrich,  Landgraf  von  Hes- 
sen, p.  157,  n.  3 

Alexandra,  Queen,  p.  106,  n.  27 
Alexandra  R.,  p.  342,  n.  1 
Alexandre,  P.,  p.  75,  n.  35 
Alexandrie,  Souvenir  d\  p.  258,  n.  8 
Alfonso  XIII,  p.  158,  n.  4;  y Victoria  Eu- 
genia de  Battenberg,  Union  Augusta, 
p.  206,  n.  1 ; Coronation  de,  p.  12,  n.  4 
Alice,  p.  303,  n.  1 
AlkAperto,  p.  45,  n.  1 
Allegory,  Nineteenth-century,  p.  208.  n.  4 
Allerseelen,  p.  245,  n.  66;  p.  261,  n.  1 
Allgemeine  Wahlrecht,  Neujahrspla- 
kette,  p.  165,  n.  22 
Alpenverein,  p.  141,  n.  2 
Alpin  Frangais,  Club,  p.  268,  n.  14 
Alpine,  p.  244,  n.  53 
Alpino  Italiano,  Club,  p.  276,  n.  3 
Alviella,  Comte  Goblet  d’,  p.  283,  n.  3 
Americaine,  Union  Franco-,  p.  271,  n.  80 
American  Gas  Institute,  p.  8,  n.  2 
American  Geographical  Society,  p.  26, 
n.  10 

American  Numismatic  Society,  p.  26, 
n.  4,  9;  p.  27,  n.  32;  p.  29,  n.  63,  64;  p. 
105,  n.  2;  p.  106,  n.  14;  p.  204,  n.  47 
American  Red  Cross,  p.  334,  n.  3,  4 
Amerigo  Vespucci,  p.  26,  n.  4 


GENERAL  INDEX 


Ames,  Winthrop,  p.  15,  n.  1 
Amieis,  “Cuore”  di  Edm.  do,  p.  276,  n.  5 
Amitie,  L\  p.  115,  n.  3 
Amor  avec  Couronne,  p.  101,  n.  1 
Amour  Consolant  l’Humanite,  L’,  p.  270, 
u.  52 

Amour  Divin,  p.  263,  u.  3 
Ampere,  Andre  Marie,  p.  51,  n.  2 
Andrucci,  Carlo,  p.  286,  n.  19 
An  esse,  p.  190,  n.  1 

Ancsse  Debarrassee  des  Mouches  par  des 
Canards,  p.  231,  n.  2 
Angelo,  Bianca  Maria,  p.  45,  n.  2 
Angelas,  The,  p.  86,  n.  1 
Anglin,  Margaret,  p.  320,  n.  30 
Anniversaire  de  l’Association  des  Inge- 
nieurs  des  Ecoles  de  Gaud,  p.  194,  n.  1, 
2,  3 

Anniversaire  de  TEtat  Independant  du 
Congo,  p.  284,  n.  11 ; p.  314,  n.  11 
Antarctic,  Explorations  in  the,  p.333, 
n.  6 

Anthony,  Susan  B.,  p.  326,  n.  7 
Aosta,  Duehessa  d\  p.  277,  n.  7 
Apache  Indian,  p.  289,  n.  2,  3,  8 
Aphrodite,  Head  of,  p.  92,  n.  2 
Aphrodite  on  a Conch,  p.  129,  n.  7 
Apiculture,  p.  190,  n.  2 
Arab,  Fatma,  a Bishareen,  p.  123,  n.  4 
Arbeit  isl  des  Burgers  Zierde,  p.  129,  n.  1 
Archeologie,  p.  342,  n.  3,  4 
Archeologie,  L’Histoire  Enregistre  les 
Decouvertes  de  1’,  p.  178,  n.  26;  p.  308, 
n.  18 

Archeologique  de  Gand,  XXC  Congres, 
p.  191,  n.  10 

Architectes  Diplomes,  Societe  des,  p.  18, 
n.  35,  36 

Architects,  Royal  Institute  of  British, 
p.  96,  n.  1 ; p.  100,  n.  1 
Architecture,  p.  183,  n.2;  (Sculpture, 
Peinturc),  p.  83,  n.  15 
Architecture,  Hygiene  et,  p.  183,  n.  13 
Architektur,  p.  169,  n.  1 


Argentina,  Republica,  p.  179,  n.  30;  p. 

184,  n.  29 

Amies  d’ Alliances  du  Baron  de  Errazu, 
p.  177,  n.  5 

Amies  de  la  Republique  Frangaise,  p. 

177,  n.  7;  p.  178,  n.  8 
Amies  du  Baron  de  Errazu,  p.  177,  n.  6 
Arnold,  Daniel  et  Dorothea,  p.  101,  n.  8 
Ars  Longa,  Vita  Brevis,  p.  101,  n.  2 
Art,  p.  208,  n.  1 
Art  des  Jardins,  p.  310,  n.  32 
Art  Institute  of  Chicago,  p.  26,  n.  6 
Art,  Science,  and  Music,  Order  for,  p.  106, 
n.  23 

Arte  e Musica,  p.  43,  n.  1 

Arts  Club,  Philadelphia,  p.  24,  n.  3 

Arts  Decoratifs,  Union  Centrale  des,  p. 

271,  n.  78,  79;  p.  342,  n.  13 
Arts  Federation  of  New  York,  Fine, 
p.  27,  n.  20 

Arts,  Jeux  et,  p.  58,  n.  16-19 
Arts,  Les,  Sculpture,  Architecture,  Pein- 
ture,  p.  83,  n.  15 

Aspern,  Gedenktag  der  Schlacht  v.,  p. 
202,  n.  20 

Association  Beige  de  Photographic,  p.  73, 
n.  4 

Association  des  Ingenieurs  de  l’Ecole  des 
Mines  de  Mons,  p.  73,  n.  5 
Association  des  Ingenieurs  des  Ecoles  de 
Gand,  p.  194,  n.  1,  2,  3 
Association  Frangaise  pour  l’Avance- 
ment  des  Sciences,  p.  267,  n.  5 
Association  Internationale  des  Acade- 
mies, p.  347,  n.  3 

Association,  National  Eisteddfod,  p.  151, 
n.2,  3 

Association,  New  York  Public  Educa- 
tion, p.  26,  n.  12 

Association,  St.  George  Athletic,  p.  29, 
n.  59 

Associazione  Nazionale  per  la  Difesa 
della  Fanciullezza  Abbandonata,  p.  43, 
n.  2 


,378 


GENERAL  INDEX 


Associazione  pel  Commercio  e Industria 
della  Sete,  p.  43,  n.  11 
Associazione  per  le  Belle  Arti  in  Milano, 
p.  251,  n.  8 

Assurances  Mutuelles  de  Rouen,  p.  268, 
n.  6 

Astrea,  p.  136,  n.  1 

Astronome,  Jules  Janssen,  p.  316,  n.  4,  5 
Atelier  de  Couture,  p.  347,  n.  4 
Atene,  Scuola  d’,  p.  39,  n.  14;  p.  40,  n.  15 
Athene,  p.  178,  n.  9,  10.  See  Pallas 
Athena 

Athenes,  Ecole  Franyaise  d’,  p.268,  n.  24 
Athletic  Association,  St.  George,  p.  29, 
n.  59 

Auberive,  Maison  d’Education  d’,  p.  270, 
n.  56 

Auersperg,  Fiirst  Carl,  p.  202,  n.  19 
Aujar,  Leopold,  p.  172,  n.  24 
Aumale,  Henri  d’Orleans,  Due  cl’,  p.  52, 
n.  22 

Aurore,  L’,  p.  178,  n.  25 
Ausstellung,  Deutsche  Unterrichts-,  St. 
Louis,  p.  216,  n.  10 

Ausstellung  f.  Spiritus-Verwertung,  p. 
203,  n.  27 

Ausstellung  in  Bukarest,  p.  295,  n.  3,  4 
Ausstellung  in  Diisseldorf,  p.  216,  n.  1 
Ausstellung  in  Reichenberg,  Deutsch- 
Bohmische,  p.  142,  n.  12 
Ausstellung,  Venedig,  p.  170,  n.  8 
Automobil,  p.  244,  n.  54 
Automobile,  p.  218,  n.  3 
Automobile  Club,  Royal,  p.  133,  n.  1 
Automobiles,  Chambre  Syndicale,  p.  158, 
n.  8 

Autriche,  Mariage  du  Due  d’Orleans  et 
de  l’Archiduchesse  d’,  p.  349,  n.  34 
“Aux  Arnies,  Citoyens,”  p.  263,  n.  4 
Ave  Maria,  p.  42,  n.  1 
Avery,  Samuel  P.,  p.  28,  n.  52 
Aveugles,  Institution  des  Jeunes,  p.  183, 
n.  15;  p.  308,  n.  19 

Avocats  an  Conseil  d’Etat,  Jeton  des, 
p.  17,  n.  27 

379 


Avache,  Madame,  p.  183,  n.  19 
Aynard,  Mathieu  Edouard  et  Rose  Pau- 
line, p.  270,  n.  59 

B.,  Dorothy,  p.  209,  n.  6 
Babinet,  Jacques,  p.  17,  n.  26 
Bacchante,  p.  368,  n.  1;  Head  of  a,  p.  129, 
n.  9 

Bacchus,  p.  190,  n.  3 
Bach,  Charles,  p.  320,  n.  8 
Bach,  J.  S„  p.  243,  n.  36 
Bachofen  von  Echt,  Freiherr  u.  Freifrau, 
p.  239,  n.  7,  8 

Bacio  del  Redentore  all’  Umanita,  p.  42, 
n.  2 

Baigneuse,  p.  88,  n.  1 
Baigneuses,  p.  171,  n.  1,  2 
Bain,  Le,  p.  58,  n.  24 

Baiser,  Le,  p.  83,  n.  12;  p.  115,  n.  6,  7;  p. 
348,  n.  27 

Baiser  d’Enfant,  p.  369,  n.  3 
Baiser  de  la  Mere,  p.  368,  n.  2 
Baker,  Charles,  p.  126,  n.  1 
Baker,  George  P.,  p.  320,  n.  20 
Bale,  Tir  de,  p.  102,  n.  25 
Balkentragender  Mann,  p.  216,  n.  2 
Balli,  Francesco,  p.  285,  n.  10 
Bambine,  p.  43,  n.  3 

Banca  Coop.  Pop.  di  Padova  aH’Illmo 
Pres.,  Barone  Mario  Treves  clei  Bonfili, 
p.  285,  n.  1 

Bapteme,  p.  263,  n.  5;  de  J.  G.  Roty,  p. 
270,  n.  58 

Bar,  Prof.  Paul,  p.  254,  n.  11 
Baravalle,  Prof.  Carlo,  p.  304,  n.  3 
Barnes,  Mildred,  p.  303,  n.  10 
Barrere,  C.,  p.  70,  n.  5 
Bartholme,  Anton,  Tonkiinstler,  p.  143, 
n.  31 

Bartholome,  A.,  p.  157,  n.  1,  2 
Bartlett,  Mrs.  George  P.  (Adelaide  L.), 
p.  4,  n.  1 

Bass,  Lyman  Metcalfe,  p.  112,  n.  2 
Bateaux  Parisiens,  Compagnie  des,  p. 
268,  n.  17 


GENERAL  INDEX 


Battaglia  di  Legnano,  p.  39,  n.  10 
Battenbcrg,  Princess  Henry  of,  p.  106, 
n.  25,  26 

Baur,  Samuel,  p.  102,  n.  23 
Bavaria,  p.  242,  n.  12 
Baxter,  Mary  Scovill,  p.  320,  n.  32 
Bayerischer  Fischereiverein,  p.  154,  n.  2 
Bayern,  Prinzregent  Luitpold  von,  p. 

134,  n.  3;  p.  244,  n.  51 
Beal  Medal,  p.  8,  n.  2 
Beale,  Miss,  p.  124,  n.  12 
Beaux-Arts,  Exposition  Nationale  des,  p. 

17,  n.  14.  See  Fine  Arts,  Belle  Arti. 
Bebc,  p.  74,  n.  11 ; p.  183,  n.  3;  p.  190,  n.  4 
Bcchstein,  Carl,  p.  129,  n.  2 
Beck,  Carol  H.,  Memorial,  p.  24,  n.  2 
Beck,  Freiherr  v.,  p.  202,  n.  16 
Bedouin,  Palestine,  p.  227,  n.  1 
Beethoven,  p.  171,  n.  3;  Haydn,  Mozart  u., 
p.  223,  n.  7.  See  Adagio 
Begeer,  Anthon,  p.  362,  n.  2 
Beige,  75me  Anniversaire  de  l’lndepen- 
dance,  p.  75,  n.  47;  ]).  83,  n.  23 
Belgique,  Reprise  du  Congo  par  la,  p.  75, 
n.  43 

Belle  Arti  in  Milano,  Giubileo  della  Fon- 
dazione  dell’Associazione  per  le,  p.  251, 
n.  8 

Belt-buckle,  p.  29,  n.  69 
Beltrami,  Senatore  Luca,  p.  304,  n.  10; 
Ritratto  della  Madre  di  Senatore  Luca, 
p.  304,  n.  4 

Benedicite,  p.  263,  n.  6 
Benedictine  de  Fecamp,  p.  347,  n.  5 
Benefactor,  A.,  p.  255,  n.  6 
Renzi,  Giuseppe,  p.  285,  n.  12 
Beresford,  Lord  Charles,  p.  106,  n.  16 
Berg,  F.  W.,  et  A.  A.  Lenting,  Noces  d’Ar- 
gent,  p.  362,  n.  4 
Berg  Heil,  p.  242,  n.  8 
Berger,  Georges,  p.342,  n.  13 
Berger,  Paul,  p.  53,  n.  37 
Berger,  Stadtbaudirektor,  p.  301,  n.  10 


Berlin,  La  Conference  Internationale 
Ouvriere  de,  p.  342,  n.  19 
Berlin,  Handelskammer,  p.  216,  n.  4 
Berlin,  Hygiene,  p.  323,  n.  6 
Berlin,  Hygiene  Congress,  p.  216,  n.  8 
Berlin,  k.  Akademie  des  Bauwesens,  p. 
216,  n.  15 

Berlin,  Urheberechtsconferenz,  p.  216, 
n.  14 

Berner,  Carl,  Christian  Michelsen  et, 
p.  330,  n.  4 

Berthet,  Statuaire,  p.  70,  n.  4 
Besier,  L.  W.  A.,  p.  363,  n.  21 
Besnard,  Alfred,  p.  16,  n.  3 
Beurre,  Le,  p.  369,  n.  14 
Beyaert,  Henri,  p.  74,  n.  22 
Bhaunagar,  Prince  de,  p.  208,  n.  2 
Bibesco,  Princesse,  p.  53,  n.  42 
Biches,  Cerf  et,  p.  308,  n.  12 
Biedermeierfamilie,  Neujahrsplakette, 
1905,  p.  166,  n.  23; — 1910,  p.  166,  n.  24, 

25 

Bienenzucht,  Staatsmedaille  fur  Ver- 
dienst,  p.  137,  n.  1 
Bildenden  Kiinste,  Die,  p.  295,  n.  8 
Billroth,  Theodor,  p.  296,  n.  32 
Bimba,  Testa  di,  p.  286,  n.  22,  23 
Binswanger,  Dr.  Otto,  p.  27,  n.  16 
Bisantino,  medaglia  nel  stile,  p.  39,  n.  12 
Bishareen  Arab,  Fatma,  a,  p.  123,  n.  4 
Bismarck-Moltke,  p.  120,  n.  3,  4 
Bismarck,  Prinz  Otto  v.,  p.  134,  n.  1,  2; 
p.  243,  n.  34 

Bjornson,  B.,  p.  165,  n.  3; — et  la  Chanson, 
Nationale,  p.  330,  n.  2 
Blanche,  Adolphe,  p.  177,  n.  1 
Bliss,  Anna  B.,  p.  319,  n.  6 
Bloche,  Desire,  p.  183,  n.  6 
Blok,  Petrus  Johannes,  p.  87,  n.  3;  p.  363, 
n.  12 

Bocklin,  Arnold,  p.  154,  n.  1 
Boer,  Mine.  B.  C.  van  Calcar  de,  p.  149, 
n.  5 

Bogenschiitze,  p.  216,  n.  3 


380 


GENERAL  INDEX 


Bohmische  Spinnstube,  p.  223,  n.  9 
Bohn,  Bene,  p.  102,  n.  22 
Boissieu,  L.  F.  M.,  Amedee  de,  p.  270, 
n.  55 

Boito,  Camillo,  p.  251,  n.  1,  5;  p.  304,  n.  2 
Bol  de  Lait,  Le,  p.  113,  n.  7 
Bolfras,  Graf,  p.  202,  n.  21 
Bolivia,  Chile  en  Guerra  contra  el  Peru 
i,  p.  16,  n.  7 

Bolivia,  Chile  en  Paz  con  el  Peru  i,  p.  17, 
n.  8 

Bonaparte,  Prince  Boland,  p.  159,  n.  26 
Bonfili,  Barone  Mario  Treves  dei,  p.  285, 
n.  1 

Bonheur,  Le,  p.  83,  n.  13 
Bonta,  p.  251,  n.  1 

Booth,  General  William,  p.  325,  n.  3 
Borch,  W.  H.  E.  van  der,  p.  363,  n.  13 
Borg,  Carl  Oscar,  p.  360,  n.  1 
Bosnie-Herzegovine,  Paris  Becevant  la, 
p.  159,  n.  24 

Bosnien,  Neujahrsplakette,  p.  166,  n.  26 
Bosnisch-Herzegowinische  Erinnerung, 
p.  239,  n.  2 

Bottigelli,  Don  Annibale,  p.  39,  n.  3 
Bouchard,  Dr.  Charles,  p.  52,  n.  12 
Boucicaut,  Mme.,  p.  270,  n.  67 
Boulanger,  M.  et  Mme.  Pierre,  p.  270, 
n.  62 

Bouley,  Henri,  p.  269,  n.  38 
Bourcart,  Charles,  p.  101,  n.  6 
Bourse  de  Commerce  de  Paris,  Syn dicat 
Gen.  de  la,  p.  330,  n.  8 
Boutmy,  Emile  Gaston,  p.  268,  n.  25,  26 
Boutry,  E.,  p.  348,  n.  15 
Bradley,  Charles  B.,  p.  176,  n.  1 
Brahms,  J.,  p.  165,  n.  14 
Brasserie  de  Ny  Carlsberg,  p.  52,  n.  4 
Breckenridge,  Mrs.,  and  Son,  p.  367,  n.  1 
Bremen,  Norddeutscher  Lloyd,  p.  121, 
n.  19 

Bremen,  Senat  der  freien  Hansestadt,  p. 
120,  n.  5,  6,  7 

Brenner,  V.  D.  (Self-portrait),  p.  28,  n.  49 

381 


Bretagne,  p.  307,  n.  11 
Breton  Peasant,  p.  123,  n.  2 
Brianzi,  Prof.  Luigi,  p.  304,  n.  1 
Brioschi,  Sen.  Francesco,  p.  304,  n.  8 
Brochen  aus  Silber,  p.  323,  n.  14 
Broeck,  Edouard  Van  den,  p.  74,  n.  14 
Brongniart,  Adolphe,  p.  267,  n.  2 
Brooch  in  rock-crystal,  p.  129,  n.  8 
Brouardel,  Dr.  Paul,  p.  268,  n.  19 
Brown,  Charles  Brockden,  p.  209,  n.  2 
Brown,  Clifton  Beckwith,  Memorial,  p. 
25,  n.  1 

Brown,  Mrs.  John,  p.  35,  n.  6 
Bruges,  Inauguration  des  Ports  de,  p.  74, 
n.  23 

Brunner,  Ferdinand,  p.  291,  n.  9 
Bruno,  Piccola  Contesse  Faa  de,  p.  90, 
n.  11 

Bruo-Moravie,  Exposition  de,  p.  316,  n.  1 
Bruxelles,  Exposition  d’Art  Culinaire, 
p.  284,  n.  4 

Bruxelles,  Exposition  Universelle  de,  p. 
74,  n.  19 

Bruxelles,  Facteurs  de,  p.  181,  n.  3 
Bruxelles,  Federation  des  Societes  de 
Sports  Athletiques  de  Belgique,  p.  195, 
n.  12 

Bruxelles,  Port  de  Mer,  p.  181,  n.  1;  p. 
313,  n.  5 

Bryant,  William  Cullen,  p.  10,  n.  1 
Bryden,  Bobert,  p.  208,  n.  5 
Buchanan  Medal,  Boyal  Society,  p.  238, 
n.  8 

Bucolique,  p.  190,  n.  5 
Buenos-Ayres,  Jockey  Club  de,  p.  269, 
n.  45 

Builders,  Institute  of,  p.  238,  n.  3 
Bukarest,  Ausstellung  in,  p.  295,  n.  3,  4 
Bundesschiessen,  Deutsches,  p.  261,  n. 
2,3 

Bureau  d’ Assistance  Publique,  p.  347, 

n.  11 

Burlet,  C.  de,  p.  74,  n.  12 
Burnham,  B.  N.  (Self-portrait),  p.  35, 
n.  8 


GENERAL  INDEX 


Caiilaux,  J.,  p.  218,  n.  7 
Caisse  d'Epargne  de  La  Rochelle,  p.  253, 
n.2 

Caisse  d'Epargne  et  de  Prevoyance  de 
Paris,  p.  52,  n.  5 

Calais,  Nouveau  Port  de,  p.  18,  n.  29 
Calatrava,  Croix  de,  Cantonnee  aux 
Amies  d’Alliances  du  Baron  de  Er- 
razu,  p.  178,  n.  17 

Calcar  de  Boer,  Mine.  B.  C.  van,  p.  149, 
n.  5 

Cainbodgiennes,  Portcuses  d’Offrandes, 
p.  258,  n.  5 

Cainbon,  Jules,  j).  269,  n.  46 
Cambridge  University,  p.  208,  n.  2 
Camels,  Trotting,  p.  124,  n.  18 
Camera  di  Commereio  di  Torino,  p.  285, 
n.2 

Campagnarde,  p.  88,  n.  2 
Campbell,  Wilfred,  p.  210,  n.  20 
Campenon,  Dr.  V.,  p.  218,  n.  2 
Campos,  General  Martinez,  p.  13,  n.  7 
Canal  de  l’Elbe  et  de  la  Trave,  Inaugura- 
tion du,  p.  102,  n.  16 
Canard  s’Epluchant,  p.  231,  n.  3 
Canards,  Anesse  Debarrassee  des 
Mouches  par  des,  p.  231,  n.  2 
Canine,  Exposition,  p.  191,  n.  11 
Canto,  II,  p.  285,  n.  13 
Cardenas,  p.  334,  n.  5,  6 
Caresses  d’Enfant,  p.  311,  n.  36;  p.369, 
n.  4 

Carita,  p.  276,  n.  2 
Carleton,  Murray,  Jr.,  p.  89,  n.  10 
Carlisle,  John  Griffin,  p.  334,  n.  15,  16 
Carlyle,  Thomas,  p.  189,  n.  4 
Carnegie,  Andrew,  p.  72,  n.  1 
Carnot,  Sadi,  p.  53,  n.  39;  p.  179,  n.  32,  33; 
p.  270,  n.  72 

Caron,  Lucile  Rose,  p.  53,  n.  29 
Carrara,  Piccolo  Conte  Papafava  da,  p. 
90,  n.  14,  15 

Carriere,  Eugene,  p.  221,  n.  8;  p.369,  n.  5 
Carroll,  Philip,  p.  321,  n.  40 


Gasimir-Perier,  p.  53,  n.  40 
Cassel,  Miss,  p.  106,  n.  20 
Cassel,  Sir  Ernest,  p.  106,  n.  32 
Castello,  Ann  Maria,  p.  45,  n.  1 
Castle  Midmar,  p.  123,  n.  3 
Catena,  Adalberto,  p.  39,  n.  5 
Catholic  Diocese  of  New  York,  Cen- 
tenary of  the  Establishment  of  the, 
p.  263,  n.7,  8 
Centauresse,  p.  259,  n.  2 
Centenaire  de  l’lndependance  du  Canton 
de  Vaud,  p.  101,  n.  7 

Centenaire  de  l’lnternat  en  Medecine  des 
Hopitaux  Civils  de  Paris,  p.  16,  n.  6 
Centenaire  de  la  Marseillaise,  p.  347,  n.  7 
Centenario  de  la  Publicacion  del  “Qui- 
jote,”  p.  206,  n.  3 

Centenario  de  Velasquez,  p.  12,  n.  3 
Centenario  del  Conservatorio  Musicale, 
p.  46,  n.  6 

Centenary  of  the  Catholic  Diocese  of 
New  York,  p.  263,  n.  7,  8 
Cercle  Africain  au  Prince  Albert  de  Bel- 
gique, p.  74,  n.  13 

Cerere  e Minerva,  pel  V Congresso  Fisio- 
logico  in  Torino,  p.  39,  n.  2 
Cerf  et  Biches,  p.  308,  n.  12 
Chaix,  Imprimerie,  p.  59,  n.  26 
Chalmin,  Mons,  p.  53,  n.  35 
Chambre  de  Commerce  de  Lyons,  p.  268, 
n.  8; — Paris,  p.268,  n.  9; — Roubaix,  p. 
183,  n.  4; — St.  Nazaire,  p.  268,  n.  10 
Chambre  Syndicale  des  Produits  Chi- 
miques,  p.  329,  n.  1 

Chanson  Nationale,  B.  Bjornson  et  la,  p. 
330,  n.  2 

Chanson  Serieuse,  p.  105,  n.  3 
Chaplain,  Enfants,  p.  52,  n.  19 
Charcot,  Dr.  J.  M„  p.  347,  n.  12 
Charge,  The,  p.  357,  n.  4 
Charite,  p.  190,  n.  6 

Chari te,  Le  Commerce  Glorifie  par  la,  et 
le  Culte  du  Beau,  p.  18,  n.  28 


382 


GENERAL  INDEX 


Charities  and  Correction,  New  York,  p. 
26,  n.  9 

Charpentier,  Alexandre,  p.  11,  n.  1 
Charpentier,  G.,  p.  165,  n.  9 
Charretier,  p.  88,  n.  3 
Chaufepie,  Dr.  H.  J.  de  Dompierre  de,  p. 

87,  n.  1 ; p.  314,  n.  7 ; p.  363,  n.  11 
Cheltenham,  Ladies’  College,  p.  124,  n.  12 
Chemin  de  Fer  de  l'Est-Algerien,  p.268, 
n.  12 

Chemins  de  Fer  Vicinaux,  Societe  Natio- 
nal des,  p.  75,  n.  45 

Chemische  Fahrik,  Hochst  a.  M.,  p.239, 
n.  4 

Chernb’s  Crown,  44ie,  p.  255,  n.  5 
Cheruit,  Jacqueline,  p.  221,  n.  11 
Chevaux  Brabancons,  p.  175,  n.  1 
Chevaux,  Dresseur  de,  p.  231,  n.  11 
Chevre,  p.  190,  n.  7 
Chevre  Broutant,  p.  190,  n.  8 
Chevreau,  p.  231,  n.  4 
Chevreul,  Michel  Eugene,  p.  270,  n.  64 
Chicago,  Art  Institute  of,  p.  26,  n.  6 
Chicago,  Exposition  Internationale  de, 
p.  17,  n.  17;  p.  269,  n.  28 
Chicago  Society  of  Artists,  p.  360,  n.  3 
Chien  de  Berger,  p.  190,  n.  9 
Chien  Epagneul  Gordon,  p.  231,  n.  5 
Chienne  Basset  d’Artois,  p.  231,  n.  6 
Chiffonnier,  p.  88,  n.  4 
Chigot,  A.,  p.  69,  n.  1 
Chihuahua,  Estado  de,  p.  333,  n.  1,  2 
Chile  en  Guerra  contra  el  Peru  i Bolivia, 
p.  16,  n.  7 

Chile  en  Paz  con  el  Peru  i Bolivia,  p.  17, 
n.  8 

Chimay,  Princesse  de,  p.  343,  n.  32 
Chimiste,  Charles  Duisberg,  p.  101,  n.  5; 

— Georges  Lunge,  p.  101,  n.  14 
Chinaman,  p.  66,  n.  3 
Chlunecky,  Johann  v.,  p.  203,  n.  29 
Chouppe,  Jean  Henri,  p.  342,  n.  17 
Christ,  p.  347,  n.  8.  See  Cristo. 

Christ  au  Tombeau,  p.  171,  n.  4 

383 


Christ  Drape,  p.  58,  n.  2 
Christ  Nu,  p.  58,  n.  1 
Christiania,  Exposition  Agriculturale, 
p.  331,  n.  8 

Christiania,  Societe  pour  l’Avancement 
du  Bien-etre  de,  p.  331,  n.  13 
Christiania,  Universite  de,  p.  331,  n.  16 
Christofle,  Cinquantaire  de  la  Maison, 
p.  268,  n.  13 

Christus,  Studienkopf,  p.  240,  n.  19 
Chubb,  Percy,  p.  303,  n.  11 
Churchill,  Jack,  p.  106,  n.  15 
Churchill,  Winston  S.,  p.  106,  n.  34 
Cincinnati,  Society  of  the,  p.  28,  n.  54 
Cini,  Piccolo  Conte,  p.  90,  n.  12,  13 
Cipolla,  Prof.  Carlo,  p.  277,  n.  15 
Civitas  Palladensis,  p.  98,  n.  3 
Clark,  Mrs.  Walter  Appleton,  p.  68,  n.  2 
Clarke,  Mabel,  p.  92,  n.  6 
Claude,  Mme.  Jeanne  Mathilde,  p.  53,  n. 
30,  31 

Clemenceau,  Georges,  p.  221,  n.  9 
Cleveland,  Grover,  p.  263,  n.  14 
Club,  Aero,  of  America,  p.  29,  n.  65 
Club  Alpino  Italiano,  p.  276,  n.  3 
Club,  Football,  p.  181,  n.  4 
Club,  Franklin  Inn,  p.  209,  n.  2 
Club  in  Wien,  Der  Graphische,  p.  239, 
n.  3 

Club,  Kennel,  p.  39,  n.  6;  p.  75,  n.  36 
Club,  Motor  Yacht,  p.  106,  n.  22 
Club,  Boyal  Automobile,  p.  133,  n.  1 
Club,  Yorick,  p.  5,  n.  2 
Clubs,  Society  of  Miniature  Bifle,  p.  124, 
n.  16 

Cochon,  p.  231,  n.  7 
Coetermans,  Louis,  p.  74,  n.  30 
“Coffey,  Captain,”  p.  289,  n.  3 
Colgate,  Mrs.  Bowles,  p.  66,  n.  9 
Colgate,  Gilbert,  p.  320,  n.  21 
College  of  Architecture  of  Cornell  Uni- 
versity, p.  25,  n.  1 

College  of  Physicians,  Philadelphia,  p. 
209,  n.  3 


GENERAL  INDEX 


College,  St.  Peter’s,  p.  208,  n.  6 
Collier,  Peter  Fenelon,  p.  102,  n.  4 
Collin,  L.  A.,  p.  209,  n.  49 
Colombo,  p.  22.1,  n.  3 
Golomb,  Christophe,  p.  347,  n.  9 
Colombo,  Cristoforo,  p.  251,  n.  2,  3 
Colombo,  Giuseppe,  p.  304,  n.  9 
Columbus,  Four-Hundredtb  Anniversary 
of  Ibe  Landing  of,  p.  335,  n.  23,  24,  27 
Combattants  de  Nuits,  p.  208,  n.  7 
Comedie  Francaise,  p.  16,  n.  1 
Comite  Franeais  des  Expositions  a 
l’Etranger,  p.  17,  n.  9 
Commerce  Glorifie  par  la  Gharite  et  le 
Culte  du  Beau,  Le,  p.  18,  n.  28 
Commercio,  Camera  <li,  Alessandria,  p. 

40,  n.  3;  Torino,  p.  285,  n.  2 
Commercio,  Ministero  di  Agricoltura,  In- 
dustria  e,  p.  286,  n.  18 
Commission  des  Huiles,  p.  329,  n.  2 
Commission  Royale  des  Monuments,  p. 
73,  n.  3 

Commission  Royale  d’Histoire,  p.  152, 
n.  2 

Commune  de  St.  Gilles-lez-BruxclIes, 
p.  283,  n.  2 

Communiantes,  Les,  p.  348,  n.  29 
Como,  Provincia  di,  p.  47,  n.  25 
Compagnie  des  Bateaux  Parisiens,  p. 
208,  n.  17 

Compagnie  Gen.  Transatlantique,  p.226, 
n.  7 

Compagnie  Paris-Lyon-Mediterranee,  p. 
207,  n.  4 

Comte,  Auguste,  p.  342,  n.  5 
Conciliation  Internationale,  p.369,  n.5 
Concours  Agricole  dc  Gand,  p.  194,  n.  4, 
5,  6; — Namur,  p.  194,  n.  7,  8 
Concours  dc  Facades,  p.  254,  n.  4 
Concours  Institue  par  le  Prof.  Morse  de 
l’Universite  de  New  York,  p.  365,  n.  2 
Concours  Nautiques,  p.  302,  n.  10 
Confederation  Suisse,  Entree  de  Valid 
dans  la,  p.  101,  n.  7 


Conference  de  la  Paix  a La  Have,  p.  194, 
n.  9;  p.  314,  n.  10;  p.  362,  n.  3 
Conference  Internationale  Ouvriere  de 
Berlin,  p.  342,  n.  19 

Congo,  Reprise  de  l’Etat  Independant  du, 
p.  75,  n.  43 

Congo,  Retour  du  Prince  Albert  du, 
p.  74,  n.  13;  p.284,  n.  9 
Congo,  Vingtieme  Anniversaire  de  l’Etat 
Independant  du,  p.  284,  n.  11 
Congres  Archeologique  de  Gand,  p.  194, 
n.  10 

Congres  International  de  Medecine, 
p.  347,  n.  10 

Congres  Penitentiaire,  p.  268,  n.  18 
Congress,  Der  Hygiene,  p.  210,  n.  8 
Congress,  Rhin.-  u.  Laryn.-,  Wien,  p.  202, 
n.  11 

Congresso  Fisiologico  in  Torino,  p.  39, 
n.  2 

Congresso  Internazionale  di  Naviga- 
zione  in  Milano,  p.  46,  n.  7,  8 
Consecration  de  l’Eglise  de  St.  Just  en 
Chevalet,  p.  17,  n.  10 

Conseil  d’Etat,  Jeton  des  Avocats  an,  p. 
17,  n.  27 

Conseil  General  du  Departement  de  la 
Seine,  p.  236,  n.  3 

Conseil  Municipal  de  La  Roebelle,  p.  254, 
n.  3 

Conseil  Tenu  par  les  Rats,  Le,  p.  231, 
n.21 

Conseillers  Communaux  de  Gand,  p.  195, 
n.  11 

Conservation  des  Paysages  et  des  Forets, 
p.  307,  n.  8 

Conservatoire  National  de  Musique  et  de 
Declamation,  p.  52,  n.  11 
Consonni,  Cesare,  p.  43,  n.  6 
Constant,  Paul  d’Estournelles  de,  p.  369, 
n.  18 

Consultatio,  p.  178,  n.  15 
Convegno  in  Commemorazione  di  S. 
Martino  e Solferino,  p.  43,  n.  8 


384 


GENERAL  INDEX 


Coppa  per  Corse  di  Cavalli,  p.  276,  n.  4 
Coppee,  Francois,  p.  58,  n.  14 
Coq  et  Ponies,  p.  231,  n.  8 
Corigliani,  Princesse  di,  p.  90,  n.  16 
Cornell  University,  College  of  Architec- 
ture, p.  25,  n.  1 
Cornil,  A.  V.,  p.  236,  n.  2 
Coronacion  de  Alfonso  XIII,  p.  12,  n.  4 
Coronation  of  Edward  YII  and  Alexan- 
dra, p.  105,  n.  4 

Corson,  Walter  H.,  p.  140,  n.  5 
Cortelyou,  George  B.,  p.  334,  n.  9,  10 
Cour  d’ Appel  de  Paris,  p.  347,  n.  11 
Couronnement  de  Haakon  YII  et  Maude, 
p.  330,  n.  5,  6 

Couture,  Atelier  de,  p.  347,  n.  4 
Couture,  La,  p.  11,  n.  2 
Couturiere,  p.  316,  n.  2 
Craftsmanship,  p.  26,  n.  12 
Craigie,  Mrs.  Pearl,  p.  81,  n.  1 
Cremona,  Cattedrale  e Torrazzo  di,  p.  46, 
n.4 

Creusot,  Le  (Saone-et-Loire),  p.  183, 
n.  17 

Cristo,  p.  285,  n.  4 
Croix  de  Calatrava,  p.  178,  n.  16,  17 
Cronstadt,  Visite  de  l’Escadre  Francaise 
a,  p.  18,  n.  39 

Cruise  around  the  World,  United  States 
Atlantic  Fleet,  p.  334,  n.  7,  8 
Culinaire,  Exposition  d’Art,  p.  284,  n.  4 
“Cuore”  di  Edmondo  de  Amicis,  p.276, 
n.  5 

Curacao,  Exposition  Coloniale  de,  p.363, 
n.  19 

Curie,  Pierre,  p.  343,  n.  31 ; p.  369,  n.  19 
Curtis,  George  William,  p.  27,  n.  26 
Cyon,  Elie  de,  p.  52,  n.  13 
Cyparis,  p.  231,  n.  9 

D.,  Le  Petit  Henri,  p.  343,  n.  22 
Dagnan-Bouveret,  P.  A.  J.,  p.  69,  n.  3 
Daly,  Charles  P.,  p.  26,  n.  10 
Damenportrat,  p.  295,  n.  5 

585 


Danemark,  S.  M.  la  Heine  Louise  de, 
p.  349,  n.  45 

Danger,  H.,  p.  348,  n.  21 
Danish-Americans,  p.  110,  n.  1 
Danjard,  Mine.  Ernestine,  p.  349,  n.  37 
Danse,  La,  p.  149,  n.  3;  p.  306,  n.  3 
Danse,  La,  Voilee,  p.  257,  n.  2 
Danseuse  I,  p.  58,  n.  5; — II,  p.  58,  n.  6 
Danza,  p.  46,  n.  9 
Dargan,  Olive  Tilford,  p.  35,  n.  7 
Darwin,  Charles,  p.  165,  n.  4;  p.  189,  n.  2 
Dasio,  A.,  p.242,  n.  11; — Xaver,  p.243, 
n.  22 

Davis,  Lieut.  John  C.,  p.  123,  n.  9 
Days  of  Yore,  In,  p.  136,  n.  2 
Debaiseux,  Th.,  p.  340,  n.  6 
Deblois,  Les,  p.  187,  n.  10 
Declamation,  Conservatoire  National  de 
Musique  et  de,  p.  52,  n.  11 
Deita  Tutelare  d'un  Fiume,  p.  251,  n.4 
Delaborde,  Comte  Henri,  p.  52,  n.  9 
Delacour,  C.,  p.  26,  n.  8 
Delaunay-Belleville,  Louis,  p.  349,  n.  32 
Delpech,  Marguerite,  p.264,  n.  21;  Paul 
et  Jean,  p.  264,  n.  23 
Deman,  p.  183,  n.  5 
Demaret-Freson,  Jules,  p.  75,  n.  38 
de  Mot,  Emile,  p.  74,  n.  16 
Denkmal,  Deutschmeister,  Wien,  p.  300, 
n.l 

Departement  de  la  Seine,  Conseil  Gene- 
ral du,  p.  236,  n.  3 

Departure  of  the  United  States  Atlantic 
Fleet  on  its  Cruise  around  the  World, 
p.  334,  n.  7,  8 

Derville,  Stephane,  p.  271,  n.  77 
Desachy,  Paul,  p.  116,  n.  12 
Desehamps,  Charles  Freund,  p.  158,  n.  10 
Desesperance,  p.  88,  n.  5 
Desmons,  Frederic,  p.  254,  n.  12 
Dessin,  p.  183,  n.  7 

Dessin,  Ecole  Municipale  des  Arts  du, 
p.  348,  n.  16 


GENERAL  INDEX 


Dessin,  Enseigncment  du,  Paris,  p.  17, 
n.  13 

Dessin,  Invention  du,  p.  313,  n.  2 
Destailleur,  Andre,  p.  218,  n.  1 
Deutsch-Bohmen,  p.  142,  n.  11;  p.223, 
n.  2 

Deutselimcister  Denkmal,  Wien,  p.  300, 
n.  1 

Deux  Ages,  Les,  p.  311,  n.  38;  p.  369,  n.  17 
Devideuses,  Les,  p.  348,  n.  30 
Devise  du  Baron  de  Errazu,  p.  178,  n.  14 
Diana,  p.  242,  n.  15;  p.  285,  n.  5.  See  also 
Notturno 

Diane,  p.  82,  n.  4,  5;  p.  171,  n.  5;  p.  369, 
n.  6 

Diane  avec  Lion,  p.  101,  n.  10 
Dietrich,  Edm.  Aug.,  p.  129,  n.  3 
Dimmer,  Karel,  p.  328,  n.  4 
2-Dinar  Stuck,  Serbien,  1905,  p.  295,  n.  10 
Dindon,  Lapin  et  Canard,  p.  231,  n.  10 
Dino,  Due  de,  p.  187,  n.  1 
Discobolus,  No.  1,  p.  209,  n.  4; — No.  2,  p. 
209,  n.  5 

Discovery,  p.  67,  n.  1 ; p.  229,  n.  1 
Discovery  of  the  North  Pole,  p.  333,  n.  3 
Doblhoff,  Rudolf  Freiherr  von,  p.  143, 
n.  30 

10-Dollar  Gold  Piece,  U.  S.  A.,  1907,  p. 
335,  n.  25 

20-Dollar  Gold  Piece,  U.  S.  A.,  1907,  p. 
335,  n.  26 

Dompierre  de  Chaufepie,  Dr.  H.  J.  de, 
p.  87,  n.  1 ; p.  314,  n.  7 
Donner,  Raphael,  p.  296,  n.  30 
Dorothy,  p.  225,  n.  1 
Dos  de  Violon,  p.  58,  n.  7 
Dows,  Alice  Olin  and  Stephen  Olin,  p. 
131,  n.  1 

Drake,  Sir  Francis,  p.  204,  n.  47 
Drei  Portrats,  p.  295,  n.  11 
Dreyfus,  Mme.  F.,  p.  70,  n.  14 
Droits  de  l’Homme,  Liguc  (les,  p.264, 
n.  18 


Drontheim,  Exposition  Agriculturale  a, 
p.  330,  n.  7 

Drummond,  Dr.  W.  H„  p.  209,  n.  8 
Dubar,  Gustave  Louis,  p.  269,  n.  37 
Dubois,  Alphee,  p.  253,  n.  1 
Dubois,  llenri,  p.  98,  n.  4 
Dubois,  Paul,  p.  53,  n.  38 
“Due,”  p.  365,  n.  3 
Dudelsackpfeifer,  p.  121,  n.  9 
Duguet,  J.  B.,  p.  254,  n.  6 
Duisberg,  Charles,  p.  101,  n.  5 
Dumont,  Augustus,  p.  73,  n.  8 
Dumont,  Santos-,  p.  237,  n.  9 
Dumontier,  Dr.,  p.  27,  n.  14,  15 
Duplessis,  Georges,  p.  269,  n.  34 
Dupont,  Henriquel,  p.  52,  n.  23 
Duran,  Carolus,  p.  342,  n.  6 
Durant-Sneden,  M.  et  Mme.,  p.  113,  n.  10; 

— Mme.,  p.  113,  n.  11 
Durham,  Adeline  Rimmer,  p.  255,  n.  7 
Duvauchel,  Leon,  p.  187,  n.  8 

E.,  Mme.,  p.  106,  n.  18 
Echecs,  Grand  Cercle  des,  p.  236,  n.  5 
Echegaray,  Jose,  p.  206,  n.  2 
Echo,  L\  p.  59,  n.  25 

Ecole  des  Mines  de  Mons,  Association  des 
Ingenieurs  de  F,  p.  73,  n.  5 
Ecole  Frangaise  d’Athenes,  p.  268,  n.  24 
Ecole  Municipale  des  Arts  du  Dessin,  p. 
348,  n.  16 

Ecoles  Communales,  Eleves  des,  p.  181, 
n.2 

Edelweiss,  p.  245,  n.  71 
Education  Association,  New  York  Public, 
p.  26,  n.  12 

Edvards,  Bella,  and  Eva  Murdocci,  p. 
320,  n.  16 

Edward,  Prince  of  Wales,  p.  105,  n.  6 
Edward  VII,  p.  105,  n.  7 
Edward  VII  and  Alexandra,  Coronation 
of,  p.  105,  n.  4 

Edward  VII,  Roi  d’Angleterre,  p.  178, 
n.  18 


386 


GENERAL  INDEX 


Eelde,  J.  C„  p.  363,  n.  20 
Ehe,  p.  246,  n.  93 

Eislaufverein,  40-jahriges  Jubilaum,  p. 
141,  n.  6 

Eisteddfod  Association,  National,  p.  151, 
n.  2,  3 

Elbe,  Inauguration  du  Canal  de  1’,  et  de 
la  Trave,  p.  102,  n.  16 
Elegie,  p.  296,  n.  14 

Eleonore,  Grossherzogin  v.  Hessen,  p. 
243,  n.  26 

Eleves  des  Ecoles  Comniunales,  p.  181, 
n.  2 

Elisabeth,  Kaiserin  v.  Oesterreich,  p.  291, 
n.  13; — an  ihren  Tod,  p.  296,  n.  23 
Elisabeth,  Konigin  v.  Rumanien,  p.  291, 
n.  5,  6 

Elisabeth,  Reine  des  Relges,  p.  195,  n.  17, 
18 

Elliott,  Gertrude,  as  Cleopatra,  p.  209, 
n.  10 

Ellis,  Sir  Arthur,  p.  106,  n.  31 
Ellis,  Thomas  Edward,  p.  151,  n.  10 
Emerson,  Ralph  Waldo,  p.  253,  n.  3 
Emma,  La  Reine-mere  de  Hollande,  p. 

314,  n.  13;  p.362,  n.  8 
Emmet,  Leslie,  p.  303,  n.  7 
Employes  Communaux,  Federation  Na- 
tional des,  p.  74,  n.  20 
Enfant  au  Beret,  p.  88,  n.  6 
Enfant  aux  Roses,  p.  369,  n.  7 
Enfant,  Baiser  d’,  p.  369,  n.  3 
Enfant,  Buste  d’,  p.  101,  n.  3,  4 
Enfant  Buvant,  p.  113,  n.  2 
Enfant,  Caresses  d\  p.  311,  n.  36;  p.  369, 
n.  4 

Enfant,  Esquisse  d’,  p.  58,  n.  8,  9 
Enfant,  Etude  d’,  p.  221,  n.  12,  16 
Enfant,  La  Mere  et  1’,  p.  82,  n.  10 
Enfant,  Portrait  d’,  p.  178,  n.  12,  13;  p. 
259,  n.  8 

Enfant,  Vierge  et,  p.  259,  n.  11 
Enfants,  p.  310,  n.  28 
Enfants  L.  B.,  Les,  p.  343,  n.  27 

387 


Enfants  Chaplain,  p.  52,  n.  19 
Enfants  du  Premier  Age,  Protection  des, 
p.  53,  n.  43 

Enfants,  Portrait  de  Deux,  p.  369,  n.  21 
Enfants,  Portraits  d\  p.  70,  n.  19 
Engel,  Famille,  p.  269,  n.  33 
Engineering  Society’s  New  Building,  p. 
27,  n.  19  " 

Enseignement,  L’,  p.  187,  n.2;  p.  314,  n. 
14;  p.  365,  n.  6 

Enseignement  du  Dessin  de  la  Ville  de 
Paris,  p.  17,  n.  13 
Enseignement  Moyen,  p.  75,  n.  35 
Enseignement  Secondaire  des  Jeunes 
Filles,  p.  268,  n.  27 

Entwiirfe  fur  ein  5-Mark  Stuck,  Ger- 
many, 1908,  p.  137,  n.  3 
Entwiirfe  fur  ein  25-Pfennig-Stiiek,  Ger- 
many, 1908,  p.  137,  n.  3;  p.  169,  n.  2 
Erasme,  Desire,  p.  101,  n.  9 
Erasme  de  Rotterdam,  p.  101,  n.  11 
Ernst,  Herzog  von  Sachsen-Altenburg, 
p.  129,  n.  4 

Ernst  II,  Herzog  von  Sachsen-Altenburg. 
p.  129,  n.  5 

Ernst  Ludwig,  Grossherzog  von  Hessen, 
p.242,  n.l;  p.  243,  n.  27 
Erntezeit,  p.  245,  n.  67;  p.  261,  n.  4 
Erp,  Baron  d’,  p.  82,  n.  2 
Errazu,  Amies  d’ Alliances  du  Baron  de, 
p.  177,  n.  5 

Errazu,  Baron  de,  p.  178,  n.  11 
Errazu,  Devise  du  Baron  de,  p.  178,  n.  14 
Escadre  Francaise  a Cronstadt,  Yisite  de 
r,  p.  18,  n.  39 

Eschenbach,  Baronin  Maria  v.  Ebner, 
p.  201,  n.  2 

Eserime,  Societe  d’Encouragement  de  1’, 
p.  330,  n.  6 

Esposizione  Comense,  p.  39,  n.  1 
Esposizione  di  Vicenza,  p.285,  n.  6 
Esposizione  Internazionale  d’Arte  della 
Citta  di  Venezia,  p.  43,  n,  9;  p.264,  n. 
27;  p.  285,  n.  7 


GENERAL  INDEX 


Esposizione  Internazionalc  di  Fotografia 
Artistica,  p.  277,  n.  6 

Esposizione  Internazionalc  di  Milano,  p. 
46,  n.ll; — Inaugnrazione  del  Sem- 
pione,  p.  285,  n.  8,  9 

Esqnisse  d'Enfant,  Jacques,  p.  58,  n.  8; 

— Pierre  Jolv,  p.  58,  n.  9 
Esquisse,  La  Lithographic,  p.  58,  n.  10 
Esqnisse,  Portrait  d’Homme,  p.  58,  n.  11 
Est-Algerien,  Chemin  de  Fer  de  1',  p.  268, 
n.  12 

Estournelles  de  Constant,  Paul  d\  p.  369, 
n.  18 

Estrangin,  Henri  Fritsch,  p.  320,  n.  22 
Ete,  L’,  p.  309,  n.  24 
Etienne,  Monsieur,  p.  349,  n.  35 
Etude,  L\  p.  70,  n.  9;  p.  191,  n.  10;  p.  218, 
n.9;  p.  369,  n.  15 

Etude  d’Enfant,  J.  C.,  p.  221,  n.  12; 

Paule,  p.  221,  n.  16 
Etude  de  Femme,  p.  101,  n.  12; 

—d’Homme,  p.  101,  n.  13 
Euryale,  L’,  p.  59,  n.  28 
Evarts,  William  Maxwell,  p.  29,  n.  66,  67 
Eve,  p.  348,  n.  18 
Exner,  Sigmund,  p.296,  n.  31 
Exposicion  de  Valencia,  p.  13,  n.  9 
Exposition  Agricultural  a Christiania, 
p.  331,  n.  8 

Exposition  Agricultural  a Drontheim, 
p.  330,  n.  7 

Exposition  Canine,  p.  191,  n.  11 
Exposition  Coloniale  de  Curasao,  p.  363, 
n.  19 

Exposition  Coloniale  de  Marseille,  p. 
226,  n.  4 

Exposition  d’Art  Culinaire,  Bruxelles, 
p.  284,  n.  4 

Exposition  de  Bruo-Moravie,  ]).  316,  n.  1 
Exposition  de  Liege,  p.  74,  n.  21 ; — Souve- 
nir de  1’,  p.  75,  n.  48 
Exposition  de  St.  Trond,  p.  74,  n.  18 
Exposition  d’Oceanographie,  p.226,  n.  5 
Exposition  du  Kennel  Club,  p.  75,  n.  36 


Exposition  du  Nord  de  la  France,  p.  183, 
n.  8 

Exposition  Frangaise  de  Moscou,  p.  269, 
n.29 

Exposition  Franeo-Britannique,  p.236, 
n.4 

Exposition  Internationale  de  Chicago,  p. 
17,  n.  17;  p.  269,  n.  28 

Exposition  Internationale  de  Glasgow, 
p.  348,  n.  17 

Exposition  Internationale  d’Habitation, 
p.  187,  n.  4 

Exposition  Internationale,  Milan,  p.  369, 
n.8 

Exposition,  Jamestown  Tercentennial, 
p.  333,  n.  7,  8 

Exposition  Nationale  des  Beaux-Arts, 
p.  17,  n.  14 

Exposition  Nationale  et  Coloniale  de 
Rouen,  p.  269,  n.  31 

Exposition,  Pan-American,  p.  334,  n.  21, 

22 

Exposition  Tourcoing,  p.  183,  n.  9 

Exposition  Universelle  de  Bruxelles,  p. 
74,  n.  19 

Exposition  Universelle  de  Paris,  p.  17, 
n.15,  16,  24,  25;  p.  29,  n.61;  p.263,  n. 
9,  10;  p.  269,  n.  30;  p.  310,  n.  31;  p.  348, 
n.31 

Exposition  Universelle  de  St.  Louis,  p.  17, 
n.  18,  19 

Exposition,  World’s  Columbian,  p.335, 
n.  23,  24,  27 

Expositions  a l’Etrangers,  Comite  Fran- 
$ais  des,  p.  17,  n.  9 

Explorations  in  the  Antarctic,  p.  333,  n.  6 

F.,  p.  342,  n.  10 

F.,  Miss,  p.  28,  n.  39 

Faa  de  Bruno,  Piccola  Contesse,  p.  90, 
n.  11 

Faber,  Moritz,  p.  291,  n.  16 

Faber,  Moritz,  Karl,  u.  Theodor,  p.  292, 
n.  17 


388 


GENERAL  INDEX 


Fabrique  des  Eaux  Mineraux,  p.  331, 
n.  19 

Fabrique  Roy  ale,  C.  J.  Begeer,  Utrecht, 
p.  362,  n.  2 

Facteurs  de  Bruxelles,  p.  181,  n.  3 
Fagel,  L.,  p.  70,  n.  11 
Fahnestock,  Master  Billy,  p.  303,  n.  9 
Fair,  Actors’  Fund,  p.  8,  n.  1 
Fairy-tales,  p.  328,  n.  1 
Falguiere,  Alexandre,  p.  230,  n.  1 
Familie,  Die,  p.  216,  n.  5 
Farabeuf,  L.  H.,  p.  268,  n.  20 
Fates,  The,  p.  110,  n.  4 
Fatnia,  a Bishareen  Arab,  p.  123,  n.  4 
Faune,  p.  88,  n.  7 
Faune  Dansant,  p.  171,  n.  6 
Faunesse,  p.  88,  n.  8 
Faun’s  Head,  p.  2,  n.  1,  2,  3 
Faure,  Felix,  p.  178,  n.  19 
Faure,  Maurice,  p.  254,  n.  9 
Fauvette,  Cliienne  d’ Arret,  p.  231,  n.  12, 
13 

Favereau,  Baron  de,  p.  73,  n.  9 
Fawkes,  Sir  Wilmot,  p.  319,  n.  1 
Feather-stitching,  p.  80,  n.  1 
Federation  des  Societes  de  Sports  Athle- 
tiques  de  Belgique,  p.  195,  n.  12 
Federation  Nationale  des  Employes 
Communaux,  p.  74,  n.  20 
Fellah,  Palestine,  p.  227,  n.  2 
Femme  Accoudee  Lisant,  p.  171,  n.  7 
Femme  Arrangeant  des  Fleurs,  p.  172, 
n.  8 

Femme  Assise  Lisant,  p.  172,  n.  9 
Femme  au  Bain,  p.  172,  n.  11 ; p.  308,  n.  16 
Femme  au  Bain,  Jeune,  p.  316,  n.  3 
Femme  au  Bain,  se  Coiffant,  p.  172,  n.  10 
Femme  au  Collet,  p.  172,  n.  12 
Femme  au  Face-a-Main,  p.  172,  n.  13 
Femme  au  Gant,  p.  172,  n.  14 
Femme  au  Manchon  (assise),  p.  172,  n.  15 
Femme  au  Manchon  (debout),  p.  172, 
n.  16 


Femme  au  Manteau  et  a l’Ombrelle,  p. 
172,  n.  17 

Femme  Drapee,  Vieille,  p.  172,  n.  28 
Femme  du  Peuple,  p.  82,  n.  6 
Femme  en  Pied,  p.  226,  n.  6 
Femme,  Etude  de,  p.  101,  n.  12 
Femme  Lisant  dans  un  Parc,  p.  172,  n.  18 
Femme  Lisant  (Interieur),  p.  172,  n.  19 
Femme  Nue  au  Miroir  (I),  p.  172,  n.  20; — 
(II),  p.  172,  n.  21 

Femme  Portant  des  Fleurs,  p.  172,  n.  22 
Femme,  Prolil  de  Jeune,  p.  113,  n.  13 
Femme  sur  une  Globe,  p.  263,  n.  11 
Femme,  Vieille,  p.  88,  n.  11 
Femme  Volante,  p.  259,  n.  3 
Fiala,  Eduard,  p.  239,  n.  5 
Fiancailles,  p.  263,  n.  12 
Field,  Perez  Hastings,  p.  360,  n.  7 
Fil  de  la  Vierge,  p.  191,  n.  12 
Fileuses,  Les,  p.  348,  n.  30 
Fille  a la  Fleur,  p.  58,  n.  12 
Fille  au  Collier,  p.  58,  n.  13 
Fine  Arts  Federation  of  New  York, 
p.  27,  n.  20 

Fine  Arts,  Pennsylvania  Academy  of, 
p.  24,  n.  2 

Firmungstaler  I,  p.  246,  n.  94; — II,  p.  246, 
n.  95 

Fischerei,  p.  323,  n.  2 
Fischereiverein,  Bayerischer,  p.  154,  n.  2 
Fisher,  Millicent  Margaret,  p.  229,  n.  1 
Flandre,  Comte  de,  p.  313,  n.  6 
Fleet,  United  States  Atlantic,  Cruise 
around  World,  p.  334,  n.  7,  8 
Fletcher,  Banister,  Memorial,  p.  96,  n.  1 
Florand,  Antoine,  p.  254,  n.  5 
Floreal,  p.  263,  n.  13 
Florence  u.  Arno,  p.  216,  n.  13 
Flying  Cloud,  p.  255,  n.  4 
Foi,  La,  p.  82,  n.  7;  p.  269,  n.  50,  51 
Foire  a Tourcoing,  p.  183,  n.  11 
Fontane,  Theodor,  p.  246,  n.  97 
Football  Club,  p.  181,  n.  4 


389 


GENERAL  INDEX 


Forbes-Robertson,  J.,  as  Caesar,  p.  209, 
n.  12 

Forcstier  do  France,  Syndicat,  p.  98,  n.  8 
Forets,  Conservation  des,  p.  307,  n.  8 
Forgerons,  Les,  p.  309,  n.  23 
Forster,  Hans,  p.  142,  n.  23 
Fortune,  La,  p.  58,  n.  20 
Forza,  p.  251,  n.  5 

Fotografia  Artistica,  Esposizione  Inter- 
nazionale  di,  p.  277,  n.  6 
Fotografica  Subalpina,  Societa,  p.277, 
n.  6 

Foulke,  Caroline  Reeves,  p.  303,  n.  4 
Fourcade,  Bernarde,  p.  98,  n.  2 
Fournier,  Alfred,  p.  52,  n.  14 
Fournier,  Henry,  p.  158,  n.  17 
France,  p.  17,  n.  20 

France,  Anatole,  p.  221,  n.  1,  2;  p.  342, 
n.  2 

France,  Syndicat  Forestier  de,  p.  98,  n.  8 
Francia  ed  Italia,  p.  251,  n.  6 
Francis,  John  W.,  p.  27,  n.  33 
Franco-Britannique,  Exposition,  p.236, 
n.  4 

Franco-Japonaise,  Societe,  p.  221,  n.  19 
Francois  Joseph  I,  p.  159,  n.  28 
Francois  le  Remouleur,  p.  311,  n.37;  p. 
369,  n.  10 

Francotte,  Gustave,  p.  74,  n.  21 
Frankfurt  a.  M.,  I.  L.  A.,  p.  243,  n.  24,  25; 

p.  245,  n.  60,  61,  63,  64,  65 
Franklin  Birthday  Dinner  of  the  Typo- 
thetae  of  New  York  presented  to  Th.  L. 
De  Yinne,  p.  27,  n.  21 
Franklin  Inn  Club,  p.  209,  n.  2 
Franqueville,  Comte  de,  p.  52,  n.  8 
Franz  Josef  I,  Kaiser,  p.  203,  n.  33,  34,  35, 
36;  p.243,  n.  32,  33; — Jubilaum,  p.  142, 
n.  17,  18,  21;  p.  165,  n.  17;  p.  166,  n.  27; 
p.  203,  n.  36,  37;  p.  204,  n.  46;  p.  223,  n.  4 
Fraternite,  Humanite,  p.  178,  n.  21 
Frei,  I Ians  (self-portrait),  p.  102,  n.  15 
Fresnes-lcs-Rungis,  Inauguration  des 
Prisons  de,  p.  269,  n.  41 
Freud,  Siegmund,  p.  301,  n.  4 


Friedrich,  Adolf,  p.  202,  n.  25 
Friedrich,  Alexander,  Landgraf  v. 
Hessen,  p.  157,  n.  3 

Friedrich,  Dr.,  Freiherr  von  Wieser,  p. 
142,  n.  28 

Friendship  medal,  p.  140,  n.  1 
Fritz,  John,  p.  27,  n.  31 
Friih  iibt  sich  wer  ein  Meister  werden 
will,  p.  242,  n.  2 

Fruhling,  Der,  p.223,  n.  10;  p.245,  n.  68; 
p.  261,  n.  6 

Fuga  in  Egitto,  p.  43,  n.  10 
Fuhrlich,  Sell  wind  u.  Steinle,  p.  223,  n.  12 
Fulde,  Edward  B.,  p.  27,  n.  18 
Fuller,  Loie,  p.  259,  n.  6;  p.  310,  n.  29 
Furness,  Fairman  Rogers,  p.  89,  n.  7 
Fusil,  Platine  d’un,  p.  18,  n.  31 

G.,  Le  Jeune,  p.  343,  n.  21 
G.,  Mine.,  p.  343,  n.  29 
Gaby,  p.  284,  n.  6 
Galle,  Mine.  Vve.,  p.  70,  n.  18 
Gallia,  p.  218,  n.  6 
Gallia,  Furens,  p.  218,  n.  4,  5 
Gamba,  Alberto,  p.  277,  n.  14 
Gambetta,  Leon,  p.  53,  n.  28 
Games,  Olympic,  p.  198,  n.  1M: 

Gand,  Anniversaire  de  l’Association  des 
Ingenieurs  des  Ecoles  de,  p.  194,  n.  1-3 
Gand,  Concours  Agricole  de,  p.  194,  n.  4, 
5,  6 

Gand,  Congres  Archeologique  de,  p.  194, 
n.  10 

Gand,  La  Pucelle  de,  p.  195,  n.  13 
Gand,  Conseillers  Communaux  de,  p. 
195,  n.  11 

Gand,  Visite  de  Leurs  Altesses  Royales  a, 
p.  195,  n.  22 

Gantoise,  Victoire  de  FEquipe,  aux  Re- 
gates de  Henley,  p.  195,  n.  20 
Ganze  Leben,  Das,  p.  242,  n.  14 
Gara  di  Tiro  a Segno  Nazionale,  Milano, 
p.  46,  n.  12,  13 

Gara  di  Tiro  a Segno  Nazionale  in  Roma, 
p.  251,  n.  7;  p.286,  n.24 


390 


GENERAL  INDEX 


Gardener,  p.  328,  n.  2 
Gardeuse  de  Moutons,  p.  113,  n.  3 
Gamier,  Charles,  p.  52,  n.  7 
Garnier,  Tony,  p.  116,  n.  13 
Garrison,  Lloyd  McKim,  p.  28,  n.  38 
Gartenbau,  p.  137,  n.  4;  p.  165,  n.  8;  p.  242, 
n.  3;  p.  323,  n.  3 

Gas  Institute,  American,  p.  8,  n.  2 
Gaudry,  Albert,  p.  347,  n.  1 
Gauklertag,  p.  246,  n.  79 
Gausson,  Theo.,  p.  58,  n.  11 
Gazelle  au  Repos,  p.  231,  n.  14 
Gazelle  Mangeant,  p.  231,  n.  15 
Geflhgelzueht,  p.  137,  n.  5 
Gelert,  Parents  of  Johannes  Sophus,  p. 
110,  n.  3 

Geographical  Society,  American,  p.  26, 
n.  10 

Geographical  Society,  National,  p.  333, 
n.  3,  6 

Geographical  Society,  Royal,  p.  5,  n.  1; 

— Sir  Ernest  H.  Shackleton,  p.  6,  n.  4 
Geographische  Gesellschaft,  Mimehen, 
p.  154,  n.  5 

Germaine,  p.  342,  n.  14,  15 
Gerome,  Jean  Leon,  p.  52,  n.  24 
Gesangverein  der  Eisenbahnbeamter, 
p.  201,  n.  9 

Gesellschaft,  Deutsche,  fur  Volksbader, 
p.  216,  n.  9 

Gesellschaft,  Geographische,  Mimehen, 
p.  154,  n.  5 

Gesellschaft,  Oesterr.  ftir  Miinz-  u.  Me- 
daillenkunde,  p.  142,  n.  21 
Gesellschaft,  Oesterr.  zur  Forderung  der 
Medaillenkunst  u.  Kleinplastik,  p.  142, 
n.  19,  25 

Gesellschaft,  Orientalische,  p.  216,  n.  18 
Gevaert,  F.  A.,  p.  284,  n.  5 
Giegerich,  Leonard  A.,  p.  24,  n.  1 
Gilbert,  Prof.  A.,  p.  254,  n.  10 
Ginneken,  W.  H.  E.  van  der  Borch, 
Bourgmestre  de,  p.  363,  n.  13 
Giorgio,  San,  p.  42,  n.  6 

391 


Giornale  “II  Sole,”  Milano,  p.  46,  n.  14 
Girard,  Alfred,  p.  69,  n.  2 
Girard,  Julien,  p.  269,  n.  48 
Girard,  Philippe  de,  p.  183,  n.  18 
Giubileo  della  Fondazione  dell' Assoc. 

per  le  Belle  Arti  in  Milano,  p.  251,  n.  8 
Giubileo  del  Grande  Mulino  Stucky, 
Venezia,  p.  46,  n.  16 
Giubileo  Sacerdotale,  p.  39,  n.  3 
Gladstone,  W.  E.,  p.  326,  n.  9 
Gladys,  p.  112,  n.  1 
Glafey,  Firma  G.  A.,  p.  137,  n.  6 
Glasgow,  Exposition  Internationale  de, 
p.  348,  n.  17 

Gloeckner,  Ernst,  p.  245,  n.  76 
Glyptique,  La,  p.  307,  n.  6 
Goal,  The,  p.  6,  n.  6 

Goethe,  Johann  Wolfgang,  p.  244,  n.  44; 
— , Enthullung  des  Goethe  Denkmales 
in  Wien,  p.  201,  n.  10; — , Geburtstags- 
feier  Frankfurt  a.  M.,  p.  154,  n.  6,  7 
Goethe,  Frau  Rath,  p.  154,  n.  3 
Gorki,  Maxim,  p.  165,  n.  20 
Gort,  Viscount,  p.  124,  n.  19 
Gosselin,  Leon,  p.  268,  n.  21 
Gotti,  Eduard,  p.  142,  n.  24 
Gottsleben,  L.,  p.  291,  n.  15 
Gouter,  Le,  p.  113,  n.  8;  p.  308,  n.  13 
Graef,  Georg,  p.  246,  n.  99 
Grand  Cercle  des  Echecs,  p.  236,  n.  5 
Grandhomme,  Otto,  p.  244,  n.  39 
Graphische  Club,  Wien,  p.  239,  n.  3 
Graux,  Charles,  p.  283,  n.  1 
Graveurs,  Honmiage  aux,  Francais,  p. 
178,  n.  20 

Greco,  Oscar,  p.  286,  n.  21 
Greiner,  Daniel,  Selbstportrat,  p.  244, 
n.  42 

Griffiths,  Dr.  J.  D.,  p.  35,  n.  1 
Grillparzer,  Franz,  p.  243,  n.  29 
Guerra,  La,  p.  46,  n.  17 
Guerriere,  La  Musique,  p.  309,  n.  25 
Guetin,  Mine.,  p.  70,  n.  15 
Guffanti,  Carlo,  p.  285,  n.  3 


GENERAL  INDEX 


Guide,  Guillaume,  p.  74,  n.  31 
Guillaume,  E.,  p.  70,  n.  8 
Guldberg,  C.  M.,  p.  331,  n.  10 
Gnus,  The,  p.  0,  u.  7 
Giirtelschliesse,  p.  223,  u.  11 
Guschelbauer,  Edmund,  p.  291,  n.  4 
Guttcnberg,  Adolf  von,  p.  142,  n.  16 
Guy  Medal,  p.  5,  n.  1 
Guyon,  Felix,  p.  17,  n.  11 
G winner,  Arthur  v.,  p.  201,  n.  1 

H.,  Mrs.,  p.  28,  n.  44 

Haakon  A ll  ct  Maude,  Couronnement  de, 

p.  330,  n.  5,  6 

Haakon  ATI,  Maude  et  Prince  Royale 
Olav,  p.  331,  n.  11 

Haakon  ATI,  med.  de  l’Universite  de 
Christiania,  p.  331,  n.  9 
Haakon  ATI,  med.  de  merite,  p.  331,  n.  10 
Haakon  ATI,  ATsite  a Kongsberg,  p.  331, 
n.  18 

Haeckel,  Ernst,  p.  243,  n.  28 
Hall,  Stadt,  in  Tirol,  p.  296,  n.  34,  35 
Halsey,  Lawrence,  p.  320,  n.  27 
Halskette,  p.  323,  n.  15 
Hamilton,  Betty,  p.  123,  n.  1 
Hamilton,  Ian,  p.  123,  n.  8 
Hamilton,  Lady,  p.  123,  n.  10 
Hamilton,  Marjorie,  p.  124,  n.  11 
Hammond,  Elizabeth  S.,  p.  320,  n.  13 
Hammond,  Louise  S.,  p.  320,  n.  28 
Handel,  Die,  p.  242,  n.  4 
Ilandelskammer  in  Berlin,  p.  216,  n.  4 
Hanot,  Dr.  V.,  p.  254,  n.  7 
Hare,  Bishop,  p.  303,  n.  3 
Harpignies,  H.,  p.  70,  n.  10 
Harris,  Horatio,  p.  35,  n.  3 
Harris  Prize,  Norman  Wait,  p.  26,  n.  6 
Harm,  Freiherr  von  Zeppelin,  p.  246, 
n.  81 

Hartmann,  George,  p.  105,  n.  10 
Hartmann,  Robert,  p.  106,  n.  30 
Harvard  Decennial,  p.  35,  n.  2 
Harvard  University,  p.  28,  n.  38 


Hauptmunzamt,  Wien,  p.  240,  n.  15 
Havre,  Ville  de,  p.  184,  n.  37,  38 
Hawley,  Kent,  and  Louise  F.  Stevenson, 
p.  140,  n.  2 

Haydn,  Franz  Josef,  p.  203,  n.  30;  p.242, 
n.  17 

Haydn,  Mozart,  Beethoven,  p.  223,  n.  7 
ITaye,  Conference  de  la  Paix  a La,  p.  194, 
n.  9;  p.  314,  n.  10;  p.  362,  n.  3 
Head.  See  Bimba,  Joven,  Jeune  Fille, 
Kinderkopf,  Madchen,  Nino,  Testa, 
T ete,  et  passim 
Hebert,  Edmond,  p.  329,  n.  3 
Heger,  Paul,  p.  75,  n.  39 
Heilquelle,  p.  169,  n.  3 
Heimbold,  Richard,  p.  141,  n.  8 
Heine,  Heinrich,  p.  158,  n.  16 
Heintz,  Eduard,  p.  245,  n.  75 
Heintz,  Paula,  p.  246,  n.  85 
Heinze,  E„  p.  137,  n.  2 
Henley,  Yictoire  de  l’Equipe  Gantoise 
aux  Regates  de,  p.  195,  n.  20 
Hennessy,  Sir  John  P.,  p.  271,  n.  75 
Henon,  Henri,  p.  17,  n.  21 
ITenon,  Mar  the,  et  Albert  West,  p.  16, 
n.  2 

Henri,  Prince,  Due  de  Mecklenbourg- 
Schwerin,  p.  362,  n.  6 
Henry,  Prince,  of  Prussia,  p.  29,  n.  63 
Hercule  Terrassant  l’Hydre,  p.  231,  n.  16 
Heriot,  Auguste,  p.  89,  n.  1,  2 
Ileroe  de  la  Paz,  Al,  p.  333,  n.  1,  2 
ITervilly,  Ernest  d\  p.  187,  n.  3 
IJerz,  Wilhelm,  p.  216,  n.  4 
Hessen,  Eleonore,  Grossherzogin  v., 
p.  243,  n.  26 

Hessen,  Ernst  Ludwig,  Grossherzog  v., 
p.  242,  n.  1 ; p.  243,  n.  27;  p.  323,  n.  5 
Hessl,  H.,  p.  296,  n.  19 
Heutig,  Otto,  p.  320,  n.  38 
Heuvel,  M.  Jules  Van  den,  p.  175,  n.  3 
Heyse,  Paul,  p.  204,  n.  45 
Hiard,  Leon,  p.  74,  n.  28 
Hibou,  p.  269,  n.  40 


392 


GENERAL  INDEX 


Hirn,  Gustave  Adolphe,  p.  269,  n.  35,  36 
Hispanic  Society  of  America,  p.  27,  n.  30; 

p.  105,  n.  11,  12;  p.  106,  n.  13 
Histoire,  Commission  Royale  d’,  p.  152, 
n.  2 

Histoire  Enregistre  les  Decouvertes  de 
l’Archeologie,  L’,  p.  178,  n.26;  p.  308, 
n.18 

Hochst  a.  M.,  p.  239,  n.  4 
Hochtouristik,  p.  242,  n.  8 
Hochzeit,  Goldene,  Erzherzog  Rainer, 
p.  202,  n.  13 

Hoffmann,  Ludwig,  p.  121,  n.  16,  17 
Hofkirche,  Innsbruck,  p.  296,  n.  20 
Hofmann,  Julius,  p.  141,  n.  10 
Hollandaise-Relge  des  Amis  de  la  Me- 
daille  d’Art,  Societe,  p.  152,  n.  4,  5;  p. 
313,  n.  3 

Hollande,  Emma,  Reine  de,  p.  314,  n.  13 
Hollande,  Wilhelmina,  Reine  de,  p.  195, 
n.  16,  19 

Holt,  G.  C.,  p.  66,  n.  5 
Homenaje  al  Dr.  Ramon  y Cajal  por  la 
Adjudicacion  del  Premio  Nobel,  p.  12, 
n.  6 

Hommage  a Rembrandt  Harmensz  van 
Rhijn,  p.  363,  n.  14 

Hommage  aux  Graveurs  Francais,  p.  178, 
n.  20  " 

Homme  a la  Pipe,  p.  191,  n.  13 
Homme,  Etude  d’,  p.  101,  n.  13 
Homme,  Portrait  d’,  p.  58,  n.  11 ; p.  98,  n.  7 
Honneur  de  la  Patrie,  p.  263,  n.  15 
Hopital  de  Roubaix,  p.  183,  n.  12 
Hopitaux  Civils  de  Paris,  p.  16,  n.  6 
Horne,  Sir  Wm.  C.  Van,  p.  209,  n.  14 
Horses,  White,  p.  6,  n.  9 
Horticulture,  p.  238,  n.  2 
Horticulture,  Societe  de  Montmorency, 
p.  348,  n.  22 

Huart-Hamoir,  A.,  p.  73,  n.  1 
Hubbard,  Gardiner  G.,  p.  333,  n.  6 
Hudson-Fulton  Celebration,  Newburgh, 
p.  37,  n.  1 

393 


Hudson-Fulton  Celebration,  New  York, 
p.  8,  n.  3,  4;  p.  92,  n.  4;  p.  106,  n.  14 
Huger,  Francis  K.,  p.  209,  n.  9 
Hughes,  Alfred  William,  p.  151,  n.  8,  9 
Hughes,  D.  E.,  p.  109,  n.  1 
Hugo,  Victor,  p.  53,  n.  48;  p.  271,  n.  81 
Huiles,  Commission  des,  p.  329,  n.  2 
Huldigung,  p.  169,  n.  4 
Huldigung  der  Stadt  Wien,  p.  142,  n.  17, 
18 

Huldigungsplakette  der  Numismatischen 
Gesellschaft  in  Wien,  p.  142,  n.  19 
Humanite,  Fraternite,  p.  178,  n.  21 
Huntington,  Archer  M.,  p.  105,  n.  2 
Huntington,  Collis  P.,  p.  26,  n.  11 
Huth,  Mrs.,  p.  124,  n.  13 
Hiittemann,  G.,  p.  291,  n.  10 
Hiitterott,  Familie,  p.  291,  n.  7 
Huxley,  Thomas  Henry,  p.  208,  n.  7 
Hyde,  Susan  and  Helen,  p.  35,  n.  9 
Hygiene,  Berlin,  p.  323,  n.  6 
Hygiene  Congress  in  Berlin,  p.  216,  n.  8 
Hygiene  et  Architecture,  p.  183,  n.  13 
Hygiene,  Medecine  et,  p.  75,  n.  32 
Hygiene  Publique,  Commission  d’,  p.  268, 
n.  16 

Ibsen,  H.,  p.  165,  n.  12 
Idyll e,  p.  231,  n.  17 

I.  L.  A.,  Frankfurt  a.  M.,  p.  243,  n.  24,  25; 
— Wettfliegen,  p.  245,  n.  60; — Motorbal- 
lonfahrt,  Parseval,  p.  245,  n.  61 ; — Preis- 
medaille,  p.245,  n.  63,  64; — Schwe- 
bende  Welt,  p.  245,  n.  65 
Impressions  from  stone  intaglios,  p.  129, 
n.  10 

Imprimerie,  L’,  p.  218,  n.  10 
Imprimerie  Chaix,  Maitres  de  l’Affiche, 
p.  59,  n.  26 

Inauguration  del  Momunento  al  Gen. 

Martinez  Campos,  p.  13,  n.  7 
Inauguration  de  lYnstitut  Oeeanogra- 
phique  de  Monaco,  p.  115,  n.  1 
Inauguration  des  Ports  de  Bruges,  p.  74, 
n.  23 


GENERAL  INDEX 


Inauguration  du  Canal  de  l'Elbe  et  de  la 
Trave,  p.  102,  n.  16 

Inauguration  du  Port  de  Tunis,  p.  17,  n. 
22.  23 

Inauguration  of  Theodore  Roosevelt, 
p.  334,  n.  11,  12 

Inauguration  of  William  IT  Taft, 
p.  334,  n.  13, 14 

Inaugurazione  del  Riedificamento  della 
Torre  Filareta,  p.  39,  n.  4 
Inaugurazione  del  Sempione,  p.  285,  n. 

8,  9 

Inconnue,  L',  p.  136,  n.  3 
Independance  Beige,  75e  Anniv.,  p.  75, 
n.  47;  p.  83,  n.  23 

Independance  de  la  Republique  Argen- 
tine, p.  187,  n.  5 

Indcs  Orientales,  L’Etablissement  du 
Pouvoir  Neerlandais  aux,  p.  314,  n.  8 
Indian,  Apache,  p.  289,  n.  2,  3,  8 
Indian,  Navajo,  p.  289,  n.  4 
Indian,  Yuma,  p.  289,  n.  7 
Industria  delle  Sete,  p.  43,  n.  11 
Industrie,  L’,  p.  115,  n.  10;  p.  218,  n.  11 
Industrie,  Agriculture,  p.  183,  n.  14 
Infini,  L’,  p.  191,  n.  17 

r 

Ingen i curs  de  l’Ecole  des  Mines  de  Mons, 
Association  des,  p.  73,  n.  5 
Ingenieurs  des  Ecoles  de  Gand,  Associa- 
tion des,  p.  194,  n.  1,  2,  3 
Ingres,  J.  A.  IT,  p.  178,  n.  22 
Inness,  George,  p.  126,  n.  2 
Innocence  Lutte  Centre  le  Vice  et  la 
Violence,  L’,  p.  259,  n.  4 
Inspiration,  p.296,  n.  21 
Institut  Oceanographique  de  Monaco, 
p.  115,  n.  1 

Institute,  American  Gas,  p.  8,  n.  2 
Institute,  Iron  and  Steel,  p.  72,  n.  1 
Institute  of  Rritish  Architects,  Royal,  p. 

96,  n.  1 ; ]>.  100,  n.  1 
Institute  of  Builders,  p.  238,  n.  3 
Institute  of  Chicago,  Art,  p.  26,  n.  6 
Institution  de  Marcq,  Superieurs  de  T, 
p.  184,  n.  36 


Institution  des  Jeunes  Aveugles,  p.  183, 
n.  15;  p.  308,  n.  19 
Instruction,  p.  328,  n.  3 
Instruction  Primaire,  p.  269,  n.  42 
International  Tuberculosis  Congress,  p. 
27,  n.  27 

Internationale  Ausstellung  fur  Spiritus- 
Verwertung,  p.  203,  n.  27 
Internationale  Urheberechtsconferenz  in 
Berlin,  p.  216,  n.  14 

Invention  du  Dessin,  p.  74,  n.  24;  p.  313, 
n.  2 

Irish-Americans,  p.  110,  n.  2 
Iron  and  Steel  Institute,  p.  72,  n.  1 
Irving,  Sir  Henry,  p.  326,  n.  6 
Irving,  Sir  Henry,  and  Ellen  Terry, 
p.  253,  n.  4 

Irving,  Washington,  p.  37,  n.  2 
Isidor  Memorial,  National  Academy  of 
Design,  p.  164,  n.  1 
Israels,  Josef,  p.  362,  n.  5 
Istrati,  Dr.  C.  I.,  p.  295,  n.  4 
Istruzione,  Ministero  dell’,  p.  46,  n.  19; 
p.  286,  n.  17 

Italia,  Franeia  ed,  p.  251,  n.  6 
Italian  Woman,  p.  306,  n.  1 
Italic,  Souverains  d’,  p.  53,  n.  45 
Ivry,  Tuilerie  d’,  p.  59,  n.  31 

Jacques,  Esquisse  d’Enfant,  p.  58,  n.  8 
Jalin,  Friedrich  Ludwig,  p.  239,  n.  9 
Jahrhundertswende,  p.  323,  n.  7 
James,  Walter  John,  p.  123,  n.  7 
Jamestown  Tercentennial  Exposition, 
p.  333,  n.  7,  8 

Janssen,  Jules,  p.  316,  n.  4,  5 
Janssen,  Mme.,  p.  316,  n.  6 
Janssen,  P.  W.,  p.  159,  n.  27 
Janvier  et  Duval,  p.  58,  n.  15 
Jardins,  Art  des,  p.  310,  n.  32 
Java,  Fabricants  de  Sucre  a,  p.  362,  n.  9 
J.  C.,  Etude  d’Enfant,  p.  221,  n.  12 
Jeanne,  p.  269,  n.  43;  p.  342,  n.  18 
Jeanne  d’Arc,  p.  104,  n.  1;  p.  269,  n.  44 
Jefferson,  Joseph,  p.  253,  n.  2 


394 


GENERAL  INDEX 


Jeltsema,  Rembertus,  Szn-Landbouwer 
te  Uithuizen,  p.  149,  n.  6 
Jerome,  William  Travers,  p.  162,  n.  6,  7 
Jessie,  p.  27,  n.  29 
Jeune  Femme  an  Bain,  p.  316,  n.  3 
Jeune  Femme,  Profile  de,  p.  113,  n.  13 
Jeune  Fille  Polonaise,  Tete  de,  p.  75, 
n.  49,  50 

Jeune  Fille,  Portrait,  Tete  de,  p.  75,  n.  51 
Jeune  G.,  Le,  p.  343,  n.  21 
Jeune  Mere  Hollandaise  et  son  Enfant, 
p.  113,  n.  4 

Jeune  Veau,  p.  191,  n.  15 
Jeunesse,  La,  p.  187,  n.  6;  p.  309,  n.  21 
Jeunesse  Bruxelloise  au  Prince  Albert, 
La,  p.  365,  n.  5 
Jeux  et  Arts,  p.  58,  n.  16-19 
Jewish  Settlement  in  the  United  States, 
250th  Anniversary  of,  p.  164,  n.  2 
Joachim,  J.,  p.  165,  n.  15;  p.  221,  n.  13 
Jockey  Club  de  Buenos-Ayres,  p.  269, 
n.  45 

Jockey-Club  fur  Oesterreich,  p.  239,  n.  10 
Joest,  Frau  Tina,  p.  121,  n.  12 
Johann  II,  Fiirst  von  Liechtenstein,  p. 
142,  n.  20 

Johnson,  Stefano,  p.  40,  n.  17.  See  also 
Stabilimento 

Joie  de  Vivre,  Le,  p.  308,  n.  17 
Joly,  Esquisse  d’Enfant,  Pierre,  p.  58,  n.  9 
Jonas,  Eva,  p.  246,  n.  77 
Jones,  Alice,  p.  303,  n.  2 
Jones,  John  Paul,  p.  27,  n.  32 
Jonnart,  Mme.,  p.  270,  n.  68 
Jouguet,  P.  Perdrizet  et,  p.  184,  n.  26 
Jour  de  Naissance,  p.  263,  n.  16 
Jourdan,  Mon.,  Pres,  de  la  Cour  d’Appel 
de  Paris,  p.  347,  n.  11 

Journalistes  Republicans,  Syndicat  des, 
p.  188,  n.  18 

Joven,  Caheza  de,  p.  12,  n.  1 
Jubilaum,  50-jahriges,  des  Stabilimento 
Tecnico  Triestino,  p.  291,  n.  11 
Jubilaum  der  Stadt  Riga,  p.  323,  n.  10 

395 


Jubile  Administrate  de  Saint-Josse-ten- 
Noode,  p.  181,  n.  5 
Jugend,  p.  245,  n.  72 
Juin,  p.  365,  n.  4 

Juliana,  Princesse  d.  Pays-Bas,  Naissance 
de,  p.  363,  n.  22 

Jument  et  Son  Poulain,  p.  231,  n.  18 
Jiingling  mit  Eule,  p.  246,  n.  83 
“Junior,”  Portrait  of,  p.  25,  n.  2 
Juno  et  Psyche,  p.  309,  n.  22 
Justice,  La,  p.  82,  n.  8 
Justizia  e Scienza,  Monitore  dei  Tribu- 
nali,  p.  46,  n.  20 

Iv.,  Mme.,  p.  106,  n.  19 
Kaiser  Franz  Josef  I,  p.  203,  n.  33,  34,  35 
Kaiser  Wilhelm  II,  p.  129,  n.  11 
Kaisergeburtstag,  Franz  Josef  I,  p.  203, 
n.  34 

Kaiserhuldigung,  Konkurrenzprojekt, 
p.  291,  n.  14 

Kaiserin  Elisabeth  v.  Oesterreich,  p.  291, 
n.  13 

Kaiserin  Friedrich,  p.  323,  n.  8 
Kaiser  jubilaum,  p.  142,  n.  17,  18;  p.  165, 
n.  17;  p.  166,  n.  27;  p.  204,  n.  46;  p.  223, 
n.  4 

Kaiser  jubilaum,  Neujahrsplakette,  p.  166, 
n.  27 

Kaiser jubilaumsausstellung,  p.  142,  n.  21 
Kaiserportrat,  Franz  Josef  I,  p.  203,  n.  35 
Kaiserregierungs jubilaum,  Franz  Josef  I, 
p.  203,  n.  36,  37 

Kamler,  Heinrich  Ritter  von,  p.  142,  n.  15 
Kant,  Immanuel,  p.  246,  n.  91 
Kapurthala,  The  Rajah  of,  p.  124,  n.  17 
Karlweis,  C.,  p.  201,  n.  6 
Kautsch,  Emanuel,  p.  158,  n.  11 
Kautsch,  Mme.  (Amelie  Radio  de  Radiis), 
p.  158,  n.  6 

Keen,  William  Williams,  p.  210,  n.  21 
Keller,  Oscar  Ritter  von,  p.  240,  n.  17 
Kendall,  Leigh,  p.  35,  n.  5 
Kennedy,  Susie  Pratt,  p.  200,  n.  2 


GENERAL  INDEX 


Kennel  Club  Italiano,  p.  39,  n.  6 
Kennel  Club,  Premiere  Exposition  du, 
p.  73,  n.  36 

Kenner,  Friedrich  von,  p.  202,  n.  21 
Kliavat,  Khalil,  p.  66,  n.  6 
Kind  mit  Apfel,  p.  137,  n.  9 
Ivinderfestzug,  p.  203,  n.  37 
Kinderkopf,  p.  296,  n.  24 
Kinderkopfchen,  p.  137,  n.  10,  11;  p.  241, 
n.  46;  p.  246,  n.  84 
Ivinderportriit,  p.  142,  n.  22 
King,  Penelope,  p.  321,  n.  39 
Kink,  Julius  v.,  p.  291,  n.  12 
Kinsky,  Fiirst  Karl,  p.  239,  n.  10 
Klein,  Adolph,  p.  113,  n.  1 
Koerner,  Alfred,  p.  158,  n.  5 
Kongsberg,  Visite  de  Haakon  VII  a, 
p.  331,  n.  18 

Kdnig,  Otto,  p.  296,  n.  29 
Konkurrenzprojekt,  Kaiserhuld.,  p.  291, 
n.  14 

Konsular-Akademie,  150-jahrige  Bestand 
d.,  p.  203,  n.  28 

Krankenhaus,  Wien,  p.  239,  n.  13 
Krankenpflege,  p.  323,  n.  9 
Krok,  p.  328,  n.  5 

100-Kronen  Stuck,  Montenegro,  1908, 
p.  296,  n.  25 

20-Kronen  Stuck,  Oesterreich,  1908,  p. 
203,  n.  38 

100-Kronen  Stiick,  Oesterreich,  1908, 
p.  203,  n.  39 

100-Kronen  Stiick,  Oesterreich,  1909, 
p.  296,  n.  26 

Kruger,  Paul,  p.  195,  n.  16 
Krupp,  Arthur  u.  Margareth,  p.  295,  n.  2 
Krupp,  Friedrich  Alfred,  p.  202,  n.  18 
Kubelik,  Jan,  p.  165,  n.  16 
Kuehl,  Gotthardt,  p.  137,  n.  7 
Kufferath,  Edouard,  p.  75,  n.  37 
Kufferath,  Maurice,  et  Guillaume  Guide, 
p.  74,  n.  31 

Kulman,  F.,  p.  183,  n.  10 
Kunst  will  Wahrheit,  p.  121,  n.  15 


Kuss,  Der,  p.  223,  n.  8 
Kussnacht,  Tir  Cant.  Schwyzois  a,  p.  102, 
n.  26 

La  Rochelle,  Caisse  d’Epargne  de,  p.  253, 
n.  2 

La  Rochelle,  Conseil  Municipal  de,  p.  254, 
n.  3 

Lahore  et  Disciplina  Resurgunt,  p.  178, 
n.  24 

Labourage,  Le,  p.  98,  n.  5 
Lady,  Portrait  of  a,  p.  328,  n.  6 
Laguionie,  Gustave,  p.  52,  n.  21 
Lake  George  Regatta  Association,  p.  28, 
n.  37 

Lamb,  F.  S„  p.  27,  n.  24 
Lambert,  Albert,  fils,  p.  16,  n.  1 
Lampman,  Archibald,  p.  209,  n.  1 
Landesausschuss  fur  das  Erzherzogthum 
Oesterreichs  unter  der  Enns,  p.  141, 
n.5 

Landes-Gewerbeforderung,  nieder- 
oesterr.,  p.  141,  n.  5 

Landeskulturrat  f.  Sachsen,  p.  137,  n.  12 
Landrien,  Oscar,  p.  75,  n.  34 
Landscape  panel,  Decorative,  p.  257,  n.  1 
Landwirtschaft  und  Viehzucht,  p.  138, 
n.  13 

Landwirtschaftsausstellung,  p.  165,  n.  18 
Lane,  Agnes,  p.  92,  n.  1 
Langenieux,  Cardinal,  p.  347,  n.  6 
Langton,  Little  Miss,  p.  176,  n.  2 
Lannelongue,  Docteur,  p.  52,  n.  15,  16 
Lanoe,  Mme.,  p.  70,  n.  16 
Larroumet,  Gustave,  p.  53,  n.  36 
Laure,  p.  158,  n.  20 
Laurens,  Jean  Paul,  p.  52,  n.  25 
Laurent,  Marie,  p.  270,  n.  57 
Lauretta,  p.  102,  n.  17 
Laussedat,  Colonel,  p.  268,  n.  15 
Lawrence,  Sir  Walter,  p.  321,  n.  43 
Lebenstufen,  Die,  p.  216,  n.  6 
Lcchevrel,  Blanche,  p.  178,  n.  12,  13 
Lechevrel,  J.,  p.  178,  n.  23 


396 


GENERAL  INDEX 


Lecture,  La,  p.  82,  n.  9 
Leda,  p.  216,  n.  16 
Leenhoff,  Ferdinand,  p.  149,  n.  1 
Lefebvre,  Julie,  p.  183,  n.  16 
Legnano,  Monumento  Commemorativo 
della  Battaglia  di,  p.  39,  n.  10 
Leinfelder,  Georg,  p.  246,  n.  100 
Lejeune,  Charles,  p.  82,  n.  3 
Lemaire,  Victor,  p.  195,  n.  21 
Lemayer,  Karl  Ritter  v.,  p.  295,  n.  12 
Lenbach,  Franz  v.,  p.  121,  n.  13,  14;  p. 

158,  n.  13,  14;  p.  244,  n.  45,  55 
Lenbacb,  Margo,  p.  158,  n.  21 ; p.  244, 
n.  57 

Lenepveu,  Jules  Eugene,  p.  269,  n.  47 
Lenting,  A.  A.,  E.  W.  Berg  et,  p.  362,  n.  4 
Leo  XIII,  Pope,  p.  39,  n.  12;  p.  204,  n.  43 
Leopold,  Naissance  du  Prince,  p.  195, 
n.  14 

Leopold  II,  p.  284,  n.  7 
Lepine,  J.  R.,  p.  268,  n.  22 
Lewinsky,  Josef,  p.  203,  n.  31 
Lewisohn,  Alice,  p.  66,  n.  1 
Leyrer,  Cosmas,  p.  242,  n.  13 
Liberees  de  St.  Lazare,  CEuvre  des,  p.  270, 
n.  71 

Liebe,  p.  169,  n.  5;  p.  244,  n.  58 
Liebe  und  Treue,  p.  242,  n.  5 
Liebermann,  Max,  p.  154,  n.  10;  p.  155,  n. 
11;  p.  244,  n.  48 

Liechtenstein,  Johann  II,  Fiirst  von, 
p.  142,  n.  20 

Liechtenstein,  Rudolf,  Fiirst  von,  p.296, 
n.  17 

Liege,  Exposition  de,  p.  74,  n.  21; — Souve- 
nir de  l’Exposition  de,  p.  75,  n.  48 
Life,  p.  327,  n.  3 

Life-Saving  on  Railroads,  United  States, 
p.  357,  n.  3 

Ligue  des  Droits  de  l’Homme,  p.  264, 
n.  18 

Lilies,  p.  3,  n.  1 

Lille,  Societe  des  Sciences  et  Arts  de, 
p.  184,  n.  33 

397 


Limburg-Stirum,  50e  Anniversaire  du 
Mariage  du  Comte  de,  p.  339,  n.  1 
Lincoln,  Abraham,  p.  2,  n.  1 ; p.  26,  n. 

1-3;  p.  263,  n.  1;  p.  334,  n.  1,  2 
Lindheim,  Alfred,  Ritter  v.,  p.  239,  n.  1 
Lintott,  Chamen,  p.  238,  n.  1 
Lion,  p.  259,  n.  5 
Lion  Beige,  p.  365,  n.  7 
Lion,  Diane  avec,  p.  101,  n.  10 
Lion  et  le  Moucberon,  Le,  p.  231,  n.  22 
Lion  et  Taureau,  p.  310,  n.  27 
Lion,  Fragment  Study  for  a Pediment, 
p.  127,  n.  1 

Lioness,  Fragment  Study  for  a Pediment, 
p.  127,  n.  2 

Lioness  Recumbent,  p.  127,  n.  3 
Liouville,  Jacques,  Mine.  Waldeck-Rous- 
seau  et,  p.  349,  n|  40 
Lisl,  p.  209,  n.  13 
Liszt,  Franz,  p.  243,  n.  30 
Lithographic,  Esquisse,  La,  p.  58,  n.  10 
Litografia  Doyen,  p.  276,  n.  1 
Liverpool  Septenary  Celebration,  p.  1, 
n.  1 

Livre,  Le,  p.  83,  n.  14;  p.  187,  n.  7 
Livre  d’lmages,  Le,  p.  172,  n.  23 
Llywelyn  Memorial,  Prince,  p.  151, 
n.  6,  7 

Lobkowitz,  Prince,  p.  316,  n.  8 
Loeb,  Solomon,  p.  28,  n.  55 
Lorenzoni,  Giovanni,  p.  43,  n.  14 
Loubet,  Emile,  p.  53,  n.  41 
Louis,  Hippolyte,  p.  320,  n.  25 
Louis,  Portrait  d’Enfant,  p.  259,  n.  8 
Louise  de  Danemark,  S.  M.  la  Reine, 
p.  349,  n.  45 

Louvain,  l’Universite  de,  p.339,  n.  2-4; 
p.  340,  n.  5,  6 

Lovinck,  Hermann  Johannes,  p.  87,  n.  2 
Loze,  Henri,  p.  269,  n.  39 
Lucas,  George  A.,  p.  27,  n.  25 
Lucius,  Eugen  N.,  p.  239,  n.  4 
Lueger,  Carl,  p.  201,  n.  5;  p.  301,  n.  8,  9 
Luftschiff,  ji.  169,  n.  6 


GENERAL  INDEX 


Luflsehifffahrtsausstellung.  See  I.  L.  A. 
Luitpold,  Prinzrcgent  von  Bayern, 
p.  134.  n.  3;  p.  154,  n.  8,  9;  p.244,  n.  51 
Lunge,  Georges,  p.  101,  n.  14 
Lulte.  La.  ]).  58,  n.  21 
Lyon,  Chambre  de  Commerce  de, 

]).  208,  n.  8 
Lys,  Les,  p.  83,  n.  17 

MacDowell,  Edward  A.,  p.  214,  n.  2 
Mace,  Jean,  p.  191,  n.  14 
Mach,  Ernst,  p.  100,  n.  28 
MacMahon,  Le  Marechal  de,  p.  52,  n.  27 
MacPhail,  Jeffrey,  p.  209,  n.  11 
Madchen,  Studienkopf,  p.  240,  n.  20 
Madchenkopf,  p.  296,  n.  27 
Madonna,  p.  42,  n.  3;  p.  242,  n.  19; 

p.  204,  n.  20;  p.  286,  n.  15 
Magnin,  Joseph,  p.  369,  n.  24 
Mahler,  Gustav,  p.  165,  n.  10 
Maison  d'Edueation  d’Auberive, 
p.  270,  n.  56 

Maitres  de  l’Affiche,  Les,  p.  59,  n.  26 
Mammon,  p.  165,  n.  19 
“Manette  et  Minette,”  p.  311,  n.  38;  p.  369, 
n.  17 

Mann  mit  Zirkel,  ]).  216,  n.  17 
Manning,  Cardinal,  p.  325,  n.  1 
March,  Daniel,  p.  4,  n.  3 
Marchen,  p.  212,  n.  6 
Marchetti,  Carlo,  p.  43,  n.  5 
Marcille,  Eudoxe,  p.269,  n.  32 
Marcq,  Superieurs  de  l’lnstitution  de, 
p.  184,  n.  36 

Marguerite,  p.  343,  n.  25 
Marguerilte,  Paul  et  Victor,  p.  221,  n.  17 
Mariage,  p.  16,  n.2;  p.  18,  n.  30;  p.  218, 
n.  12;  p.  264,  n.26;  p.  270,  n.  61 
Mariage,  Alfonso  XIII  y Victoria  Eugenia 
de  Battenherg,  Union  Augusta,  p.  206, 
n.  1 

Mariage,  Anniversaire  de,  p.366,  n.  12 
Mariage  du  Comte  de  Limburg-Stirum, 
50e  Anniv.,  p.  339,  n.  1 


Mariage  du  Due  d’Orleans  et  de  l’Archi- 
duchesse  d’Autriche,  p.  349,  n.  34 
Mariani,  Vin,  p.  191,  n.  20;  p.226,  n.  9; 

p.  232,  n.30;  p.  271,  n.  82 
Marie,  p.  183,  n.  20 

Marie  Henriette,  La  Reine,  p.  314,  n.  9 
Mariette  Pacha,  p.  343,  n.  26 
Marina,  Ministero  della,  p.  46,  n.  18 
Marine  Royale  Neerlandaise,  Yacht-club 
de  la,  p.  362,  n.  10 

Marriage  medal,  Kent  Hawley  and 
Louisa  F.  Stevenson,  p.  140,  n.  2 
Marseillaise,  La,  p.  263,  n.  4;  p.  347,  n.  7 
Marseille,  p.  184,  n.  21 
Marseille,  Exposition  Coloniale  de,  p. 
226,  n.  4; — Exposition  d’Oeeanographie 
de,  p.  226,  n.  5 
Martin,  Dr.,  p.  221,  n.  6 
Mascart,  Eleuthere,  p.  52,  n.  18 
Maske,  p.  138,  n.  14 
Masoin,  Dr.  E.,  p.  339,  n.  3 
Maspero,  Gaston,  p.  342,  n.  12 
Massachusetts  Civil  Service  Reform 
Association,  p.  118,  n.  3,  4 
Massaux,  A.,  p.  73,  n.  3 
Maternita,  p.  42,  n.  4;  p.  277,  n.  11 
Maternite,  p.  116,  n.  11;  p.  270,  n.  58;  p. 
307,  n.  5 

Maude,  Reine  de  la  Norvege,  p.  331,  n.  11; 
— Couronnement  de  Haakon  VII  et,  p. 
330,  n.  5,  6 

Maurer,  A.  H.,  p.  289,  n.  1 
Mazerolle,  Fernand,  p.  342,  n.  11 
Mazzarino,  Contesse  di,  p.  89,  n.  3 
McEwan,  Janet  Landells,  p.  5,  n.  3 
McKinley,  William,  p.  334,  n.  21,  22 
Mears,  Elizabeth,  p.  214,  n.  3 
Mecklenbourg-Schwerin,  Prince  Henri, 
Due  de,  p.  362,  n.  6 

Medaglia  Commemorativa  del  1859, 
p.  286,  n.  16 

Medaglia  nel  stile  Bisantino,  p.  39,  n.  12 
Medecine,  Congres  International  de, 
p.  347,  n.  10 


398 


GENERAL  INDEX 


Medecine  et  Hygiene,  p.  75,  n.  32 
Medica,  p.  218,  n.  13 
Meissonier,  Ernest,  p.  52,  n.  20 
Melusine,  p.  259,  n.  7 
Memoriam,  In,  p.  277,  n.  9 
Menzel,  Adolf,  p.  164,  n.  1 
Mere  Allaitant,  La,  p.  58,  n.  22 
Mere,  Baiser  de  la,  p.  368,  n.  2 
Mere  et  l’Enfant,  La,  p.  82,  n.  10 
Mere,.  Une,  p.  237,  n.  11 
Meredith,  George,  p.  320,  n.  19 
Merry  del  Yal,  Cardinal-Staatssekretar, 
p.  203,  n.  41 

Merseburger,  Kath.,  p.  243,  n.  37 
Merseburger,  Max,  p.  243,  n.  38 
Mersi,  Barone  Massimiliano  de,  p.  43,  n.  4 
Merthyr  Tydfil,  Borough  of,  p.  151,  n.  1 
Meschersky,  Princesse  Alexander, 
p.  321,  n.  41 

Mesdag,  FI.  W.  et  S.  Mesdag  van  Honten, 
p.  149,  n.  2;  p.  363,  n.  16 
Messa  d’Argento  di  Mons.  Batti, 
p.  39,  n.  7 

Messa  d’Oro,  p.  39,  n.  8 
Messe  de  Minnit,  p.  258,  n.  4 
Messel,  Alfred,  p.  120,  n.  1,  2;  p.  246,  n.  98 
Messina,  p.  251,  n.  9 

Mesticanesti,  Tunnelarbeiter,  p.  296,  n.  33 
Mestreit,  Emile,  p.  74,  n.  17 
Mesureur,  Gustave,  p.  342,  n.  16 
M.  E.  S.  V.,  Preisplakette,  p.  244,  n.  47 
Meunier,  Constantin,  p.  58,  n.  3 
Meunier,  Gaston,  p.  329,  n.  4 
Michelsen,  Christian,  p.  330,  n.  3 
Michelsen,  Christian,  et  Carl  Berner, 
p.  330,  n.  4 

Midmar,  Castle,  p.  123,  n.  3 
Mielziner,  Ella,  p.  320,  n.  14 
Mielziner,  Dr.  M.,  p.  214,  n.  1 
Milan,  Exposition  Internationale,  p.  369, 
n.  8 

Milano,  Esposizione  di,  p.  46,  n.  11;  p. 
285,  n.  8,  9 

Mill,  John  Stuart,  p.  189,  n.  3 

399 


Mimine,  p.  75,  n.  33;  p.  313,  n.  4 
Mine,  La,  p.  308,  n.  14 
Minerve,  p.  149,  n.  4 
Miniature  Bifle  Clubs,  Soc.  of,  p.  124, 
n.  16 

Ministero  dell’  Istruzione,  p.  286,  n.  17 
Ministero  di  Agricoltura,  Industria  e 
Commercio,  p.  286,  n.  18 
Mint,  Boyal  Spanish,  p.  12 
Mirbeau,  Octave,  p.  221,  n.  15 
Mirland,  Victor,  p.  75,  n.  40 
Mistral,  Frederic,  p.  257,  n.  4 
Mitchell,  Hortense  Lenore,  p.  92,  n.  3 
Mine.  A.  P„  p.  343,  n.  28 
Mine,  de  B.,  p.  218,  n.  14 
Modiste,  p.  83,  n.  19 
Moisson,  La,  p.  69,  n.  2;  p.  307,  n.  9 
Moltke,  Bismarck-,  p.  120,  n.  3,  4 
Mommsen,  Theodor,  p.  166,  n.  32 
Monaco,  Societe  Medicate  de,  p.  284,  n.  10 
Monitore  dei  Tribunali,  Justizia  e 
Scienza,  p.  46,  n.  20 

Monnaie  d’Utrecht,  Yisite  de  la  Heine 
Wilhelmina  a la,  p.  363,  n.  18 
Monnaie  de  Paris,  Souverains  Busses, 
Visite  a la,  p.  53,  n.  47 
Mons,  Association  des  Ingenieurs  de 
l’Ecole  des  Mines  de,  p.  73,  n.  5 
Montfaiujon,  Bernard  de,  p.  221,  n.  5 
Montmorency,  Societe  de,  p.  348,  n.  22 
Monumento  al  Gen.  Martinez  Campos, 
Inauguration  del,  p.  13,  n.  7 
Monumento  a Vittorio  Emanuele  II, 
Genova,  p.  39,  n.  9 

Monumento  Commemorativo  della  Bat- 
taglia di  Legnano,  p.  39,  n.  10 
Moore,  Louise  Hartshorne,  p.  303,  n.  8 
Morel,  M.  et  Mine.,  p.  270,  n.  63 
Morlanwelz,  Baoul  Warocque,  Bourg- 
mestre  de,  p.  75,  n.  41 
Morris,  May,  p.  66,  n.  8 
Morse,  Concours  Institue  par  le  Prof., 
p.  365,  n.  2 

Morton,  Mons.,  p.  70,  n.  17 


GENERAL  INDEX 


Moscou,  Exposition  Fran^aise  de,  p.269, 
n.  29 

Mot,  Emile  de,  p.  74,  n.  16 
Mother.  The,  p.  3,  n.  2 
Motherhood,  p.  28,  n.  41,  12 
Motor  Yacht  Club,  p.  106,  n.  22 
Motorballonfalirt,  Parseval,  I.  L.  A., 
p.  245,  n.  61 

Mousquetaire,  ]).  102,  n.  19 
Movaux,  Auguste,  p.  73,  n.  6,  7 
Move,  Paul,  p.  138,  n.  16 
Mozart,  Beethoven,  Haydn,  p.  223,  n.  7 
Mucha,  A.  M.,  p.  158,  n.  7 
Mucha,  Viktor,  p.  239,  n.  13 
Miihlenberg,  W.  A.,  p.  29,  n.  64 
Muller  Co.,  Emile,  p.  59,  n.  31 
Milliner,  Laurenz,  p.  301,  n.  6,  7 
Multatuli,  p.  165,  n.  21 
Miinchen,  Geograpliische  Gesellschaft, 
p.  154,  n.  5 

Miinsterberg,  Oscar,  p.  121,  n.  20 
Murdocci,  Eva,  and  Bella  Edvards,  p. 
320,  n.  16 

Murphy,  Francis,  p.  325,  n.  2 
Muse  avec  Couronne,  p.  159,  n.  23 
Museum  of  Wales,  National,  p.  151,  n. 

4,  5 

Music,  p.  238,  n.  4,  5 
Music,  Order  for  Art,  Science,  and, 
p.  106,  n.  23 

Musica,  Arte  e,  p.  43,  n.  1 
Musica  Divina,  p.  42,  n.  5 
Musik,  p.  170,  n.  7 

Musik,  Gcsang  und  Tanz,  p.  142,  n.  25 
Musique,  Conservatoire  National  de,  et 
de  Declamation,  p.  52,  n.  11 
Musique  Guerriere,  La,  p.  309,  n.  25 
Musique  Sylvestre,  p.  179,  n.29 
Mutualite,  p.  184,  n.  22;  p.  187,  n.  12; — des 
Peigneurs,  p.  184,  n.  23 

N.,  Mine.,  p.  343,  n.  30 
Nadler,  Hans,  p.  137,  n.  8 
Nagelmackers,  G.,  p.  318,  n.  20 


Nagelmackers,  Bene,  p.  349,  n.  42 
Naissance  de  Juliana,  Princesse  des 
Pays-Bas,  p.  363,  n.  22 
Naissance  du  Prince  Leopold,  p.  195, 
n.  14 

Namur,  Concours  Agricole  de,  p.  194, 
n.  7,  8 

Nansen,  Fridtjof,  p.  27,  n.  23 

Natalis  Dies,  p.  264,  n.  22 

National  Academy  of  Design,  p.  28,  n.  45; 

—Isidore  Memorial,  p.  164,  n.  1 
National  Geographical  Society,  p.  333, 
n.  3,  6 

National  Rose  Society,  p.  238,  n.  6 
Nature’s  Poet,  p.  10,  n.  1 
Nautiea,  p.  46,  n.  21 

Nava,  Alexander,  Ritter  von,  p.  291,  n.  1 
Navajo  Chief,  Tja-yo-ni,  p.289,  n.  4 
Navigation  Aerienne,  p.  218,  n.  15 
Navigation  en  Mer,  p.  187,  n.  13 
Navigation  en  Riviere,  p.  187,  n.  14 
Navigazione,  p.  277,  n.  12 
Neel,  Mrs.  William  Jackson,  p.  68,  n.  3 
Ne-i-so-meh,  p.  289,  n.  7 
Nervo,  Baron  de,  p.  69,  n.  3 
Netoliszky,  August,  p.  141,  n.  9 
Neujahrsplakette,  Allgemeine  Wahl- 
recht,  p.  165,  n.  22 

Neujahrsplakette,  Biedermeierfamilie, 
p.  166,  n.  23,  24,  25 

Neujahrsplakette,  Bosnien,  p.  166,  n.  26 
Neujahrsplakette,  Faber,  p.  292,  n.  17 
Neujahrsplakette,  Kaiserjubilaum, 
p.  166,  n.  27 

Neujahrsplaquette,  “Heil  1910,”  p.  240, 
n.  16 

Newburgh,  Hudson-Fulton  Celebration, 
p.  37,  n.  1 

Newell,  Edward  T.,  p.  320,  n.  11 
Newman,  Louise  W.,  p.  320,  n.  29 
New  Theatre,  New  York,  p.  15,  n.  1 
New  York,  Centenary  of  the  Establish- 
ment of  the  Catholic  Diocese  of,  p.  263, 
n.  7,  8 


400 


GENERAL  INDEX 


New  York,  Charities  and  Correction, 
p.  26,  n.  9 

New  York,  Fine  Arts  Federation  of,  p. 
27,  n.  20 

New  York  Historical  Society,  Centennial, 
p.  28,  n.  46 

New  York,  Hudson-Fulton  Celebration, 
p.  92,  n.  4 

New  York  Public  Education  Association, 
p.  26,  n.  12 

New  York  Public  Library,  p.  28,  n.  47 
Niagara,  p.  200,  n.  1 

Niederoesterreichische  Landeskulturrat, 
p.  203,  n.  42 

Nietzsche,  Friedrich,  p.  165,  n.  7;  p.  243, 
n.  31 

Nineteenth-Century  Allegory,  p.  208,  n.  4 
Nino,  Cabeza  de,  p.  12,  n.  2 
Noces  d’ Argent,  E.  W.  Berg  et  A.  A. 
Lenting,  p.  362,  n.  4 

Noces  d’ Argent,  M.  et  Mine.  Morel,  p.  270, 
n.  63 

Noces  d’Argent,  Ouvrier,  p.  159,  n.  29 
Noces  d’Or,  H.  W.  Mesdag  and  S.  Mes- 
dag  von  Houten,  p.  149,  n.  2;  p.363, 
n.  16 

Norddeutscher  Lloyd,  Bremen,  p.  121, 
n.  19 

North  Pole,  Discovery  of  the,  p.  333,  n.  3 
Norton,  Dr.  Bupert,  p.  27,  n.  17 
Norvege,  A la  Protection  Mutuelle  de  la, 
p.  331,  n.  15 

Notre  Dame  de  Consolation,  p.  237,  n.  6 
Notturno  (Diana),  p.296,  n.  28 
Nozze  d’Argento,  p.  46,  n.  22 
Nozze  d’Oro,  p.  39,  n.  11 ; p.  46,  n.  23 
Nozze  Onderloni,  p.  43,  n.  13 
Numismate,  Le,  p.  102,  n.  18 
Numismatic  Society,  American.  See 
Society 

Numismatik,  p.  155,  n.  12;  p.  244,  n.  49 
Numismatische  Gesellscliaft  in  Wien, 
p.  142,  n.  19 

Numismatische  Gesellscliaft  in  Wien, 
Ausflug  der,  p.  141,  n.  3 

401 


Ny  Carlsberg,  Brasserie  de,  p.  52,  n.  4 
Nymphs,  Sea,  p.  6,  n.  5 

0.,  Joseph,  p.  162,  n.  2 
Oberammergau,  p.  245,  n.  73 
Obozinski,  Jean,  p.  360,  n.  4 
Obsthau,  p.  138,  n.  15 
Ocean,  p.  113,  n.  12 
Oceanograpliie,  Exposition  cl’,  p.  226, 
n.  5 

Oesterreichische  Ausstellung,  London, 
p.  142,  n.  26 

Oesterreichische  Gesellscliaft  fiir  Mtinz- 
und  Medaillen-Kunde,  Kaiser  Jubila- 
umsausstellung,  p.  142,  n.  21 
Oesterreichischer  Gerstehau,  p.  142,  n.  27 
Oettinger,  Julia  W.,  p.  28,  n.  35 
CEuvre  des  Liberees  de  St.  Lazare,  p. 

270,  n.  71 

CEuvre  clu  Grand  Air,  p.  195,  n.  15 
Olav,  Prince  Boyale,  p.  331,  n.  11 
Old  Jim,  p.  289,  n.  8 
Olin,  Stephen  Henry,  p.  131,  n.  2 
Olympic  Games,  London,  p.  198,  n.  1-4 
Omaggio,  p.  277,  n.  13 
Omaggio  dell’  Impresa  Andrucci,  Allegra 
e Bossi,  p.  286,  n.  19 
Onofrio,  Onle  Marchese  Ugo  di  Sant’, 
p.  286,  n.  20 

Openhym,  Wm.,  p.  29,  n.  68 
Order  for  Art,  Science,  and  Music,  p.  106, 
n.  23 

Orfevrerie,  L’,  p.  343,  n.  34 
Orientalische  Gesellscliaft,  p.  216,  n.  18 
Orleans,  Helene  d’,  Duchessa  d’ Aosta, 
p.  277,  n.  7 

Orleans,  Henri  d’,  Due  d’Aumale,  p.  52, 
n.22 

Orleans,  Manage  clu  Due  d’,  et  de  l’Ar- 
chiduchesse  d’Autriche,  p.  349,  n.  34 
Ormond,  Mine.  M.,  p.  349,  n.  39 
Osborne,  Theodore  E.,  p.  289,  n.  9 


GENERAL  INDEX 


Oscar  11.  Roi  do  la  Norvege,  75e  Anniver- 
saire  du  Jour  de  Naissance  de,  p.  330, 
n.  1 

Osier,  William,  p.  347,  n.  13 
Otten,  Andre,  p.  177,  n.  2,  3 
Otten,  Andree,  p.  177,  n.  4 
Otten,  Yvonne,  p.  179,  n.  35 
Otto,  Rudolph,  p.  129,  n.  6 
Ouvrier,  Voces  d’ Argent,  p.  159,  n.  29 
Ouvriere,  La  Conference  Internationale, 
de  Berlin,  p.  342,  n.  19 

P„  Mine.  A„  p.  343,  n.  28 
P.,  Signorina  Bertha,  p.  366,  n.  11 
Pacha,  Mariette,  p.  343,  n.  26 
Padova,  Banca  Coop.  Pop.  di,  p.  285,  n.  1 
Paix,  La,  p.  113,  n.  5 

Paix,  Conference  de  la,  a la  Haye,  p.  194, 
n.  9;  p.  314,  n.  10;  p.  362,  n.  3 
Palestine,  Bedouin  and  Fellah,  p.227, 
n.  1,  2 

Pallas  Athena,  p.  155,  n.  13;  p.  323,  n.  11 
Panama  Canal,  p.  28,  n.  48 
Pan-American  Exposition,  p.  334,  n.  21, 
22 

Panas,  Docteur,  p.  17,  n.  12 
Papafava  da  Carrara,  Piccolo  Conte,  p. 
90,  n.  14 

Parents,  Mes,  p.  187,  n.  11 
Parents  of  Johannes  Sophus  Gelert,  p. 
110,  n.  3 

Paris,  Bourse  de  Commerce,  p.  330,  n.  8 
Paris,  Caisse  d’Epargne  et  de  Prevoyance 
de,  p.  52,  n.  5 

Paris,  Centenaire  de  l’lnternat  en  Mede- 
cine  dcs  Hopitaux  Civils  de,  p.  16,  n.  6 
Paris,  Chambre  de  Commerce  de,  p.  268, 
n.  9 

Paris,  Colonie  Brasilienne,  p.  237,  n.  9 
Paris,  Concours  de  Facades  de  la  Ville 
de,  p.  254,  n.  4 

Paris,  Cour  d’Appcl  de,  p.  347,  n.  11 
Paris,  Enseignement  du  Dessin  de  la 
Ville  de,  p.  17,  n.  13 


Paris,  Exposition  Universelle  de,  p.  17,  n. 
15,  16;  p.  29,  n.61;  p.263,  n.  9,  10;  p. 
269,  n.  30;  n.  348,  n.  31 
Paris-Lyons-Mediterranee,  p.267,  n.  4 
Paris  Recevant  la  Bosnie-Herzegovine, 
p.  159,  n.  24 

Paris,  Siege  de,  p.  53,  n.  44 
Paris,  Societe  des  Parisiens  de,  p.  18,  n. 
37,  38 

Paris,  Souverains  Russes,  Visite  a la 
Monnaie  de,  p.  53,  n.  47 
Paris,  Ville  de,  p.  254,  n.  14 
Parisienne,  p.  88,  n.  10;  p.  89,  n.  9 
Parisienne,  Silhouette,  p.  172,  n.  26,  27 
Parlby,  G.,  p.  5,  n.  2 
Parrish,  Anne,  p.  118,  n.  1 
Parsons,  Royal,  p.  303,  n.  12 
Pasteur,  Louis,  p.  231,  n.  23 
Pastorale,  p.  237,  n.  7 
Patria,  p.  365,  n.  8 
Pati'ie,  p.  184,  n.  24,  25 
Paul,  p.  284,  n.  8 

Paule,  £tude  d’Enfant,  p.  221,  n.  16 
Pauli,  Dr.  G.,  p.  120,  n.  8 
Pawle,  M.  et  Mme.,  p.  159,  n.  22 
Pays-Bas,  Emma,  Reine-mere  des,  p.  362, 
n.  8 

Peabody,  Alice,  p.  319,  n.  5 
Peabody,  Charles,  p.  320,  n.  9 
Peary,  Robert  E.,  p.  333,  n.  3 
Peasant,  Breton,  p.  123,  n.  2 
Pecheur  Hollandais,  Tete  de  Vieux, 
p.  113,  n.  14 

Pecheur,  Renouveau,  p.  75,  n.  42 
Pecheuse,  p.  366,  n.  9 
Peez,  Alexander  von,  p.  291,  n.  2 
Pegasus,  p.  246,  n.  86 
Peigneurs,  Mutuality  des,  p.  184,  n.  23 
Peintres  Orientalistes,  Societe  des,  p. 
231,  n.  24 

Peinture,  La,  p.  115,  n.  4 
Pennsylvania  Academy  of  Fine  Arts, 
p.  24,  n.  2 

Pennsylvania  Society,  The,  p.  93,  n.  9 


402 


GENERAL  INDEX 


Pensee,  La,  p.  83,  n.  11;  p.  181,  n.  6;  p. 
348,  n.  24 

Percement  du  Tunnel  du  Simplon,  p.  102, 
n.  20 

Perdrizet,  P.,  et  Jouguet,  p.  184,  n.  26 
Perier,  Charles,  p.  268,  n.  23 
Pernambuco,  Jose  Antonio,  p.  74,  n.  25 
Peru  i Bolivia,  Chile  en  Guerra  contra  el, 
p.  16,  n.  7 

Peru  i Bolivia,  Chile  en  Paz  con  el, 
p.  17,  n.  8 

Peruwelz,  E.  Simon,  Bourgmestre  de, 
p.  175,  n.  2 
Petrus,  p.  246,  n.  87 
Petschek,  Josef,  p.  203,  n.  32 
Pettenkofer,  Max  von,  p.  121,  n.  18 
25-Pfennig  Stuck,  Germany,  p.  137,  n.  3; 
p.  155,  n.  14;  p.242,  n.  20;  p.  244,  n.  50, 
59;  p.  245,  n.  74 

Philadelphia  Arts  Club,  p.  24,  n.  3 
Philadelphia,  College  of  Physicians,  p. 
209,  n.  3 

Piceioni,  Camille,  p.  225,  n.  2 
Picquart,  Georges,  p.  221,  n.  10 
Pierce,  Henry  Clay,  p.  89,  n.  8 
Pierrette  la  Pauvre,  p.  369,  n.  20 
Piet-Lataudrie,  Charles,  p.  268,  n.  11 
Piette-Bivage,  Prosper  v.,  p.  239,  n.  11 
Piot,  E.,  p.  369,  n.  23 
Pissaro,  Camille,  p.  58,  n.  4 
Pitie,  La,  p.  115,  n.  5 
Pius  X,  p.  40,  n.  18;  p.  43,  n.  16;  p.  204, 
n.44 

Platine  d’un  Fusil,  p.  18,  n.  31 
Playfair,  Sir  Patrick,  p.  321,  n.  42 
Poe,  Edgar  Allan,  p.  333,  n.  4,  5 
Poesie,  La,  p.  113,  n.  6;  p.  348,  n.  25 
Poetes  Morts  sans  Gloire,  Aux,  p.  16,  n.  4; 
p.  306,  n.  2 

Polonaise,  Tete  de  Jeune  Fille,  p.  75, 
n.  49,  50 

Pomona,  p.  323,  n.  12 
Ponscarme,  F.  J.  Hubert,  p.  369,  n.  9 
Pope,  Marian  Holden,  p.  360,  n.  6 

403 


Port  de  Calais,  Nouveau,  p.  18,  n.  29 
Port  de  Tunis,  Inauguration  du,  p.  17, 
n.  22,  23 

Porte-cigare,  p.  18,  n.  32 
Porteuses  d’Offrandes  Cambodgiennes, 
p.  258,  n.  5 

Portrait,  p.  28,  n.  49;  p.  93,  n.  7.  See 
Damenportrat 

Portrait  de  Dame,  p.  187,  n.  15,  16 
Portrait  de  Deux  Enfants,  n.  369,  n.  21 
Portrait  d’Enfant,  p.  177,  n.  2,  3;  p.  178, 
n.  12,  13 

Portrait  d’Enfant,  Louis,  p.  259,  n.  8 
Portrait  d’Homme,  p.  98,  n.  7 
Portrait  d’Homme,  Esquisse,  p.  58.  n.  11 
Portrait  d’un  Amateur,  p.  258,  n.  6 
Portrait  d’une  Dame,  p.  218,  n.  16 
Portrait  Group,  p.  282,  n.  1 
Portrait  medallion,  p.  110,  n.  3;  p.  147, 
n.  1 

Portrait  of  a Child,  p.  124,  n.  14;  p.  306, 
n.  2 

Portrait  of  a Lady,  p.  328,  n.  6 
Portrait  of  a Man,  p.  93,  n.  8;  p.  227,  n.  3; 
p.  327,  n.  4 

Portrait  of  a Young  Girl,  p.  124,  n.  15 
Portrait  of  “Junior,”  p.  25,  n.  2 
Portrait  of  “our  Boys,”  p.  129,  n.  12,  13 
Portrait  plaque,  p.  140,  n.  3 
Portraits  d’Eufants,  p.  70,  n.  19 
Portraits  in  wax  (five),  p.  140,  n.  4 
Portrat,  p.  216,  n.  19,  20 
Ports  de  Bruges,  Inauguration  des,  p.  74, 
n.  23 

Postage-stamp,  Design  for  a,  p.  105,  n.  7 
Potiers,  Les,  p.  191,  n.  16 
Potter,  Frank  Hunter,  p.  215,  n.  1 
Potter,  P.  L.  Armand  de,  p.  349,  n.  41 
Pozzi,  Samuel,  p.  52,  n.  17 
Prague  and  Moldau,  p.  328,  n.  7 
Premiers  Pas,  Les,  p.  221,  n.  14 
Prescott,  Harry  Forbes,  p.  253,  n.  1 
Priesterweihe,  p.  246,  n.  96 
Primavera,  p.  237,  n.  8 


GENERAL  INDEX 


Primo  Peccato,  II.  p.  28,"),  n.  14 
Prince  Llywelvn  Memorial,  p.  151,  n.  6,  7 
Printemps,  Le,  p.  102,  n.  21;  p.  115,  n.  8; 
p.  307,  n.  10 

Prinzhorn,  Hans,  p.  216,  n.  80 
Prisons  do  Fresnes-les-Rungis,  Inaugura- 
tion des,  p.  269,  n.  41 

Produits  Chimiques,  Chambre  Syndicate 
des,  p.  329,  n.  1 
Profilo  Muliebre,  p.  46,  n.  24 
Proletaires,  Lcs,  p.  59,  n.  27 
Protection  des  Enfants  du  Premier  Age, 
p.  53,  n.  43 

Protection  Mutuelle  de  la  Norvege,  p. 
331,  n.  15 

“Provence,  La,”  p.  226,  n.  7 
Psyche  and  Mors,  p.  255,  n.  3 
Psyche,  Juno  et,  p.  309,  n.  22 
Public  Library,  New  York,  p.  28,  n.  47 
Pucelle  de  Gaud,  La,  p.  195,  n.  13 

Queen’s  Cup  Gold  Medal,  Design  for,  p. 
124,  n.  16 

Quelin,  Rene  T.  de,  p.  360,  n.  8 
Quenu,  Docteur  E.,  p.  68,  n.  1 
“Quijote,”  Tercer  Centenario  de  la  Pu- 
blicacion  del,  p.  206,  n.  3 

R.,  Mine,  de,  p.  218,  n.  14 
Rabutot,  Charles,  p.  27,  n.  13 
Radio  de  Radiis,  Amelie  (Mme.  Kautsch), 
p.  158,  n.  6 
Rafale,  p.  369,  n.  22 
Railroads,  Life-Saving  on,  p.357,  n.  3 
Rainer,  Erzherzog,  p.  202,  n.  12; — u. 

Erzherzogin  Maria,  p.  202,  n.  13,  14 
Rajah  of  Kapurthala,  The,  p.  124,  n.  17 
Ramon  y Cajal,  Doctor,  p.  12,  n.  5,  6 
Rathenau,  Emil,  p.  121,  n.  10,  11 
Rats,  Le  Conseil  Tenu  par  les,  p.  231, 
n.  21 

Ratti,  Messa  d’Argento  di  Monsignor, 
p.  39,  n.  7 


Raynaud,  Mme.  Ernest,  p.  28,  n.  40 
Rebel',  Franz,  p.  242,  n.  16 
Rechberg,  E.  F.,  p.  320,  n.  12 
Red  Cross,  American,  p.  334,  n.  3,  4 
Redentore,  Bacio  del,  p.  42,  n.  2 
Regierungsjubilaums-Erinnerungskranz, 
p.  204,  n.  46 

Reichenberg,  Deutsch-Bohmische  Aus- 
stellung  in,  p.  142,  n.  12 
Reininghaus,  J.  P.,  p.  158,  n.  19 
Rembrandt,  p.  244,  n.  40 
Remouleur,  Francois  le,  p.  311,  n.  37; 

p.  369,  n.  10 
Rene,  p.  28,  n.  51 
Renouveau,  Pecheur,  p.  75,  n.  42 
Repos  des  Moissonneurs,  p.  184,  n.  28 
Reprise  du  Congo  par  la  Belgique,  p.  75, 
n.  43 

Republica  Argentina,  p.  179,  n.  30;  p.  184, 
n.  29 

Republique  Casquee,  p.  271,  n.  73 
Republique  Frangaise,  p.  18,  n.  33;  p.  179, 
n.  31 ; p.  343,  n.  33 

Republique  Frangaise,  Amies  de  la, 
p.  178,  n.  8 

Republique  Franqaise,  Amies  et  Effigie 
de  la,  p.  177,  n.  7 

Republique  Francaise,  Sceau  pour  le 
Ministere  d.  Aff.  Etrang.,  p.  184,  n.  30 
Republique,”  “Triomphe  de  la,  p.  188, 
n.  18 

“Research,”  p.  147,  n.  2 
Rcssonico,  Cav.,  p.  46,  n.  5 
Resurrection  de  San  Francisco,  p.  18, 
n.  34 

Retour  au  Foyer,  p.  184,  n.  31 
Retour  du  Prince  Albert  du  Congo,  p. 

284,  n.  9 

Reuchlin,  Jonkheer  Otto,  p.  330,  n.  5 
Reve,  Le,  p.  348,  n.  28 
Reverie,  p.  172,  n.  25;  p.  218,  n.  17 
Rhinologen-und  Laryngologen-Congress, 
Wien,  50-jahr.  Jubilaum,  Turck  u. 
Czermak,  p.  202,  n.  11 


404 


GENERAL  INDEX 


Rhinozerus,  p.  244,  n.  41 
Rliijn,  Harmensz  van,  p.  363,  n.  14 
Ricard,  L.,  p.  349,  n.  33 
Ricketts,  Ernest  R.,  p.  320,  n.  15 
Ricordi,  Giovanni,  p.  46,  n.  15 
Ridolfi,  Contesse,  p.  89,  n.  4 
Rifle  Clubs,  Society  of  Miniature,  p.  124, 
n.  16 

Riga,  Jubilaum  d.  Stadt.,  p.  323,  n.  10 
Riley,  Mrs.  Athelstan,  p.  229,  n.  2 
Rimmer,  William  and  Mary  H.  C.,  p.  255, 
n.  1 

Ringer,  Die,  p.  216,  n.  11 
“Riric,”  p.  348,  n.  19 
Ritratto,  p.  43,  n.  15 
Ritratto  d’Uomo,  p.  304,  n.  6,  7 
Ritratto  di  Signora,  p.  47,  n.  26 
Roberts,  Lord,  p.  106,  n.  17;  p.  123,  n.  5 
Robin,  Albert,  p.  347,  n.  2 
Rodin,  Auguste,  p.  221,  n.  3,  4 
Rome,  Perine,  p.  264,  n.  24 
Roma,  Gara  di  Tiro  a Segno  Nazionale, 
p.  251,  n.  7;  p.286,  n.  24 
Roosevelt,  Theodore,  p.  29,  n.  60;  pi  334, 
n.  11,  12 

Rop  leve  Norge,  p.  331,  n.  12 
Rosa,  p.  349,  n.  43 
Rosenheim,  Max,  p.  320,  n.  33 
Rosenthal,  Raron  et  Raronne,  p.  158,  n.  9 
Rothschild,  Anthony  de,  p.  105,  n.  1 
Rothschild,  Evelyn  de,  p.  105,  n.  8 
Rotter,  Guido,  p.  239,  n.  12 
Roty,  Mine.  M.  A.,  p.  270,  n.  69 
Roty,  Maurice,  p.  270,  n.  60 
Roty  a ses  Amis,  0.,  p.  270,  n.  70 
Roubaix,  Chambre  de  Commerce  de, 
p.  183,  n.  4 

Roubaix,  Hopital  de,  p.  183,  n.  12 
Roubaix,  Pierre  de,  p.  184,  n.  27 
Rouen,  Assurances  Mutuelles  de,  p.  268, 
n.  6 

Rouen,  Expos.  Nationale  et  Coloniale  de, 
p.  269,  n.  31 

Rouen,  Yille  de,  p.  184,  n.  39 

405 


Rousseau,  Louis  F.,  p.  264,  n.  19 
Royal  Agricultural  Society  of  England, 
p.  238,  n.  7 

Royal  Automobile  Club,  p.  133,  n.  1 
Royal  Geographical  Society,  p.  5,  n.  1; 
p.  6,  n. 4 

Royal  Institute  of  British  Architects,  p. 
96,  n.  1 ; p.  100,  n.  1 

Royal  Society,  p.  109,  n.  1 ; p.  238,  n.  8 
Royal  Statistical  Society,  p.  5,  n.  1 
Rudolph,  Charlotte  Weltsler,  p.  360,  n.  2 
Rumanischen  Blindenheims,  Eroffnung 
des,  p.  291,  n.  5,  6 
Runkle,  Bertha,  p.  66,  n.  2 
Ruskin,  John,  p.  325,  n.  4 
Russes,  Souverains,  p.  53,  n.  46,  47 
Ruyter,  Michel  A.  de,  p.  314,  n.  12;  p.  363, 
n.  15 

S.,  Florence,  p.  162,  n.  1 
Sachs.  3.  Inf.  Regt.,  No.  102,  p.  246,  n.  89, 
90 

Sachsen,  Landeskulturrat  f.  das  Konig- 
reich,  p.  137,  n.  12 

Saehsen-Altenberg,  Ernst,  Herzog  v., 
p.  129,  n.4;  Ernst  II,  Herzog  v.,  p.  129, 
n.  5 

Sachsen-Meiningen,  Herzog  Georg  v., 
p.  261,  n.  7 

Sain,  Edouard  Alexandre,  p.  70,  n.  7 
Sainte-Beuve,  C.  A.,  p.  342,  n.  7 
Sainte  Famille,  p.  184,  n.  32 
Sainte  Genevieve,  p.264,  n25;  p.  271, 
n.  76 

Saint-Josse-ten-Noode,  Jubile  Adminis- 
trate de,  p.  181,  n.  5 
Salome,  p.  75,  n.  44 

Saltus,  J.  Sanford,  p.  27,  n.  34;  p.  28,  n.  45 
Saint  a l’Aine,  p.  258,  n.  7 
Samann,  Der,  Unterriclitswesen,  p.  155, 
n.  15,  16;  p.  244,  n.  52 
Samberger,  L.,  p.  242,  n.  18 
San  Francisco,  Resurrection  de,  p.  18, 
n.  34 


GENERAL  INDEX 


San  Martino  c Solferino,  Convegno  in 
Coininomorazione  di,  p.  43,  n.  8 
Sanderson,  Mrs.  Cobden,  p.  66,  n.  10 
Sant'  Onofrio,  Onle  Marchese  Ugo  di,  p. 
286,  n.  20 

Santos-Dumont,  p.  237,  n.  9 
Sapeurs-Pompiers,  p.  271,  n.  74 
Sargent,  Dudley  A.,  p.  209,  n.  7 
Sauer,  Emil,  p.  138,  n.  12;  p.  165,  n.  5 
Sauvetage,  Soc.  Franc,  de,  p.  330,  n.  7 
Sawyer,  Marie  Christiani,  p.  289,  n.  6 
Saxe-Goburg  and  Gotha,  Victoria  Adel- 
heid.  Duchess  of,  p.  321,  n.  45 
Say,  Leon,  p.  270,  n.  54 
Sceau  pour  le  Ministere  d.  Aff.  Etrang., 
p.  184,  n.  30 

Schaffner,  Max,  p.  203,  n.  40 
Scliarfenberg,  Wilhelm  v.,  p.  321,  n.  47 
Scharff,  Anton,  p.  223,  n.  5 
Schiller,  Friedrich,  p.242,  n.  9;  p.245,  n. 

62;  p.  296,  n.  15,  16 
Schistek,  Franz,  p.  239,  n.  6 
Schlacht  v.  Aspern,  100.  Gedenktag, 
p.  202,  n.  20 

Schmedes,  Erik,  p.  165,  n.  6 
Schmidt,  Mildred,  p.  320,  n.  34 
Schmidtmann,  Hermann,  p.  216,  n.  12 
Schoeller,  Paul  von,  p.  292,  n.  18,  19 
Scholz,  Joseph,  p.  201,  n.  8 
Schonaich,  Freiherr  von,  p.  202,  n.  17 
Schonborn,  Graf  F.,  p.  296,  n.  18 
Schonherr,  David  von,  p.  296,  n.  13 
Schottengymnasium,  p.  141,  n.  4 
Schubertiade,  p.  292,  n.  20,  21 
Schuctte,  Franz,  p.  261.  n.  5 
Schumann,  Robert  und  Clara,  p.  166, 
n.  30 

Scburz,  Carl,  p.  26,  n.  7 
Schwebende  Welt,  I.  L.  A.,  p.  245,  n.  65 
Scbwegerle,  Frau,  p.  246,  n.  78 
Schwegerle,  Hermann,  p.  246,  n.  82 
Schwerdtner,  Johann,  p.  301,  n.  3 
Schwesternschaft  d.  Stadt  Berlin,  p.323, 
n.  9 


Schwimmer,  Die,  p.  216,  n.  7 
Schwind,  Fuhrlich,  Steinle,  p.223,  n.  12 
Schwyzois,  Tir  Cantonal,  a Kiissnacht, 
p.  102,  n.  26 
Science,  p.  237,  n.  10 

Science,  and  Music,  Order  for  Art,  p.  106, 
n.  23 

Sciences,  Association  Frangaise  pour 
l'Avancement  des,  p.  267,  n.  5 
Scientia,  p.  218,  n.  18 
Scott,  Robert  Falcon,  p.  5,  n.  1 
Scout,  Apache  Indian,  p.  289,  n.  3 
Sculpteur,  Le,  p.  98,  n.  6 
Scuola  d’Atene,  p.  39,  n.  14;  p.  40,  n.  15 
Scuola  Sup.  d’Arte  Applicata  all’  Indus- 
tria,  p.  40,  n.  16 
Sea  Nymphs,  p.  6,  n.  5 
Seal  cut  in  amethyst,  p.  129,  n.  14 
Seal  cut  in  beryl,  p.  129,  n.  15 
See,  Anna  et  Germaine,  p.  53,  n.  34 
See,  Camille,  p.  52,  n.  6 
Seely,  Helen,  p.  303,  n.  6 
Seilern,  Count,  p.  105,  n.  5 
Seine,  La,  p.  231,  n.  20 
Selbstportrat  (D.  Greiner),  p.  244,  n.  42 
Selskahet  for  Christiania  Bvs  Vel,  p.  331, 
n.  13 

Semeur,  Le,  p.  369,  n.  16 
Scmpione,  Inaugurazione  del,  p.  285,  n. 
8,  9 

Senat  d.  Hansestadt  Bremen,  p.  120,  n.  5, 
6,  7 

Sermoneta,  Duehi  Gaetani  di,  p.  286, 
n.  19 

Serristori,  Contesse,  p.  89,  n.  5 
Sertoli,  E.,  p.  46,  n.  10 
Servois,  Gustave,  p.  369,  n.  11,  12 
“Set,”  Le,  p.  343,  n.  23 
Severine,  Mme.,  p.  59,  n.  29 
Shackleton,  Sir  Ernest  H.,  p.  6,  n.  4;  p. 
333,  n.  6 

Sharpe,  George  H.,  p.  356,  n.  1 
Shaw,  Leslie  M„  p.  334,  n.  17,  18 
Shepherdess,  p.  28,  n.  53 


406 


GENERAL  INDEX 


Sickles,  Elizabeth,  p.  66,  n.  4 
Siecle  Nouveau,  Le,  p.  264,  n.  17 
Siege  de  Paris,  p.  53,  n.  44 
Silence,  Le,  p.  83,  n.  16;  p.  258,  n.  3 
Silhouette  Parisienne,  p.  172,  n.  26,  27 
Silvestri,  Giovanni,  p.  285,  n.  11 
Simon,  Ldouard,  p.  175,  n.  2 
Simon,  Jules,  p.  52,  n.  26 
Simon,  Mine.  Sarah  Gustave,  p.  53,  n.  32 
Simplon,  Percement  du  Tunnel  du,  p. 
102,  n.  20 

Simson,  Alfred,  p.  319,  n.  3 
Simson,  Alice  Arbuthnot,  p.  319,  n.  4 
Simson,  Herman,  p.  320,  n.  23 
Simson,  N.  C.  S.,  p.  320,  n.  36 
Simson,  Noelie  G.  S.,  p.  320,  n.  37 
Singes,  Les,  p.  308,  n.  15 
Sketch  A,  Flying  Cloud,  p.  255,  n.  4 
Sketch  B,  The  Cherub’s  Crown,  p.  255, 
n.  5 

Sketch  C,  A Benefactor,  p.  255,  n.  6 
Ski,  p.  138,  n.  17 
Slosse,  Nicole,  p.  83,  n.  20 
Societa  Fotografica  Subalpina,  p.  277, 
n.  6.  See  also  Society,  Gesellschaft 
Societe  d’Agriculture,  p.  363,  n.  19 
Societe  d’Encouragement  de  l’Escrime, 
p.  330,  n.  6 

Societe  de  Montmorency,  Horticulture, 
p.  348,  n.  22 

Societe  des  Amateurs  Independants, 
p.  369,  n.  25 

Societe  des  Architectes  Diplomes,  p.  18, 
n.  35,  36 

Societe  des  Parisiens  de  Paris,  p.  18, 
n.  37,  38 

Societe  des  Peintres  Orientalistes,  p.  231, 
n.  24,  25 

Societe  des  Sciences  et  Arts  de  Lille, 
p.  184,  n.  33 

Societe  Frangaise  de  Sauvetage,  p.  330, 
n.  7 

Societe  Franco-Japonaise,  p.  221,  n.  19 
Societe  Medicale  de  Monaco,  p.  284,  n.  10 

407 


Societe  Nationale  des  Chemins  de  Fer 
Vicinaux,  p.  75,  n.  45 

Societe  pour  l’Avancenient  du  Bien-etre 
de  Christiania,  p.  331,  n.  13 
Societe  Boyale  St.  Hubert,  p.  75,  n.  46 
Societe  Suisse  de  Numismatique,  p.  101, 
n.  9 

Societes  de  Sports  Athletiques  de  Bel- 
gique, Federation  des,  p.  195,  n.  12 
Society,  American  Geographical,  p.  26, 
n.  10 

Society,  American  Numismatic,  p.  26,  n. 
4,  9;  p.  27,  n.  32;  p.  29,  n.  63,  64;  p.  105, 
n.  2;  p.  106,  n.  14;  p.  204,  n.  47 
Society,  Engineering,  p.  27,  n.  19 
Society,  Hispanic,  of  America,  p.  27,  n. 

30;  p.  105,  n.  11,  12;  p.  106,  n.  13 
Society,  National  Geographical,  p.  333,  n. 
3,6 

Society,  National  Bose,  p.  238,  n.  6 
Society,  New  York  Historical,  p.  28,  n.  46 
Society  of  Artists,  Chicago,  p.  360,  n.  3 
Society  of  Miniature  Bifle  Clubs,  p.  124, 
n.  16 

Society  of  the  Cincinnati,  p.  28,  n.  54 
Society,  Pennsylvania,  p.  93,  n.  9 
Society,  Boyal  Agricultural,  of  England, 
p.  238,  n.  7 

Society,  Boyal,  p.  109,  n.  1 ; p.  238,  n.  8 
Society,  Boyal  Geographical,  p.  5,  n.  1 ; 
p.  6,  n.  4 

Society,  Royal  Statistical,  p.  5,  n.  1 

Society,  St.  Nicholas,  p.  8,  n.  5;  p.  37,  n.  2 

Soif,  La,  p.  218,  n.  8 

Soil,  E.  J.,  p.  74,  n.  15 

Soldats,  p.  310,  n.  30 

Solfege,  p.  188,  n.  17 

Solidarity,  La,  p.  311,  n.  35;  p.  348,  n.  26 
Sonndorfer,  Rudolf,  p.  240,  n.  18 
Sonnenthal,  Adolf,  p.  164,  n.  2 
Sorel,  Albert,  p.  51,  n.  1 
Sorolla  y Bastida,  Joaquin,  p.  13,  n.  8; 
p.  27,  n.  30 

Souliaits  Nouveaux,  p.  259,  n.  9 


GENERAL  INDEX 


Soupe,  La,  p.  88,  n.  9 

South  African  War,  Termination  of  the, 
p.  106,  n.  33 

Souvenir,  p.  184,  n.  34,  35 
Souverains  d'ltalie,  p.  53,  n,  45 
Souverains  Russes,  p.  53,  n.  46,  47 
Spanish  War,  p.  28,  n.  56 
Spicer-Simson,  G.  B.,  p.  320,  n.  17 
Spicer-Simson,  Hilda  L.,  p.  320,  n.  24 
Spicer-Simson,  Margaret,  p.  320,  n.  31 
Spicer-Simson,  Mildred  C.,  p.  320,  n.  35 
Spicer-Simson,  T.,  p.  321,  n.  44 
Spinnstube,  Bohmische,  p.223,  n.  9 
Spiritus-Verwertung,  Inter.  Aus.  f., 
p.  203,  n.  27 

Sport,  Idroet  giver  Sundhed,  p.  331,  n.  14 
Sports  Athletiques  de  Belgique,  p.  195, 
n.  12 

Sports,  Les,  Exposition  Universelle  de 
Paris,  p.  348,  n.  31 
Sposa,  La,  p.  43,  n.  12 
Sprinter,  The,  p.  210,  n.  17,  18 
Spuller,  Eugene,  p.  342,  n.  9 
St.  Gaudens,  Augustus,  p.  213,  n.  1 
St.  George  Athletic  Association,  p.  29, 
n.  59 

St.  Georges,  p.  83,  n.  21 ; p.  104,  n.  2 
St.  Gilles-lez-Bruxelles,  p.  283,  n.  2 
St.  Hilaire,  Barthelemy,  p.  51,  n.  3 
St.  Hubert,  p.  231,  n.26 
St.  Hubert,  Societe  Royale,  p.  75,  n.  46 
St.  Hubertus,  p.  244,  n.  56;  p.  297,  n.  36 
St.  Jean,  p.  259,  n.  10 
St.  John,  The  Young,  p.  162,  n.  5 
St.  Just,  Consecration  de  l’Eglise  de, 
p.  17,  n.  10 

St.  Lazare,  (Euvre  des  Liberees  de,  p. 
270,  n.  71 

St.  Louis,  Cinquantaire  de  l’lnstitut,  a 
Bruxelles,  p.  152,  n.  1 
St.  Louis,  Exposition  Universelle  de, 
p.  1 7,  n.  18,  19 

St.  Louis,  Deutsche  Unterrichts-Ausstel- 
lung  in,  p.  216,  n.  10 


St.  Michael,  p.  243,  n.  21 
St.  Michel,  p.  83,  n.  22 
St.  Nazaire,  Chambre  de  Commerce  de, 
p.  268,  n.  10 

St.  Nicholas  Society,  Anniversary  Din- 
ner, p.  8,  n.  5;  p.  37,  n.  2 
St.  Peter’s  College,  Westminster,  p.  208, 
n.  6 

St.  Sebastien,  p.  59,  n.  30 

St.  Trond,  Exposition  de,  p.  74,  n.  18 

Staatsmedaillen,  p.  137,  n.  1,  4,  5,  12; 

p.  138,  n.  13,  15;  p.  142,  n.  27 
Stabilimento  Tecnico  Triestino,  p.  291, 
n.  11 

Stampa,  La,  p.  277,  n.  10 
Staples,  Carlton  A.,  p.  4,  n.  2 
Station  Viticole  de  Villefranclie,  La, 
p.  342,  n.  20 

Statistical  Society,  Royal,  p.  5,  n.  1 
Steel  Institute,  Iron  and,  p.  72,  n.  1 
Steenwijlc,  Baron  et  Baronne  de  Vos 
van,  p.  74,  n.  10 
Stefanik,  Milan,  p.  316,  n.  7 
Steinle,  Fuhrlich,  Schwind,  p.223,  n.  12 
Stella,  Silvano,  p.  47,  n.  27 
Stenografia,  p.  286,  n.  21 
Stevenson,  Louisa  F.  and  Kent  Hawley, 
p.  140,  n.  2 

Stokes,  Gabriel,  p.  72,  n.  2 
Stokovski,  Leopold,  p.  66,  n.  7 
Stork,  Wharton,  p.  210,  n.  19 
Storm  Ride,  The,  p.  6,  n.  8 
Strauss,  Richard,  p.  166,  n.  29 
Stringher,  Bonaldo,  p.  43,  n.  7 
Strossmayer,  Josip  Juraj,  p.  201,  n.  3 
Stuart,  Anita,  p.  26,  n.  5 
Stucky,  Giovanni,  p.  46,  n.  16 
Studentenherberge,  G.  Rotter,  Griinder 
der,  p.  239,  n.  12 

Studienkopf,  Christus,  p.  240,  n.  19 
Studienkopf,  Madchen,  p.  240,  n.  20 
Studio  e Lavoro,  p.  43,  n.  17 
Study  of  a Child,  p.  209,  n.  15;  p.  210, 
n.  16 


408 


GENERAL  INDEX 


Stummer  von  Tavarnok,  Freiherr  Aug., 
p.  142,  n.  13 

Stuyvesant,  Peter,  p.  333,  n.  9,  10 
Suchanek,  Frau  Dr.,  p.  202,  n.  15 
Suisse,  Entree  de  Vaud  dans  la  Confede- 
ration, p.  101,  n.  7 

Sullivan,  Algernon  Sydney,  p.  263,  n.  2 
Sulzer  Freres  a Winterthur,  p.  102,  n.  24 
Susi,  p.  138,  n.  18 
Swimming,  p.  238,  n.  9 
Syndicat  des  Journalistes  Republicans, 
p.  188,  n.  18 

Syndicat  Forestier  de  France,  p.  98,  n.  8 
Syndicat  General  de  la  Bourse  de  Com- 
merce de  Paris,  p.  329,  n.  8 
Syndicat  General  des  Fabricants  de 
Sucre,  Java,  p.  362,  n.  9 

Taft,  Inauguration  of  William  H.,  p.  334, 
n.  13,  14 

Taine,  Genevieve  L.,  p.  270,  n.  66 
Tallmadge,  Frederick  S.,  p.  27,  n.  22 
Taufmedaille,  p.  323,  n.  13 
Ta  ure  au,  p.  232,  n.  27 
Taureau,  Lion  et,  p.  310,  n.  27 
Taureau  Normand  Couche,  p.232,  n.  28 
Taylor,  Maud  Mary,  p.  179,  n.  28 
Technische  Hochschule,  Die,  p.  141,  n.  7 
Temps  Consolateur,  Le,  p.  115,  n.  9 
Tendres  Amants,  Heureux  Lpoux,  p.  306, 
n.l 

Tenichev,  Princesse  Marie,  p.  221,  n.  18 
Tennisspieler,  p.  121,  n.  21 
Tennyson,  Alfred,  p.  189,  n.  1 
Termination  of  the  South  African  War, 
p.  106,  n.  33 

Terrier,  Dr.  F.,  p.  347,  n.  14 
Terry,  Ellen,  and  Sir  Henry  Irving, 
p.  253,  n.  4 

Testa  di  Bimba,  p.  286,  n.  22,  23 
Tete  d’Etude,  p.  349,  n.  46 
Tete  d’une  Vieille,  p.  191,  n.  18 
Tete  de  Jeune  Fille,  p.  75,  n.  51 

409 


Tete  de  Jeune  Fille  Polonaise,  p.  75, 
n.  49,  50 

Tete  de  Vieux,  p.  83,  n.  24 
Tete  de  Vieux  Peeheur  Hollandais,  p. 
113,  n.  14 

Tewele,  Franz,  p.  291,  n.  8 
Thausing,  Julius  E.,  p.  240,  n.  14 
Theatre,  The  New,  New  York,  p.  15,  n.  1 
Thun  und  Hohenstein,  Josef,  Graf  von,  p. 
142,  n.  14 

Tigre  Couche,  p.  232,  n.  29 
Til  enig  Vagt  om  Norge,  p.  331,  n.  15 
Timbre-poste  Francais,  p.  179,  n.  34 
Tir,  Le,  p.  83,  n.  18 

Tir  Cantonal  Sehwyzois  a Kiissnacht, 
p.  102,  n.  26 

Tir  de  Bale,  p.  102,  n.  25 
Tiro  a Segno  Nazionale  in  Roma,  p.  251, 
n.  7;  p.286,  n.  24 

Tirol,  Stadt  Hall  in,  p.  296,  n.  34,  35 
Tja-yo-ni,  Chief,  p.  289,  n.  4 
Toilette,  La,  p.  311,  n.  33 
Tolly,  Princess  Barclay  de,  p.  80,  n.  1 
Tolstoi,  Count  Leo,  p.  92,  n.  5;  p.  325,  n.  5 
Torino,  Camera  di  Commercio  di,  p.  285, 
n.  2; — Club  Alpino  Italiano,  p.  276,  n.  3 
Torino,  Congresso  Fisiologico,  p.  39,  n.  2 
Torino,  Fondazione  della  Litografia 
Doyen,  p.  276,  n.  1 

Torre  Filareta,  Inaugurazione  del  Riedi- 
ficamento  della,  p.  39,  n.  4 
Tourcoing,  Exposition,  p.  183,  n.  9 
Toureoing,  Foire  a,  p.  183,  n.  11 
Trask,  Katrina,  p.  28,  n.  36 
Trask,  Spencer,  p.  28,  n.  57,  58 
Trailer,  Die,  p.  295,  n.  9 
Travail,  Le,  p.  74,  n.  29;  p.  187,  n.  9 
Trave,  Inauguration  du  Canal  de  l’Elbe 
et  de  la,  p.  102,  n.  16 

Treves  dei  Bonfili,  Barone  Mario,  p.  285, 
n.  1 

Triestino,  Stabilimento  Tecnico,  p.  291, 
n.  11 

Triumph  des  Weibes,  p.  245,  n.  70;  p.  292, 
n.  22 


GENERAL  INDEX 


Triumphet  America,  p.  110,  n.  5 
Trois  Ages  dc  la  Vie,  Les,  p.  343,  n.  24 
Trondhjem,  Exposition  Agriculturale, 
p.  330,  n.  7 

Trotting  Camels,  p.  124,  n.  18 
Trowbridge,  Alexander  B.,  p.  319,  n.  2 
True,  P.,  p.  70,  n.  20 
Tschermak,  Gustav,  p.  203,  n.  26 
Tuberculosis  Congress,  International, 
p.  27,  n.  27 

Tuilerie  d’lvry,  p.  59,  n.  31 
Tunis,  Inauguration  du  Port  de,  p.  17,  n. 
22,  23 

Tunnel  du  Simplon,  Percement  du, 
p.  102,  n.  20 

Tunnelarbeiter,  Mesticanesti,  p.  296,  n.  33 
Turck  u.  Czermak,  p.  202,  n.  11 
Turnverein,  Akademischer,  Wien,  p.  239, 
n.  9 

Typothetae  of  New  York,  p.  27,  n.  21 

Uithuizen,  Rembertus  Jeltsema,  Szn- 
Landbouwer  te,  p.  149,  n.  6 
Ullman,  Eug.  Paul,  p.  289,  n.  5 
Umberto,  Re  dYtalia,  p.  39,  n,  4 
Underwood,  F.  Derwent,  p.  208,  n.  3 
Union  Centrale  des  Arts  Decoratifs,  p. 

271,  n.  78,  79;  p.  342,  n.  13 
Union  Franco-Americaine,  p.  271,  n.  80 
United  States,  Visit  of  Prince  Henry  of 
Prussia  to  the,  p.  29,  n.  63 
Universite  de  Christiania,  p.  331,  n.  9, 16 
Universite  de  Louvain,  p.339,  n.2-4;  p. 
340,  n.  5,  6 

University,  Cambridge,  p.  208,  n.  2 
University  of  Wisconsin,  p.  29,  n.  62 
Untcrrichtsausstellung  in  St.  Louis,  p. 
216,  n.  10 

Unterrichtswesen,  Der  Samann,  p.  155, 
n.  15,  16;  p.  244,  n.  52 
Urheberechtsconferenz,  Internationale, 
Berlin,  p.  216,  n.  14 

Utrecht,  Fabrique  Royale  C.  J.  Begeer  a, 
p.  362,  n.  2 


Utrecht,  Visite  de  la  Reine  Wilhelmina  a 
la  Monn.  d’,  p.  363,  n.  18 

Vade,  M.  P.,  p.  28,  n.  43 
Vague,  La,  p.  58,  n.  23 
Valencia,  Exposition  de,  p.  13,  n.  9 
Valkyrie,  p.  331,  n.  17 
van  Calcar  de  Boer,  Mine.  B.  C.,  p.  149, 
n.  5 

Van  den  Heuvel,  M.  Jules,  p.  175,  n.  3 
Van  Horne,  Sir  William  C.,  p.  209,  n.  14 
Van  Ysendyk,  Jules  Jacques,  p.  74,  n.  26 
Vanneuses,  p.  191,  n.  19 
Vatra  Luminoasa,  Eroffnung  des  ruman. 

Blindenheims,  p.  291,  n.  5,  6 
Valid,  Centenaire  de  l’lndependance  du 
Canton  de,  p.  101,  n.  7 
Veau,  Jeune,  p.  191,  n.  15 
Vecchi,  Massimo  de,  p.  43,  n.  11 
Velasquez,  Centenario  de,  p.  12,  n.  3 
Vendanges,  Les,  p.  349,  n.  48 
Venedig,  Ausstellung,  p.  170,  n.  8 
Venezia,  Esposizione  Internazionale 
d’Arte  della  Citta  di,  p.  43,  n,  9;  p.  264, 
n.27;  p.  285,  n.  7 
Venise,  p.  188,  n.  19 
Vent,  Le,  p.  113,  n.  9;  p.  308,  n.  20 
Venus  et  Amour,  p.  149,  n.  7 
Vergine,  p.  251,  n.  10 
Vernon,  Clemence  de,  p.  349,  n.  38 
Vernon,  Frederic  de,  p.  348,  n.  19 
Vernon,  Jean  de,  p.  348,  n.  23 
Verriest,  Dr.  G.,  p.  340,  n.  5 
Vespro,  p.  47,  n.  28 
Vespucci,  Amerigo,  p.  26,  n.  4 
Veyrat,  Georges,  p.  254,  n.  8 
Viardot,  Pauline,  p.  159,  n.  25 
Vicenza,  Esposizione  di,  p.  285,  n.  6 
Victoria  Adelheid,  Duchess  of  Saxe-Co- 
burg  and  Gotha,  p.  321,  n.  45 
Victoria,  Queen,  p.  106,  n.  28,  29 
Vie,  Les  Trois  Ages  de  la,  p.  343,  n.  24 
Vieille  Femme,  p.  88,  n.  11 
Vieille  Femme  Drapee,  p.  172,  n.  28 


410 


GENERAL  INDEX 


Vieille,  Tete  d’une,  p.  191,  n.  18 
Yieillcsse,  p.  311,  n.  34 
Viel  Gliick,  p.  242,  n.  7 
Vierge,  La,  p.  270,  n.  53;  p.  349,  n.  47 
Vierge  aux  Lys,  p.  254,  n.  13 
Vierge  et  Enfant,  p.  259,  n.  11 
Vierge,  Fil  de  la,  p.  191,  n.  12 
Vieux,  Tete  de,  p.  83,  n.  24 
Vignaud,  Henry,  p.  158,  n.  18 
Villarosa,  Duchesse  di,  p.  89,  n.  6 
Villefranche,  La  Station  Viticole  de, 
p.  342,  n.  20 

Vin  Mariani,  p.  226,  n.  9;  p.  232,  n.  30; 
p.  271,  n.  82 

Vinne,  Theodore  L.  De,  p.  27,  n.  21 
Violon,  Dos  de,  p.  58,  n.  7 
Virginie  la  Sage,  p.  369,  n.  26 
Viribus  Unitis,  p.  297,  n.  37,  38 
Visit  of  Prince  Henry  of  Prussia  to  the 
United  States,  p.  29,  n.  63 
Visite  a la  Monnaie  de  Paris,  Souverains 
Russes,  p.  53,  n.  47 

Visite  de  l’Escadre  Franc,  a Cronstadt, 
p.  18,  n.  39 

Visite  de  Leurs  Altesses  Royales  a Gand, 
p.  195,  n.  22 

Visite  de  S.  M.  la  Reine  Wilhelmina  a la 
Monnaie  d'Utrecht,  p.  363,  n.  18 
Visite  du  Roi  Haakon  VII  a Kongsberg, 
p.  331,  n.  18 
Vita,  p.  277,  n.  16 
Vita  Reata,  p.  261,  n.  8 
Viticole,  La  Station,  de  Villefranche, 
p.  342,  n.  20 

Viticulture,  p.  349,  n.  48 
Vittoria,  p.  277,  n.  17 
Vittorio  Emanuele  II,  p.  39,  n.  9 
Vizzavona,  Mme.  F.,  p.  226,  n.  8 
Vogue,  Comtesse  de,  p.  52,  n.  10 
Void  mes  Bijoux,  p.  310,  n.  26 
Volksbader,  Deutsche  Gesellscliaft  f., 
p.  216,  n.  9 

Volta,  Alessandro,  p.  39,  n.  1 

411 


Vos  van  Steenwijk,  Baron  et  Baronne  de, 
p.  74,  n.  10 

Vosburgh,  Loretta,  p.  360,  n.  5 

W.,  Miss,  p.  106,  n.  21 
W.,  Mr.  and  Mrs.,  p.  162,  n.  3 
Wagner,  Richard,  p.  243,  n.  35;  p.  366, 
n.  10 

Wagner,  Siegfried,  p.  166,  n.  31 
Wailly,  De,  p.  342,  n.  8 
Waker,  p.  328,  n.  8 

Waldeck-Rousseau,  Mme.,  et  Jacques 
Liouville,  p.  349,  n.  40 
Waldeck-Rousseau,  R.,  p.  349,  n.  44 
Waldersee,  Graf,  p.  323,  n.  4 
Waldron,  p.  321,  n.  46 
Wales,  Borough  of  Merthyr  Tydfil,  p. 

151,  n.  1 

Wales,  Edward,  Prince  of,  p.  105,  n.  6 
Wales,  National  Museum  of,  p.  151,  n.  4,  5 
Wales,  Prince  and  Princess  of,  p.  106, 
n.  24 

Wallon,  Sophie  Marguerite,  p.  53,  n.  33 
Walpurgisnacht,  p.  246,  n.  88 
Walque,  Francois  de,  p.  339,  n.  4 
War,  Spanish,  p.  28,  n.  56 
Warocque,  Raoul,  p.  75,  n.  41 
Waschermadel,  p.  223,  n.  6 
Wasser,  Das,  p.  295,  n.  6 
Watts,  George  F.,  p.  320,  n.  18 
Weiblicher  Akt,  p.  246,  n.  92 
Weihnachten,  p.  245,  n.  69;  p.  261,  n.  9 
Wein,  p.  138,  n.  19 
Weinman,  Catharina,  p.  357,  n.  1 
Weinman,  Howard  K.,  p.  357,  n.  2 
Weiskirchner,  Richard,  p.  291,  n.  3 
Welsh- Americans,  p.  110,  n.  6 
Wendell,  Rarrett,  p.  320,  n.  7 
Werner,  Adolph,  p.  28,  n.  50 
Werdnik,  Fechtmeister,  p.  300,  n.  2 
West,  Albert,  et  Marthe  Henon,  p.  16,  n.  2 
Westminster,  St.  Peter’s  College,  p.  208, 
n.  6 

Wettfliegen,  I.  L.  A.,  Frankfurt  a.  M., 
p.  245,  n.  60 


GENERAL  INDEX 


Wheeler,  John,  p.  35,  n.  4 
Whistler.  James  McNeill,  p.  27,  n.  28 
White,  Sir  George,  p.  105,  n.  9 
White  el  Fils,  Londres,  p.  331,  n.  19 
White  Horses,  p.  6,  n.  9 
Wliitehouse,  Francis  Meredyth,  p.  303, 
n.  5 

Whiting,  Arthur,  p.  118,  n.  2 
Wickenburg,  Graf,  p.  202,  n.  23 
Widmungstafel,  p.  170,  n.  9 
Wien,  Akad.  Turnverein,  p.  239,  n.  9 
Wien,  Ausflug  der  Numismatischen  Ge- 
sellschaft  in,  p.  141,  n.  3 
Wien,  Deutschmeister  Denkmal,  p.  300, 
n.  1 

Wien,  Der  Graphische  Club  in,  p.  239, 
n.  3 

Wien,  k.  k.  Hauptmiinzamt,  p.  240,  n.  15 
Wien,  Medaillen-Konkurrenz,  p.  291, 
n.  14 

Wienecke,  Sietske,  p.  362,  n.  7 
Wiener  Eislaufverein,  40-jahriges  Jubi- 
laum,  p.  141,  n.  6 
Wienerinnen,  p.  223,  n.  1 
Wierdsma,  Jan  V.,  p.  363,  n.  17 
Wieser,  Friedrich,  Freiherr  von,  p.  142, 
n.  28 

Wiesner,  Julius,  p.  296,  n.  22 
Wilczek,  Graf  Hans,  p.  202,  n.  22 
Wilhelm  II,  Deutscher  Kaiser,  p.  129,  n. 
11;  p.  134,  n.  4,  5 

Wilhelmina,  Reine  de  Hollande,  p.  195, 
n.  19 

Wilhelmina,  Visitc  de  la  Reine  a la  Mon- 
naie  d’Utrecht,  p.  363,  n.  18 
Wilson,  Adeline  Eunice,  p.  255,  n.  2 
Wilson,  Francis,  p.  68,  n.  1 
Wilson,  Richard  Cobden,  p.  229,  n.  3 
Winternitz,  Wilhelm,  p.  301,  n.  5 


Wintersport,  p.  242,  n.  10 
Wisconsin,  University  of,  p.  29,  n.  62 
Wissaert,  M.  et  Mine.  Fr.,  p.  366,  n.  12 
Wistfulness,  p.  210,  n.  22,  23 
Witte,  Alphonse  de,  p.  73,  n.  2;  p.  313,  n.  1 
Wittek,  Heinrich,  Ritter  von,  p.  201,  n.  7 
Wittwe,  p.  244,  n.  43 
Wolf,  Hugo,  p.  165,  n.  13 
Wolkenstein-Trostburg,  Graf,  p.  158, 
n.  15 

Wood,  John  Philip,  p.  320,  n.  26 
Wood,  Sir  Evelyn,  p.  123,  n.  6 
World’s  Columbian  Exposition,  p.335, 
n.  23,  24,  27 

Wrangel,  Hedwig,  p.  165,  n.  11 
Wright,  Wilbur  and  Orville,  p.  29,  n.  65; 
p.  334,  n.  19,  20 

X.,  Edmond,  p.  70,  n.  6 
X.,  Mile.,  p.  70,  n.  12,  13 
X.,  Mine.,  p.  179,  n.  27 
X.,  Yvonne,  p.  349,  n.  36 

Yachtclub  de  la  Marine  Royale  Neerlan- 
daise,  p.  362,  n.  10 
Yacht  Club,  Motor,  p.  106,  n.  22 
Yencesse,  Hubert,  p.  369,  n.  13 
Yorick  Club,  p.  5,  n.  2 
Ysendyk,  Jules  Jacques  Van,  p.  74,  n.  26 
Yuma  Indian,  p.  289,  n.  7 

Zeiner,  Ernst,  p.  143,  n.  29 
Zeppelin,  Harro  v.,  p.  246,  n.  81 
Zeus,  p.  243,  n.  23 

Zittau,  200-jahr.  Restehen  d.  k.  Sachs.  3. 

Inf.  Regt.,  No.  102,  p.  246,  n.  89,  90 
Zola,  Emile,  p.  221,  n.  7 
Zweifel,  Paul,  p.  154,  n.  4 


412 


